NSA leaker reunited with dancer Linsday Mills, with whom he lived in Hawaii The two are together again in Moscow, where Snowden is claiming asylum A picture shows the two enjoying a trip to a theatre in the Russian capital Vladimir Putin has granted the wanted man permission to stay for 3 years

By Will Stewart for MailOnline

Published: 13:58 EST, 14 October 2014 | Updated: 15:26 EST, 14 October 2014

A picture of U.S. whistleblower Edward Snowden and his American girlfriend at a Moscow theatre has emerged - and the possibility of the pair marrying in Russia has been raised.

The former National Security Agency contractor is 'happy' that Lindsay Mills is with him in Moscow.

The pole dancer was recently shown with America's most wanted man cooking in his flatin a fly on the wall documentary.

'Edward Snowden is happy that his girlfriend Lindsay Mills came to Russia and that she is supporting him,' said lawyer Anatoly Kucherena.

Reunited with America's most wanted man: The former National Security Agency contractor is 'happy' that girlfriend Lindsay Mills is with him in Moscow

'It's hard to predict if they are going to have a wedding in Russia.'

He spoke as the new picture was issued by state-owned news agency RIA Novosti of the couple on a night out at the theatre.

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Ed Snowden enjoys date with pole dancer girlfriend Linsday Mills

Edward Snowden in Laura Poitras's 'Citizenfour'

Many rave reviews of Laura Poitrass new documentary Citizenfour have already been written. The film tackles the large and difficult subject of government information collection, which can no longer be easily referred to as the sprawling surveillance state because it involves so many different states, often acting in concert. Documentaries on the subject such as PBS Frontlines recent United States of Secrets usually involve a series of interviews with people staring into the camera and telling you what they know. But that is not the Poitras style. She seeks to capture events as they happen rather than interviews, so her film features Congressional testimony, a speech at a hacker conference, arguments before a federal court about warrantless wiretapping, journalist Glenn Greenwald typing away in Brazil surrounded by his famous dogs, and the active construction site for the NSAs famous datacenter in Utah. But as the New Yorkers George Packer notes in his profile of Poitras, the heart of the film is the hotel room in Hong Kong. That would be the hotel room where NSA whistleblower Edward Snowden holed up for a week last year with Poitras, Greenwald, and Guardian journalist Ewen MacAskill and started the leak that launched a global debate about the intelligence communitys information binging in the digital age.

It is incredible that this historic week is captured on film. It is as if the Washington Posts Bob Woodward were accompanied by a cameraman for his meetings with Deep Throat, or Daniel Ellsberg tailed by a reality TV film crew as he made the momentous decision to share the Pentagon Papers with the press. Not only is the week captured, it is captured in minute and humanizing detail. Such close detail that one of my viewing companions suggested Snowden visit the dermatologist as he worried about some of his moles. It gives the TV show Big Brother a serious run for its money. The three participants (plus Laura Poitras, off screen) bond. Snowdens hotel room steadily gets messier. You see the famous Tor and EFF stickers on Snowdens laptop, but also that he has a copy of Cory Doctorows Homeland in the room a meta touch given that the novel is about a protagonist with a thumbdrive of incriminating government documents who is trying to decide how to leak them. Everyone starts making more jokes as they get more comfortable with one another, even as the bags under Snowdens eyes get darker as the stories he unleashed and his identity go viral. Poitras films Snowden at length simply watching the news, as anchors and experts debate the meaning of the government programs revealed such as the mass collection of telephone metadata and Snowdens own motivations. It is riveting.

Edward Snowden and Glenn Greenwald at the Mira in Hong Kong. A historic week, captured on film.

It is also hilarious at times. Snowden was convinced of the danger of his coming forward. I appreciate your concern for my safety, but I already know how this will end for me and I accept the risk. I ask only that you ensure this information makes it home to the American public, he wrote in an email to Poitras before meeting her, when he signed his emails only as Citizenfour. It was a serious enterprise, and Snowden was convinced of dire results for him, but the tension was lifted by moments of levity. At one point, a fire alarm keeps going off, interrupting their discussions of intelligence programs, awakening first paranoia is someone trying to interrupt their session? and then, after a call to the front desk that reveals its maintenance, simple annoyance.

Snowdens paranoia about being watched is at first laughable to the journalists. Snowden dons the famous red hood, covering himself and his computer to enter his passwords so that an observer or camera cant catch it, while Greenwald looks away trying not to smirk at the absurdity, calling the red blanket Snowdens magic mantle of power. We have all heard the story of Snowden originally reaching out by email to Greenwald but then turning to Poitras instead because Greenwald refused to learn how to use encryption. In the film, Snowden continues to dog Greenwald for his poor security practices, looking shocked when he realizes Greenwald has casually left an SD card with classified documents in his computer. Lets remember to change this out every once in a while, he says. Itll be public soon, Greenwald responds. When Snowden hands Greenwalds computer back to him to type in his password, Greenwald quickly dashes it off and hands the computer back. Well, looks like your password is about 4 characters, Snowden says humorously. I type fast, responds Greenwald. It makes you wonder what jokes Woodward and Mark Felt (a.k.a. Deep Throat) exchanged in that parking garage.

The preternatually composed Snowden is so focused on making sure the journalists understand whats in the documents that he sometimes forgets small gestures. As seen in the trailer, MacAskill has to interrupt Snowdens real-life information download to tell him he has no idea who this guy is. When Snowden launches into his resume, MasAskill interrupts him again. I dont even know your name, he says.

It is a movie about the spread of surveillance, that documents not just the power of the governments surveillance in the digital age but our own power when we capture moments that matter: Snowdens capture of documents at the NSA and Poitrass memorializing this meeting between a whistleblower and the journalists who would bring his secrets forward.

Though sometimes the surveillance in the film is not as sprawling as we would like: at the end of the hotel interviews in Hong Kong, Snowden walks out the door with a lawyer bound for the U.N. and then disappears. We dont get to see the rest of his time in Hong Kong or how he got onto a flight to Russia or his multi-week stay at the Moscow airport. He appears again only in two scenes at the end, revealing calm domesticity as we learn that his girlfriend Lindsay Mills has joined him in Russia and joyousness when Greenwald reveals to him that another leaker of government secrets has come forward with information about the U.S. drone strike program being run out of Germany and the 1.2 million people on the terrorist watchlist (though the Intercept, of which Poitras and Greenwald are founders, reported in August it was only 700,000 people).

There are many, especially in the intelligence community, who believe Snowden is an agent of a foreign power, turned against the U.S. by another countrys spy a plot laid out by a former NSA employee (who met Snowden in a kung-fu class years ago) in a blog post entitled How I Believe Things Went Down. The film serves as a rebuttal.

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The Best Part Of The Snowden Documentary 'Citizenfour'