End-times: How the dead will rise and when? The Manila Times – The Manila Times

Someone may say, How are the dead raised? With what kind of body will they come back? [The body] is sown corruptible; it is raised incorruptible. It is sown dishonorable; it is raised glorious. It is sown weak; it is raised powerful. It is sown a natural body; it is raised a spiritual body. If there is a natural body, there is also a spiritual one. The First Letter of Saint Paul to the Corinthians, 15:35, 42-44

The above Epistle passage from Fridays first Mass reading describes resurrection in Christian belief. Rather than just getting back their former bodies, the risen will have spiritual bodies, endowed with supernatural qualities as the Risen Christ showed in dazzling with divine light, appearing and disappearing anywhere, floating heavenward and, of course, living forever.

That is what believers of the Rapture expect when Jesus Christ returns in the end times. The righteous still alive during His Second Coming will not die just to be instantly resurrected. Rather, their living bodies will be transformed into the same resurrected constitutions the dead will have.

So said St. Paul later in his First Letter to the Corinthians (1 Cor 15:51-54): We shall not all sleep [die] but we shall all be changed, in a moment, in the twinkling of an eye, at the last trumpet [said to be before the Rapture]. ? For this perishable nature must put on the imperishable, and this mortal nature must put on immortality.

The Apostle explains further in his First Letter to the Thessalonians (4:16-17): For the Lord himself will descend from heaven with a cry of command, with the archangels call, and with the sound of the trumpet of God. And the dead will rise first; then we who are alive, who are left, shall be caught up together with them in the clouds to meet the Lord in the air, and so we shall always be with the Lord.

When will Christ return?

The question for believers since our Lords Ascension, of course, is: When?When the first disciples were still alive, Christians thought the Second Coming would happen in their lifetime. Hence, as quoted above, St. Paul said, We [believers] shall not all sleep? or die before Jesus returned.

In the two millennia since those Apostolic times, the faithful in different eras thought they too would live to see Christ return in triumph, as foretold in Scripture. Such end-times or eschatological expectations tended to intensify amid periods of widespread distress and disaster like today.

Thats because the Second Coming or Parousia is supposed to happen after war, famine, pestilence and death predicted in the Book of Revelation or Apocalypse, said to be about the end-times, and Chapter 24 of the Gospel of St. Matthew, called by many the mini-Apocalypse.

Now, with worldwide pandemic, economic dislocation and civil unrest, plus intensifying geopolitical rivalry and saber-rattling between superpower America and fast-rising China, eschatological expectations are again burgeoning. So are Second Coming expectations, along with Rapture proclamations, some as early as this December.

The billion-strong Catholic Church, the largest Christian denomination, does not share such expectations, at least officially. As discussed in this column two Sundays ago, the Church expects five major prophecies to happen before the Parousia, including Israels conversion to Christianity and the seven-year Tribulation.

Plus: the rise and rule of the evil Antichrist, who will even declare himself God for all to worship (https://www.manilatimes.net/2020/09/06/opinion/columnists/topanalysis/you-are-the-watchman-warn-the-people-for-me/764797/).

While also going by similar end-times timetables, other Christian groups argue that Christ will not wait till all five events have happened before Rapturing his bride, the Christian Church.

Rapture, not ravage, the bride

Indeed, perhaps the most widespread belief among Christians pondering the end-times is Rapture before Tribulation. According to this Pretribulation view, Christ will not let his bride, the multitude of believers, be ravaged through the seven years of worldwide calamity, tyranny and death, including the demonic rule of the Antichrist, who is predicted to force all humanity to worship him on pain of death.

Why, Pretribulation advocates argue, would Christ subject his loyal followers awaiting his Second Coming to immense agonies, including threats that may prod many to apostasy from the faith and idolatry of the Antichrist?

Well, Pretrib opponents may counter, God did not spare His own Son, not to mention countless martyrs over the millennia, from St. Stephen in Jerusalem soon after the birth of the Church at Pentecost all the way to believers beheaded on YouTube by Daesh. Why would He have qualms about subjecting todays faithful to the ultimate test of faith at the murderous hands of the Antichrist?

In todays first Sunday Mass reading, the Prophet Isaiah declares: For my thoughts are not your thoughts, nor are your ways my ways, says the Lord. As high as the heavens are above the earth, so high are my ways above your ways and my thoughts above your thoughts (Isaiah 55:8-9).

Our Lord will come and take his followers when and how he wishes, whatever human thinking may surmise he would do. And we can only turn to the Lord for mercy, to our God, who is generous in forgiving, as Isaiah admonished in the first reading.

Or as Jesus taught us to pray, Forgive us our trespasses as we forgive those who trespass against us. Amen.

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End-times: How the dead will rise and when? The Manila Times - The Manila Times

Cicely, Cloris, and two paths to Hollywood immortality – The Boston Globe

In remembrances of Cicely Tyson and Cloris Leachman, two acting titans who died last week, one couldnt help but notice parallels between their careers.

In the early 1970s when they first achieved national acclaim, both were already in their mid-40s. Leachman won an Academy Award in 1972 for her supporting role in The Last Picture Show. That same year, Tyson starred in Sounder, becoming only the second Black woman nominated for a best-actress Oscar.

Both also enjoyed success on television Leachman on The Mary Tyler Moore Show and, later, her own spinoff series, Phyllis. Tyson soared in The Autobiography of Miss Jane Pittman and Roots. At 80, Leachman won an Emmy, her eighth, for Malcolm in the Middle. Tyson, also a multiple Emmy winner, made a celebrated return to Broadway in The Trip to Bountiful, winning a Tony when she was 88. And each continued to work into their 90s.

Yet theres a jarring difference. On the Internet Movie Database, Leachman has 287 credits while Tyson has 94, although their career longevity was roughly the same. Of course Leachman, as a white actress, always had more opportunities. Tyson could have worked more, but instead she chose only those roles that exalted the emotional complexity of Black people, especially Black women.

I made up my mind that I could not afford the luxury of just being an actress, and I would use my career as my platform, Tyson told CBS This Morning cohost Gayle King in one of her last interviews. She was promoting her autobiography, Just as I Am, written with Michelle Burford, where she explains the promise she made to herself.

As an artist with the privilege of the spotlight, I felt an enormous responsibility to use that forum as a force for good, as a place from which to display the full spectrum of our humanity, Tyson wrote in the book, which was released two days before her death. My art had to both mirror the times and propel them forward. I was determined to do all I could to alter the narrative about Black people to change the way Black women in particular were perceived, by reflecting our dignity.

Like Lena Horne, who years earlier refused to accept roles she found demeaning, this meant that Tyson often found meaningful work scarce. If Hollywood refused to acknowledge the depth of Black lives, that would be the industrys shame. Tyson would not perpetuate its lies for more money or greater fame.

Still, I wonder what else Tyson might have given us if allowed the breadth of opportunities Leachman enjoyed. (In my casting director fantasies, I long imagined Tyson playing political trailblazer Shirley Chisholm, the first Black woman elected to Congress.)

In her career, Leachman could move from the drama of a depressed woman having an affair with a much younger man in The Last Picture Show, to the narcissistic and neurotic Phyllis Lindstrom on The Mary Tyler Moore Show, to the hilarious Frau Blcher in Young Frankenstein. Her range was inexhaustible.

The same could be said of Tyson, who also carried the burden of correcting this nations disgraceful image of Black people, one very much reinforced by popular media. To be clear, I doubt she saw that weight on her petite shoulders as a burden at all. It was the cost she willingly paid for her time on this earth. Thats a choice many Black people confront throughout their lives whether to prostrate themselves for white acceptance or create a life where they can lift their people as they climb.

From Coretta Scott King to Harriet Tubman to a sharecropper fighting to save her family from the ravages of the Depression and racism, Tyson excelled in playing tenacious, undefeated Black women. She held up a mirror to her community, and what we saw reflected was beauty, substance, and self-respect. For more than six decades, Tyson refused to stand in a spotlight that shone on her alone.

Both Leachman and Tyson are icons. One will be remembered for finding that distinctive spark in every part she played. Tysons greatest role was her sacred belief that what was best for her culture would be best for her career. A love of Blackness was her true compass, and with it she defied ignorance, saw light in desolation, and traced a path from our broken places to glory and grace.

Rene Graham can be reached at renee.graham@globe.com. Follow her on Twitter @reneeygraham.

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Cicely, Cloris, and two paths to Hollywood immortality - The Boston Globe

Torquing Point: The 2020 Tuscan Grand Prix | PlanetF1 – PlanetF1

Date published: September 14 2020

Madness in Mugello made it two great races in a row, and again left the PF1 team the task of making sense of the carnage. We did our best

After a messy first corner of the Tuscan Grand Prix, the chaos reached another level nine laps later. Finley and Michelle kick things off by taking a look at the Safety Car restart that led to a huge incident, debating who, if anyone, was the blame for the pile-up that took out four cars.

The incident brought out the first of two Red Flags for the race, and with so many of those being waved recently, the pair discuss what the current state of affairs is when a race is suspended. Are standing starts the way to go? Should drivers be allowed a free pit-stop?

In a race that just 12 drivers finished, there were some stand-out performances that need to be talked about. As per usual, one of them came courtesy of Lewis Hamilton. Even after a poor start, he recovered to cruise to victory and take a step closer to sporting immortality. It begs the question, does Valtteri Bottas really believe that he can beat the Brit?

Behind the Mercedes drivers, Alex Albon passed Daniel Ricciardo to take P3 and his first-ever podium. With Pierre Gasly winning in Monza and Max Verstappen retiring early on at Mugello, there was more pressure than ever on the young Thai driver, and its fair to say he delivered. Looking ahead, it may well be the drive that secures him a 2021 seat at Red Bull

Given it was Ferraris 1000th anniversary in F1, they just have to be discussed. While both cars finished in the points, it was yet another weekend with little to smile about in the Italian camp. Theyll be desperate to get back to winning ways, and the sport, fans and the PF1 team are all desperate to see it.

Episode number 20 is wrapped up with a discussion regarding whether Mugello deserves to be on the calendar again next season, and a brief look ahead to the Russian Grand Prix, where things probably wont be quite as exciting. Mind you, looking at the last couple of weeks, who knows

Head over to your provider of choice to listen to the latest episode or simply press play below.

Follow us on Twitter@Planet_F1, like ourFacebook pageandjoin us on Instagram!

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Torquing Point: The 2020 Tuscan Grand Prix | PlanetF1 - PlanetF1

Our last breath is a victory | Opinion | heraldledger.com – The Herald Ledger

For the child of God who has been made clean by the precious blood of Jesus, death is swallowed up in victory. Paul writes, I Corinthians 15:55-57, O death where is thy sting? O grave, where is thy victory? But thanks be to God, who giveth us the victory through our Lord Jesus Christ. For the redeemed, death is a first class ticket on angels air-lines with angelic attendants.

In the twinkling of an eye, we will be torn away from this old sin cursed body to a new transfigured one int he presence of the Lord! (II Corinthians 5:6-8) The grave is not a cul-de-sac for the child of God, but a thoroughfare for us who trusted in Him. (Psalm 23:4) We walk through death not into to stay. (Yay though I walk through!).

Praise God. One day the graves will burst open and the ones who have died in Christ, their bodies will come out and go to be with Jesus! (I Corinthians 15:51-54).

Death is not the end of a toilsome journey, but the entering into a new and abundant life in Jesus. (John 10:10). Dont view death as a destruction but a re-creation. A re-creation that is sinless, made to last forever. Paul said, Corruptible shall put on in corruption and mortal shall put on immortality! (I Corinthians 15:53-54).

Death is not to be feared by the believer. (Hebrews 2:14-15). Death is not to the victim a sorrow but a time of glorious shouting. Death is not a losing, but a gaining. (Philippians 1:20-21). Revelation 14:13 teaches us that, Happy are they who die in the Lord for they shall rest from their labors and their works (for rewards) do follow them.

Death may be a parting for some, but Christians will have a glad reunion day. It is not a going away, but a grand reception in the halls of the homes already prepared for us. Death may whisper, you must go from earth, but Jesus will say, Welcome home thou good and faithful servant. Thou has been faithful over a few things, I will make you ruler over many things.

Sir Walter Scott wrote, Is death the last sleep? No. It is the last and final awakening. For to me, to die is gain. (Philippians 1:21.)

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Our last breath is a victory | Opinion | heraldledger.com - The Herald Ledger

Roy Curtis: ‘If Mayo are to achieve immortality, it will require the greatest act of defiance Croke Park has ever known’ – Sunday World

rnst Jnger had most likely never heard of Mayo nor Gaelic football when, exactly 100 years ago, he drafted perhaps the most savage and lyrically striking account of war ever committed to print.

Yet the stark, three-word title of the German World War One veteran's visceral recollection of life in the trenches feels like a perfect fit when considering what James Horan's side will encounter when they gallop over Croke Park's brow and into the eye of Dublin's murderous efficiency.

Storm of Steel.

If Mayo are to locate unmatchable glory, if they are to make matchwood of so many dire predictions, if they are to finally touch fantasy, it will require the greatest act of defiance the GAA's old house of worship has ever known.

They are required to defy gravity and logic and the apparently immutable laws of nature.

Only the kind of wild and admirable contrariness that is their calling card will convince Mayo they can bend the rules of physics.

Their most potent asset is that they stride onto a rectangle of grass that Dublin pitiless, incomparable, insatiable, magnificent Dublin have transformed into a killing field, armed with the absolute conviction that they will win.

Aidan OShea and Cillian OConnor and Patrick Durcan will not doubt for even a nanosecond that they can take down Brian Fenton, Ciarn Kilkenny and Dean Rock.

It doesnt matter that such a mindset might seem illogical, the same kind of unhinged optimism that persuades a lion-tamer certain he will emerge unscathed from sticking his head between the jaws of a hungry jungle cat.

Close

Michael Fitzsimons of Dublin battles with Mayo talisman Cillian O'Connor

SPORTSFILE

The very fact they wear a cape of defiance rather than the cloak of inferiority that is the uniform of choice for so many of Dublins trembling opponents offers Mayo an initial shield against the storm of steel enjoyed by few of their peers.

Is it enough to counter the forest of statistics insisting those green and red ambitions are bound once more for the boneyard?

Almost certainly not.

Mayo have not beaten Dublin in 16 attempts spanning more than eight years.

The odds-makers think it is twice as likely that Dublin will win by more than 10 points than lose by one.

Meath, like Mayo, relegated from Division One in late autumn, were pulverised by Dessie Farrell's Sky Blue junkyard car crusher in the Leinster final. Long before the end of a 21-point slaughter, the more squeamish among the TV audience felt obliged to avert their eyes.

Horan understands that he faces an opponent propelled by the kind of ambition that knows no bounds, that it is Dublins way to keep throwing dizzying punches long after their concussed opponent has been counted out.

He knows too that Fenton, Kilkenny, Rock, Stephen Cluxton, James McCarthy and Con OCallaghan all long ago secured residency in footballs hall of fame.

Somehow, still, Horan will not permit himself to surrender to futility as he prepares for one of the great challenges in all of sport.

His county's back catalogue in this match-up is one vaccine against despair.

In 2016 and 2017, the teams contested three All-Ireland finals in 12 months. One of those convulsive contests finished in a draw, the other two were settled by a point. At the end of nearly four hours of superior, compelling football, the aggregate score was 4-41 (53) to 2-45 (51) in Dublins favour.

On one level, the strength of Mayos conviction, that unbreakable belief that can plant their standard on football's highest peak, can seem like a kind of madness.

It is, after all, 69 years since they were champions of Ireland. Some 13 counties among them Louth, Offaly and Derry have lifted Sam since 1951.

If national silverware was the only measure, then Mayo could be accused of marching with a strut that is wildly out of proportion to their achievements.

But then, there is more than a single yardstick to calculate greatness.

Competitive courage, a superhuman defiance, a Terminator-like capacity, even when ruinously disabled, to reform and re-gather and return the following year to battle againthese are the qualities that underpin Mayo.

And have earned them the affection of so many neutrals.

Even more than Kerry, though the latter bagged the only All-Ireland not won by Dublin since 2013, they have found a way to go toe-to-toe time and again with the greatest force the game has ever known.

Beyond that history of insolence, the bedrock on which to construct any kind of solid argument the underdogs can bark loudest on Saturday is non-existent.

Examine the relative strengths of both teams and this can be viewed as a contest between an electric chair and a doomed death row convict.

Dublin's third quarter eruption of brilliance in last year's semi-final, a detonation of shock and awe pyrotechnics that made a mushroom cloud of Mayo hopes, seemed to radically reset the parameters of their decade-long rivalry.

Any war-gaming of likely outcomes based on that game would have Mayo risking not only defeat but destruction.

Dublin, it is true, will not face Mayo's broken class of 2019.

Horan has re-seeded, adding youth, pace and forward potency. Eoghan McLaughlin, Oisin Mullin and Tommy Conroy offer a fresh line of resistance.

Even still, the sense is that Mayo are no longer the force of old certainly not defensively.

Tipperary, a Division Three team, created near double-figure goal chances in the All-Ireland semi-final.

Every time they ran at Mayo, the green and red gates seemed to slide invitingly open.

Offer Dublin a similar scent of blood and their carnivore instincts will take over, inflicting instant annihilation.

The kind visited on even those warriors of rare conviction, who go eyeball-to-eyeball with something as ferocious and unceasing as Dublin's storm of steel.

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Roy Curtis: 'If Mayo are to achieve immortality, it will require the greatest act of defiance Croke Park has ever known' - Sunday World

The Science of It: Ancient construction from Pompeii – WESH 2 Orlando

SHELDON: THE TECHNIQUES AND POMPEII, I FOUND OUT MORE ABOUT THEM AT THE ORLANDO SCIENCE CENTER. WE ARE BACK WITH THE SCIENCE CENTER. WE ARE HERE IN THE POMPEII EXHIBIT. A LOT OF GREAT, INTERESTING THINGS ON DISPLAY, INCLUDING THIS THING. WHAT IS IT? >> THIS IS A CRANE THAT THEY USED WAY BACK THEN, JUST LIKE WE SEE ON I-4 TODAY. ITS MAN POWERED. PEOPLE MOVE ONE WAY TO RAISE THE LOAD AND THE OTHER TO LOWER IT. THERE WOULD BE TEAMS OF PEOPLE IN THE BACK SECTION TO RAISE THE ARM AND MORE TO ANGLE THE LOAD AND ONCE IT WAS ANGLED CORRECTLY, PEOPLE WALK THE OTHER WAY TO LOWER IT DOWN. >> INTERESTING. >> THIS IS MASSIVELY SCALED DOWN. THINGS LIKE THIS WOULD ACTUALLY BE LIKE THE COLISEUM IN ROME OR ONE OF THE BIGGER AMPHITHEATERS IN POMPEII. SHELDON: EVEN WITHOUT THE TECHNOLOGY WE HAVE TODAY THEY WERE ABLE TO CONSTRUCT THESE AND THINGS HAVE STAYED STANDING. >> YES, THE CITY ITSELF SURVIVED THE VOLCANIC ERUPTION AND MOST OF THE STRUCTURES ARE STILL OPERATE BECAUSE OF THE INGENIOUS -- UPRIGHT BECAUSE OF THE INGENIOUS ENGINEERING. THIS EXHIBIT IS ON LOAN FROM THE ARCHAEOLOGICAL MUSEUM OF NAPLES AND IT WILL BE HERE THROUGH JANUARY 24, SO TIME IS RUNNING OUT. 10:00 TO 5:00. TICKETS ARE ONLINE BY RESERVATION AND THERE ARE TIMESLOTS FOR POMPEII ITSELF THAT YOU HAVE TO RESERVE TO MAKE SURE THAT WE DONT HAVE OVERCROWDING AND TO MAKE SURE THAT WE CAN DO SOCIAL DISTANCING AND MAKE SURE THAT WE ARE BEING SMART AND SAFE. SHELDON: THANK YOU SO MUCH. THE ORLANDO SCIENCE CENTER IS EXTENDING THE -- THEIR HOURS FOR THE FINAL WEEK OF THE EXHIBIT, STAYING OPEN UNTIL 8 P.M. AND THE LAST TICKETS WILL BE SOLD AT 7 P.M. I TOOK LATIN IN HIGH SCHOOL AND WE LEARNED MORE ABOUT ITALIAN AND ROMAN CULTURE, BUT THAT WAS A GREAT REFRESHER. JAZMIN: MY FATHER RECEIVED HIS HOLY COMMUNION IN POMPEII. MY DAD IS FROM NAPLES. SHELDON: THATS SO AWESOME. JAZMIN: I WISH HE

The Science of It: Ancient construction from Pompeii

Updated: 11:19 AM EST Jan 19, 2021

WESH 2 News has partnered with the Orlando Science Center to bring you The Science of It.Today, we're learning about ancient construction in Pompeii.Pompeii: The Immortal City is now at the Orlando Science Center.During the final days through Jan. 24, there are extended hours on Jan. 22 and 23, according to the website.The last ticketed time will be 7 p.m. and the building will close at 8 p.m. for those two days only. This exhibit is only on display until Sunday, Jan. 24. Pompeii: The Immortal City is supported, in part, by a grant from Orange County Government through the Arts and Cultural Affairs Program and its tourism partners.For more information from the Orlando Science Center, CLICK HERE.

WESH 2 News has partnered with the Orlando Science Center to bring you The Science of It.

Today, we're learning about ancient construction in Pompeii.

Pompeii: The Immortal City is now at the Orlando Science Center.

During the final days through Jan. 24, there are extended hours on Jan. 22 and 23, according to the website.

The last ticketed time will be 7 p.m. and the building will close at 8 p.m. for those two days only.

This exhibit is only on display until Sunday, Jan. 24.

Pompeii: The Immortal City is supported, in part, by a grant from Orange County Government through the Arts and Cultural Affairs Program and its tourism partners.

For more information from the Orlando Science Center, CLICK HERE.

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The Science of It: Ancient construction from Pompeii - WESH 2 Orlando

CHINA: THE NEW ANIMATED FEATURE OVER THE MOON OUTSHINES MULAN – Asia Media International

CADY-BREE ABE WRITES Both audiences and critics alike are over the moon for, yes, Over the Moon, the newest computer animated feature to hit Netflix on October 23. The Chinese film, produced by Peilin Chou (Kung Fu Panda, Abominable), stars Chinese-Filipina actress/singer Cathy Ang as Fei Fei, American born John Cho (Harold Lee in the Harold & Kumar films) as her father, and Canadian born actress Sandra Oh (Cristina Yang of Grays Anatomy) as Mrs. Zhong.

After the disastrous live action Mulan that was released this year, some were afraid to see another beloved cultural Chinese story turned into a movie. Like Mulan, Over the Moon is based on a very important folklore tale. It tells the traditional story of Change () which is very relevant to the Mid Autumn Moon Festival (). The story is story centered around a beautiful woman who takes a potion to achieve immortality and become a goddess on the moon, where she waits for her lover Houyi.

Fortunately, unlike Mulan, Over the Moon offers both accurate representation and lively entertainment. For example, the movie perfectly depicts that delectable Chinese treat and cultural touchstone, the mooncake (), a special semi-sweet dessert made up, in part, of red dates and melon seeds, which is traditionally eaten during the Moon Festival. The film outlines the baking process in a song montage showing people using wooden rolling pins to shape the mooncake mould.

Over the Moon also depicts realistic Asian family structures. It shows how, during the Mid Autumn Moon Festival, families from all over China come together () to cook and eat an extravagant dinner while admiring the beautiful full moon. The film correctly depicts the importance of family, while also adding witty humor that many Asian Americans can relate to, such as sassy aunties, and grandmas who all too often criticize young womens weight.

Over the Moon tells its story through the use of Mandarin, a traditional Chinese dialect. The most iconic inclusion of the language is in the song Yours Forever, sung by Phillipa Soo and Comrad Ricamora. The movies entrancing soundtrack is so beautifully, chillingly performed, it could well leave audiences simultaneously singing and crying.

Over the Moon is a feel-good, animated movie that is also educational, so its great for watching with family and friends. It offers an easy-to-digest introduction to authentic Chinese culture, made scrumptious through the use of fantasy, folklore and musical entertainment-an irresistible movie treat.

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CHINA: THE NEW ANIMATED FEATURE OVER THE MOON OUTSHINES MULAN - Asia Media International

Star Wars: High Republic Villains May Be More Dangerous Than The Empire – Screen Rant

Star Wars' Doctor Aphra, the infamous archaeologist, has been hired to go after an ancient artifact that proves the power of the High Republic's Nihil

Warning! Spoilers ahead for Star Wars:Doctor Aphra #6

The High Republic era is fast approaching forStar Warsfans, revealing an all-new time period set 200 years before the events of the Skywalker Saga. However, Marvel has already begun to tease the new era in their various comics, especially their ongoingDoctor Aphraseries from Alyssa Wong. The series has revealed new artifacts and elements of history from the High Republic, but the latest issue may have revealed its biggest tease yet, showing fans that the villains from the High Republic known as the Nihil might have been even more dangerous than the Empire.

In the first arc of Wong'sDoctor Aphra, the infamous archaeologist formed a crew to go after the legendary Rings of Vaale, said to grant their wielder immortality, fortune, and power. These valuable and rare artifacts were reported to have originated from the High Republic era, and Aphra's crew even manages to locate the ring in the abandoned Lost City of Vaale, uncovering symbols and iconography from the High Republic as well. However, the rich and powerful Ronen Tagge sought the rings for himself, leading to a confrontation between his forces and Aphra's crew. While the conclusion of this arc ended with Aphra besting Ronen, it did put her in the crosshairs of Ronen's Aunt Domina, the matriarch of the powerful Tagge family.

Related:Star Wars: High Republic's New Jedi Hero is The Anti-Anakin

Domina Tagge hires bounty hunters to bring Aphra to her ship inStar Wars: Doctor Aphra #6from Wong with art by Ray-Anthony Height and Robert Gill. However, it's remarkably not to seek revenge on Aphra for defeating her nephew. Instead, she actually hires Aphra to infiltrate a rival tech company that claims to have discovered an ancient path engine, a device designed by the villains of the High Republic.

From what's been teased so far, the High Republic will have been enjoying a period of peace and prosperity until the emergence of High Republic villains known as the Nihil. The Nihil will somehow be responsible for the Great Disaster, an event that involves the wreckage of ships coming out of lightspeed with highly destructive and deadly force, obliterating worlds in their wake. According to Domina is this issue, the Nihil path engine holds the key to a long-lost method of an even faster form of lightspeed, which in the grand scheme would not work in Lady Domina's favor. Faster lightspeed travel would completely change not just the galactic economy, but the current Galactic Civil War as well, neither of which would bode well for the Tagge Family.

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Star Wars: High Republic Villains May Be More Dangerous Than The Empire - Screen Rant

Toughest clock to reset is my body clock – Alton Telegraph

Toughest clock to reset is my body clock

We waved farewell to daylight saving time last weekend. If you miss it, dont worry. It will be right back in about 4 more months. So why do we bother adjusting the clocks in the first place?

Daylight saving time was originally marketed as a way to save energy. Is that really even true? I have to adjust two car clocks, three wall clocks, my wristwatch, an oven clock, and a microwave clock. (Mickeys hands especially give me a lot of trouble on my wristwatch.) I spend so much time running around the house finding and adjusting clocks, that when Im finshed Im so exhausted I need to rest for at least an hour. Does that sound like it saves any energy to you?

Not only that, it usually takes me more than an hour to do all this, so instead of saving an hour, I usually lose one. Then four months later I can do it all over again and lose two hours.

The only clock I cant seem to adjust correctly is my body clock. Unlike the regular kind, mine takes 2-3 days to get the time right. Part of that has to do with the fact that I always have trouble figuring out which is my big hand and which is my little hand. They always look the same size to me.

Daylight saving time has been around since World War I which makes it seem like the Middle Ages to millennials. It outlasted that war, managed to outlive another world war and survives to this day. Nothing seems to be able to kill it. I think if a cockroach and daylight saving time got into a fight over immortality, the cockroach would lose.

Daylight saving time is worse than money in the bank, because just like money in the bank it is generating less and less interest. Id rather stay on daylight saving time all year and abolish standard time altogether.

The idea of the bodys adjusting to time differences has to do with its so-called circadian rhythm. That means your body wants to be awake when the sun is up and asleep when the sun is down. This is exactly the opposite of what teenagers want their bodies to do. I guess you can say they have no circadian rhythm, which makes sense considering their taste in music these days.

And when you mess with your circadian rhythm it can lead to weight gain, impulsivity, slower thinking, and other physiological and behavioral changes. That pretty much describes me to a T.

And finally if you ask me, this whole moving the hands backwards one hour on your watch isnt very clock-wise.

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Toughest clock to reset is my body clock - Alton Telegraph

Vicky Kaushal to weigh more than 100 kgs for his next The Immortal Ashwatthama – Filmfare

Vicky Kaushal surely has an interesting line-up of films on his platter. He has a YRF film with Manushi Chillar which is supposed to be a comedy. Then he stars in a magnum opus, to be directed by Aditya Dhar. The two will team up after the success of Uri: The Surgical Strike. The actors character is based on the mythological character Ashwatthama, the son of Dronacharya who was given the boon of immortality in the Mahabharat.

Aditya Dhar told a leading daily that the film will go on floors by April 2021. For this three-part modern-day superhero film,Vicky Kaushal needs to train intensively and will have to weigh more than 100 kgs. Vicky will also have to train in horse-riding and various martial art forms, including jujutsu and krav maga.

Speaking about the project, Aditya said, We will begin shooting in Europe, primarily the UK, and then head to Iceland. The final schedule will be in Mumbai. The plan may change depending on the COVID-19 crisis in these countries.

Dhar has detailed out every aspect of the film during the lockdown. He began his discussions with the VFX team since that plays a big part in the film. The director has even zeroed in on the leading lady opposite Vicky Kaushal, but doesnt want to divulge details just as yet. Well be waiting.

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Vicky Kaushal to weigh more than 100 kgs for his next The Immortal Ashwatthama - Filmfare

Gothic horror gets cheesy in ‘Interview with the Vampire’ – Olean Times Herald

There are countless lists of best movies to watch in October leading up to Halloween, from the classics to the slashers to the family-friendly variety. But one genre that has peaked and dipped for decades is the vampire movie, which had its most recent resurgence with Twilight in 2008.

While the biggest vampire films that often come to mind are the various adaptations of Dracula, one of my favorite guilty pleasures to watch this time of year is a 1990s soap opera disguised as a Gothic horror/romance: Interview with the Vampire.

There are as many things technically well done and aesthetically likable about this film as there are ridiculous and over-the-top moments that probably werent meant to be funny, but I just cant help but laugh when I see them. It doesnt happen often, but there are some movies that can simultaneously be good and bad and fun to watch either way, and this is one of them.

Released during the peak of the previous vampire craze this came out just two years after both Francis Ford Coppolas Dracula and Buffy the Vampire Slayer this adaptation of Anne Rices novel is as noteworthy for its controversial story and content as it is for its cast of young and up-and-coming movie stars.

Whether youve seen it before and already have a well-established opinion of it, or youve never seen it but have heard bad things, I highly recommend Interview with the Vampire for this Halloween season. Theres no doubt its got problems, but I think thats part of the fun, and going in with the mindset that this is a cheesy 90s soap opera works in its favor.

Born as an 18th-century lord, Louis (played by Brad Pitt) is now a 200-plus-year-old vampire telling his life story to an eager writer (Christian Slater) in 1994 San Francisco, wishing to share his past as a warning to others.

Suicidal after the death of his family in 1790s Louisiana, Louis meets Lestat (Tom Cruise), a much older and more ruthless vampire who persuades Louis to choose immortality over death and become his companion.

Eventually, the gentle Louis attempts to leave his violent maker, but Lestat guilts him into staying by turning 10-year-old orphan Claudia (Kirsten Dunst) into a vampire as well. As Lestat grows more unstable and Claudias hunger for blood grows, Louis spends the next two centuries contemplating the loss, loneliness and tragedy of his monsterous existence.

Because a vampire movie set 200 years ago could be tough to sell by itself, the modern-day framing device of Louis telling his story to Slaters character helps ground the film and gives the audience an easier way into the world. Not only does that work for making the story more accessible, but plays up the more fantastical and Romantic elements like the 18th century looks and dialogue.

As with any science fiction or fantasy story, the monster is often an allegory for something else, and thats no exception here. Vampires have often been stand-ins for sex, whether premarital or mixed race or, in the case of Interview, the companionship of two men. From Louis not liking what hes become to them having to live only at night and away from society, the parallels to the populous opinion of the gay community at that time is not subtle.

Of course, none of that would work without the performances from the two leads. In 1994, Pitt and Cruise were at the height of sexiness in the first stages of their career. This is before action movies and Oscar nominations, but they both give genuine performances that work perfectly for the cheesy and gothic setting.

Thankfully, the rest of the cast supports them perfectly with more subdued performances. In addition to Slater as our 20th century connection, Dunst knocks it out of the park as Claudia having to be eternally 10 while aging decades mentally, and even Antonio Banderas shows up in the third act as a vampire in Paris.

While I may unapologetically enjoy Interview with the Vampire, I do understand why many people do not. It may be full of camp and cheesy, but it also makes full use of its R rating, not shying away for a moment from the violence and sexuality that vampires have always inhabited. But if you can stomach it, seeing Cruise and Pitt wax poetic in 18th century dress and wigs is a wonderful Halloween treat, and also a bit scary.

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The Right Stuff: Everything you need to know – finder.com.au

Eager to learn more about the incredible story of America's first astronauts? Based on the bestselling book by Tom Wolfe, Disney+ original series The Right Stuff is an inspirational look at the early days of the US Space Program and the iconic story of America's first astronauts, the Mercury 7.

Produced for National Geographic, The Right Stuff takes a look at America's first "reality show", where ambitious astronauts and their families became instant celebrities in a competition for money, fame and immortality. The cast includes Patrick J. Adams, Jake McDorman, Colin O'Donoghue, James Lafferty, Aaron Staton, Michael Trotter and Micah Stock.

In even better news, Aussie space enthusiasts don't have to wait long to tune in. Here's everything you need to know about the new period drama, including when to clear your schedule to watch it.

The first two episodes of the new series will premiere 9 October. After that, episodes will be released on a weekly basis. Season one will consist of eight episodes.

The Right Stuff will be available to stream exclusively on Disney+ in Australia. The platform offers a generous library of titles from not only Disney itself, but also content from Marvel, Star Wars, National Geographic and Pixar. Disney+ has also recently added a new feature called GroupWatch.

Highlights include The Mandalorian, Broadway musical Hamilton, The Simpsons, animated classics like The Lion King and crowd-pleasers like Frozen 2. Subscriptions to Disney+ in Australia cost $8.99 per month or $89.99 for an entire year.

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The Right Stuff is an aspirational tale of ambition and exploration, highlighting how ordinary humans can achieve the extraordinary.

The story takes place at the height of the Cold War, when the newly-formed NASA selects seven of the military's best test pilots to become astronauts. As they compete to be the first to go to space, the men inspire the world to turn towards a new horizon of hope. They also become bona fide celebrities, creating a new profession and establishing the image of the American astronaut for decades to come.

The Right Stuff is National Geographic's first scripted original series for Disney+. A true story of scientific innovation and human perseverance, it will definitely appeal to fans of science and space, but also to anyone curious to learn more about NASA's legendary Mercury 7 missions.

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Hero of the most famous photo from ongoing Karabakh war dies – Public Radio of Armenia

Artilleryman Albert Hovhannisyan, the hero of one of the most famous photos from the ongoing Karabakh war, has died.

My son, Albert Hovhannisyan, whose photo became widespread all over the world these days, stepped into immortality. My pain and the pain of my family is indescribable, his father Artak Hovhannisyan wrote on Facebook.

My grief is heavy, but I am even more proud to be the father of a patriotic Armenian, a real modern-day Hero. I realize that my Albert is not only my Hero, he is the Hero of all of us, he is the example of the Hero Armenian of present and future generations, who followed the path of his heroic ancestors and became immortal , Hovhannisyan wrote.

The photo, which was distributed on September 29 by the Armenian Ministry of Defense, has been published by media outlets around the world.

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Everything you need to know about kombucha and the 10 places you can get it from – Prestige Online

By now you wouldve heard of this fizzy, fermented drink called kombucha that has taken the wellness world by storm. Itcarries ample of health benefits and is garnering converts one pour at a time. Kombucha may have arrived on theF&B landscapeas yet another fad (remember turmeric lattes and charcoal everything?) but it has held its sway through the years as a popular diet, much like the avocado.

So what is it about kombucha that made it go fromhipster to hypermarket? With the likes of Jake Gyllenhaal, Lady Gaga, Madonna, and Orlando Bloom swearing by this fermented tea, here is all you need to know about this super drink and where to find it.

Roots as old as 2,000 years, Kombucha is said to have first appeared in China as the Tea of Immortality. Frequently sipped in Korea, Japan, and China. It travelled to Russia, eastern Europe, and Germany during the trade route expansion of the early 1900s. The modern age revival of the fermented tea came about in the 60s, with a Swiss study claiming it possesses the same health benefits as yoghurt. The second wave was in the 80s-90s in the United States when people started drinking Kombucha believing it to help combat diseases such as AIDS and cancer. While such medicinal properties remain unproven for humans, positive health results from lab tests on rats popularised the fizzy tea again at the turn of the millennium. And since then it has battled scepticism and a regulation crisis for its alcohol content a stipulated less than 0.5 percent now to become the much-liked drink it is today.

A base of either green or black tea, Kombucha is made by steeping tea in hot water with sugar. Once cooled, either a bit of white vinegar or leftover Kombucha is added to the sweetened tea. Finally, the SCOBY (symbiotic culture of bacteria and yeast) is added and the concoction is left to ferment for anywhere between 7-30 days. The final product is a fizzy, pungent drink brimming with probiotics, amino acids, and antioxidants. While the jury is still out on its prowess to counter serious ailments, regular drinkers claim that everyday consumption promises good gut health, better skin, cholesterol regulation, and improvedblood pressure and diabetes.

A plethora of options and exotic flavours at your disposal, its hard to miss Kombucha. Like it or not, believe in its health benefits or not, the beverage is making its impact felt and is here to stay. It is certainly a great alternative to harmful fizzy drinks and now its time to take that sip.

If you find it too tedious to make the kombucha, why not check out the following kombucha makers for your dose of the fermented tea.

1. Wonderbrew Kombucha

2. Chacha Kombucha

3. Wild Kombucha

4. Kefir & Kombucha

5. Belly Good Kombucha

6. Precious Grains

7. Boocha

8. Kefir.lab

9. Scoby Farm

10. Wizards At Tribeca

(Photos: Shutterstock)

This article first appeared onLifestyle Asia India.

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X-Men: What Happened to the Deadly Genesis Team? | CBR – CBR – Comic Book Resources

Deadly Genesis revealed that Xavier deployed a secret team to save the original X-Men... and it went horribly wrong. Where are they now?

Long before relocating to Krakoa, the X-Men were prisoners of the living island. With his original team trapped, Charles Xavier needed a new team to rescue them. This apparently came in the form of a new roster which saw the debut of many fan favorites such as Nightcrawler, Colossus and Storm.

However, the students would later find out that this wasn't Xavier's only attempt to liberate the X-Men from Krakoa. He had previously sent a smaller team, that has been massacred by the living island. Though they did manage to free Cyclops, Xavier had the memory erased from the field team leader's mind, to cover up the loss of the team, which consisted of Petra, Sway, Darwin and Scott's own brother, Vulcan. Now, we're taking a closer look at what happened to the forgotten generation of X-Men that debuted in Ed Brubaker and Trevor Harisine's X-Men: Deadly Genesis.

RELATED:X-Men Brings A MAJOR Mutant Villain to Krakoa

Petra is a mutant with the power of Geokinesis, that affords her control over the earth, rock, soil and similar substances. Her powers also have tectonic implications, as she is also capable of causing earthquakes. During the mission to save the X-Men during Deadly Genesis, Petra was one of the two team members who perished. She was incinerated by Krakoa, though she was able to use her final moments to protect Vulcan and Darwin by burying them beneath the ground with the help of Sway. Petra was resurrected along with many other mutants by The Five on Krakoa, and was last seen with Vulcan in the Summers House on the moon.

Harnessing temporal powers, Sway is able to manipulate time on a small scale. Her powers allow her to replay events going back a few hours, stop time for minute bursts and slow down time in a similar confined time limit. Suzanne Chan was drafted in by Xavier during Deadly Genesis and lost her life alongside Petra. By using her manipulation of time, she was able to protect teammates Vulcan and Darwin by using her abilities in tandem with Petra's. Luckily for Sway, she was able to be brought back to life thanks to the actions of The Five on Krakoa. She was last seen in the Summers House alongside former teammates Vulcan and Petra.

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Against the Dying of Light exhibition captures fleeting moments only visible to the human eye – Binghamton University Pipe Dream

The Bundy Museum hosts local photographer Margaret Winchell to show beauty in everyday life in cyanotype style

The Bundy Museum of History and Art, in collaboration with Binghamton Photo, presents Against the Dying of Light, a photography exhibition created by local artist and photographer Margaret Winchell. The exhibition will be open until Oct. 31.

The name of the exhibition is based on a line by poet Dylan Thomas, rage, rage, against the dying of light. Thomas was angry at the fact that beauty could only be captured in the moment by the human eye, nothing else. This concept is what inspired Winchell to create Against the Dying of Light, in order to capture beauty in its raw, fleeting state. There are pictures of nature, people and the insides of houses what may seem like everyday things actually hold a beauty that can finally be captured. The images are a paradox of a sort: they showcase everyday things, but have a strikingly beautiful side to them.

According to Winchells artist statement, she hoped to capture the beauty in the moments that dont always seem that way. This is shown in the photos that capture isolation and loneliness, which are both typically viewed as negative feelings. While the main focus of the images are important, so are the backgrounds, forming the cluster of emotions that Winchell hoped to portray to the viewer. Winchell was able to bring all of these elements together in order to create images that define mortality.

The camera, for me, represents a bloodless revolution, Winchell wrote. A protest against the fogginess of things. A photographer has the rare opportunity to capture a moment; one that never had existed before, that will never exist again and whose beauty would have otherwise been surrendered. The photographer flirts with immortality.

Against the Dying of Light showcases photographs by Winchell that were created using a style of photography called cyanotype. This method dates back to over 175 years ago and causes a distinctive blue-green hue to appear on the photos. The process was invented by an astronomer and scientist named Sir John Herschel. It uses an iron salt solution instead of a silver salt solution, which creates black and white imagery. No darkroom is needed for the photos to appear, as the chemicals react with UV exposure, allowing for the images unique hue. The blue-green tones have a unique effect on the photo, allowing for the emotions within the captured scene to come out. This is something that black and white photography can lack.

Winchell is a local Binghamton artist who got her start at Broome Community College, where she majored in visual communications. She then attended SUNY New Paltz, where she obtained her bachelors degree in visual arts with a concentration in photography. She has displayed her works all over the area at local restaurants and galleries.

Theres a loneliness that is so difficult to relate with others, that is palpable in the mundanity of my college home and its many imperfections, Winchell wrote. I aim to keep my finger on the pulse of my surroundings, studying the difference in beats for all their beauty and anguish, and ultimately help you feel it too.

Throughout all her exhibitions, Winchell hopes to capture the beauty of the passing moment. In addition to its blue-green hue, cyanotype also allows for the capture of the flow and movement of an images subject. These elements combined serve to further Winchells message, prompting the viewer to sit back and think about how impermanent the passing moment is.

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Against the Dying of Light exhibition captures fleeting moments only visible to the human eye - Binghamton University Pipe Dream

Venom Uncovers a Dark Guardian of the Galaxys Real Connection to Knull – CBR – Comic Book Resources

Donny Cates and Guiu Villanova's Web of Venom: Wraith #1 reveals the truth about the Exolon and Wraith's connection to the symbiote god, Knull.

WARNING: The following contains spoilers for Web of Venom: Wraith #1 by Donny Cates, Guiu Villanova, Dean White and VC's Clayton Cowles, on sale now.

The Kree warrior known as Wraith, aka Zak-Del, was once just a regular member of his alien species. However, after getting trapped in another dimension known as the Exoteric Latitude, he was attacked by the Nameless, whoinfected him with the Exolon, mysterious, dark parasites that feed on souls. Because of this, Zak-Del gained special abilities, including immortality, and he was transformed into Wraith.

While there was still much we didn't know about the Exolon, we learned more about the parasites in Cates and Geoff Shaw's 2019's Guardians of the Galaxy #3. In the issue, Wraith joined Eros' Dark Guardians of the Galaxy team when he was promised answers about how to get rid of his curse. Eros revealed the Exolon had a connection to Knull, the ancient god of the symbiotes.

It was only a partial answer but now, the truth about Wraith's connection to Knull is revealed in Web of Venom: Wraith #1.

RELATED: King in Black Teaser Unleashes a Swarm of Grendels on the Marvel Universe

When Wraith joined the Dark Guardians of the Galaxy, Eros gave him a teleportation device and a set of coordinates in return. This would lead him on a path to answers about the Exolon, and about how he could potentially free himself from what made him immortal. After taking a trip to his father's old laboratory, Wraith then teleports to the planet Klyntar -- home world of the symbiotes.

Klyntar was destroyed at the end of Cates and Ryan Stegman'sAbsolute Carnage, when Carnage collected all of the symbiote codices and awakened Knull. However, in Web of Venom: Wraith #1, Wraith visits the planet moments before its destruction. When the planet explodes and the god of the symbiotes is freed, Wraith then faces the ancient being, asking for answers.

He calls him the Exolon God, and he blames him for the infection that took him in the Exoteric Latitude. However, Wraith then reveals the truth about this dimension: "I used it as a dumping ground for my failed experiments. I'm sorry, child. You have spent your life thinking you were cursed... I'm afraid it wasn't anything so dramatic... You were born from my trash."

RELATED: Marvel's Venom Event, King In Black, Spins An Untold Symbiote Spider-Man Story

In Venom, it was revealed that shortly after the birth of the universe, Knull found refuge in the head of a dead Celestial and forged All-Black, the Necrosword -- the first ever symbiote. He would continue to refine his skills and eventually create the symbiotes.

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Making Sense Of The Movement Toward Digital Immortality – Worldcrunch

-Essay-

MADRID The Three Ages of Man and Death, by the 16th century German painter Hans Baldung, is a portrait of the ravages of aging. In it, a female skeleton holds an hourglass to indicate our inexorable fate, while above, to the right of the figures, a cross points toward the heavens as our only possible hope after death.

The painting, housed in Madrid's Prado museum, is a good reminder that religion was where we long turned for consolation concerning fatality. But today, technology may be usurping that space. And by 2030, it may perpetuate our lives artificially.

This is what the artificial intelligence (AI) pioneer and futurist Ray Kurzweil terms "singularity," a concept that is depicted in science fiction as either simulation of human conduct or replication of people who have died.

The Three Ages of Man and Death by Hans Baldung Wikipedia

The computerization of all our digital data would effectively come to constitute a decoupling of what we are our identity from biological chains. In this digital transcendence, our consciousness would outlive our body or rather 'inhabit' or survive in a machine.

An embryonic version of all this is the Eternime project, a startup founded by MIT fellow Marius Ursache that saves people's stories, thoughts and memories forever, and allows them to create avatars that can interact with others, or even themselves, through their digital fingerprints.

An episode of the science fiction series Black Mirror, entitled Be Right Back, depicted immortality in those terms. Depending on the data available on a person, the algorithm can create and relive predictable behaviors. Patterns identified through data analyses would allow construction of intelligence systems superior to the Turing Test. People might even be replicated.

In some ways this form of transcendence is the same one poet and philosopher Miguel de Unamuno attributed to writing. The writer leaves his or her imprint for posterity, and his readers will encounter a part of the departed writer. "In my absence, this will be a memento of what I was," he wrote. Or it can be a painting, like Salvador Dal's The Knight of Death.

The computerization of all our digital data would effectively come to constitute a decoupling of what we are our identity from biological chains.

The novelty with digital perpetuation is that our bequest will not be static, like a picture, photograph or lines written in a memoir. It will be our conscience, reconverted into AI, able to interact and learn over time and adapt to new situations, through what is termed machine learning and deep learning.

All technology purports to be the solution to a problem, and death is certainly a problem. But it's also one of our fundamental taboos, the unmentionable. It constitutes a break with our idyllic view of life, especially in a time when happiness seems to have become a moral (and commercial) obligation. Death, therefore, must be removed from this model life plan.

El cavaller de la mort Photo: Fundaci Gala - Salvador Dal

The cultural historian Philippe Aris duly warned that from a familiar conception of death, we have moved toward an inability to accept the fact that we are finite. We have moved from death as an inevitable and quotidian part of our lives, and an experience to be lived like any other, to death as a curse. It must be systematically hidden from our view because it reminds us in spite of our efforts, that we are limited beings.

We fear death to the point of leaving the dying in solitude, as the sociologist Norbert Elias pointed out in his last years of his life. The dreams of transhumanist perfection and prolonged existence after our biological death thus clash with the notion of a limit. It is the limit that defines us and distinguishes us from others.

But would life without limits make sense? Is conscience stretched through computation not a simulation rather than an authentic prolongation of our being? Again, fiction helps us understand it.

All technology purports to be the solution to a problem, and death is certainly a problem.

The Argentine author Jorge Luis Borges observed in his short story The Immortal that in winning eternal life, the race of tired immortals comes to see the infinite value of all that is limited, and the irredeemable nature of a single life. Humans, he wrote, merit pity for their "ghostly" condition and their inevitable disappearance, "like the face of every dream."

Mario de Andrade, the Brazilian writer, offered his own take on the mortality question. "We have two lives," he wrote in his poem My Soul is in a Hurry. "And the second one begins when you realize you have but one..."

What if that life were eternal? For Borges, Baldung, Unamuno, Dal and Andrade thanks to their immortal writings and paintings it already is.

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See 1st pic of Brad Pitt and Jennifer Aniston reunited for ‘Fast Times’ table read event – Yahoo! Voices

Were one step closer to seeing Brad and Jen together again. Well, sort of.

The first photo of Brad Pitt and Jennifer Aniston in the virtual Fast Times at Ridgemont High table read was shared on Instagram Monday by comedian Dane Cook, whos also taking part in the event.

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"Ridgemont High is back in session!" Cook captioned the picture.

Aniston and Pitt, who were married from 2000-2005, are no strangers to generating publicity by doing nothing more than being cordial toward each other. They set the internet ablaze back in January when they were photographed together at the Screen Actors Guild Awards.

They are two of the stars of the Fast Times at Ridgemont High table read, which was originally scheduled for August, but wound up being postponed twice, once for technical difficulties and once not to conflict with the Democratic National Convention, Deadline reported.

The duo will be joined in the reading of the 1982 classic by an eclectic group of stars, including Morgan Freeman, Henry Golding, Jimmy Kimmel, Shia LaBeouf, John Legend, Ray Liotta, Matthew McConaughey, Julia Roberts and original film star Sean Penn, who gained cinematic immortality playing stoner Jeff Spicoli.

It hasn't been reported who is playing who. Penn told People last month he wouldn't be playing Spicoli, adding, "I'm very confident in the new guy."

The event was created to raise money for the emergency relief nonprofit CORE, which Penn founded. You can watch the table read this Friday at 9 p.m. ET on COREs Facebook page and TikTok, as well as a stream via LiveXLive.

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How the highway to hell has changed for COVID – Campus Times

Well hello, humans! I hope you are surviving in New Hell. It is I, Nix, your favorite demon girl coming to you from Hell.

I first want to thank all of you who sold your souls to me over the years. Last you saw of me, I was super sick with COVID-19, and without your souls, I would not have recovered so quickly.

Even though Im in Hell this semester, and not lurking in the tunnels, dont despair! Ill be holding Zoom sessions for you to get all the soul selling taken care of. There may be a small increase in prices, but thats the cost of the pandemic and remote deals with the demon.

Like many of you, I was left without an internship this summer due to that pandemic. So I did what was only natural: I turned to smuggling humans into Hell. Its a perfectly legal job to help humans get to a better place, in case you were wondering, and they needed extra help this summer (Im paid per person smuggled).

Typically, we only see a few humans try to get into Hell a week. This summer, thanks to rona, you were trying to get into Hell like we had the secret to immortality. Okay fine, we do have it, but in the end youre still going to Hell.

I get why everyone wanted to come here. Weve only had three cases, theres free healthcare and housing, and its more pleasant than what youre experiencing on the surface or in your doomsday bunkers. It seems like most humans seem to have forgotten the criteria to come here. You typically have to do something really bad.

Well, that was before. What better time than a Pandemic for Hell to roll out its new slogan: Hell is the New Heaven. So just for the duration of coronavirus, we changed around our criteria to help us stay COVID-free.

Our first criteria is that you have to wear a mask. Not a surgical mask or an N95. We wont accept anything less than a full-on gas mask. Extreme? Perhaps. But do you really want to be breathing toxic fumes the whole time? While I definitely have some nostalgia for the asbestos and mold spores lingering in the air back on campus, nothing can compare to the sweet sweet smell of cyanide vapor, petroleum, and durian.

Next, any human trying to get into Hell has to spend a month quarantining in purgatory with mandatory daily COVID-19 tests. You want to get into Hell? Is it that important to you? Lets first see you survive a week with no outlets, no games, and over 100 pages of customs, tax, and immigration forms to fill out.

Finally, if youve somehow not gone insane from us asking you if youve ever gotten a parking ticket 500 times, the last step is giving up your soul. Just think of it like a security deposit. Once we have your soul, thats when the fun begins anyway. Its just a short ride down the River of Blood, through the Cataracts of Insanity and into the Tunnels of Despair, and if your mind is still intact, congratulations! Youve successfully gone from one Hell to the other! Be sure to rate us a 5 on Airbnb. Sure, its Hell, but compared to whats up above, it may just be paradise.

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