Published Jun 6, 2017 By Tim Stevens

The client, Jennifer Walters, in addition to working as an attorney, has long acted as a super hero known as She-Hulk with an extensive history as an Avenger and solo adventurer. For years, she largely lived her life as She-Hulk and was happy to do so. This was but one contrast between her and her forever-conflicted cousin Bruce Banner who, even when he was in the so-called Professor Hulk form, struggled with revealing hisusuallygreen-skinned alter ego to the world.

All of this is important to note as prologue as the Walters who arrived for session was not tall, muscular, and green. Instead she presented as adult white woman of approximately average height and physical fitness. The client explained that she had suffered a traumatic physical injury that had, in ways not yet fully understood, altered her transformation process. Now, she rarely presents in her Hulk formshe is currently eschewing the addition of Sheand when she does appears to be grey in color with bright green scars across her skin. She also described her presentation as more out of control and perhaps feral than her more recognizable green hued form.

The changes in her physical form and transformation process are not all that is different about her, she disclosed to this writer.

While she has, at times, struggled with fear and panic and for a brief time did experience moments of transformation like her cousin where she seemed to become more like a wild animal when particularly afraid, this period was a very short-lived part of her life and did not alter her overall presentation.

Now, however, she reports panic attacks and PTSD-like symptoms that result in what this writer is referring to as micro transformationsmoments so brief that her physical changes are not even noticed by her but the results surround her. For instance, she might briefly dissociate in the midst of an attack only to realize the elevator keypad is smashed or that her hardwood floor has large finger sized divots in it.

Additionally, the client is processing feelings of grief stemming from the death of her cousin while she was in her coma. These feelings are complicated by the additional knowledge that a former teammateClint Barton aka Hawkeyeis the man responsible for Banners death and her feelings that perhaps Barton did it at Banners behest. She admits she has not grieved properly for her cousin and worries that it might be sometime before she is able to as she struggles to get the rest of my life back on track.

Given this writers role in assessing Bartons fitness for trial, I have determined it may be unhelpful to the client to continue to work with me and have therefore referred her to Doctors Mariko Tamaki and Georges Duarte for further sessions. She will next see them on July 12 and their progress note can be located in file HULK #8 at that time.

Psy D. Candidate Tim Stevens is a Staff Therapist used to have a Hulk-like alter ego named the Raging Skull. It mostly just got him in trouble.

Published Jun 6, 2017 By Blake Garris

Oshie Bichar and Taylor Lumley of the band Beartooth stop by Marvel HQ to talk about their music, their comic book collections and much more.

Download episode #291.5 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes or Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel including our latest episode!

This Week in Marvel focuses on delivering all the Marvel info on news and new releasesfrom comics to video games to toys to TV to film and beyond! New episodes will be released every Tuesday and Thursday (or so) and TWiM is co-hosted by Marvel VP Executive Editor of Digital Media Ryan Agent M Penagos and Editorial Director of Marvel Digital Media Ben Morse with Manager, Video & Content Production: Blake Garris, Editor Marc Strom, and Assistant Editor Christine Dinh. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @blakegarris or @Marvel with the hashtag #ThisWeekinMarvel!

Published Jun 6, 2017 By Amanda Ames

After falling prey to the siren song of an old flame, Rocket starts back down the not so righteous path of stealing from the rich and, well, keeping it for himself mostly. But he gets played by a pretty face and ends up trapped deep within the bowels of the Colon where the clock winds down. Can he escape before the metaphoricalor possibly literalcrap hits the fan?

ROCKET #3 takes us inside one of the worst penitentiaries space has to offer on July 12 and we spoke with writer Al Ewing to give you all the lay of the land before setting off on this daring escape mission.

Marvel.com: Give us a quick run down of The Colon, what its like on the inside, how Rocket ended up there and why its called that?

Al Ewing: Im so glad you asked me this question. What is it like, inside The Colon? In the hot, cramped confines of The Colon? How did Rocket end up in The Colon? Some would say that, in a real sense, Rocket entered The Colon the moment I began work on the character. Anyway, to answer your question: The Colon is a dark place, where the squeeze is on and something somewhere stinks. Theres a network of tough guys therea ring of muscle, if you willand Rocket has to navigate the twists and turns of The Colon in order to escape through the rear exit. Its very much a bum note in his life.

Anyway, its named after the punctuation mark, clearly.

Marvel.com: Rockets been behind bars before; how does this joint stack up to other prisons and how is he handling life on the inside? What does he miss most?

Al Ewing: Silly name aside, this ones pretty grim. Its owned by a big corporation, and the shareholders like it when the prisoners are brutally and inhumanely punished; theres a lot of prison shouldnt be a holiday camp thinking in the richer parts of space. The prisoners are put to work making the space equivalent of license plates all dayand if they dont, they go to The Hole, which is basically a pay-per-view gladiatorial arena that makes money for the prison through illegal gambling. Oh yeah, and every prisoner has a punishment implant attached to them that can deliver pain in various different ways for the most minor infractions. Its a hellhole, essentially.

Marvel.com: Im sure Rocket is already coming up with an escape planwhat can you tell us about it and how does the execution of said plan go?

Al Ewing: At first, Rockets keeping his head down, getting the lay of the landbut then he learns that theres a deadline, and if he doesnt break out immediately, hes screwed. So the countdown is on, and it involves taking everything The Colon throws at him and turning it into an asset. We put all the puzzle pieces in place, and then we watch Rocket put them together. Not that his escape is a certainty; its well within my power to have him get all the way to the end, get a stroke of bad luck, and end up in an even worse situation. Maybe Ill do that, maybe I wontIm a capricious god.

Marvel.com: Does Rocket have any help/meet anyone while hes there? Any interesting new characters to tease?

Al Ewing: Well, this might be the sensational character find of 2017: Rockets cellmate, Gasbag, a living sentient gas in a kind of rubber gimp suit. Also we have the usual complement of alien creatures, all with their own laws, customs, and bodily functions and all wonderfully illustrated by Adam Gorham.

Marvel.com: If Rocket taught Prison Life 101 what would be on the syllabus? What are Rockets three rules for surviving the slammer?

Al Ewing: As we see in the issue, Rockets first rule is to learn the lay of the land and find out the individual peculiarities of this particular hoosegow. Learn who his friends are, learn who his enemies are, learn the routines. Somewhere in that knowledge is the map to the exit.

The second rule is to make sure you get the top bunk. Thats the plum position in any cell. Norman Stanley Fletcher had the top bunk. Seriously, Rocket will fight you.

And the third rule is that there are no rules! Psyche!

Marvel.com: What is your favorite scene in issue #3?

Al Ewing: Well, without spoiling too much, theres a wonderful bit that happens in the vacuum of space. Again, Adams work is superlative here; he really conveys the feeling of weightlessness, the terror of being in airless space with only a very fragile means of survival. Another favorite bit is when Rocket has an exchange with an old lag, a wizened inmate with vital information on the prison setup; Adam draws a wonderful rhinoceros person, which I think readers will probably end up falling it love with.

Marvel.com: Is there anything you can tease about whats in store for our furry weapons crazed friend?

Al Ewing: Well, from here, hes meeting up with a very special guest staryour friend and mine, Deadpooland together, theyre going to get deep into the gangster life, with tommy guns, bursting out of cakes, and a heist aimed at a particularly vicious space mobster. Adam wanted a space Kingpinand I put my thinking cap on and gave him one thatll hopefully be a presence in Marvel Space for a little while to come.

Be sure to catch all the face palming, snarky remark making, prison life action in ROCKET #3 out July 12, written by Al Ewing with art by Adam Gorham!

Published Jun 6, 2017 By Steffi Feldman

The time-displaced original Children of the Atom make up the X-Men Blue team, with Jean Grey, Cyclops, Beast, Angel, and Iceman working alongside their former archenemy Magneto. While its hard enough adjusting to a new era, these kids and their formerly villainous ally now also have a Secret Empire to contend with.

Where to even start?

We asked X-MEN: BLUE writer Cullen Bunn about issue #7, available July 12!

Marvel.com: First off, how has writing X-MEN: BLUE been different from some of the other X-Men projects youve worked on before?

Cullen Bunn: Its interesting, because I was writing UNCANNY X-MEN and when I got the call that we were going to be shifting over to X-MEN: BLUE and it would be the original five time lost characters. Ive been pretty honest with thismy first reaction was not overjoyed. Because as much as I love those characters, theyre not what I would consider my X-Men. Like, they werent from the era that I really got into X-Men. So I was a little hesitant! I wasnt sure I was the right guy to write the book.

As I started writing those characters, though, and putting them through the stories Id been planning on telling, Ive become more and more excited about them. Im glad that this is the team Im writing, because they have a completely different dynamic and viewpoint on the world; Im able to tell kind of classic X-Men adventures and uncanny adventures. Ive come to really love writing these characters now.

Marvel.com: You kind of got to make them your own, then! So, now that were all nice and emotionally invested in these guys, how will the Secret Empire affect them?

Cullen Bunn: Well, without giving too much awayas weve seen in SECRET EMPIRE, California has been ceded to mutants as a new mutant homeland. On the surface, that looks great! Its an opportunity for mutants and homo sapiens to live in peace together. But, as well find in X-MEN: BLUE, thats not necessarily playing out the way its supposed to. Its definitely a situation where we have mutants in power and that power is sort of a corrupting force. It plays to X-Men Blue for a number of reasons.

First of all, Magnetowhos acting as sort of a mentor for the X-Menhas said recently that he does not believe the idea of a mutant utopia works. Hes seen it backfire in horrible ways time and time again, and he keeps getting drawn back into that, lured into this idea of a mutant paradise; it is a dream [of his], but now he doesnt think that dream will ever come true. He thinks that a place like New Tian is a disaster waiting to happen, and he wants no part of it from that perspective.

We have also seen, however, that Magneto and the X-Men Blue team have a beef with Emma Frost and Sebastian Shaw and certain characters that are entrenched in this new mutant regime. And what were gonna see in X-MEN: BLUE is the new X-Men team almost as a rebel force at work inside New Tian.

Marvel.com: Will the Blue team take on the larger Secret Empire plotlines as well?

Cullen Bunn: Theres definitely some parallels with whats happening in New Tian and whats going on in the Marvel Universe as a whole, but I wanted to focus on it mainly from a mutant perspective. Again, without giving away too many spoilers, theres a villain that shows up in these issues who I feel has a direct correlation with whats going on with Steve Rogers and is cut from very similar cloth story-wise and we definitely lean into that to shore up those parallels even more.

Marvel.com: Thats so cool! It sort of unifies the different threads of the Marvel Universe narratively, like, a microcosm? Or even just winking at another storyline thats happening.

Cullen Bunn: Yeah! The goal with these tie-ins for me is always that a reader can continue reading X-MEN: BLUE and not get thrown off too much by the events of the Marvel Universe. But this is such a big event! Things are changing in such monumental ways, theres no way to [avoid it]. But I wanted to make sure that were seeing [that] story from a distinctively mutant point of view while not ignoring whats going on in the world at large.

Marvel.com: So lets talk Magneto. How is such a powerful character fitting into all this Secret Empire hubbub? Is he joining, holding back, fighting against it?

Cullen Bunn: We talked a lot about Magneto early on in the discussion about whats going on in the world of Secret Empire and really, Magneto seems to be sitting this one out. For reasons of his own, he has struck a bargain that hes just going to sit this one out and not interfere, and hes agreed to that.

However.

The X-Men team is there in New Tian, and theyre obviously not just sitting back. Now, then the question will comeare they working on Magnetos orders or against what Magneto wants? As the tie-in goes on I think theres even a question posed like, dont you think Magneto would have prepared for this? And we see some pretty big changes among the team itself as some of those contingencies begin to come into play.

Marvel.com: So it might be that he has something up his sleeve?

Cullen Bunn: Well, Magneto always has something up his sleeve. I think were gonna have come interesting interactions. Hes definitely taking a back seat in this tie-in and you dont see him getting a lot of [face] time, but his actions are pretty important to the story and theyll shape the X-Men Blue team after this event. And when we do finally see Magneto, I think we have an interesting interaction between Magneto and Steve Rogers in the arc that Im pretty excited about.

Marvel.com: I know that youve been writing Magneto for a while, so Im sure youll do him justice. After all, you know him pretty wellyou guys are on, like, a first-name basis.

Cullen Bunn: [Laughs] I do kind of feel like I have a handle on where hes coming from and how he would see whats been going on in the world, but I also know that Magnetohe knows that, if he disagrees with this, its not something he can go into with guns blazing, so to speak, because that would fail. Hes got to be a little cagier about what hes doing.

Marvel.com: How is the team reacting to this pseudo-utopia? Like, how are they taking it?

Cullen Bunn: Well, theyre not taking it well. [Laughs] Its not going well for them. Its a weird situation for them because heres this place that should be a safe haven for mutants and yet they find themselves struggling against that very ideal.

In fact, Ive often said that, to some degree, the world that theyre in right now? The New Tian mutant utopia is almost like their Days of Futures Past. They are seeing the world theyve always been afraid theyd see happen, but they never expected these threats and these dangers to be coming from a mutant source to the degree that it is.

As well get into the first issue, were seeing the X-Men dealing with mutants whove been imprisoned and who are scheduled for psychic reconditioning because they dont support the law of the land. Thats the kind of thing that scares the hell out of them, and they just cant sit back and let it happen.

See how it all plays out this summer in X-MEN BLUE #7 by Cullen Bunn and Cory Smith, available July 12.

Published Jun 6, 2017 By Chris Baker

We all know that the first Star Wars film changed the face of pop culture forever when it hit theaters 40 years ago todaybut its not just the movie thats celebrating that milestone in 2017. Star Wars comics arrived with force in 1977, and hundreds of issues later, theyre more popular now than ever.

To celebrate the 40th anniversary of Star Wars, were looking back at our 40 favorite moments from the history of comics from a galaxy far, far awayone day at a time.

STAR WARS INFINITIES: A NEW HOPE #1 kicks off with a scenario we know all too well: As Han Solo shouts, Lets blow this thing and go home!, Luke Skywalker trusts in the Force, firing two proton torpedoes into the Death Stars exhaust port. From there, the mighty battle stationdoesnt blow up? Unfortunately for Luke and the Rebel Alliance, one of the torpedoes detonated prematurely, only damaging the Death Star rather than destroying itand the Star Wars saga as we know it completely changes from that point on. Welcome to STAR WARS INFINITIESessentially the What If? comics of the Star Wars galaxy.

For four issues INFINITIES: A NEW HOPE twists everything we know about the events to follow, managing a healthy balance of new content and familiarity. Obi-Wan instructs Luke to head to Dagobah to train with Yoda, for example, but this happens right away, with Han and Chewbacca along for the trip to the swamp planet. And what happens when Darth Vader turns his attention to tempting Leia to the dark side instead of Luke? It all ends with a showdown between brother and sister, while Yoda takes the matter of destroying the Death Star into his own hands.

And if thats not enough alternate-galaxy Star Wars for you, this series was followed up with STAR WARS INFINITIES: THE EMPIRE STRIKES BACK, where Luke freezes to death on Hoth, and STAR WARS INFINITIES: RETURN OF THE JEDI, where Leias thermal detonator accidentally explodes in Jabbas Palace.

Published Jun 6, 2017 By Ben Morse

Tons of new titles hit Marvel Unlimited this June! Medusa and Storm rally their troops in INHUMANS VS. X-MEN! Hellfire and Brimstone is that Robbie Reyes as the new GHOST RIDER? Carol Danvers commands Alpha Flight as the MIGHTY CAPTAIN MARVEL! Guardians GAMORA and STAR-LORD take off in their own series! And while Kate Bishop: HAWKEYE becomes Los Angeles ace archer, Richard Rider returns to the cosmos in NOVA! To top it off? DOCTOR APHRA, Darth Vaders rogue archeologist, begins her solo quest for rare artifacts and this time shes ditching the Sith!

Week of 6/5

BLACK WIDOW #8 DEADPOOL: BACK IN BLACK #4 EXTRAORDINARY X-MEN #16 GHOST RIDER #1 GREAT LAKES AVENGERS #2 GUARDIANS OF THE GALAXY #14 IVX #0 MS. MARVEL #13 NEW AVENGERS #18 OLD MAN LOGAN #14 STAR WARS ANNUAL #2 THE TOTALLY AWESOME HULK #12 THUNDERBOLTS #7 UNCANNY INHUMANS #16

Week of 6/12

ALL-NEW WOLVERINE #15 AVENGERS #2 CHAMPIONS #3 DEADPOOL #23 MOON KNIGHT #9 NOVA #1 SCARLET WITCH #13 SPIDER-MAN 2099 #18 STAR WARS: DOCTOR APHRA #1 THE CLONE CONSPIRACY #3 THE UNWORTHY THOR #2

Week of 6/19

ALL-NEW X-MEN #16 AMAZING SPIDER-MAN: RENEW YOUR VOWS #2 DAREDEVIL #14 DEADPOOL: BACK IN BLACK #5 DOCTOR STRANGE/PUNISHER: MAGIC BULLETS INFINITE COMIC #3 FOOLKILLER #2 GHOST RIDER X-MAS SPECIAL INFINITE COMIC #1 GUARDIANS OF THE GALAXY #15 GWENPOOL HOLIDAY SPECIAL: MERRY MIX-UP #1 HAWKEYE #1 IVX #1 MARVEL UNIVERSE AVENGERS: ULTRON REVOLUTION #6 MOSAIC #3 OLD MAN LOGAN #15 POWER MAN AND IRON FIST #11 SILK #15 SPIDER-MAN #10 STAR WARS: POE DAMERON #9 THE TOTALLY AWESOME HULK #13 THE UNBEATABLE SQUIRREL GIRL #15 UNCANNY AVENGERS #17

Week of 6/26

AMAZING SPIDER-MAN #22 AVENGERS #2.1 BLACK PANTHER: WORLD OF WAKANDA #2 CAGE! #3 CAPTAIN AMERICA: SAM WILSON #16 DEADPOOL & THE MERCS FOR MONEY #6 DOCTOR STRANGE #15 GAMORA #1 GWENPOOL, THE UNBELIEVABLE #9 INVINCIBLE IRON MAN #2 MARVEL UNIVERSE GUARDIANS OF THE GALAXY #15 OCCUPY AVENGERS #2 PATSY WALKER, A.K.A. HELLCAT! #13 POWER MAN AND IRON FIST: SWEET CHRISTMAS ANNUAL #1 SILVER SURFER #8 SLAPSTICK INFINITE COMIC #3 SOLO #3 SPIDER-GWEN #15 SQUADRON SUPREME #14 STAR-LORD #1 STAR WARS: DOCTOR APHRA #2 THANOS #2 THE MIGHTY CAPTAIN MARVEL #0 THE PUNISHER #7 ULTIMATES 2 #2 UNCANNY X-MEN #16 VENOM #2

Published Jun 6, 2017 By Tj Dietsch

The beauty of Tom King, Gabriel Hernandez Walta and Jordie Bellaires VISION continues to inspire and impress. Though the series launched about two years ago, the six-issue VISION DIRECTORS CUT limited series will remind existing readers of that goodness while also bringing in new fans. Each DIRECTORS CUT issue features two of the original books, plus plenty of in-depth, behind-the-scenes info.

Last month we talked with Walta about bringing the story to life and now were chatting up Bellaire about building a color scheme that not only went a bold new direction, but also made reference to the past while taking intriguing twists and turns, especially during flashbacks.

Marvel.com: Classic Vision has this bright, bold color scheme. I want to say that the version in VISION is more muted and deep, but am not sure if thats the right terminology! How would you compare the two palettes?

Jordie Bellaire: I think Visions newest look is dictated mostly by Gabriel Waltas beautiful use of washes combined with new creative technology for more understated and subtle coloring in programs like Photoshop. As a team, we werent forced into using what was available to us at the time of classic Vision which was only bright, selective colors. We could go there if we wanted to, like the flashbacks, but we were allowed the freedom to tell a story with a range of color and techniques.

Marvel.com: Did it take a while to nail down this new color scheme during the design process?

Jordie Bellaire: Not really; I think having already worked with Gabriel Walta on great books like MAGNETO we were prepared for what it was like together as a team. We think a lot alike. We both take great inspiration from films, for instance the Coen Brothers have come up a few times in the past few years that weve worked together because of their excellent use in simplicity of composition and color design.

Tom King was also just a dream to work with and is extremely hands off in the coloring process. He allows me to be as loud or restrained as Id like, trusting that Im working in service of his story and the artwhich Id like to think I am and did!

Marvel.com: From a color and texture perspective, this book feels very different from most super hero books. Where does that come from?

Jordie Bellaire: Again, I think this is really dictated by the genius that is Gabriel Walta. He is incredibly unique. I congratulate Marvel for hiring him on high-profile books that, 35 years ago, he maybe would havent had the opportunity to do. His art is what makes this book such a success, combined again with Toms impeccable storytelling. It makes it fairly easy to get in and do my job since I respect the two as artists so much. Creatively, everything was brought to the table and we all sat at that table, taking on each others strengths and leveling them up each issue.

Marvel.com: You went with more themed colors during the flashbacks of Agatha Harkness, Victor, and Virginia. How was it figuring out those visual dynamics?

Jordie Bellaire: These flashbacks were some of my favorite things to do. Agatha, the story of a ghost that finds the future in blood, Virginia and the others Visions have flashbacks that echo to their iconic skin color and yellow energylike the memory of a droid, mechanical and scratchy. And lastly, Victor, half human and half droid, the yellow is peppered throughout a world of blue, hes in the center somewhere between Agatha and the Visions. These sorts of things arent planned incredibly well in advance but I do like to think on them as I see the art and digest the story. Thankfully, Tom wove such a well-told story that it all comes together and color pushes the themes home even further still.

Marvel.com: What do you think it was about this book that resonated so much with so many people?

Jordie Bellaire: This book is a tragedy. Its a book about normalcy and the tragedy that is normalcy and the desire to belong. I think this resonates with many people as I think many of us secretly feel this way. The need to fit in, to be loved, to be respected but to be yourself and be true to that self. Its an extremely deep and heavy work that in the current climate of super hero books, really stepped into the emotional darkness many didnt quite expect. It deals so much with the human condition and what is a human condition, stories like that will live on forever and continuously be told as were fascinated about truly connecting to each other and to ourselves.

VISION DIRECTORS CUT #1 by Tom King, Gabriel Hernandez Walta and Jordie Bellaire phases in on June 14 with the second issue following on July 12.

Published Jun 2, 2017 By Christine Dinh

Weve got a brand new episode of This Week in Marvel, presented by Loot Crate, to help you kick off the weekend!

Ryan and Ben give you the rundown on this weeks comics hottest releases including SECRET EMPIRE, MOON KNIGHT, CABLE and more! Weve also got tons of comics news from Tom Brevoortand Alanna Smith(49:23); West Coast news from Marc, Christine with your weekly dose of Marvel Games and Marvel Animation (1:14:21); and both coasts diveinto the 90s-tastic world of X-Cutioners Song Pt. 1 with our Unlimited Reading Club (1:21:13)! Its all here on a funky fresh episode of the official Marvel podcast!

Be sure to join our #TWIMURC next time where we have both coasts tackle X-Cutioners Song Pt. 2! Share your thoughts with us using the hashtag #TWIMURC!

Loot Crate has assembled the Marvel Gear and Goods crate for the ultimate Marvel fan. This crate features official Marvel items like collectible home goods, apparel and more every other month! If anyone knows the importance of downtime, its Peter Parker, Miles Morales, Gwen Stacy, Jessica Drew and their Wall-Crawling peers. Unwind after a hard day with denizens of the SPIDER-VERSE! Order your own Marvel Gear and Goods crate by heading to lootcrate.com/MarvelGear and use promo code MARVELPOD to save $3 on your subscription today.

Download episode #292 of This Week in Marvel from Marvel.com, check outMarvel Podcast Central,grab the TWiM RSS feedandsubscribe to This Week in Marvel on iTunes, so you never miss an episode! We are now also on Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel!

This Week in Marvel will focus on delivering all the Marvel info on news and new releasesfrom comics to video games to toys to TV to film and beyond! New episodes will be released every Thursday (or so) and TWiM is co-hosted by Marvel VP & Executive Editor of Digital Media Ryan Agent M Penagos and Marvel Editorial Director of Digital Media Ben Morse, along with Marvel.com Editor Marc Strom, Marvel.com Assistant Editor Christine Dinh, and Manager of Video & Content Production Blake Garris. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to@AgentM,@BenJMorse, @chrissypediaor@Marvelwith the hashtag#ThisWeekinMarvel!

Continue reading here:

Psych Ward: The Hulk - Marvel (press release) (registration) (blog)