World War II is the backdrop for Quentin Tarantinos stylized revenge fantasy, shot by Robert Richardson, ASC.At top, the tense discussion between a desperate father and a cruel Gestapoofficer (Denis Mnochet and ChristophWaltz).
Unit photography by Francois Duhamel, SMPSP
During a press conference at this years [2009] Cannes Film Festival, Quentin Tarantino maintained, I am not an American filmmaker. I make movies for the planet Earth. The director and his crew were at the festival for the world premiere of his latest creation, Inglourious Basterds, whose intentionally misspelled title is the first of many twists from a production that combines a European milieu with its earthling auteurs stylized sensibilities.
The World War II saga was shot mostly atStudio Babelsberg near Berlin, with an international cast that includes Brad Pitt, Mlanie Laurent, Diane Kruger, and Christoph Waltz. One of Tarantinos innovations was to allow the characters to speak in their native tongues; the subtitled film skips easily from French to English to German, and the mastery of foreign languages, the subtlety of accents, and even body language are all important plot points.
Inglouriousmarks the third collaboration between Tarantino and Robert Richardson, ASC followingKill Bill: Vol. I(ACOct. 03) andVol. II.Prior to teaming with Tarantino, Richardson shot 11 films for Oliver Stone before establishing an ongoing rapport with Martin Scorsese (for whom he recently shot the forthcoming thrillerShutter Island). Richardson has won two Academy Awards forJFK(ACFeb. 92) and The Aviator (ACJan. 05) and notched three other Oscar nominations, and he has been nominated for eight ASC Awards. [He was honored with the ASC Lifetime Achievement Award in 2019.]
The story unfolds as a series of chapters that weave three subplots united by one very bad guy, Gestapo Col. Hans Landa (Waltz). In an opening that evokes Spaghetti Westerns, Landa and his posse of Nazis drop in on a French farmer and his family. While soldiers and the family wait outside, Landa methodically asks the farmer increasingly pointed questions about the whereabouts of missing Jewish neighbors during a cat-and-mouse sequence that builds inexorably to violence.
After Landa kills her family, Shosanna (Laurent) escapes to Paris, where she runs a movie theater and meets top Nazi brass. When Shosanna learns that her theater has been chosen for the VIP premiere of a Nazi propaganda film, she sees an opportunity for revenge.
Elsewhere in France, a unit of Jewish-American soldiers, led by hillbilly Aldo Raine (Pitt), lurks behind enemy lines terrorizing Nazis with the threat of mutilation, scalpings and executions by baseball bat. Tales of these Basterds eventually reach Hitler, who throws a fit.
Meanwhile, in London, the British high command hatches a plot to blow up the movie premiere. German-speaking agents are sent to a cellar tavern called La Louisiane, where they meet with a glamorous German actress (Kruger) who is actually a British secret agent. In a lengthy scene, the agents exchange pleasantries with a party of drunken German soldiers, and then with a suspicious Gestapo officer, before engaging in a climactic shootout.
As always with Tarantinos films, Basterds is rife with cinematic references. Indeed, much of the action takes place inside the movie theater during the projection of a black-and-white film-within-a-film directed by Eli Roth; the production even arranged for lead actress Laurent to learn how to run a film projector. The final sequence gathers its main characters at the big movie premiere, leading to a spectacular, surprising conclusion followed by an ironic epilogue.
In discussing Tarantinos approach to moviemaking, Richardson agrees that the director qualifies as a film purist. Richardsons longtime camera assistant, Gregor Tavenner, concurs, noting that Tarantino eschews the video village found on most contemporary sets. The only video monitor on the set is the small one on the camera, says Tavenner. During takes, Tarantino stays next to the camera, near the actors. If there is a dolly move, he climbs along for the ride, looking at the actors and glancing at the small Transvideo monitor on the camera to check the framing.
Tarantino favors shooting with a single camera, going against the trend for two cameras, which often necessitates lighting and staging compromises. You get such a handcrafted movie, Tavenner enthuses. The actors know theyre going to do a lot of setups because its only one camera, but they get to perfect their craft. The camera rolls for as many takes as necessary to perfect each shot, and its a real joy and a pleasure.
Tavenner explains that the director enforces a quiet set: Quentin creates a beautiful environment for the actors to perform in. The crew is trained to be so respectful. Tarantino bans cellphones from his set; a security person at the door collects all such devices. Tavenner recalls a tense moment when producer Harvey Weinstein came to visit the set and the guard asked for his phone. There was a moments pause, but Weinstein finally handed it over and nodded to his assistant, who then handed over four more. Everybody cheered, Tavenner recalls with a chuckle.
Richardsons longtime gaffer, Ian Kincaid, describes another Tarantino tradition on the set: every 100 cans of exposed film are celebrated on the spot with a glass of champagne for each crew member. Quentin is very gracious. Hell say, Hey, everybody gather round. Lets celebrate another 100 rolls! even if its 11 in the morning. During production, Tarantino also arranged for evening crew screenings of features he personally selected.
Part of the period style of Inglourious Basterds is created via dolly and crane movements. In a way, says Tavenner, its a classic style. Theres maybe one Steadicam shot in the whole film. A Technocrane was used sparingly (once to sweep across the audience in the movie theater), but the bulk of the crane shots were done with Richardson riding a one-person crane made by Grip Factory Munich, allowing for more organic, less automated movements than a remote head would produce. I often use a crane as a dolly when the space allows, because it allows for greater movement, the cinematographer notes. I can also do a tracking shot without seeing the dolly track in frame.
Inglourious was shot with Panavision anamorphic Primo and G-Series lenses, as well as the companys new anamorphic zooms and a Panavised Cooke. The Primos held up the best in terms of overall resolution, Tavenner asserts. You have a sweet spot between T2.8 and T4. If you can close those lenses down a stop, you gain quality that is well worth it.
Richardson explains that Tarantinos propensity for wide-angle lenses and centered framing give the film a contemporary, original feel. I could have shot the movie with just the 35, 40 and 50mm, he says. Thats not what you would do on an old-fashioned movie, though; this lensing is more modern.
Quentin and I will have these interesting little battles while Im composing a shot, Richardson continues. I naturally move to one side or the other, especially when shooting anamorphic, whereas Quentin enjoys dead-center framing. For singles in particular, were just cutting dead-center framing from one side to the other, with the actors looking just past the barrel of the lens.
Part of the distinctive look of Inglourious Basterds stems from its disregard for pure naturalism and lighting motivation, which also contributes to its impressionistic period feel. For example, the look of the opening scene in the farmhouse is defined by hot, hard daylight that shines down onto a table, bouncing to illuminate the two characters. Although one can imagine a skylight above the table, there is no clear motivation for the farmhouse lighting. I dont believe there always needs to be a motivation for a light, says Richardson. Sometimes you have to light for what you feel the sequence is.
He explains that he avoided a source-y approach to the scene (i.e., having the main source come through the windows) in part because this would have put a lot more light on the background. Here you feel the daylight on their faces but the background is relatively dark. The room was tiny and the source was isolating them in that small space. He points out that the table bounce is also adapted to the action of the scene: Landa fills out his paperwork, while the farmer has a tendency to look down. I felt it was important to have light in their eyes and to always have that bright spot available to the iris if so desired, he says. The toplight source also gave the actors the opportunity to play with the light by moving in and out of the shadows, and it enabled Tarantinos camera staging, which involved several wide-angle dolly moves around the table. When the camera started on one side and ended on the other, there were very few places to get a light in, Richardson observes.
The cinematographer would often add a soft fill light during the scene, and he felt free to adjust the direction of the top keylight from shot to shot.When I had the opportunity, I would add a level of bounce, and I would move the toplight to one side or the other to help the dark side move toward camera. I prefer to have the face lit from the opposite side not backlit, but and I want the dark side toward my lens as often as possible; theres something I like aesthetically about that choice. Im willing to flip a key in a sequence to accommodate that.
Tarantino told Richardson he wanted to see the landscape through the windows of the farmhouse, which required the quick changing of ND gels on the windows to adjust for the changing weather outside. Kincaid notes, Wed sometimes have to bring the light way up inside to balance with the exterior view. All of the scenes sources were daylight-balanced HMIs, and inside, the main overhead source comprised Par 1.2Ks rigged in an attic above the table. Most of the lights were gelled with CTO to lend the daylight a slight warmth.
Large sources outside provided some soft light and an occasional touch of hard light inside. These external sources included 18K Arrimax HMIs on turtle stands bounced up on big muslin frames, a 12K Par through the door, and a 6K Par through a window to create a small spot of sunlight on the wall.
Kincaid confirms that there was no lighting whatsoever, not even a passive bounce, during the 100' tracking shot of Shosanna running away in profile at the end of the sequence. Achieving this shot was simply a matter of choosing the right moment to film against the naturally soft backlight of the northern sky.
Filming began on location at a farmhouse in northern Germany with an initial plan to capture mostly exterior shots before moving to a soundstage for the interiors. But Tarantino quickly decided to start shooting the dialogue inside the house before continuing to shoot the same scene on the Babelsberg stages near Berlin, creating a challenge in terms of lighting continuity because the location and stage footage had to cut together seamlessly throughout the 25-minute sequence. To maintain continuity, the location lighting was duplicated in Babelsberg, and Richardson decided to use HMIs on the soundstage, which we never do, says Kincaid. For the windows, Richardson used greenscreened plates when necessary, or painted backdrops masked with black net when the windows were less present in the frame.
The roomy soundstage allowed for bigger bounce fills than the location, but the principle was the same: muzz and muzz. Kincaid explains that Richardson eschews plastic diffusion or bouncing material like beadboards or Griffolyn in favor of cotton muslin or real silk. A muzz and muzz soft source involves hard lights bounced off muslin and then diffused through muslin again. The sides of the setup are covered with black material to prevent spill, creating a pie-shaped, soft light box. Richardson explains his affinity for muslin by noting it has a more natural feel on the skin. I dont feel as many highlights coming back, whereas plastic materials give a shine off of makeup or skin.
Richardson claims that the muslin-bounced diffusion lends a unique quality to the soft source. Its the quality of the wrap of the light. I dont feel the shadow of the source. I enjoy the way the light moves across the face. Because the soft light has to be cut and flagged, the cinematographer usually tries to obtain the largest possible diffusion surface for the location. For example, when Pitts character interrogates a Nazi in the ravine scene, the bounce is a 12-by, but for tight interiors, the cinematographer will sometimes just staple a 4' piece of muslin bounce to the wall.
For a few scenes in Inglourious, Richardson uses a passive bounce as a key. A 12K provides most of the lighting for a brief but memorable scene in which Shosanna wields a hatchet and threatens a film developer positioned on a table. The hard source backlights Shosanna and her accomplice and then bounces off the table to provide a soft key on her face. The lighting is completed by a practical above and a 12K positioned on a Condor outside a window.
A similarly elegant use of hard light and bounce can be seen toward the end of the film when a smitten German soldier barges into the projection booth and confronts Shosanna at the doorway. Shosanna is backlit by a 20K positioned farther back on the set, and the soldier acts as her moving bounce: a strip of muslin was pinned to him off-camera. Depending on how close she moves to him, Richardson comments, there is a movement [in the light] and a lighter and darker quality on her face. A hint of red bounce also comes from Shosannas red dress. On the reverse shot, a similar setup lights the German, with a 12K bouncing off of the red dress. Other backlights were added to extend this effect once the actors move further inside the booth.
Richardson used a mixture of hard and soft sources for a beautiful scene on the top floor of the theater. As Shosanna prepares for the fateful premiere by applying her makeup, a 20K shines in through a circular window to provide a searing backlight. In front of the mirror, her face is keyed by a warm, soft source com prising a cluster of small, tungsten golf ball bulbs dimmed way down and diffused through muslin. Kincaid explains, The muslin lends a creamy feel to her skin. When were shooting a beautiful woman, well go muzz-muzz. Generally, the front is bleached muslin and the back is unbleached. Unbleached muslin has a tighter weave; its a nice, rough surface, so it has no sheen. Its a bit erratic, but it softens the light, and then the bleached muslin in front unifies it.
Kincaid reveals that Richardson often uses rows of dimmed tungsten bulbs with diffusion to create soft sources that can fit in tight places. On this film, we used soft frosted bulbs on wires, bunched in balls, attached to squares of wood and even draped around the camera, says the gaffer. A variation of this technique was applied for a scene in which Shosanna is whisked off to meet Goebbels in a swanky French restaurant. Their encounter was shot in a private dining room at Berlins Einstein Cafe. Rows of tungsten bulbs were suspended from the low ceiling and diffused with muslin to create a soft top source, which was supplemented by several Chinese lanterns and a Par can throwing a pool of hard light down onto the tablecloth. Kincaid notes that Richardson frequently uses lightweight Par cans. You can cluster them, and we use them for accent lights, for narrow backlight, and often for bouncing, he says.
The long scene in the La Louisiane tavern posed one of the shows biggest lighting challenges. Ten characters meet around two small tables in the cramped basement bar. The three British agents try to talk their way out of the tavern, leaving one table of drunken Germans and then accepting a round of drinks with a suspicious Gestapo officer. The tension rises until the scene explodes in a shootout.
The tavern set had very low ceilings and little room in which to maneuver. Richardson deadpans, For all intents and purposes, it was a practical location built on a stage. Kincaid adds, We said to ourselves, Okay, this is like the trailer scene in Kill Bill.
Quentin wants to create the feeling that nobodys getting out of here easily. Complicating matters further, the actors frequently move from seated to standing positions.
After trying and rejecting inframe practicals as too cluttered, the crew attached rows of tungsten bulbs to the ceiling, adding two layers of muslin beneath them to create a soft base light. The headroom was so tight that the bottom layer of muslin had to be removed when actors stood. Richardson then decided to add Par can toplights and bounced backlights as the shots progressed, reflecting the scenes mounting tension. Slowly, as the scene evolved, I moved from the soft top and started adding hard lights off the table to increase the contrast. I also began bringing in soft backlights to separate actors from the background. I just felt this need to do it as I went along, but I tried not to do it in an obvious manner so the audience wouldnt be aware of it.
Although the transition is subtle, Richardson confesses that he wondered at the time whether altering the light was a gigantic error. Kincaid concedes, We were very busy in there; every setup was a new challenge. We have a saying, though: Pressure makes diamonds.
When the shootout starts, the lighting changes dramatically, with beams of hard light shining through the smoke and gunfire. Tarantino punctuates the scene with a few of his signature snap-zooms into Germans firing their weapons. The timing of the shootout feels realistically rapid, without the extensive high-speed work that has become a convention in contemporary action films. The lighting for the dramatic climax in the movie theater involved a series of 6K and 9K Maxi-Brutes hung from the ceiling with black skirts and silk frames. A fire effect was created mostly with real fire generated by an extensive network of gas pipes, supplemented by red gels on the Maxis.
Richardson did the digital intermediate for Basterds at EFilm with colorist Yvan Lucas, and the colorist says he did the color correction the old-fashioned way, starting from the qualities Tarantino and Richardson liked in the workprint made by Arri Munich during shooting. While he was timing the tavern scene, Lucas recalls, Bob said, Yvan, I know you come from film, so youre going to match the faces, right? Youre not going to do it like the video timers, who match the backgrounds? His point was that faces are what jump out at you, and that was the big idea of the film: to work the old-fashioned way, by matching faces, and then seeing what we could do with the backgrounds if there were any problems.
Asked how Richardsons penchant for strong hard light impacts the digital grade, Lucas notes that he sometimes uses Richardsons highlights to find the timing of a shot. Ill often start with the faces, but I can also find my density value in relation to the strong highlight. Its like a visual reference that shows me where I have to place the shot. If the white is too bright, its not very pretty. By adding density, the white remains very overexposed and very strong, but it gets more body. In fact, there is very little choice in timing. There is one value thats really right. Often when Bob sees what Ive prepared for him, he doesnt ask for density changes because Im already where he wants to be.
Bob has a very particular way of lighting a face its very chiseled, Lucas continues. That allows me to go to a density value I would never dare use on another film. There is a gradation in the grays of the shadows that I can work with. His lighting allows me to go to a darker and very interesting density value without smothering the blacks. For example, the colorist adds, referring to the scene in which Shosanna stands at the window before applying her makeup, because the backlight is very strong, there is detail in the blacks. Although she is in the shadows, her face is delineated. When you add density, you see the cheekbones... but with this gradation. Its very beautiful, and its due to the very hard light.
Reflecting on his work, Richardson muses, When Im shooting, I dont sense the passage of time. I start and finish the sequence, and I dont recall the majority of what takes place in between unless I have a tremendous problem or Im trying to rectify something in the middle of the sequence. Nothing exists except for that moment. The closest thing to it is when I jumped out of an airplane and parachuted to the ground. I dont recall anything after jumping ... until my chute opened.
2.40:1 Anamorphic 35mm Panaflex Millennium; Arri 435 Panavision Primo, G-Series lenses Kodak Vision2 200T5217, Vision3 500T 5219 Digital Intermediate Printed on Fuji Eterna-CP 3513D
Follow this link:
- Iceland Abstains From Voting On Anti-Nazism UN Resolution - Reykjavk Grapevine [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- When it comes to the truth, are we different than Nazi Germany? - Wyoming Tribune [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- Headstones with swastikas removed from Nazi POW graves in Texas - BRProud.com [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- Hateful Neo-Nazi propagandist who called for extermination of Jews and gay people jailed for four years - PinkNews [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- Dr. William Good, who battled Nazis in Poland, dies of COVID-19 - Los Angeles Times [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- New memorial highlights Nazis' overlooked crimes in Greece - DW (English) [Last Updated On: December 28th, 2020] [Originally Added On: December 28th, 2020]
- SA man with links to national neo-Nazi group accused of trying to make bomb - 7NEWS.com.au [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- New Nazi documentary Final Account is a powerful & prescient warning for our identity politics obsessed age - RT [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- BBC investigating reporter who tweeted Hitler was right, compared Israel to Nazis - Fox News [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Mass graves of women & children unearthed at Russian Nazi death camp as skulls with bullet holes reveal... - The US Sun [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- The hunt for Germany's largest warship proved that U-boats were the Nazis' best weapon - Business Insider [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Mass grave of women and children unearthed at ex-Nazi concentration camp - The Mirror [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- The other problem with Marjorie Taylor Greene's Nazi analogy - Yahoo News [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- He Posed as a Neo-Nazi and Caught the London Nail Bomber - The Daily Beast [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Former Nazis give their 'Final Account' in new documentary J. - The Jewish News of Northern California [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- The Nazi Fixation on Jews Cost Them the War - A Magazine of American Culture [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Disgusting and despicable: Neo-Nazi group gathers in front of New England Holocaust Memorial in Boston - Boston Herald [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Dalton Delan | The Unspin Room: From Nazi occupation to COVID, she's endured it all and survived - Berkshire Eagle [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- Secret network of tunnels found at former Nazi German army HQ raise speculation they could contain legendary Amber Room - The First News [Last Updated On: May 29th, 2021] [Originally Added On: May 29th, 2021]
- A preeminent scholar on Nazism explains whether it makes sense to refer to Trump-loving populists as fascists - Raw Story [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- GoDaddy, Digital Ocean ban Texas Right to Life's abortion reporting site - Mashable [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Once Upon A Time In Nazi Occupied Tunisia REVIEW: A brave attempt to awaken history - Express [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Where are Nazi Germanys uranium cubes? New tracking method could reveal its missing trail - ThePrint [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Following the paper trail: How neo-Nazis make their money - SBS News [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Great Art Heists of History: The Nazis' War Against Modern Art - MutualArt.com [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Montero signs the activist who called Vox Nazi to give lessons in feminist democracy&#... - Market Research Telecast [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Camp Atterbury, the place where thousands of Afghan evacuees seek refuge, once held Nazi POWs - WTHR [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Daniel Andrews Moves To Ban Nazi Symbols And Strengthen Anti-Hate Protections - Junkee [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Why People Flocked to Hitler, and Why the Nazis Believed Here There Is No Why - The Wire [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Dive Team to Investigate Wreck of Sunken Nazi Steamer - Gizmodo [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Ex-neo-Nazi Christian Picciolini: "The words I used to say are now part of the mainstream" - Salon [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- Neo-Nazi Group Appears To Register With FEC - Forbes [Last Updated On: September 5th, 2021] [Originally Added On: September 5th, 2021]
- May you live long and be prosecuted | Efraim Zuroff | The Blogs - The Times of Israel [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- Covid LIVE updates as Omicron now 20% of infections in England and hundreds queue for booster jabs - Manchester Evening News [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- Sniper Elite 5 Takes The War To France, Launching In 2022 - GameSpot [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- The Luftwaffe: The Making & Breaking Of The Nazi Air Force - BBC History Magazine [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- The hand-cranked calculator invented by a Nazi concentration camp prisoner - Ars Technica [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- How European Jewish refugees wined and dined Nazi prisoners for US Army intelligence - The Times of Israel [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- Mixed-race cop on policing in 2021: Ive been called racist and a Nazi - New York Post [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- 80 years ago this month, Nazis invented industrial murder at quiet Chelmno - The Times of Israel [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- Fact check: Nazi scientists brought to U.S. in Operation ... [Last Updated On: December 14th, 2021] [Originally Added On: December 14th, 2021]
- A year after the Capitol riot, my cousin has a Nazi flag on his bedroom wall - The Independent [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Putin demands EU joins forces with Russia in severe Nazi crackdown in Ukraine - Daily Express [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- MMA Fighter Barred From Competing In Organization Due To Nazi Tattoos - MMA News [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Vienna examines its WWII legacy with exhibition of Nazi art - Euronews [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- The disturbing parallels between the 2020s and 1940s in the U.S. - Salon [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- My mother has dementia but can still remember the Nazi doctor who gave her 'medicine' at Auschwitz - Telegraph.co.uk [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Last call for claims to scheme compensating victims of Nazis for property confiscated in WWII - GOV.UK [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Nazi Druid Accused of Hoarding Weapons to Prepare for Societys Collapse - VICE [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Symposium focuses on racism in health care and public healthfrom Nazi medicine to COVID and cancer - The Cancer Letter [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- Archive amassed by Nazis sheds light on Masonic history - FRANCE 24 [Last Updated On: January 11th, 2022] [Originally Added On: January 11th, 2022]
- He Marched At The Nazi Rally In Charlottesville. Then He Went Back To Being A Cop. - HuffPost [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Ben Bril: The Dutch Jewish boxing champion sent to Nazi camps by Olympic team-mate - BBC [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- He Founded an American Neo-Nazi Terror Group. But Will Rinaldo Nazzaro Ever Face US Justice? - VICE [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Nazi persecution of the Catholic Church in Poland - Warsaw Institute [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- They died praying for others: Two Catholic priests martyred by Nazis beatified in Italy - Catholic News Agency [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Nazis burned the book and started a riot in theaters when it went to film but now it has its own version from Germany - War Is Boring [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Nazi boat sunk by the British during WWII is still polluting the sea - Sky News [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Norman Lear Rips Donald Trump, Says Former Presidents Recent Appalling Words About Jews Remind Him Why He Enlisted To Fight The Nazis - Deadline [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- On the Trail of a Nazi Fugitive | Detroit Jewish News - The Jewish News [Last Updated On: October 19th, 2022] [Originally Added On: October 19th, 2022]
- Hollywood Flashback: All Quiet on the Western Front Earned Two Oscars and a Ban in Nazi Germany - Hollywood Reporter [Last Updated On: December 14th, 2022] [Originally Added On: December 14th, 2022]
- Prince Harry calls Nazi uniform one of the biggest mistakes of his life: I was 'so ashamed - Page Six [Last Updated On: December 14th, 2022] [Originally Added On: December 14th, 2022]
- California congressman apologizes to Jewish congregants for Nazi remark ... [Last Updated On: December 14th, 2022] [Originally Added On: December 14th, 2022]
- Ukrainian court rules SS division's symbols are not Nazi [Last Updated On: December 14th, 2022] [Originally Added On: December 14th, 2022]
- www.lataco.com [Last Updated On: December 14th, 2022] [Originally Added On: December 14th, 2022]
- 'Infestation '88' changes title following claims of Neo-Nazi symbols - NME [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Israel in discussions with Congo to resettle Palestinians from Gaza, Recalling Nazi Madagascar Plan for Jews - Informed Comment [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Which Nazi Ideas am I Supposed to Debate for Your Profit? - Daily Kos [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Infestation 88 Has Already Changed Its Name Due To Nazi Connotations - TheGamer [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Grimes says she's proud of white culture after being labelled a "Nazi" - Mixmag [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Daily Wire host plots to smear Disney: "We need to turn Mickey [Mouse] into a Nazi" - Media Matters for America [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Nazi-Looted Painting Returned to Collector's Heir | Smart News - Smithsonian Magazine [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- The Dutch Under Nazi Rule: German WWII Occupation of the Netherlands - The Collector [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Neo-Nazi Podcasters Who Targeted Harry Jailed on Terror Charges - The Daily Beast [Last Updated On: January 7th, 2024] [Originally Added On: January 7th, 2024]
- Active Club Finland Welcomes Australian Neo-Nazi Visitor, Mentions Cooperation And Collaboration - Middle East Media Research Institute [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]
- Donald Trump can't quit his Nazi Germany obsession, as he posts an ad with the words "Unified Reich" - Daily Kos [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]
- Why are the German authorities so reluctant to believe in neo-Nazi attacks? - The Spectator [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]
- Israeli minister addresses convention hosted by Vox, Spanish far-right party criticized for neo-Nazi ties - JTA News - Jewish Telegraphic Agency [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]
- Cotton On to redesign kids tee over Nazi symbol resemblance - Geelong Advertiser [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]
- Over 1000 killed on British soil in UK-based Nazi concentration camps - The Jerusalem Post [Last Updated On: May 21st, 2024] [Originally Added On: May 21st, 2024]