PLYMOUTH - Jae Dunn has been quietly working behind the scenes to make the towns 400th anniversary later this year a success. And when the opportunity to make a longer lasting impression arose, the local woman knew she must have a part.

While local students celebrated recess last week, Dunn was one of a dozen women taking a hands-on class in embroidery that will leave her mark on history for generations and generations to come even if it is just a couple of large letters on a piece of fabric.

Using skills she learned at her grandmothers knee as a child, Dunn spent two days last week stitching the letters P and L to the prologue panel of the Plymouth Tapestry, a heroically scaled commemorative embroidery interpreting the people and events central to the founding of Plymouth in 1620.

Based on the Bayeux Tapestry, an embroidery project that was crafted in 1066 to celebrate the Norman Conquest of England, the Plymouth tapestry will tell the story of Plymouth from its native American origins to the arrival of the Pilgrims and the first Thanksgiving.

When finished, it will feature 20 six-foot panels and span 120 feet. But it is its longevity, not length, that has undeniable appeal.

What motivated me first is its outrageously beautiful," Dunn said. "But the thought of leaving something around, something that should be around for the 500th anniversary, that really appealed to me. This is a real, tangible thing that will last long after Im gone.

Plymouth CRAFT offered stitchers the opportunity to have a hand in the project, running two three-day workshops at Pilgrim Hall Museum that taught basic stitches and allowed needle workers like Dunn to work on the title panel.

The class included a visit to the home of Elizabeth Creeden of Wellingsley Studio, who turned her 17th century home on Sandwich Street into a tapestry workshop.

With the help of local historians, Creeden has been designing the panels for years. A team of volunteer stitchers has been helping her embroider the six-foot sketches since last fall.

Two of the panels are complete and were in Pilgrim Hall as inspiration for last weeks Plymouth CRAFT class. Pilgrim Hall expects to unveil four of the panels for the public later this spring. The entire 120-foot tapestry is slated for completion and unveiling in the fall of 2021 for the 400th anniversary of the first Thanksgiving.

Participants in the class included two nationally known embroiderers who have been working with Creeden on the project. Kathy Neal and Barbara Jackson have traveled to Plymouth from their homes out of state repeatedly to help stitch.

For the class they spent the first morning of both sessions teaching their students a half dozen or so stitches like the reverse chain, the alternating stem stitch and invisible couching that will go into the prologue piece a six-foot title page that feature the likeness of the Mayflower.

Local historian Ginny Davis provided the drawing of the ship. It was on a linen napkin she has from 1957, when Mayflower II, the replica of the ship that carried the Pilgrims to America, sailed from England to Plymouth.

Davis husband, Karl Lekberg, already had a hand in the project. He built the custom wooden frames being used to hold the fabric panels during stitching.

Davis got a glimpse of the project as a result and, like Dunn, knew she wanted to be part of something so grand. What she didnt realize was the peace it would bring.

They gave us little panel to practice on, then we sat down to stitch. It was a transformational experience. I didnt even get tired. I got energized. It was like meditation for me, Davis said. Its something that truly makes you feel like youre tied to the past and the future.

Davis said she used the stem stitch almost exclusively to stitch letters during her session. Even that was exacting work, as every line had to be straight and without split strands.

It was very painstaking, but also they can be taken out," she said. "Even the best of the stitchers have taken their stitches out. Sometimes they do a piece and come back the next day and start over.

Celia Nolan traveled from Hull to stitch on the project. A volunteer knitter for Plimoth Plantation, Nolan stitched as a child and thought it would be fun to get back into needlework on such a momentous project. She was also perfectly happy to perfect a single stitch if thats what was needed.

Its an amazing project that looks backward and will last long into the future - something my children can go look at and their children, Nolan said.

She stitched the first T in Massachusetts and most of the Y in Plymouth. Like many of her classmates, Nolan said she is hopeful that her skills might be deemed worthy enough for a call up to Sandwich Street and a chair at one spot on the main tapestry panels.

The H in Plymouth belongs to Caitlin Doyle.

The Hingham woman learned to embroider on her own using online resources after graduating from college a few years ago and was looking for a way to turn a solitary hobby into more of a social occasion.

Since learning about the Bayeux Tapestry, Doyle also dreamed of having a hand in a story telling tradition that started so long ago and commemorates so much human history.

The Bayeux has lasted a thousand years even after being forgotten in a chest for a few centuries," she said. "The Plymouth Tapestry will be cared for with a museums meticulous love and attention from the beginning, so who know how much longer than that it could last?

The Plymouth Tapestry experience was a wonderful way to practice this beautiful art that ties us to people past and present, all over the world, and I am proud to have a part of it. Also, Im so excited to bring everyone I know to see it on display say, Look how great the letter H in Plymouth is - I did that!

Rich Harbert can be reached at rharbert@wickedlocal.com.

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A stitch in time: Plymouth Tapestry Experience traces history of Native Americans and Pilgrims - Wicked Local