As Donald Trump campaigns for reelection, he is increasingly sounding like a fanatical Cold War relic, railing against the communists, anarchists, and socialists while pledging to protect the real Americans from this growing Red Menace. This week on Intercepted: As Trump vows to smash leftist movements, we take a comprehensive look at the life of the revolutionary Black socialist, anti-fascist, and artist Paul Robeson. University of Houston historian Gerald Horne, author of Paul Robeson: The Artist as Revolutionary, discusses Robesons life from his early years to his time in Europe on the brink of a fascist war. The son of an escaped slave, Robeson rose to international fame as a singer and actor, but committed himself to the liberation of oppressed people across the globe and was a tenacious fighter for the freedom of Black people in the U.S. Robeson was heavily surveilled by the FBI and CIA, dragged before the House Un-American Activities Committee, and was stripped of his passport by the U.S. government.

Audio of Robesons testimony at the House Un-American Activities Committee, used throughout this episode, is a dramatization by actor James Earl Jones in the stage play, Are You Now or Have You Ever Been?

Sean Hannity: Joining us now on the phone is President Donald Trump from the White House tonight. Mr. President, thank you, sir, for being with us.

Donald Trump: Well, thank you very much. And how good is Mark?

[Sounds of toilet]

SH: I want to start Um, Mr. President? We have an election in 117 days, Mr. President, and

DJT: I actually took cognitive tests.

SH: Ok.

DJT: Very recently when I proved I was all there because I aced it. I aced the test

SH: You know

DJT: in front of doctors and they were very surprised. They said thats an unbelievable thing. Rarely does anybody do what you just did.

SH: What is your second term agenda?

DJT: Our country will suffer. Our stock markets will crash. Cases all over the place. People dying.

SH: Thank you for your time. We appreciate you being with us. And 117 days to go. Alright.

DJT: Thank you very much, Sean. Thank you.

[Musical interlude]

Jeremy Scahill: This is Intercepted.

[Musical interlude]

JS: Im Jeremy Scahill, coming to you from my basement in New York City. And this is episode 138 of Intercepted.

Catherine Herridge [CBS]: Why are African Americans still dying at the hands of law enforcement in this country?

DJT: And so are white people. So are white people. What a terrible question to ask. So are white people more white people by the way.

JS: The United States is in the midst of a period of great reckoning. While many major media outlets have moved on in their coverage, demonstrations for racial justice and Black Lives continue in cities and towns across this country.

Protesters: George Floyd! Say his name! George Floyd! Say his name! George Floyd!

JS: At the same time, the pandemic is continuing its carnage, due in no small part to the criminal incompetence of President Donald Trump. While Wall Street celebrates its gains and basks in the perceived contradictions, workers across this country are suffering. Millions of people are at risk of losing or already have already lost their employer-based health care. The paltry means-tested so-called economic stimulus was at its inception an inadequate bandaid, and now the wounds on working families are becoming infected. At the same time, the billions doled out to corporations are shrouded in unaccountability and secrecy.

And, as Trump campaigns for re-election, he is increasingly sounding like an early Cold War fanatic, railing against the communists, anarchists, socialists while pledging to protect the real Americans from this growing Red Menace.

DJT: We are now in the process of defeating the radical left, the marxists, the anarchists, the agitators, the looters, and people who, in many instances, have absolutely no clue what they are doing.

JS: In these times, the long shadow of history stretches over us all. And in thinking of the magnitude of the current world and national crisis, Ive found myself reading books, watching films, listening to music that was produced during times of crisis and struggle throughout history.

[Water Boy sung by Paul Robeson plays.]

Paul Robeson: [Singing] Water boy, where are you hiding? If you dont come, Im going to tell your Mamie.

JS: One of the great stories of the past century is that of the life of Paul Robeson. He was born in New Jersey to a father who escaped slavery. He was an athlete, a lawyer, an actor, and a singer. And his songs propelled him to international fame beginning in the late 1920s and early 1930s.

But Paul Robeson represented something much bigger than his art or his biography. His ascent to fame came as the world was in upheaval, the market crash and the Great Depression, the rise of fascist forces in Europe, and the grinding oppression of Jim Crow America. Robeson spent many of his prime years living outside the United States. He said he felt more free as a Black artist abroad than he did in the land of his birth. He traveled the world performing in the great concert halls and theater venues of Europe and beyond. He was enamored of the Soviet Union and the great hope that he placed in the liberation of Black people from the shackles of colonialism in Africa. He mastered several languages, among them German and Russian, and he gave in London what is to this day considered to be one of the greatest performances of Othello ever staged.

Paul Robeson reciting Shakespeares Othello: Soft you, a word or two before you go. I have done the state some service, and they knowt. No more of that. I pray you, in your letters, when you shall these unlucky deeds relate, speak of me as I am. Nothing extenuate, nor set down aught in malice.

JS: Paul Robeson was an international man of resistance, of worker solidarity, and he was a proud Marxist. He could have lived a life of extreme comfort and luxury. He could have chosen to just be an artist. But at his core, Paul Robeson believed that the struggle to liberate workers across the globe and to overthrow the tyranny of fascists was connected to the liberation of Black people in the United States. And when Robeson was outside of the U.S. or inside of it, he always spoke with an international perspective. After visiting with coal miners in the Welsh valley in the U.K. in the 1950s, Robeson described his political evolution in a radio interview on KPFA.

PR: And I went down in the mines with the workers and they explained to me that Paul, you may be successful here in England, but your people suffer like ours. We are poor people. And you belong to us, you dont belong to the bigwigs here in this country. And so I today feel as much at home in the Welsh valley as I would in my own Negro section in any city in the United States. And I just did a broadcast by transatlantic cable to the Welsh valley a few weeks ago. And here was the first understanding that the struggle of the Negro people, or of any people, cannot be by itself. That is, the human struggle. And so I was attracted then to met many members of the Labor Party and my politics embraced also the common struggle of all oppressed peoples, including especially the working masses, specifically the laboring people of all the world. And that, that defines my philosophy. Its a joing one of, we are a working people, a laboring people the Negro people. And theres a unity between our struggle and those of white workers in the South. Ive had white workers shake my hand and say, Paul, were fighting for the same thing. And so this defines my attitude toward socialism, and toward many other things in the world. I do not believe that a few people should control the wealth of any land, that it should be a collective ownership.

JS: Today on the show, we are going to take a journey through the life and times of Paul Robeson. From his early years to his rise to fame, to his time in Europe on the brink of a fascist war. We will hear how Robeson traveled to the frontlines of the war against General Franco to perform for the international anti-fascist brigades. Well hear of the FBI investigations, Robesons appearance before the House Un-American Activities Committee and of how Paul Robeson was stripped of his passport by a U.S. government afraid that he would become a Black Stalin.

Our guest for todays program is the historian and scholar Dr. Gerald Horne. He currently holds the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston. He is a prolific author and among his works is the recent book Paul Robeson: The Artist as Revolutionary. Dr. Hornes newest book, just published, is The Dawning of the Apocalypse: The Roots of Slavery, White Supremacy, Settler Colonialism, and Capitalism in the Long Sixteenth Century. Dr. Gerald Horne, thank you so much for joining us here on Intercepted.

Gerald Horne: Thank you for inviting me.

JS: As weve watched these events unfold over the past months, not just with the pandemic, but centrally with the uprisings that weve seen around the country in the aftermath of the killing of George Floyd, I found myself thinking a lot about Paul Robeson.

Dramatization by James Earl Jones as Paul Robeson: Is that when I am abroad, I speak out against injustices against the Negro people in this land. That is why Im here. Im not being tried for whether Im a communist. Im being tried for fighting for the rights of my people, who are still second class citizens in this country, in this United States of America. My father was a slave. I stand here struggling for the rights of my people to be full citizens in this country. And they are not.

JS: Paul Robeson was a militant anti-fascist, a radical thinker, and in your book on him, you say that he was the forerunner to Malcolm X and Martin Luther King, and that in studying his life we can understand better this history that we all continue to live through. For people that are not familiar, just give an overview of why you put Paul Robeson in that historical context.

GH: Well, Paul Robeson was born in New Jersey in 1898, passes away in Philadelphia in 1976. In between, he was a star scholar at Rutgers University, one of the few Black Americans admitted to that state school. He was also an All-American football player and a baseball catcher. He also attended Columbia University Law School and practiced law for a while. But it was soon revealed and discovered that he had a marvelous singing voice.

PR: [Singing] I dreamed I saw Joe Hill last night, alive as you and me. Says I, But Joe, youre ten years dead. I never died says he, I never died says he.

GH: And he quickly transferred to being a star concert singer and a star of the stage, and ultimately film.

PR: Lord God of Abraham, Isaac and Israel.

GH: From the 1920s up through the late 1930s, he was actually in exile. He lived in London. And there he came into contact with many anticolonial leaders. But a turning point in Paul Robesons life comes in the early 1930s, when he comes face to face with fascism as its rising in Germany. And his transition to becoming this stellar anti-fascist activist is assisted in no small measure by his good friend, another Black lawyer, speaking of William Patterson, who went on to spearhead the defense of the Scottsboro Nine in the 1930s. Recall these are the nine Black youth in Alabama who are accused falsely of sexual molestation of two Euro-American women. Their case becomes a cause clbre all over the world. Its not unlike the antiapartheid movement, which in the 1980s and 1990s becomes an international movement. And in fact I argue that the Scottsboro Nine, in some ways, was a precursor and necessary prelude to the eruption of the anti-Jim Crow movement in the 1950s in the United States of America.

In any case, Paul Robeson becomes an advocate of socialism. He visits the Soviet Union early on. The turning point, in a sense, in Paul Robesons life comes with the dawning of what London would call World War II, that is to say 1939. And he felt that with his family he might be caught in the midst of a war so he decided to return to the land of his birth. And for a while it seemed as if he was in accord with main political trends in the United States after all. But alas, with the end of World War II, you see the rise of the Red Scare, the Cold War. Robeson quickly becomes persona non grata. A turning point again in his star-crossed life comes when he confronts President Harry Truman in the White House, when Mr. Robeson is campaigning against lynching the extrajudicial murder of Black Americans, non unlike what befell George Floyd in Minnesota in May 2020.

PR: A very broad committee went in to protest the lynchings of the Negro boys in the South. He said that it wasnt politically expedient to do anything about lynching.

GH: And as Mr. Truman was being berated by Mr. Robeson, therein you can espy the onset of the decline of Mr. Robeson. He quickly becomes blacklisted. He becomes an early victim of McCarthyism. He still has a certain kind of contact with the emerging civil rights movement. I mean, for example, he rubs shoulders with Malcolm X while in London. He confers with Dr. Martin Luther King and some of Dr. Kings representatives. But its fair to say that the final decade of his life is spent generally in seclusion and he passes away in Philadelphia in early 1976.

JS: As Robeson discovers his gift for the performance arts, particularly singing and acting in the United States, and he is given some early opportunities to perform in the plays of Eugene ONeill, what was Robesons life like as he entered entertainment? And ultimately what brings him then to Europe?

GH: After leaving Rutgers, he enrolls in law school and is well on his way to becoming a well-paid lawyer. But like many people, that is to say many Black people in particular, he felt that his individual success was insignificant compared to the kind of relentless Jim Crow and mindless lynching that his people were being subjected to. But, as suggested, he left that particular life and that particular career. And then, in the early 1920s, moving to London on the premise, which proved out, that there would be more opportunities in London for a Black performer than in the land of his birth.

While in London, hes exposed to a number of radical intellectuals when Britain was considered to be a so-called top dog in the imperialist and capitalist world. That process led to the creation of a number of leading anti-fascist, anti-imperialist intellectuals. And this kind of environment influenced Robeson quite deeply and, as suggested, along with his trip to Germany as fascism was being born, helped to move him decisively to the left.

PR: I would say that, unquestionably, I am an American. Born there. My father slaved there. Upon the backs of my people was developed the primary wealth of America. The primary wealth. Theres a lot of America that belongs to me yet, you understand? But just like a Scottish-American is proud of being from Scotland, Im proud for being African. Now in our school books they tried to tell me that all Africans were savages until I got to London and found that most Africans that I knew were going to Oxford and Cambridge and doing very well and learned their culture. So I would say today that Im an American who is infinitely prouder to be of African descent, no question about it, no question about it. Im an Afro-American and I dont use the word American ever loosely again.

JS: In 1934, he travels to Moscow for the first time and Robeson said that, Through Africa I found the Soviet Union. Talk about how that first trip to the Soviet Union really profoundly changed Robesons trajectory.

GH: Well, you know, I find that people in the United States, at least certain elites and certain folks who dont know better, theyve really been able to convince Black people in the United States that everybody hates us. You go anywhere in the world, they dont like Black people. Which, of course, sort of lets U.S. Jim Crow and U.S. apartheid off the hook, lets U.S. white supremacy off the hook because the U.S. is just reflecting these global trends. But of course you dont have to be a historical materialist to recognize that these anti-Black attitudes come out of a particular cultural and historical context.

And if you look at Russia, in particular, a European country that, I think its fair to say, that was not as avid a participant in the African slave trade as some of its Western European counterparts including England and France and Portugal and Spain most notably and not only that but the man whos considered to be the founder of the modern Russian language, speaking of Pushkin, was of partial African descent himself and still is seen as a hero today.

Then theres the rather pragmatic political point, which is that the Soviet Union, at that time, needless to say, was being encircled by a number of antagonists, including imperial London, including imperial France, including Germany. So there was a pragmatic reason for Moscow to try to win favor amongst the colonial subjects of its antagonists. Not to mention those who were victimized by bigotry and racism and white supremacy in the United States of America.

There were many good reasons and many sound historical reasons for Moscow to open its embrace to Robeson. It helped to solidify his already growing attraction to the ideas of socialism. And of course he was not alone in this. This circle included many of the Black intellectuals of that time and this pro-Moscow, pro-socialist attitude is not unusual because Black people were looking for allies against U.S. imperialism and white supremacy. Just like by June 22, 1941, when Germany invades the Soviet Union, the United States is looking for allies. Which is why you have this rapid turn about in the United States of America with regard to its opinion of the Soviet Union. Joseph Stalin becomes man of the year according to Time magazine. You have Hollywood producing pro-Soviet movies, which I think you can still find on YouTube.

[Mission to Moscow clip plays.]

Mr. Davies: I believe, sir, that history will record you as a great builder for the benefit of mankind.

Stalin: It is not my achievement, Mr. Davies. Our five-year plans were conceived by Lenin and carried out by the people themselves.

Mr. Davies: The results have been a revelation to me. I confess I wasnt prepared for what I found here. You see, Mr. Stalin, Im a capitalist as you probably know.

Stalin: Yes, we know youre a capitalist. There can be no doubt about that.

GH: Which presents a vision of the Soviet Union which contrasts with the pre-World War II and post-World War II approach. And of course we all know that after the war ends, these Hollywood creators are then dragged to Washington and grilled as to why they made these pro-Soviet movies.

Newsreel: Investigating alleged communism in Hollywood, the Washington Committee on Un-American Activities has been hearing the testimony of prominent film personalities.

Eric Johnston: The motion picture industry has been accused of putting subversive and un-American propaganda on the screen. We deny that without any reservation. The pictures themselves are complete proof of its falsity.

GH: Of course, the answer was that Franklin Delanoe Roosevelt suggested that this was a good idea in order to massage U.S. public consciousness so that the U.S. population would be more prone to go along with this alliance with the Soviet Union against imperial Tokyo and fascist Berlin.

And so Robeson was part of that overall political environment. The difference is, is that after 1945, the U.S. did a 180 degree reversal with regard to its pro-Soviet attitudes. Robeson chose not to, not least because the Soviets were still supporting African liberation movements. Now this rather simple political historical understanding, its oftentimes difficult for whatever reason for many of our friends in the United States to grasp.

PR: For the first time, as I stepped on Soviet soil, I felt myself a full human being a full human being. So its unthinkable for me today that colored peoples in any part of the world would ever join a war or attacks upon the Soviet Union. Im an anti-fascist and I would feel perhaps that any war against the Soviet Union would be a fascist war. Why not talk about peace and friendship with the Soviet people.

Journalist: What are your political opinions? Have they been changed today?

PR: My political opinions about the Soviet Union have only been deepened. As I said, in the Soviet Union, Im a believer in socialism and I would say with Dr. Du Bois that I believe that the socialist lands, in the sense of the Soviet Union, China, and the peoples democracies are the hope can I repeat it? the hope for the future.

JS: Part of history that I think is so vital that people understand but its almost never talked about, is the Spanish Civil War that preceded Hitlers war of conquest and genocide throughout Europe and eventually extending elsewhere. But you had, from the United States just as an example, three thousand people who signed up under the auspices of the Abraham Lincoln Brigade people who were communists or anarchists, socialists that went to Spain to fight against the rise of fascism. And, in fact, the United States officially declared itself to be neutral. And as you write about, Paul Robeson himself goes to the frontlines in Spain to perform for the anti-fascist forces that really were at the vanguard of trying to prevent fascism from taking hold in Europe.

PR [Singing]: But your courageous children. But your courageous children.

JS: Talk about that episode and why Robeson decided to go to Spain to perform on the front lines for the anti-fascists.

GH: Robeson was not alone in terms of those sentiments in favor of the Republican regime in Spain that was being challenged by the ultimate victor, the proto-fascist Francisco Franco who, as you correctly suggest, was backed by the fascist powers. But not only backed by the fascist powers, Berlin not least, but also, you may recall, that Henry Ford, one of the top manufacturers, as theyre called in the United States and his eponymous automobile company is still with us. And so on the other side of the ledger, not only had Robeson, who went to Spain to sing before the beleaguered forces and troops, but Langston Hughes, who was perhaps the leading Black writer of the 20th century was also a part of that crew that descended on Spain.

And, interestingly enough, a number of Black Americans whose names sadly have been lost to history, they were sufficiently motivated to go to Spain as well because, like Robeson, they felt that if fascism could be defeated on the Iberian peninsula that that would bode well for its close cousin, Jim Crow, being defeated on these shores. And likewise, if fascism were to emerge victorious on the Iberian peninsula, this would give a shot in the arm to its close cousin, speaking of Jim Crow, on these shores. And so thats what motivated Robeson to go to Spain in the 1930s. Like his trip to fascist Germany, like his trip to the Soviet Union, this had a catalytic and a positive impact on his emerging anti-fascist consciousness and was one more factor that was pushing him steadily to the left.

JS: Yeah, I wanted to read a quote that you cite in your book from Robesons own description of why he travels to Spain to perform for the anti-fascist forces.

PR: I am deeply happy to contribute to this cause of Spanish culture and of the Basque children in particular. A cause which must concern everyone who stands for freedom, progressive democracy, and for humanity. Today, the artist cannot hold himself aloof.

JS: He said, Every artist, every scientist must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights since, the artist must take sides. He must elect to fight for freedom or slavery. I have made my choice. I had no alternative. When Robeson was asked why he said because, The history of the capitalist era is characterized by the degradation of my people. Put that in context.

GH: I still get chills when I hear that quote being rendered. Obviously hes referring to the origins of capitalism itself, something Ive dealt with in a number of books, including my most recent book, The Dawning of the Apocalypse, which deals with the 16th century. And as Karl Marx himself put it, capitalism comes upon the world stage dripping with blood with the blood of Africans in particular because it was the African slave trade, one of the most profitable enterprises known to humankind. As you know, the African slave trade was the precursor for bringing millions of Africans to these shores, including my ancestors, Im afraid to say. And after suffering through centuries of slavery, we were able to create conditions that led to a U.S. Civil War, culminating in 1865, and then we were then degraded by a century further of U.S. apartheid in this so-called land of liberty and land of freedom. So this is what Robeson was making reference to when he made those rather scalding comments about what was happening to Black people, what was happening to his people.

JS: Tell the story of how Robeson was impacted by the case of the Scottsboro Boys. This starts in 1931, where you have nine Black teenagers ranging in age from 13 to 19 years old who are falsely accused of raping two white women on a train.

Clarence Norris: The three of us were surrounded with a mob. They had shotguns, pistols, sticks, pieces of iron, everything. The crowd commenced to holler: Lets take these Black sons of bitches up in here and put em to a tree. I did thought that I was going to die.

JS: Maybe set the Scottsboro Boys case and Robesons response to it in context.

GH: These nine Black youth are riding trains in the middle of a collapsing economy. It was quite common for folks to hop on trains to get from a city of unemployment to a city where they hoped there would be employment. These two women are riding the train too. There are controversies and confrontations between the nine Black youth, all from Dixie, and the two women. It leads to this allegation that turns out to not to be accurate that they had sexually molested these women. What happens is that the aforementioned William Patterson, who becomes a leader of the International Labor Defense, in many ways they take up the banner of the Scottsboro Nine. They use this case to illustrate the frailties, if you like, of Jim Crow, the noxious nature of white supremacy. Because the International Labor Defense has an international network, because the Communist Party and the Communist International, headquartered in the then Soviet Union, that is to say speaking of the latter, its part of an international organization. And so when this Communist International and International Labor Defense take up this case, theyre able to generate a worldwide movement against U.S. Jim Crow.

James W. Ford: It is only the Communist Party, which day in and day out, fights for every demand and need of the Negroes in the terror-and lynch-ridden South.

GH: Because of the disadvantageous conditions that Black Americans face in the United States of America, historically Black Americans have needed international solidarity and international support to make a step forward. And fortunately that was present in the 1930s. Now, it turns out that it takes quite a bit of activism to free the Scottsboro Nine. For most of the 1930s, despite this international protest, picketing at U.S. consulates and legations and embassies all over the world, boycotts of U.S. based corporations, etc., they still spend most of the 1930s in prison. But eventually, they are not executed because they were definitely slated to be executed, which, I might say, was the fate of too many Black people, that is to say being accused falsely then either rushed to the electric chair of the gas chamber or dragged unceremoniously from the prison and lynched, that is to say murdered without due process of law. But fortunately that fate did not befall the Scottsboro Nine and it also, I should say, not only helped to give U.S. imperialism a black eye in the international community, it also helped to drive many Black people into the ranks of the U.S. Communist Party, including a number of its leaders. And certainly it was a factor in helping to bring Paul Robeson closer to the U.S. Communist Party. I should say at this point that in his testimony before the U.S. Congress in the 1950s, the interrogators said that he was a member of the U.S. Communist Party under a false flag, under a false name. He denied that. I guess because they were not expert interrogators, they did not ask him if he had been a member of the Communist Party of Great Britain, and I suspect that he was. And in any case that remains an avenue of research that has not been fruitfully explored.

Unidentified Actor as Richard Arens: Are you now a member of the Communist Party?

James Earl Jones as Paul Robeson: Oh, please, please, please.

Unidentified Actor as Richard Arens: Please answer, will you, Mr. Robeson.

James Earl Jones as Paul Robeson: What is the Communist Party? What do you mean by that?

Unidentified Actor as Richard Arens: Are you now a member of the Communist Party?

James Earl Jones as Paul Robeson: Would you like to come to the ballot box when I vote and take out the ballot and see?

Unidentified Actor as Richard Arens: Mr. Chairman, I respectfully suggest that the witness be directed to answer the question.

Unidentified Actor as Chairman Francis E. Walter: You are directed to answer the question.

James Earl Jones as Paul Robeson: I invoke the Fifth Amendment and forget it.

Unidentified Actor as Richard Arens: I respectfully suggest the witness be directed to answer the question.

JS: Robeson is in Europe and he returns to the United States not just completely in the grips of the Jim Crow politics and reign of the leaders of the time, but also the FBI begins to investigate Paul Robeson as well. His activism is escalating during this time, and you had fears among powerful white interests in the United States that Robeson was going to become possibly a Black Stalin. Explain that.

GH: Historically, many Black people have fled the United States and have found homes in Western Europe in particular. But what happens is that with the rise of fascism and Hitler and Mussolini taking over most of Europe, they are not, shall we say, as friendly to these Black exiles as previous governments had been. And so many of them end up in concentration camps. Many of them perish. And this is what Robeson feared would befall him and so he decided the better part of wisdom was to get out of dodge, which actually made good sense.

But as already noted, he comes back to the United States and the United States is in the process of shifting to antifascism, shifts out of antifascism almost simultaneously with the signing of the treaty of surrender on the battleship Missouri in September 1945, as Japan surrenders. And then what happens is that this is taking place at a time when the United States is still officially a Jim Crow country. Its still an apartheid country. The United States is a rigorously segregated society. But the flipside of that is that in some ways this hands the Black community on a silver platter to those who profess antiracism, which was quite unusual at the time. And so what happens is that Robeson has a certain modicum of popularity in the Black community. And this is at a time, too, when the left had not been purged from leadership of unions. Robeson in many ways was the titular leader, not only of the Black radical, or even Black progressive movement, but in some ways, a leader of the U.S. progressive movement as well. And it was felt by those who majored in hysteria that somehow this would catapult him into a leadership role in Washington where he would become the so-called Black Stalin that is ruling the United States, subjecting his political antagonists to labor camps and even worse. And this was part of the hysteria that gripped the United States at that moment. What unfolds is this rather adroit maneuver by U.S. ruling circles whereby those with foresight and vision, such as Robeson, Du Bois, et. al., are marginalized and, to a degree, are isolated. And at the same time you have this attempt to erode Jim Crow, per the Brown vs. Board of Education Supreme Court decision of 1954 saying that U.S. apartheid now is unconstitutional. And so you have this anomaly where Black people somehow, at least on a formal level, procedural level, get the right to eat in restaurants that they had been barred from, but because of the weakening of progressive unions and most Black people are working class and survive and are able to thrive because of being part of unions but because of the weakening of unions, they dont have the money to pay the bill at the restaurant.

JS: We are speaking to Dr. Gerald Horne of the University of Houston. In a moment, were going to continue this conversation by taking a look at the U.S. governments investigation of Paul Robeson during the Red Scare period as the Cold War was intensifying. Stay with us.

Read more:

The Revolutionary Life of Paul Robeson: Scholar Gerald Horne on the Great Anti-Fascist Singer, Artist, and Rebel - The Intercept