‘War for the Planet of the Apes’ Review: Finale of biblical proportions – Rappler

Published 1:10 PM, July 18, 2017

Updated 1:10 PM, July 18, 2017

FINAL CHAPTER. Caesar (Andy Serkis) faces new challenges in 'War for the Planet of the Apes,' Photo courtesy of Warner Bros.

Matt Reeves War for the Planet of the Apes is a triumphant and fitting conclusion to a trilogy of films that deserves much more fanfare and acclaim than it already has.

Evolving apes

Photo courtesy of Warner Bros.

The franchise, which started with Rise of the Planet of the Apes back in 2011, saw the landscape of blockbuster cinema in a constant state of flux.

While other franchises latched on to treating the movie-going public like visitors of a theme park who are just in it for the roller coaster-like spectacle and experience, the Planet of the Apes reboot keeps on evolving without necessarily straying from the story of Caesar (Andy Serkis), the ape who evolves from being a laboratory experiment into the leader of intelligent simians who are out to dislodge humans as the dominant species in the world.

Rise suffered from being an origin story, and while competently directed by Rupert Wyatt, its pleasures relied on its ability to mold the beginnings of an apocalypse that will connect to the horrors of Franklin J. Schaffners original Planet of the Apes (1968) or Tim Burtons 2001 remake. Reeves took over for Dawn of the Planet of the Apes (2014), proceeding to craft a tale of Shakespearean consequences out of monkeys eking out an organized society amidst persecution from surviving humans.

War continues Dawns tradition of reshaping pop culture to make more overt allegories that reflect very current realities.

Cruelty and faith

Photo courtesy of Warner Bros.

Opening with a battle between human soldiers and defending apes deep within the forest, the film immediately slows down, treading forward with a deliberate pace, utilizing familiar tropes of various genres in pursuit of its vivid exploration of both human cruelty and faith.

War stretches Dawns metaphors to near biblical proportions.

Caesar, from the rising and benevolent leader ruler of the previous film, is dealt with strife that forces him to expose a humanity that is even more compelling than before. He becomes a Christ-like figure, a symbol of hope for an enslaved people. He is even granted imagery reminiscent of seminal moments from the bible.

He is hung on wooden beams, almost crucified before being quenched of his thirst by a little girl (Amiah Miller) that his people are supposed to hate in a sequence that sparks hope amidst such stark cheerlessness. He is provided moments of doubt, where he questions his own morality after facing dilemmas that compromise his own rules.

Faith is clearly a persistent theme.

As the film paints the burgeoning apes as distressed by humanitys abuse and oppression and the remaining people of the world as desperately clinging to their diminishing superiority, they rely on solitary figures of differing charismas. While Caesar plays the role of his peoples savior with obvious ease, the surviving humans only have the Colonel (Woody Harrelson), a crazed authoritarian who thrives in discrimination for self-preservation. They hold their positions in their respective groups with doctrines like survivalism and exodus that are all akin to religion.

Portrait of inequity

Photo courtesy of Warner Bros.

At this point, War has pushed the franchise as far as it could from Schaffners iconic sci-fi film.

The original Planet of the Apes, with its ending Charlton Heston lamenting the fall of humanity feels like a cautionary tale, a work that feeds on our collective fear of being inferior as what that films hero has suffered through at the hands of civilized primates.

Rise, Dawn, and now, War, with their diligent effort to humanize the animals that have previously been depicted as villains, and create a world of abject division that results in atrocities that may have been inspired by real history, are portraits of the recurring inequity that has besieged society since the beginning. Rappler.com

Francis Joseph Cruz litigates for a living and writes about cinema for fun. The first Filipino movie he saw in the theaters was Carlo J. Caparas 'Tirad Pass.' Since then, hes been on a mission to find better memories with Philippine cinema.

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'War for the Planet of the Apes' Review: Finale of biblical proportions - Rappler

Queued Up: ‘The Lego Batman Movie,’ ‘XX,’ ‘Logan,’ and More – Aquarian Weekly

THE LEGO BATMAN MOVIE (2017)

The set-up: Despite being the cowl with the scowl who triumphs over Gotham Citys criminal element, narcissistic Batman (voiced by Will Arnett) is a lonely individual without love or family in his life. Now his world is turning upside down: new police commissioner Barbara Gordon (Rosario Dawson) wants to hamper his vigilante behavior, The Joker and other criminals have turned themselves in, and he has unwittingly adopted a young orphan Dick Grayson who idolizes him and his alter ego Bruce Wayne. But its not all puppydogs and rainbowsthe Joker is up to something big that Batman will not be able to handle alone. Can the Dark Knight overcome his isolationist stance to work with others and save Gotham?

The breakdown: The Lego Batman Movie is a blast. A sharply satirical take on Christopher Nolans Dark Knight trilogy and the superheros long-running cinematic history, Chris McKays animated adventure is crammed with one-witty liners, DC Comics in-jokes, and guest appearances by non-DC villains like Sauron, Voldemort, and the Daleks. Its also the most over-the-top, ridiculous, and family friendly Batman rendition ever, and one that could never be done convincingly in live action. Thats why it soars in this format. The Blu-ray/DVD combo pack includes five additional LEGO short films, a look into the making of the movie, deleted scenes, and more.

XX (2017)

The set-up: The first ever horror anthology of entirely female writer/directors (hard to believe its taken this long) presents four eerie tales from Jovanka Vukovic (The Box), rocker St. Vincent (aka Annie Clark, The Birthday Party), Roxanne Benjamin (Dont Fall), and Karyn Kasuma (Her Only Living Son). It also features animated interstitial sequences from Sofia Carrillo featuring a living doll house.

The breakdown: Despite their varied themes, most of the XX stories tap into a strong emotional core. In The Box, a young boy mysteriously stops eating when he peers inside a gift box held by a mysterious stranger on the subway. The Birthday Party for a young girl becomes complicated when her mother finds her father dead in his study then tries to hide the body. The visceral Dont Fall dishes out demonic vengeance on young campers who unwittingly invade a dominion of evil, while a mother grapples with the reality of her teenage progeny embracing his devilish roots in Her Only Living Son. While these are all good stories, Vukovics The Box is the most enigmatic and compelling particularly because it stirs your imagination and avoids spelling things out. You will likely ponder and re-watch it, a feat that great horror achieves. The bonus materials take us behind the scenes of each entry in this creepy quadrilogy.

LOGAN (2017)

The set-up: In the year 2029, mutants are essentially extinct. Now an aging, deteriorating alcoholic who drives a limo, Logan/Wolverine (Hugh Jackman) is squirreling away cash so he and the sickly Professor X (Patrick Stewart), who is hidden away south of the border, can escape to a safe place. But his already depressive life gets disrupted further when he gets caught up in a pursuit of a young girl with abilities by a devious military agency bent on using her for nefarious purposes. Now Logan must make a choice between survivalism and rescuing a young mutant who needs his help.

The breakdown: Hugh Jackmans final turn as Wolverine is one of his most compelling. Co-writer/director James Mangold, who helmed Wolvies previous installment, boosted the franchise and has delivered a gritty, unglamorous, existential superhero film that is highly intimate and personal amid the intense battle action. It is the most vicious weve seen Logan onscreen (and the closest to his comic book alter ego). The black and white Noir version is also included, but the film works quite well in color. It is the best of the three-film series.

THE LODGER (1927)

The set-up: At a time when a mysterious murderer is offing fair-haired women in London, a weird lodger shows up at a familys house. His furtive, late night outings, strange quirks, and gradual romancing of their daughter, who is the intended bride of a local cop, not only ruffles their feathers but hints that he may indeed by the killer on the loose.

The breakdown: While this silent black and white film was Alfred Hitchcocks third film, the Master Of Suspense reportedly considered it his first real movie. Some of his trademarks began to emerge heredramatic camera angles, shadowy set-ups, an urgent sense of paranoiaalthough much of it plays like a film of its time. Hitchcock aficionados will enjoy this early work featuring a compelling new score by Neil Brand. Criterion really stocks up on the bonus goods, including his next full-length film with the same star, Ivor Novello, entitled Downhill which also features a new score from Brand.

LASSASSINO (1961)

The set-up: After his mistress is murdered, an unscrupulous antiques dealer (La Dolce Vitas Marcello Mastroianni) falls under the glare of the police spotlight. The investigating detective seems convinced of his guilt, despite the protestations of the potential culprit. But is he really innocent or has he convinced himself that he is?

The breakdown: Directed by Elio Petri, who helmed the off the wall caper film Property Is No Longer A Theft, LAssassino (The Assassin) is a crime thriller that plays out more like a melodrama, with flashbacks to moments in the lovers life that may or may not illuminate the murder mystery. The point of the film is not necessarily to ratchet up the tension but rather show the stern process by which the cops try to break down their prime suspect. The film is as much about indicting the Italian criminal system as the dubious behavior of the beleaguered suspect, and it scrutinizes the moral fabric of many of its chief characters. Petris work is further analyzed in the bonus features, which offer great insight into a career not as well known to American audiences.

GHOST WORLD (2001)

The set-up: After high school ends, a listless punk teen named Enid (Thora Birch) struggles to find a clear path in her life. Stuck taking a summer art class to graduate, she becomes alienated from her ineffectual father (Bob Balaban) and his girlfriend, starts to drift apart from her best friend (Scarlett Johansson), and befriends an older lonely man (Steve Buscemi) whom she initially plays a mean prank on. But as the lives of those around begin to progress and she becomes stagnant, Enid battles growing despair over her uncertain future.

The breakdown: Based on the indie comic Eightball by Daniel Clowes, Terry Zwiggoffs Oscar-nominated film is both enlightening and irritating. On the one hand, the rich characters and their very real if modest quandaries are easy to relate to and go deeper than stock movie caricatures. On the flip side, Enids self-jeopardizing attitude and purposeful detachment from her environment becomes overbearing at times. The rebellious teen in you can relate, while the mature adult in you screams, Snap out of it! (Ghost World explores that gray area well.) The 41-minute bonus feature with Birch and co-stars Johansson and Illeana Douglas delves into the films core, while the accompanying, art-heavy booklet and small-scale reproduction of an Eightball story pull us deeper into Clowes source material.

SPOTLIGHT ON A MURDERER (1960)

The set-up: A dying man plays a trick on his greedy heirs by locking himself in a hidden room in his expansive chateau to die. At the reading of the will they learn that without the body of their patriarch they must wait five years to claim their inheritance as well as maintain the grounds during that time. While they transform the chateau into a tourist attraction, bodies start to pile up as desperate family rivals seek to claim the future fortune for themselves.

The breakdown: This lesser seen film from director George Franjus (Eyes Without A Face, Judex) serves up an unusual murder mystery that underplays some genre conventions while cozying up to others. Instead of exploiting a noir-like atmosphere, Franjus executes this like an intense family drama with a generous helping of homicide. It is quirky fun, and the bonus interviews from the actual filming show how much fun the cast had while they made it.

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Queued Up: 'The Lego Batman Movie,' 'XX,' 'Logan,' and More - Aquarian Weekly

Film Review: War for the Planet of the Apes – Consequence of Sound (blog)

Cast

Andy Serkis, Woody Harrelson, Steve Zahn

At some point, the balance of our planet turned, and everything down to the title ofWar for the Planet of the Apesmakes this abundantly clear.Where Earth was once a human planet, and the time of apes rose and dawned, now the tide has shifted. Now humanity must affirm itself against a civilization sliding away from it by the day. If the first two films argued for mankinds inability to restrain itself from pursuing a final reckoning, this is a film about what happens when mankind gets everything it asked for and more still. This is no longer a planet of humans, it is a planet of apes. Each encounter simply inches both species further beyond the rubicon theyve already crossed.

War for the Planet of the Apes is a bleak summer blockbuster even by the increasingly nihilistic standards of the last two installments. One film envisioned a world in which humanitys desperation to stave off old age begat something dangerous, and then another saw man blow past a series of final exits on its way to obsolescence. Much of humanity has perished by the time the film begins, and the majority of those remaining have been driven mad by survivalism, enlisted into military tribes of ape hunters. Where the apes once lived in fear of humanity, now humanity lives in fear of its own future.

In this same way, Caesar (Andy Serkis) worries about what will come of the apes. Mankinds numbers may be dwindling, but their desperation has made their armies vicious. Even at the beginning of War, Caesar still attempts to reach some kind of armistice, knowing how futile his attempts will likely be. When a squadron of humans moves hazardously close to their long-held encampment in the woods, Caesar sends them away with a clear warning: Leave us the woods, and the killing can stop. But for The Colonel (Woody Harrelson), there is no end as long as a single ape continues to walk the Earth. Soon the bloodshed of so many battlefields follows the apes home, and Caesar is forced to deal with the displacement of his kin, and the violent road to any future they might have.

The terror of Planet of the Apes as a concept was always borne from mans anxiety about its end. From its birth during Vietnam to its post-apocalyptic echoes of a nuclear holocaust, the series has long been rooted in the possibility of man destroying itself as a matter of natural course. War takes that concept to its logical ends, but one of director Matt Reeves many bold choices (alongside co-writer Mark Bomback) is to frame much of the pivotal human drama in the films background. There are only two notable human characters in the entire film, and one of them is Harrelsons Colonel, a Kurtzian type who believes that humans as they once existed cannot peaceably coexist in a world with the evolved ape. The other is a young girl, Nova (Amiah Miller), whos been left silent by forces that War takes its time in teasing out.

This is a patient film, so much so that War feels nearly radical by modern Hollywood standards. As with Dawn, the apes preferred communication mode of sign language allows for Reeves to build the films power out of conspicuous quiet. When the film spends extended periods of time unfolding its tale with little (spoken) dialogue, the remarkably acute sound design lets the auspicious presence of silence dominate the mix. Where once the sounds of ape-human strife could be heard off in the distance, or dominated the screen, Reeves imagines an emptier world, where the absence of death and the accompanying vacuum of sound fosters its own kind of dread. Accordingly, when fighting does arise and the film grows more hectic, its all the more deafening for Reeves keen manipulation of these dynamics.

Even the new introductions have an aura of sadness around them. Nova is only discovered in the wake of tragedy, and her kindness to the apes is understandably returned with a mixture of empathy and looming unease. Bad Ape (Steve Zahn) offers another perspective on the war, from an ape left to fend for himself without the close-quarters decency of Caesars tribe. That hes rattled to the point of constant alarm is hardly surprising, although Reeves finds a handful of lightly comic moments out of the character throughout. Those are few and far between as the film goes on, however, given that Caesar eventually finds himself captured and pulled behind enemy lines, along with the majority of the remaining apes. His torture and suffering there, compounded by his guilt over his necessary slaying of Koba (Toby Kebbell) in Dawn and the us-or-them reality of the ongoing situation, forces Caesar to question what more he can possibly give to save himself, and his kind.

The thoughtful continuity between films plays another notable role in Wars unsettling portrayal of a conflicts waning days. Central to Caesars arc in this film is Serkis continuously astounding work in the role; whatever debate might have remained about the actors role in the series boundary-pushing motion capture work should hopefully be laid to rest here. Caesar is not just a marvelous creation of special effects (the work on his and the other apes design, by Weta Digital, remains groundbreaking), but a character whos evolved from the star child of a dominant new species to one of the last beings on Earth capable of remembering mankinds onetime decency. Much of that complexity emerges from Caesars gaze, and its not ultimately a VFX who finds it. Its Serkis, and his work here is as powerful as any hes done.

Like any great villain, this ethos is mirrored in the Colonel, who has more than enough reason to fear what might come next. War for the Planet of the Apes may be part of a trilogy thats always taken a sympathetic stance about mans treatment of the apes, but Reeves introduces a moral conundrum that asks far more difficult questions than before. At what point can two opposing groups truly fail to coexist? What is the morality of one beings survival over another? Can there be morality in a binary life-or-death scenario? Harrelson plays him as a man who abandoned such questions and answers long ago, whos chosen the brutal simplicity of genocide or extinction. His fear is real, and this makes it all the more palpable. If the actor has played roles like this one before blithely deadpan in the face of the unimaginable Harrelson nevertheless lends the Colonel a tremor that seethes under his crueler moments. Hes a man who chose to accept savagery out of necessity, and expects no less than the same from those following him.

The most remarkable accomplishment of War, then, is how the film seeks to articulate both sides as clearly as it can. Reeves visualizes the waning human world as a despairing progression of hiding places and mercenary strongholds, where the apes fret about where a migration would even take them and the humans cling to their last bolstered prison encampment as tightly as they can. Caesar is forced to endure the worst of one species to protect another, and the combination of Serkis resonant work and Reeves unflinching direction cement War as one of the more thoughtful and unyielding blockbusters of its time.

As with the previous films, Caesars entire mission is defined by the idea that all beings have a right to live, and live well, and that someday they will. Here its reflected in Bad Apes daffy commitment to goodness, or in the apes protective kindness toward the Nova. (One of the films loveliest scenes features one of its only vibrant swatches of color, as she shares a flower with one of her protectors.) But its also a film with an astute understanding of how cancerous vengeance can be, and how even the best among us can act hideously when pushed to the limits of anger and need. In its way, War also makes a painful case for how avoidable inter-faction violence usually is, and how quickly thats forgotten when such violence erupts.

Reeves and cinematographer Michael Seresin juxtapose the purity of the vibrant white snow surrounding the encampment and the exhaustion of the gunmetal-dark human territory to breathtaking effect. The films color palette may be muted, but War is an impeccably shot film, the uncanny CGI fitting perfectly against the films unforgiving environments. At times the production design is truly eerie, suggesting a world where man exhausted itself and was slowly, quietly replaced. Between the lustrously shot expanses of untouched land and Michael Giacchinos nervous, sometimes dominant score, War builds a world made frightening by its absences.

The humans are so ultimately secondary that some of the films only questionable narrative decisions have a diminished impact. A good bit of the films prison section is built upon some suspect-to-unlikely human decisions and errors; for a legion of futuristic Marines, theyre inept as prison guards to the point of audience distraction. That said, even the panic and indecision of the soldiers can still be tied into into Wars thesis about scared, under-trained warriors who never asked to be placed in their position. Regardless, War has predominantly moved beyond its human characters, for better or worse. (Well argue its the former.) Wartime has no true victors, and War never cheats on its established stakes, and those of the series to date, by attempting to comfort its audience.

War for the Planet of the Apes is a formidable conclusion (if indeed it is) to one of the more well-considered modern series to date. This is a film of difficult, lingering questions and painful revelations. Beyond that, its also a film where a beloved CGI creation is tortured onscreen for dramatic effect. This is pop filmmaking nearing its darkest heights, but verging on its artistic heights as well, a movie that will undoubtedly have its place as long as two nations somewhere around the world are struggling over land or hubris or, as it is here, to endure. It treats the end of the world as the apocalypse weve always been racing ourselves into, and the one we wont be able to prevent even as we see it coming. Yet there is still always another way forward, no matter how much blood is shed. Theres always a new horizon, and a new tomorrow. The only question, then, is how many get to see it.

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Film Review: War for the Planet of the Apes - Consequence of Sound (blog)

Review: Paranoia thriller It Comes At Night is impressively tense and … – Norfolk Eastern Daily Press

PUBLISHED: 08:49 07 July 2017

Michael Joyce

Joel Edgerton as Paul in It Comes At Night. Picture: A24

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It Comes At Night (15)

****

As the title suggests, this is a scary film; it just isnt the scary film that the title suggests.

A virulent contagion, which manifests as pus-filled boils, has swept the globe, pitting neighbours against one another for survival in Trey Edward Shults slow-burning psychological thriller.

Paul (Joel Edgerton) and his wife Sarah (Carmen Ejogo) decide to ride out the storm with their son Travis (Kelvin Harrison Jr) by living in a fortified shack in the middle of the woods, monitoring each other for signs of infection.

One night, the family wakes to noises in the house and Paul realises to his horror that someone or something from the outside has gate-crashed the sanctuary.

This is a reflection on the great myth of survivalism. Edgerton has barricaded his family away and behind a locked red door, the rest of the world is a great unknown.

Its like 10 Cloverfield Lane, but with reasonable people, trying to deal reasonably with an unreasonable situation. Its impressively tense and the air of paranoia is magnificently sustained, with a minimum of incidents. The music score by Brian McOmber works wonders and the nighttime scenes of lamplight against wood panelling are ineffably creepy.

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Review: Paranoia thriller It Comes At Night is impressively tense and ... - Norfolk Eastern Daily Press

DJ CherishTheLuv, Music Missionary – HuffPost

by Coral Lee, Heritage Radio Network Research & Radio Intern

I sat down with Cynthia Cherish Malaran, AKA DJ CherishTheLuv, this past Friday afternoon at Robertas patio. Swatting away summer flies, we chatted about the music we love, versus music we like, versus the music weve missed. This is how Cynthia, also an ordained minister and self proclaimed music missionary, has come to define her DJing style her creative formula. By mixing nostalgic tracks into todays hits, she touches the mind, heart, and soul, allowing those on the dancefloor to even if just for 3 minutes wiggle away the nonstop stresses of life. Music is a happy pill. One you swallow through your ears.

On surviving breast cancer, Cynthia attributes her wellness to keeping her head in the music. She continued to DJ all throughout chemotherapy, even to other patients through the walls of the chemo suites at Memorial Sloan Kettering. If you're miserable, and getting that kind of hardcore treatment into your body, you will barely survive it. I told myself that if I could project manage my cancer, help others and grow because of it, it would all be worth it. Otherwise, I'd just be destroyed.

DJ CherishTheLuv DJing from her chemo chair to fellow patients at the Evelyn Lauder Breast Cancer suites at Memorial Sloan Kettering

As a result of making her positive attitude public over social media, Cynthia was invited to become a voice on Heritage Radio Network, by then-Executive Director, Erin Fairbanks. She started by producing her first show Primary Food, in which she documented the good things she "fed" herself with. While secondary food refers to what you put in your mouth, primary food, a concept she learned at Institute for Integrative Nutrition, is everything else in life that nourishes you before you eat. So you'll notice, if you had a crappy day, you will go eat some crappy food. DJing is a form of primary food for me when I am DJing, being fed by a great crowd, I always end the night like how did I not eat for 6 hours? Because I was being fed spiritually, psychologically, emotionally and I knew I had to keep this concept first and foremost as I was going through cancer treatment. I knew I had to load my life with really good primary foods: friends, music, art, entertainment, petting my dog, traveling, to keep my happiness levels high, so my body could repair itself.

Refusing to see life as mean and cruel, Cynthia, armed with music, is now working to re-introduce as much good as she possibly can into the world. She recently returned from a 3-week trip to Ecuador, in which she taught young girls at an orphanage how to DJ. Actually, I taught these young teens how to express themselves creatively and loudly, under the guise of DJing. These girls have been traumatized. Silenced. Teaching them how to express themselves gives them the green light to ask for what they want. To say no! To ask for a raise at work. It can change their life. Even save their life. I went there thinking I had something to teach them. But actually, they taught me I came back a few days ago, Cynthia reports, and I was looking at all these sad, unhappy faces here in our awesome New York City, and I was so confused. I came back and realized we have everything. We have everything and yet, we're not happy. The girls at the orphanage have the bare minimum, yet they are so happy. Why? Because they have each other. Here, we have objects and things like cars, smart phones, wifi things we love but they will never love us back. We may have everything but we don't have one another. I learned that the more things I have doesn't contribute to happiness at all. Maybe I even have so much stuff I can't see what my life is really about or like, maybe I have so much stuff I don't really know who I am.

A few months ago, Cynthia got a phone call from Maike Both, founder of the "Unfuck the World movement. Maike asked Cynthia if she would be interested in coming down to Ecuador and meet with legendary recording engineer/producer, Erwin Musper, who has worked with David Bowie, Bon Jovi, Elton John, Metallica, Def Leppard and more, with his name on 80 million records sold, and counting, to spread some good vibes and cheer. When I was asked to fly down to Ecuador and meet the orphans, I immediately pictured myself teaching them some DJing so I jumped at the opportunity to help out.

I packed my portable Pioneer mixer, thinking OK, I'm going to gift these kids ME, Cynthia laughs. Of course you go into something like this, just like with my work at Riker's, thinking you're going in with something to give them. And then you realize it's you who has the deficits, and they gift you so much knowledge, understanding, eye-opening love. I think in the past 2.5 weeks, I've gotten hugged more than in the past two years.

Cynthia shares how teaching the girls products of rape, abuse, neglect, subject to silencing how to express themselves was profound in so many ways. I don't speak Spanish; they dont speak much English, but music is the universal language, and rhythm transcends words. The kids had never heard a song sped up or slowed down before, they were totally shocked! I didn't want to teach them how to be a DJ, but how to express, how to experiment, how to feel free. I didnt learn how to express myself and be free until my thirties, and I'm a born and bred Manhattanite. Even just teaching them to hit pause or play when they wanted to, adjust the volume to their likingI could see it was doing something for them. It was giving them the green light to make a difference. And I know that they'll take that lesson and apply it somewhere.

DJ CherishTheLuv teaching young teenage girls DJing basics at an orphanage in Ecuador.

Cynthia tells of how on one of the last days of her visit, one of the shyest girls became Cynthias student teacher. This student stepped up and would say in Spanish, to the other girls, no, this is how you do it, and would show the other girls while Cynthia just stood back back and watched in awe. Shy and reserved for a myriad of reasons the girl was new to the orphanage she was, for the first time, speaking up and being heard and respected. Through DJing, she had a way to confidently and comfortably socialize with the others at the orphanage.

DJ CherishTheLuv and some of her DJ students at the orphanage.

These girls taught me how to think about survivalism. As a breast cancer survivor, I thought I had the understanding of surviving down pat but there's really so much more. The youngest is a 2 month old orphan who was brought there at 2 days old. Her mom is 12. She was a product of rape by the uncle, and the orphanage is raising this kid like family. It's a paradise there, because they all have each other. There are the mamitas (the women who run the orphanage and keep daily order) and the psychologists on-site. They do everything they can to make sure the kids are really cared for, and the kids care for each other. The way they experience love might not be from their parents, but learnt from this layer of their life.

Cynthia told me about a typical day at the orphanage. They wake up 4 or 5 in the morning, they start preparing food, take care of their own needs (showering, fixing up their space, getting dressed), and get their school supplies together. Kids that are old enough, go to school regular schools. They come back at 2pm to the orphanage. They eat. There's playtime. Erwin Musper has set up English classes (taught by volunteers), and guitar classes where Erwin teaches them how to play Beatles songs and more. Each week the mamitas choose a few of the girls to have a special night on the town on the Muspers. I got to go along for pizza night. The girls were drinking soda after soda after soda, so happy it was so sweet.

One evening, Cynthia remembers, a taxi cab pulled up with a young woman. Erwin explained that she was raised in the orphanage, got old enough to leave and go to university to become a social worker, and she returns to visit her younger sister, living at the orphanage. Their system works! All these boys and girls have transcended their traumatic pasts enough to now envision a future with dreams to be something: one girl wants to be a marine biologist. They know what they want to do. They have dreams because of all this incredible love and support. I want to keep helping them get support.

Erwin collected funds to help them get a refrigerator; they just recently got ceiling fans because the orphanage is made of cinder blocks and metal tin roofs that trap the heat when the sun is out, making sleep very miserable. The older boys live in a place called Gandhi a bit down the road. Cynthia has donated money from her earnings DJing at Whole Foods Bryant Park, for the construction of raised beds, so that each of the older boys can have their own garden and learn how to grow food, feed one another, share, and learn about responsibility.

Erwin Musper and half of the children at the orphanage.

Erwin photographs everything; kids are able to watch themselves grow. If you're already robbed of your identity who you are and where you're from and then you're able to get pictures, physical pictures, and see yourself grow... these kids are going to value this so much decades from now. This is the stuff they can look back on. The good stuff.

Going to the orphanage was another piece of healing for Cynthia. Yes, going through cancer was heavy, scary for me, but if I also experience really great stuff, it crowds out the bad. Being at the orphanage teaching DJing outweighed other negative experiences. I feel like everyone needs to see that genuine love, happiness, and care exists. This is a place where the kids are happy, dancing and celebrating everyday, because if you have 60 kids and there are 52 weeks in a year, there's going to be a birthday all the time. You cant just focus on the bad; you're going to see this world as mean and cruel. But instead, see the good: Erwin being there, me being there, the kids eating birthday cake every week, singing happy birthday more than you'll ever do in a month's time. I feel like my family grew. I never gave birth to children in my life, but I feel like I have 60 kids. That's really something.

Meet the children in this video created by DJ CherishTheLuv and Erwin Musper. Consider donating to the orphanage and becoming a part of the family by visiting this link.

Cynthia Cherish Malaran, Rev. DJ CherishTheLuv, is host of Primary Food and Wedding Cake on Heritage Radio Network. She is a graduate of the Institute for Integrative Nutritions Health Coach Training Program, where she learned about Primary Food and other nutrition and health coaching concepts. Learn more about the Institute for Integrative Nutrition.

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What it Means to Finish Pikes Peak + Results – Hot Rod Network – Hot Rod Network

With no small amount of effort, RJ Gottlieb and his infamous Big Red Camaro came back from the ashes to finish in Open Class with an 11:08.857 (placing Fourth), while PPIHC Time Attack veteran Kash Singh brought his street-driven (3,590-mile round-trip), twin-turbo 2017 Ford Mustang GT, supported by AMSOIL and Tire Rack, with a personal best of13:22.636 after dodging a few goats and fog. Full results here.

If you aint first, yer last! is probably the most well-meaning quotes in racing, but to the guys and gals who truly understand what sweat equity is while under a race car, thats not what its all about. Some races are about pure survivalism, our Gear Vendors HOT ROD Drag Week, powered by Dodge, is one of them. More than climbing to the top of the podium, seeing the peak of the mountain is worth more weight in respect and satisfaction than just about anything else winning is just the bonus.

Its a logistical nightmare for everyone. Think of a nine-hour work day that begins at 2am and ends sometime after 11am thats how long were on the mountain just running cars during the four-day practice. Ateam has to figure out how to get their car up the hill (meaning, a smaller truck and trailer, or sometimes both; others drive their cars up), unloaded, prepped, practiced for about three runs, repacked, and off the main roadway by 9am (so that the Pikes Peak Highway can open to the public for the day).

Assuming your morning goes well (it usually doesnt), youve still got to inspect and maintain the race car, butthen its a third-shift work schedule at minimum. And if the day doesnt go well? Stack that 9-to-5 work-day block on whatever madness youve got to fix for tomorrows practice (again, starting the day at 2am), because for many drivers theres no choice in dropping practice days for fear of disqualification (be it meeting a minimum number of practice days for rookies or making sure you can run your day of qualifying). Theres more stories of 48-labor-hour days than there are of smooth ones, but its the blurred nights of masochistic work that mean you make it to race day.

This, of course, after youve gone anywhere from 3,000 to 8,000 feet higher in elevation from where you woke up in the thin atmosphere, the oxygen deprivation not only slows your body, but also your mind. Simple things, like whered the torque wrench go? become SAT tests, and anything more complex turns into a brain train-wreck.Add up the weeks of stress coming into an event, and you have a recipe for some wrench-tossing shouting matches. Butgood race is dependant on a good team with good communication, and Pikes will test every bit of that and you might not even be cognizant of why youre mad at the little things and it might ruin friendships. Its these bands of misfits, however cohesive, that must maintain a self-destructive machine over the course of the week in order to finish.

Then theres the mountain itself: In just the 12.4-mile course, theres 156 corners with varying elevation change, camber, and radius changes. Guys who see the newly-paved mountain as a home for their road-paint-scraping Time Attack or Prototype-class cars are rudely awaken when their belly panscrash into the rough pavement or lift tires through the corners due to the crazy articulation needed in highly-banked hair-pins (some racers use rally-inspired suspension combinations to get the travel they need).Theres no run-off, only rocks, guardrail, or sky and theres a whole lot more sky than there is of the other two.

If you have an off, its going to ruin your day or worse and if you need parts, youre sourcing them in a mountain town that can barely find internet service, much less an oil pan to your Audi or a one-off intercooler that you just crushed after spinning at Boulder Park.

On any given day, youre facing rain, hail, goats, marmots, deer, and fog, just to throw a wild car (or three) at you every day. Every green flag in practice, no matter how bad you need that seat time on the mountain, is throwing the how-can-this-all-go-wrong dice. The risks are the same as race day, by and large, but the reward is stillwaiting for you at 14,115 feet on Sunday.

Remember how youre already starving for oxygen and sense when you unload the car? The engine and its cooling systems are struggling worse. Not only does air density affect horsepower, but it also affects how much heat can be shed from the car. With less air density, theres less matter to absort heat with. This not only raises cooling temps to some hilarious levels, and often ones impossible to reach at sea-level, but also raises under-hood air- and braking-temps well-beyond what youll typically see. The catch-22 of Pikes is that the longer into the run you are, as the car builds heat in every system, the thinner the air gets with your increasing elevation. This can be an annoyance during practice or a back-stabbing surprise during race day as we learned in 2017.

Right if you havent crashed, overheated, or threaten to divorce someone youre not even married to, then youve made it to race day. More than likely, by this point, youve inadvertently relied on some new friends to get here (call it the Pikes Family), and the weight of the weeks (months years) stress is certainly felt in the 5-point harness belts as they pull you into your seat. The past five days have felt like an endurance race in their own, youve maybe got 18 hours of sleep since last Sunday, and youre inching closer and closer to that timing clock.

When the flag drops, it all stops.

The rest of the game is on the driver, from then on out. The foundation has been laid, but its time to see how far they can build their run up the mountain. Where stress has peaked, sleep has bottomed-out. The car, scarred from a week of practice and hustle, is right there with you. The best of course memorization and notes falls way to subconscious actions and mistakes, but as the scenery changes from dense forest to moon-like rockscapes, you know progress is being made. While the car grasps every oxygen molecule it can, your lungs are doing the same as you fight the wheel and wield the rest.

Nothing is exactly like it was in practice, and you dont know if thats from the everything-deprivation or the incoming weather, but fog begats a lot of hell from mother nature, and the imperative mission is to get to the top. Sometimes theres a friends car pulled off safely, with them waving you on; but other times, you may not know why theyre upside down in a ditch, and you have to maintain concentration in the drive and trust in Pikes Peaks safety crews (them being one of the most dedicated groups out there is no small relief).

Once at the Peak, you feel about as light as a cloud theres a group of racers whove all been through the same hell you have, and theres cramped cozy little donut shop to huddle in as the days weather continues to roll in.Who won? Who knows better yet, who cares? Youve all just survived a hell week like no other. If youve made it to the top, youve proven more than a few things about yourself as a driver and more importantly how strong you and your team is. Not every week or run is perfect, and thats Pikes for ya! is how more than a few folk write the year off, but the race is more than just the time spent between green and checkered flags: eating those fourteen-thousand-foot donuts with your fellow racers means everything else from here on out is just a little bit easier, even if you cant always have that Pikes family around you.

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What it Means to Finish Pikes Peak + Results - Hot Rod Network - Hot Rod Network

‘It Comes at Night’ a Spellbinding Tale of Family and Survival – Shepherd Express

Grandfather caught the sickness with labored breathing, skin broken into welts and blood flowing from his mouth. His family had no choice: In the opening, heart-tearing scene from It Comes at Night, son-in-law Paul (Joel Edgerton) and grandson Travis (Kelvin Harrison Jr.), wearing masks and gloves, lead the old man to a clearing outside the house. They cover his face, shoot him in the head, set his body on fire and trudge sadly away as smoke from the pyre reaches the treetops of the dark forest.

It Comes at Night

Joel Edgerton

Kelvin Harrison Jr.

Directed by Trey Edward Shults

Rated R

The why? is finally explained many minutes into the film, but a visual clue appears early on in the form of a print hung on the wall of the familys house: A Bruegel image of the Plague with bodies and skulls heaped against a lurid sky. An unexplained pandemic has swept across civilization, apparently leaving only scattered bands of survivors vulnerable to contagion by air or touch. The interracial family at the heart of It Comes at Night occupies a rambling house in the woods, windows boarded up with only one tightly bolted entrancea red door.

Written and directed by Trey Edward Shults, It Comes at Night is a gripping end-time drama steeped in the conventions of horror. The spooky tracking shots, slowly inching down the dark corridors, suggest a ghoulish apparition is imminent. But the clanging that erupts from the nocturnal darkness comes from living hands. Will (Christopher Abbott) is merely a stranger in search of water. Paul beats Will and ties him to a tree until assured that the stranger is healthy and means no harm. Soon enough, Wills wife Kim (Riley Keough) and their little boy come to live in the big forest house, contributing chickens, goats and canned goods to the larder. The two families seem to bond around common meals but distrust lingers.

The small cast is perfectly in pitch. Edgerton plays Paul with a hard face and eyes continually scanning for danger. Although he says he was a history teacher, his reflexes are those of a Special Forces officer commanding a vulnerable outpost. His wife, Sarah (Carmen Ejogo), is no less determined but softens his deadly survivalism with a touch of empathy. Their son Travis, 17, sensitive and artistic, suffers from nightmares that tend to come true. Will, a mechanic before the sickness came, brings another set of practical hands; Kims presence inadvertently adds sexual tension to Travis already bulging kitbag of burdens.

Ebbing and flowing between unease and high anxiety, the emotional strain of It Comes at Night never ceases. Suspense and suspicion are palpable in the face of an implacable specter: the microbes of a sickness without a cure. The plague might enter the house with any stranger that knocks on the red door.

Originally posted here:

'It Comes at Night' a Spellbinding Tale of Family and Survival - Shepherd Express

Are you ready when disaster strikes? These Minnesota doomsday preppers are – Charleston Express

By Richard ChinMinneapolis Star Tribune

COLUMBIA HEIGHTS, Minn. The tiny house that Bryan Korbel is building in his Columbia Heights, Minn., driveway will have all the comforts of a 260-square-foot home.

There'll be a shower with an on-demand water heater, a microwave oven, stove, composting toilet, satellite dish and power provided by solar panels. It's being built on a trailer, so it can be towed anywhere.

Korbel's self-sufficient micro-cottage isn't being built out of a Thoreau-esque desire to simplify or to achieve a chic Dwell magazine minimalist aesthetic.

He's building it for the end of the world.

When all hell breaks loose war, natural disaster, a breakdown in civil society Korbel will hitch his house on wheels to a 1972 Ford F100 pickup. (That's before the advent of computerized car systems, which Korbel says will be fried by the electromagnetic pulse created by a nuclear blast.)

He'll haul the structure and his family to a patch of land he has north of Hinckley, Minn., stopping to get supplies he's cached along the way in PVC tubes buried underground. He's prepared, he believes, to ride out anything that man or nature might throw at him.

Korbel, 53, is a prepper, of course, that breed of person who stockpiles food, toilet paper and ammunition to last not days, but months just in case.

Preppers see themselves as prudent, sensible ants in a world of feckless grasshoppers, even while they recognize that others consider them paranoid conspiracy theorists and doomsday prophets.

"My wife gave me the nickname Mad Max," Korbel said. "My brother, he thinks it's nuts. He's lazy. I already know he's going to be knocking on my door."

Predictions that the end is near are as old as Noah. More modern manifestations have included people who felt the need to build home fallout shelters during the Cold War and pessimists who feared the worst from a Y2K collapse. Events such as 9/11 and Hurricane Katrina have continued to fuel fears.

The latest bad news: This year, the Bulletin of the Atomic Scientists decided to reset its famous Doomsday Clock "a universally recognized indicator of the world's vulnerability to catastrophe " from three minutes to only two-and-a-half minutes before midnight.

The scientific worrywarts cited tensions between the U.S. and Russia, North Korean nuclear tests, climate change, a rise in "strident nationalism" and "intemperate statements" from President Donald Trump and even "lethal autonomous weapons systems" yeah, killer robots among the looming existential threats to humanity.

According to the Bulletin scientists, in the 70-year history of the Doomsday Clock, the last time things have been this bad for the planet was 1953, just after the U.S. and the Soviet Union developed the first hydrogen bombs. At that time, the scientists deemed we were only two minutes to apocalypse.

Selling peace of mind

No wonder Costco is selling $3,399.99 packages of freeze-dried and dehydrated emergency foods that promise 31,500 total servings, enough to feed four people for a year, with a shelf life of up to 25 years. The food shipment arrives on a pallet that is "black-wrapped for security and privacy."

Or you could buy end-of-the-world supplies from a specialty retailer such as Safecastle.com.

Safecastle was started by Prior Lake resident Vic Rantala after 9/11 because he saw a niche for an online source of affordable, quality, long-term stored food.

The company has since branched out to sell surveillance robots, radiation detectors, folding "bug-out" bicycles intended for paratroopers and a 35-piece pet survival kit designed for a "CATastrophe."

"We sell stuff nobody else sells," Rantala said.

You can even buy an underground fallout shelter that costs more than $100,000.

"We early on developed a relationship with a steel plate shelter builder in Louisiana," Rantala said. "Our builder has done seven-figure bunkers for people."

He said his best-seller is something homier: canned, cooked bacon with a shelf life of more than 10 years.

Rantala, 59, said his background has included service in the Army, intelligence work for the government and communications and consulting for corporations. But selling prepping gear has become "kind of like a life's mission."

The shelters he's sold have saved lives in tornadoes, he said. Some of the food he's sold to preppers ended up being eaten when the disaster turned out to be a job loss.

"We sell peace of mind to people," Rantala said.

Even though he sold the company a couple of years ago, he continues to work for it. He said sales are close to $50 million a year.

He estimates that as many as "10 percent of the population are into prepping these days," although he admits figures can be fuzzy because preppers are notoriously secretive about their preparations.

"Sometimes you don't even tell your family members," he said. "It can be a little bit of an obsession, I have to admit."

Nuts or narrative

"It's good to have something stored away," said Peter Behrens, a psychologist who recently retired as a professor at Penn State University in Lehigh Valley, Pa. "Some 72 hours' worth of food is great."

But he said prepping can turn into a "non-substance pathology," similar to hoarding and excessive gambling, when taken to the extreme.

"A lot of people get into this as a pastime," he said. But he said, "It's a slippery slope to becoming irrational and aggressive."

Behrens said prepping is cause for concern if a person starts hoarding firearms and ammunition and if more than 10 percent of a person's income is devoted to prepping. And he warns that prepping can be similar to being in a cult if a person gives up long-standing relationships with friends and family members to associate only with other preppers.

"This is a situation that revolves around anxiety," he said. "It doesn't match with rational behavior."

But Richard G. Mitchell, who studied survivalists as a sociology professor at Oregon State University, said preppers are people who may just want to resist a humdrum life of comfort and consumption. They want to create a personal narrative of themselves as the rugged individual who's going to survive disaster.

"They want a place where they feel meaningful," he said. "Survivalism is a storytelling process. There's a certain satisfaction to that."

He added, "These are people who are hobbyists. They're amused by the process. They're entertained by it. They're proud of it. They're nuts in the sense that they've not accepted the status quo."

Knowing he'll survive

Korbel has stored enough beans, lentils, rice, pasta and soup to feed his wife and their two sons still living at home for a year and a half. He's prepared to grow his own vegetables, mill his own grain and vacuum-seal the foods he's preserving.

"These are good for 50 years," Korbel said, showing off the homemade pemmican balls he's made of beef, peanut butter and nuts.

He stores a couple hundred gallons of water and enough gasoline to fill his truck tank three times. He's got gas masks that he bought at Fleet Farm, and suits to protect against a chemical attack that he bought online. There are weather radios, two-way radios and first aid kits on every level of his house. The upper floor has escape ladders.

He lives about 4.5 miles from the center of Minneapolis, a little too close in case a nuclear bomb goes off in the city center. Ten miles would be better, he said. But his wife is happy living in Columbia Heights, and the mortgage is almost paid off.

"Yeah, there'd be severe burns, structures coming down. But still survivable," he said.

Among the things that worry him are tornadoes, civil unrest, racial tensions, terrorists, conflict with Russia, a government that "goes rogue."

"I wouldn't consider myself a conspiracy theorist. But I do think about it a lot," he said. "If a comet lands on me, I'm not going to worry about it.

"My worst fear would be a financial breakdown" and a collapse of the monetary system, he said. "You've got people bartering in gold, silver, jewels." Or ammunition.

Korbel has set aside some of that as well, along with handguns, rifles and shotguns.

"I also have compound bows. My boys, they've trained in compound bows. My wife is trained in that," he said.

"You need to defend your property and yourself," he said. But he said, "I'm not prepping for a war. I'm not trying to hide anything. I'm not trying to overthrow the government. I don't want to get shot. I don't want to shoot anyone."

Korbel is a Metro Transit driver and an Army veteran who used to work as a carpenter, a contractor and a semitrailer truck driver. He's been married 25 years, and his wife is a nurse.

"He likes to be our protector," Betsy Korbel said. "There's a lot worse things to be doing."

Korbel said he's been a prepper about 12 years. Last year, he estimates, he spent about $7,000 on the activity.

"When I turn 80, I might turn around and look at this stuff and I might say, 'OK, maybe I bought too much,'" he said.

But he said he pays for prepping with side income he gets from recycling metals from old laptops and wires and driving for a food delivery service.

"I love it," Korbel said of his preoccupation with preparing. "It's something I enjoy."

"I know I'm going to be able to survive," he said.

Distributed by Tribune Content Agency.

Go here to see the original:

Are you ready when disaster strikes? These Minnesota doomsday preppers are - Charleston Express

U.S. Billionaires | Apocalypse | Billionaires Buying Land – The Real Deal Magazine

Where billionaires are stockpiling land for the apocalypse: Map

Billionaires are making significant land grabs in Americas heartland

June 19, 2017 03:30PM

Billionaires land grabs (Forbes)

From TRD New York: When the apocalypse arrives, life goes on. Thats the possibility some are preparing for, at least.

U.S. billionairesare making significant land grabs in Americas heartland, where the climate is mild and the locations are conducive to survivalism and living on the land. The Midwest ishome to several fortified shelters and vacation homes where the super-richcould happily live out their post-doomsday (or retirement) days.

Reid Hoffman, the cofounder of LinkedIn and a notable investor,told The New Yorker earlier this year he estimated more than 50% of Silicon Valley billionaires had bought some level of apocalypse insurance, like a bunker, Forbes reported.

Fortified shelters, built to withstand catastrophic events from viral epidemic to nuclear war, seem to be experiencing a wave of interest in general as hints of a nuclear conflict ramp up.

Real estate developersare capitalizing on the moment with luxuryunderground doomsday shelters that cost as much as$3 million. These post-apocalyptic homes, often built onretired military bases or in missile silos, includeluxury amenities and safety featureslike nuclear blast doors, armored trucks, and massive storesof food and water.

The map below reveals where American billionaires are stockpiling land that could be used in the apocalypse. [BI]

Link:

U.S. Billionaires | Apocalypse | Billionaires Buying Land - The Real Deal Magazine

Billionaires are stockpiling land that could be used in the apocalypse here’s where they’re going – The Advocate

Melia Robinson, provided by

Kim Kyung Hoon/Reuters

A rising number of Americanbillionaires are channeling their inner Bear Grylls, and some are doing it in preparation for an apocalyptic event be it viral epidemic, nuclear war, or cataclysmic pole shift.

Reid Hoffman, the cofounder of LinkedIn and a notable investor, told The New Yorker earlier this year he estimates more than 50% of Silicon Valley billionaires have bought some level of "apocalypse insurance," like an underground bunker.

A new article in Forbes suggests the super-rich are making serious land grabs in America's heartland, where the climate is mild and the locations are conducive to survivalism, farming, and living on the land. States like Colorado, Montana, Nebraska, New Mexico, North Dakota, Texas, and Wyoming are home to a number of fortified shelters and vacation homes where wealthy billionaires could happily live out theirpost-doomsday (or retirement) days.

According to Forbes contributor Jim Dobson, lots of billionaires have private planes "ready to depart at a moment's notice." They also own motorcycles, weaponry, and generators.

None of the billionaires named by Forbes have said publicly that their vast amounts of land will be used for apocalypse preparations though they certainly would make good hide-outs.

John Malone, who made his fortune in cable and communications, is the nation's biggest individual landowner. Malone owns 2.2 million acres across six states including huge swaths of Maine and New Hampshire. The cable king told Forbes in 2011 that he made the land grabs as an investment. He said he loves to fish and occasionally bird-hunt on his properties.

Media mogul Ted Turner, the second biggest individual landowner in the US, owns 2 million acres across Colorado, Kansas, Montana, Nebraska, New Mexico, South Dakota.

Philip Anschulze, a railroad and oil magnate, locked down 434,000 acres in Wyoming. Amazon's Jeff Bezos has 400,000 acres in Texas. And Stan Kroenke, owner of a massive sports and entertainment holding company, bought 225,000 acres in Montana.

One of the more surprising real estate tycoons is David Hall, a Mormon engineer, who has been snapping up farmland in Vermont. He wants to build sustainable, high-density communities based on the writings of religious figure Joseph Smith.

In the event of the end of the world, the world's financial leaders may be the most prepared.

Join the conversation about this story

NOW WATCH: Look inside the Arctic 'doomsday' seed vault built to protect millions of crops from any disaster

See Also:

SEE ALSO:This 15-story underground doomsday shelter for the 1% has luxury homes, guns, and armored trucks

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Billionaires are stockpiling land that could be used in the apocalypse here's where they're going - The Advocate

Where billionaires are stockpiling land for the apocalypse: Map – The Real Deal Magazine

Where billionaires are stockpiling land for the apocalypse: Map

By Business Insider | June 18, 2017 05:30PM

From TRD New York: When the apocalypse arrives, life goes on. Thats the possibility some are preparing for, at least.

A new article in Forbes suggests the USbillionairesare making significant land grabs in Americas heartland, where the climate is mild and the locations are conducive to survivalism and living on the land. The Midwest ishome to several fortified shelters and vacation homes where the super-richcould happily live out their post-doomsday (or retirement) days.

Reid Hoffman, the cofounder of LinkedIn and a notable investor,told The New Yorker earlier this year he estimated more than 50% of Silicon Valley billionaires had bought some level of apocalypse insurance, like a bunker.

Fortified shelters, built to withstand catastrophic events from viral epidemic to nuclear war, seem to be experiencing a wave of interest in general as hints of a nuclear conflict ramp up.

Real estate developersare capitalizing on the moment with luxuryunderground doomsday shelters that cost as much as$3 million. These post-apocalyptic homes, often built onretired military bases or in missile silos, includeluxury amenities and safety featureslike nuclear blast doors, armored trucks, and massive storesof food and water.

The map below reveals where American billionaires are stockpiling land that could be used in the apocalypse.

More:

Where billionaires are stockpiling land for the apocalypse: Map - The Real Deal Magazine

Map reveals where billionaires are stockpiling land that could be used in the apocalypse – Business Insider Nordic

When the apocalypse arrives, life goes on. That's the possibility some are preparing for, at least.

A new article in Forbes suggests the US billionaires are making significant land grabs in America's heartland, where the climate is mild and the locations are conducive to survivalism and living on the land. The Midwest is home to several fortified shelters and vacation homes where the super-rich could happily live out their post-doomsday (or retirement) days.

Reid Hoffman, the cofounder of LinkedIn and a notable investor, told The New Yorker earlier this year he estimated more than 50% of Silicon Valley billionaires had bought some level of "apocalypse insurance," like a bunker.

Fortified shelters, built to withstand catastrophic events from viral epidemic to nuclear war, seem to be experiencing a wave of interest in general as hints of a nuclear conflict ramp up.

Real estate developers are capitalizing on the moment with luxury underground doomsday shelters that cost as much as $3 million. These post-apocalyptic homes, often built on retired military bases or in missile silos, include luxury amenities and safety features like nuclear blast doors, armored trucks, and massive stores of food and water.

The map below reveals where American billionaires are stockpiling land that could be used in the apocalypse.

Read the original here:

Map reveals where billionaires are stockpiling land that could be used in the apocalypse - Business Insider Nordic

Map reveals where billionaires are stockpiling land that could be used in the apocalypse – SFGate

Photo: Evan Vucci, Associated Press

In this Dec. 14, 2016, file photo, Amazon founder Jeff Bezos speaks during a meeting with President-elect Donald Trump and technology industry leaders at Trump Tower in New York.

In this Dec. 14, 2016, file photo, Amazon founder Jeff Bezos speaks during a meeting with President-elect Donald Trump and technology industry leaders at Trump Tower in New York.

Forbes ranks the world's billionaires.

Forbes ranks the world's billionaires.

Name: David Koch - 10

This year's net worth: $39.6

Source: Koch Industries

Country: U.S.

Name: David Koch - 10

This year's net worth: $39.6

Source: Koch Industries

Country: U.S.

Name: Charles Koch - 9

This year's net worth: $39.6

Source: Koch Industries

Country: U.S.

Name: Charles Koch - 9

This year's net worth: $39.6

Source: Koch Industries

Country: U.S.

Name: Michael Bloomberg - 8

This year's net worth: $40 billion

Source: Bloomberg LP

Country: U.S.

Name: Michael Bloomberg - 8

This year's net worth: $40 billion

Source: Bloomberg LP

Country: U.S.

Name: Larry Ellison - 7

This year's net worth: $43.6 billion

Source: Oracle

Country: U.S.

Name: Larry Ellison - 7

This year's net worth: $43.6 billion

Source: Oracle

Country: U.S.

Name: Mark Zuckerberg - 6

This year's net worth: $44.6 billion

Source: Facebook

Country: U.S.

Name: Mark Zuckerberg - 6

This year's net worth: $44.6 billion

Source: Facebook

Country: U.S.

Name: Jeff Bezos - 5

This year's net worth: $45.2 billion

Source: Amazon.com

Country: U.S.

Name: Jeff Bezos - 5

This year's net worth: $45.2 billion

Source: Amazon.com

Country: U.S.

Name: Carlos Slim - 4

This year's net worth: $50 billion

Source: Telecom

Country: Mexico

Name: Carlos Slim - 4

This year's net worth: $50 billion

Source: Telecom

Country: Mexico

Name: Warren Buffett - 3

This year's net worth: $60.8 billion

Source: Berkshire Hathaway

Country: U.S.

Name: Warren Buffett - 3

This year's net worth: $60.8 billion

Source: Berkshire Hathaway

Country: U.S.

Name: Amancio Ortega - 2

This year's net worth: $67

Source: Retail

Country: Spain

Name: Amancio Ortega - 2

This year's net worth: $67

Source: Retail

Country: Spain

Name: Bill Gates - 1

This year's net worth: $75 billion

Source: Microsoft

Country: U.S.

Name: Bill Gates - 1

This year's net worth: $75 billion

Source: Microsoft

Country: U.S.

Map reveals where billionaires are stockpiling land that could be used in the apocalypse

When the apocalypse arrives, life goes on. That's the possibility some are preparing for, at least.

A new article in Forbes suggests the USbillionairesare making significant land grabs in America's heartland, where the climate is mild and the locations are conducive to survivalism and living on the land. The Midwest ishome to several fortified shelters and vacation homes where the super-richcould happily live out their post-doomsday (or retirement) days.

Reid Hoffman, the cofounder of LinkedIn and a notable investor,told The New Yorker earlier this year he estimated more than 50% of Silicon Valley billionaires had bought some level of "apocalypse insurance," like a bunker.

Fortified shelters, built to withstand catastrophic events from viral epidemic to nuclear war, seem to be experiencing a wave of interest in general as hints of a nuclear conflict ramp up.

Real estate developersare capitalizing on the moment with luxuryunderground doomsday shelters that cost as much as$3 million. These post-apocalyptic homes, often built onretired military bases or in missile silos, includeluxury amenities and safety featureslike nuclear blast doors, armored trucks, and massive storesof food and water.

The map below reveals where American billionaires are stockpiling land that could be used in the apocalypse.

Skye Gould/Business Insider

Join the conversation about this story

NOW WATCH: These doomsday shelters for the 1% make up the largest private bunker community on earth

See Also:

SEE ALSO:This 15-story underground doomsday shelter for the super-rich has luxury homes, guns, and armored trucks

Read the rest here:

Map reveals where billionaires are stockpiling land that could be used in the apocalypse - SFGate

E3 2017: State Of Decay 2 Features A More Open And Diverse … – GameSpot

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Shown off during the Microsoft E3 Press Conference, Undead Labs revealed new footage of the follow up to its original 2013 release State of Decay. In the sequel, State of Decay 2, players will find themselves in the shoes of a randomly generated survivor and must navigate the landscape of the zombie apocalypse while engaging with the undead, coordinating with survivors, and making hard choices in order to survive and live another day.

During a special behind-closed-doors session with the game, founder of Undead Labs, Jeff Strain, gave us a detailed look at State of Decay 2, and how his team is bringing the number one requested feature from fans, online co-op, into the game, which will dramatically alter the fundamentals and coordination with survivors. Set 15 months after the events of the first game, the world hasn't gotten much better, and things will soon become even more complicated.

At the beginning of the game, players will pick their character from an assortment of randomly created individuals. Much like the last game, characters have unique skills and traits that they're best at, and in State of Decay 2, they made the characters far more diverse. For instance, the skills system from the last game has been greatly expanded, offering more options and avenues for role-playing. Players good at scavenging will have a better time finding useful materials in the field, and in addition to new skills, players can upgrade these abilities to acquire brand new perks which significantly expand their more useful skills.

For the most part, the general gameplay loop of State of Decay 2 remains similar to the original game. Players must fortify a stronghold, find new survivors to help with expanding and strengthening their home--which includes growing food, gearing up, and having security to guard against random zombie attacks--and also going out on missions to find supplies, new survivors, and new strongholds to expand the network of safe spaces around the world. Speaking of which, the game space is now three times bigger than the previous game, which will certainly make traversal and exploration a larger focus for SOD2.

During the presentation, our group of survivors traveled to an abandoned police station to acquire weapons. Inside, zombies were present. One of the players used a machete and his enhanced melee skills to make quick work of the undead, while another player--through co-op play--took all the supplies and loaded them up into the trunk of the car, which is also a new feature in State of Decay 2. While driving back, they came to find their base overrun by the undead and had to quickly use their new weapons to fight off the horde. During this fight, new zombie types quickly made an appearance. The Juggernaut, which was shown in the trailer, took out the entire group, but not before killing off some of the survivors.

The original title did a solid job of portraying an open, explorable setting in the middle of the zombie apocalypse, and State of Decay 2 is looking to keep that going here. I was impressed with how much of the core gameplay focused on resource management and base building was expanded, while retaining the focus on simple survivalism in the middle of the zombie plague. The online co-op--online only, no local play--should be a game changer for this title, especially when factoring in the tough choices and important decisions that have to be made when it comes to keeping your head above water.

With its release coming Spring 2018, this open-world zombie survival game is shaping up to be a more refined and developed take on a surprise hit that showed just how nerve-wracking and stressful it is to survive in a world full of zombies.

For more information on State of Decay 2, and other titles at E3 2017, check out our E3 hub for more updates on all the latest happening at the show.

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E3 2017: State Of Decay 2 Features A More Open And Diverse ... - GameSpot

Here’s Everything Microsoft Just Announced at the Xbox E3 Show – TIME

Bathed in electric green lights, enthralled by the staccato thump of shock-and-awe music, attendees at The Galen Center listened Sunday to Microsoft executives pitch the next phase in the Xbox's journeyfrom what in 2013 began as a controversial motion-controlled, next-gen media hub, to today's rededication as a gaming-foremost, super-powered 4K graphical monster.

Meet Xbox One X, the official name for Microsoft's souped up Xbox One, formerly codenamed "Project Scorpio." It boasts 6 teraflops of GPU compute power, 12 gigabytes of DDR5 memory, and games capable of running at native 4K resolutions, which is all just to say that it's going to be a pixel-crunching beast.

"There is no power greater than X," said Xbox honcho Phil Spencer. "It's the most powerful console ever made."

And yes, also rather pricey: $499, or $100 more than Sony's own 4K-angled box, the PlayStation 4 Pro, which debuted last November. But if the battle in the 4K graphics space is currently about chasing enthusiast wallets, Microsoft is positioning Xbox One X as a box that justifies the extra outlay with raw specs capable of delivering much more than Sony's product to videophiles and 4K connoisseurs. If the narrative around the Xbox One and PlayStation 4's debut in 2013 centered on the PlayStation 4's superior specs, today's show was Microsoft taking the ball back.

Xbox One X will also make existing Xbox One games look better and load faster, uses a liquid-cooled vapor chamber to tame its doubtless nutty thermals (a first for a console) and still somehow winds up being the smallest Xbox console the company's made, including the Xbox One S. The Xbox One X will be available on November 7, worldwide.

How to show off all that power? With the world premiere of Forza Motorsport 7 , a supercar extravaganza for Xbox One and Windows 10 that takes all the things we've come to expect from high-end racersgorgeous cloudscapes, crisp terrain, dynamic weather like thunderheads rolling in and water beading on windshieldsand kicks it up a whole lot more than a notch.

Players can rip through 30 "famous" areas with dynamic race conditions and collect more than 700 cars, including the 2018 Porsche 911 GTS RS. The game runs at native 4K and 60 frames per second on Xbox One X, and ships for Xbox One and Windows 10 on October 3. (The Xbox One X version will be available when that console ships on November 7.)

Though not console-exclusive, Ubisoft's long-awaited return to the Assassin's Creed-verse looked pretty slick during the show's world premiere gameplay demo. As rumored, the game will take place in ancient Egypt. It involves the story of a sort of Egyptian sheriff attempting to protect his community, a struggle out of which the company says will emerge the tale of the birth of the brotherhood of assassins.

Climb pyramids, fight in coliseums, gallop through dusty palm-treed lands, command birds to surveil and track enemies, fire weapons in slow-motion while mid-leap and engage an enormous open world that's been fine-tuned to resemble more a roleplaying than traditional action-adventure game. It's available October 27.

The promise of a master version of studio Mojang's sandbox builder, identical across all platforms, not just functionally but at the codebase level, is finally happening . With what Microsoft calls the "Better Together Update," the Nintendo Switch and Xbox One versions of Minecraft will converge with the Windows 10, Virtual Reality and mobile versions. All will hence run the C++ version, or what creator Mojang and Microsoft have taken to calling the "bedrock engine."

What's more, Microsoft teased something it's calling the "Super Duper Graphics Pack," a graphical update coming this fall that will include overhauled textures and lighting (including support for high dynamic range) for what amounts to an official vamp on the kinds of user mods that have made such things possible in the Java PC version for years.

Today's "best opener of the show" award goes to Terry Crews as Commander Jaxon. Brash and bombastic, the Crackdown 3 sizzle reel was too confusing to make much sense of. But this four-player campaign cooperative sandbox smack-around will be central to the Xbox One X's launch lineup when it arrives on November 7.

BioWare's new "shared world" action roleplaying game, Anthem , has players (dubbed "freelancers") exploring a massive open world while donning exosuits dubbed "Javelins," differentiated by their abilities. In the demo, a player flew Superman-style through a lush jungle, encountering dynamic enemies, diving underwater and boosting around, then reemerging to tango with further indigenous hostiles. The game, which appears to blend elements of Destiny and Titanfall , supports up to four people playing together in squadrons. Look for it fall 2018.

The press conference included a barrage of world premieres, including a mix of both platform and launch (meaning temporarily) exclusives. We learned of Metro: Exodus 's existence, another post-apocalyptic open-world shooter from series developer 4A Games that's coming in 2018, and Life is Strange: Before the Storm, a three-part adventure that takes place before the BAFTA-winning original. Online tactical survival romp PlayerUnknown's Battlegrounds, released in March for PCs, is coming to Xbox One. Deep Rock Galactic, a co-op first-person shooter with procedurally generated levels starring "badass space dwarves," looked like Overwatch meets Minecraft (launch exclusive).

There was State of Decay 2 , another zombie invasion survival game (exclusive to Xbox One and Windows 10), and The Darwin Project , an arena-style survivalism game (launch exclusive). The Last Night 's lovely animated 2D cyberpunk vistas was evocative of Flashback (launch exclusive). Rare offered another look at Sea of Thieves , its shared-world pirate plunderer (Xbox One and Windows 10 exclusive). There's a new "Ori" game in the works, dubbed Ori and the Will of the Wisps , that's exclusive to Windows 10 and Xbox One. And Cuphead, Studio MDHR's long-awaited retro-cartoon-side-scroller that's exclusive to Xbox One and Windows, is finally going to be playable September 29.

I'm missing a bunch of others here, like Super Lucky's Tale, The Artful Escape of Francis Vendetti, CodeVein and Ashen , but then it was a show designed in part to impress by deluging.

Microsoft's claims about the popularity of backward compatibility are a bit vague, but it's hard to imagine the company wasting time and money getting nearly 400 Xbox 360 games to work with the Xbox One without a solid business case. And it's even harder to imagine today's revelation--that original Xbox games are in the offing (they'll look and play better, said Microsoft)--if the economics, to say nothing of the goodwill this sort of move engenders among fans, weren't solid enough.

All this said, the presser's montage of verdant other-worlds and collapsed civilizations felt a bit skewed toward brutality and bleakness. Microsoft's view of gaming circa 2017 clearly privileges platform exclusivity and visual muscularity, but also games whose central tenets involve smacking things around and general dollops of thematic sound and furiousness. For Xbox, gaming's future looks like much of its past, wherein players thrash, shoot and brutally skewer stuff. Some of this is doubtless the marketing need to cast Xbox One X in its most rambunctious light, but there was a sense of conceptual blur about the roundup that I worry fuels the (deeply mistaken) narrative that games are just boisterous toys for power fantasists.

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Here's Everything Microsoft Just Announced at the Xbox E3 Show - TIME

Next "Far Cry" video game is set in Montana – KRTV News in Great Falls, Montana – KRTV Great Falls News

GREAT FALLS -

The latest release of the popular "Far Cry" video game series will feature a Montana setting, and promoted with video shot near Poplar.

A press release from the Montana Department of Commerce says that Far Cry 5 takes place in fictional Hope County, Montana. Although usually set in exotic, foreign locations such as the Himalayas and a fictional African country, Far Cry 5 is the first entry set in America. Its scheduled to be released in February 2018.Since 2004, sales of Far Cry games have reached more than 42 million.

The press release states: Players will have a large game world to explore while fighting off a hostile occupation of the county. In between the action, players will get a taste of Montanas outdoor recreation with hunting and fishing challenges. We know from the film industry that movies can be some of the best tools available for promoting a destination, but the interactive nature of video games represents an exciting opportunity weve never quite had before, said Montana Film Commissioner Allison Whitmer. Audiences around the globe not only will see Montana, theyll experience it virtually.

The official Far Cry 5 website provides this overview: Welcome to Hope County, Montana, land of the free and the brave, but also home to a fanatical doomsday cult known as The Project at Edens Gate that is threatening the community's freedom. Stand up to the cults leader, Joseph Seed and the Heralds, and spark the fires of resistance that will liberate the besieged community. In this expansive world, your limits and creativity will be tested against the biggest and most ruthless baddest enemy Far Cry has ever seen. Itll be wild and itll get weird, but as long as you keep your wits about you, the residents of Hope County can rest assured knowing youre their beacon of hope.

A spokesperson for Ubisoft said Montana was a natural fit for the series because of its diverse landscape and the do-it-yourself attitude of its people. The developers visited several times to shoot thousands of photos and interview residents.

A location scout identified a church near Poplar where promotional video for the game was shot. The crew employed three people from Montana. Between labor and other expenditures related to the production, the shoot is estimated to have generated $20,000 for the Poplar economy.

While the Montana Department of Commerce is focused on the promotion of Montana, many gaming sites and reviews are focused on the actual premise and game-play.

An article at Kotaku notes:Its about blasting through a section of modern Montana controlled by a Bible-thumping madman who runs a heavily-armed militia. Youre up against The Father, Joseph Seed, who along with his family has spent the last dozen years sinking deep roots into the fictional Hope County while establishing a cult called The Project at Edens Gate.

Sam Machkovech, writing for ArsTechnica, said: "The 13-year-old Far Cry gaming series returns once more in February 2018, and, at least conceptually, this might be its most intense entry yet. While Far Cry games traditionally drop players into exotic, international locales with only a gun and a prayer, this year's entry, Far Cry 5, lands in the U-S-of-A. Specifically, the open, rural wilds of Montana. Your mission: invade a militarized cult's massive compound and take down its gun-toting, Jesus-invoking leader."

From Wired:When it arrives next February,Far Cry 5will unfold in a small town in Montana, where a religious cult tinged with American survivalism has emerged. (Think the Bundys, though no shortage of legalese will doubtless back away from that comparison.) Youll play a young police officer, a man or a woman, depending on your decision, and youll be tasked with (ugh) taking this slice of America back.

The Montana setting and choice of villains in the game has even sparked an online petition, which has garnered nearly 2,000 signatures.

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Next "Far Cry" video game is set in Montana - KRTV News in Great Falls, Montana - KRTV Great Falls News

What’s Next for the Indie Horror Movie Wave – VICE

It Comes at Night hits theaters Friday, and based on media buzz, it'll likely hit a rare sweet spot pleasing both genre fans and mainstream critics. After Get Out set the tone earlier this year, Trey Edward Shults' follow-up to his 2015 critical darling Krisha could be the latest to join a growing list of recent "prestige horror" titles. Rolling Stone's Peter Travers references not only the sheer terror of the film but also its uncharacteristic emotional depth (a Stanley Kubrick shout out doesn't hurt either.)

Shults isn't alone when it comes to cutting his horror teeth on the indie festival circuit. And It Comes at Night will be in good company as a horror film with highbrow aspirations. The last few years have seen their fair share of scary movies getting attention outside of horror circles. Films like It Follows, A Girl Walks Home Alone at Night, Under the Skin, Train to Busan, and The Witch come to mind, and shows like American Horror Story, The Walking Dead, and Stranger Things have enjoyed a similarly elevated status on the small screen.

To figure out what's going on, VICE caught up with Colin Geddes, who's used to navigating the murky realms between high and low. For two decades, Geddes programmed the Toronto International Film Festival's Midnight Madness, which offers up over-the-top genre fare in the traditionally cult format of midnight screeningsbut all within the realm of a reputable film fest. He's now a curator at the streaming site Shudder (think Netflix for horror buffs.)

He hesitates to claim that something entirely new is happening, suggesting that horror is still pretty consistently held at arm's length by the gatekeepers of mainstream taste. "Horror films and horror film fans often get the short end of the stick. They get lumped into trash culture," he says. "And then every once in a while, something surfaces and resonates with the mainstream; the media always comes back around to realize these films can actually be good."

That mainstreaming doesn't necessarily mean that the films are getting better though. Geddes brushes aside claims that we're living in the golden age of horror. "It's always been a golden age," he says.

But undoubtedly, some of these films have struck a collective nerve. The most obvious example is Get Out, which isn't just good horror filmmaking (though it is a great example of the genre,) but it also manages to tap into the current political climate in a way that few filmshorror or otherwisemanage to pull off, and it's breaking records along the way. It's not hard to see why Get Out works so well. The story of liberal white Americans propping up violent and racist institutions is as timely as it is terrifying.

"Something like Get Out is actually lightning in a bottle," says Geddes. "Most horror films are based on copying the success of other popular horror films, but I think it's going to be very hard to copy the success of Get Out, because that film has a very specific social message. If you try to do something like Get Out, it'll just get called out as being bogus."

That particular kind of success requires a deep and intelligent engagement with current events, which can be risky. Get Out definitely pulls it off. As does 2014's It Follows, which, on its surface, seemed like a typical, conservative take on sex, with the monster functioning as an embodiment of the risks of teen sexuality. Instead, the film is a thoughtful take on consent, trauma, and rape culture. It immediately felt fresh and relevant, while playing like a solid 80s supernatural slasher flick.

In It Follows, a mysterious being pursues its victims, each one forcibly marked through a sexual encounter. The only way to free yourself is to pass it on to someone else.

"We're going to be examining every film that comes out now, which is made in the age of Trump, very differently," says Geddes. That may explain the appeal of It Comes at Night, which looks at how people cope with the apocalypse. Mixing basic doomsday survivalism with zombie-like ghouls, the threat of incurable infection, basic distrust, and paranoia is bound to have some kind of resonance with audiences living in fear of Trump's eat-or-be-eaten America.

These political references are also joined by a growing demand for diverse voices. "One of the important things within the genre is that for a long time it was kind of a boys club," says Geddes, "and now that's changing quite a bit." The same goes for non-white voices: "You didn't often associate African Americans with this kind of storytelling, and it's nice to see that change." This opening extends beyond North America too. For years Geddes has looked to international markets for new talent to showcase at home. "I always joke that it's nice to see how people scream and others languages."

There are plenty of other reasons why horror genre movies popularity rises and falls. "It's a genre that's really hard to put in a box sometimes," says Geddes. "It's not as easily definable asromantic comedy." While this makes it hard for horror to get consistent approval, it also allows the genre to be malleable and to function on different levels, sometimes breaking out of its trash label, even if just temporarily: "If I was like 'hey, do you want to see a film about a woman who's going to have Satan's baby?' Or 'would you like to see Mia Farrow in Roman Polanski's Rosemary's Baby?' Those are very different conversations."

And sometimes specific titles bring in wider audiences in ways that are harder to predict. "Case in point is just how hugely popular The Walking Dead is," says Geddes. "A lot of people who are tuning into Walking Dead, it's not necessarily that they're fans of horror films, they just like the soap opera dramatics that get woven into that kind of story. Which is what Night of the Living Dead originally was."

Those broader themes pull us in, and horror manages to take us to dark and intense places. Geddes is quick to point to the genre's ability to put us face to face with our own mortality. "Horror films in cinemas are a safe place to have these conversations. It's very cathartic and very healthy. And that's something that I think people overlook."

If you're planning to spend time in a movie theater contemplating life, death, and the harsh realities of the world, there are plenty of upcoming films to be excited about beyond It Comes at Night. The long-awaited Patient Zero also takes on infection and human co-existence in the post-apocalyptic world; hopefully, it'll make it to a screen near you in this lifetime. Music producer Flying Lotus will release his horror-comedy Kuso on Shudder this summer, while Darren Aronofsky's psychological thriller mother! looks like a promising follow-up to Black Swan.

If you aren't a stickler for something entirely new, God Particle may be another artful addition to the Cloverfield franchise, while the remakes of It and Suspiria are at least a little promising (as ill-advised as Suspiria seems, the Thom Yorke-scored, Tilda-Swinton-starring film definitely has a few things going for it.)

As always, Geddes is watching the industry closely. "The thing that I'm interested in is what Jordan Peele is going to do next," he says. "And I'd like to see if he's going to be able to help empower or work with other directors and voices."

Peele's next project does sound like a great follow-up to Get Out. He'll be taking on a TV series based on the novel Lovecraft Country, which situates dark, pulp fiction fantasy tropes in Jim Crow America. "The magic is very steeped in control, race relations, and ultimately the white, inherently racist roots of this material, like H.P. Lovecraft or Edgar Rice Burroughs," says Geddes.

Geddes is less optimistic about the longevity of horror's mainstream status though. "It's going to dip again, and we're going to have the same conversationI see this oftentimes in the medium. And then there's going to be a lot of great films that no one's going to talk about."

He's also skeptical that horror films like Get Out will end up with any Oscars. "I think it lacks the bigger bombast that the Academy looks for," he says. "I'd like to be surprised, but I just think there's going to be other, bigger films that will ultimately be more forgettable than Get Out." (That sums up the Academy's M.O. pretty nicely.)

On the bright side, great horror doesn't seem to be going anywhere. You just might have to look harder for it once the current wave of excitement dies down.

Follow Frederick Blichert on Twitter.

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What's Next for the Indie Horror Movie Wave - VICE

It Comes At Night stars on survivalism, the apocalypse – WDEF News 12

Kelvin Harrison Jr., Carmen Ejogo and Joel Edgerton star in It Comes At Night.

CBS

It Comes At Night follows two families who find themselves reluctantly joining forces amidst an apocalyptic world where a deadly disease is on the loose. The claustrophobia-inducing film takes place mostly in one house for a very tense 97 minutes, in which viewers see the measures the characters take to protect their families.

The stars of It Comes At Night talked to CBS News and shared their thoughts on how ready they would be during an apocalypse and it turned out one of the actors did see his world disintegrate at one point in his life.

Kelvin Harrison Jr. who plays teenage son Travis in the film joked that he would perish, but revealed that he did live through an analogous situation when he was displaced by Hurricane Katrina.

The New Orleans native, who was 12 during Katrina, said, Youre away and you expect your parents to take care of it and you see things happening and its confusing and youre like, OK, I dont really know what this means or if my family is there or my house is there.'

He said that he brought some of that experience to the film: Im trapped in this house [during Katrina] and get to use my imagination and have fun, and thats kind of what Travis does. You cope in other ways.

Harrison said it was only after he finished shooting that he realized he had brought those childhood memories to develop his character.

I was like, Why do I feel so strongly about this? Why is this bothering me this much?' he said. It felt too real most of the time and then I was like, OK, thats because I lived it.'

He also credited his cast-mate, Carmen Ejogo, with helping him grow as an actor by teaching him how to listen: Dont listen to speak, but to understand, he explained.

Ejogo, who plays wife and mom Sarah in the film, was eager to talk about her survival skills.

I think Id be great super-resourceful, she said. I think Ive been raised with sort of how to make ends meet, figure it out, see things from a left-field perspective Im pretty tough.

Joel Edgerton, who stars as stern and vigilant patriarch Paul, revealed that he would probably rely on Ejogo.

He took an optimistic approach and said, Id really enjoy the dismantling of all technology no emails, no phone and really lean into the experience, but in all truth Id probably just crumble and cry and say, Carmen, what do we do?'

He cracked, Yeah, the apocalypse look, its all the way you view it You think its an apocalypse; Im going to be in the pool.

Both Christopher Abbot and Riley Keough, who play young couple Will and Kim, had very little faith in their abilities to weather an apocalypse though Keough is looking to improve.

Id do horribly, said Keough. Ive actually been wanting to do survivalist courses.

Abbott said his cushy life in a city has taken its toll on his resourcefulness: I feel like Ive been in New York City too long, he said. Id just camp out at the Whole Foods and hope I survive.

Find out which characters actually survive in It Comes At Night, which hits theaters on June 9.

2017 CBS Interactive Inc. All Rights Reserved.

2017 CBS Interactive Inc.

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It Comes At Night stars on survivalism, the apocalypse - WDEF News 12

Veteran teaches disaster preparation skills at Heights library – The Killeen Daily Herald

During his presentation on survivalism, Sergio Martinez removed a small Bible in a plastic bag from his duffle bag.

Staying calm is good when youre out there, he said. Like it or not, everyone is going to get religious at some point. Why not have a Bible?

Martinez, an extreme survivalist, gave a presentation to a dozen people at the Stewart C. Meyer Harker Heights Public Library on Saturday morning. He talked about what kind of items to pack away in case of emergency and how to prepare for a disaster situation.

It was toward the end of summer 2005 when Martinez first became aware of disaster preparation. He had family members who lived in Houston that were coming to stay with him during Hurricane Katrina. There wasnt enough food in the pantry, so he decided to head to H-E-B to stock up on some more groceries. When he walked out of the store, the only thing he had was a couple of loaves a bread and some cans of food. Thats when it dawned on him he wasnt nearly enough prepared for survival.

Sometimes you need to trip and fall, and then youre going to learn, he said.

Soon enough, Martinez began teaching himself about survivalism. He read books, talked to experts and watched Youtube videos, and eventually got the chance to compete for a survivalist show that airs on the History Channel.

In front of Martinez, a retired veteran, sat a green bag no bigger than the carry-on a passenger on an airplane would stow in the overhead storage bin. What he kept inside of it was not to be used for a family vacation, though, and a number of the items probably wouldnt be permitted on an airplane.

Martinez recommended preparing meals ready to eat MREs long in advance. His prepackaged MREs included peanut butter crackers, bottles of water, freeze dried food and protein bars. Canned foods including soups and beans are good to pack, too, but in moderation. Too many cans can weigh down a bag, and depending on the situation, you might have to walk for long periods of time. In those situations, any reduction in weight can help.

There were typical items found in Martinezs survival bag, such as an extra pair of clothes, a sleeping bag and a hammock. But there were also nifty tools such as a crank-up flashlight that triples as a cellphone charger and an AM/FM radio. He also pulled out a miniature propane stove and a water filter.

Much like he was prepared for any potential disaster, Martinez was ready to answer questions from the audience. One person asked him about the difficulty of catching your own food through hunting and fishing, and preparing it while in the wild.

Martinez said that with a little practice, it wasnt that difficult.

But dont expect it to taste good, he said.

Once you kill the game, how do you prepare it? We dont have chefs out there.

sullivan@kdhnews.com |254-501-7552

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Veteran teaches disaster preparation skills at Heights library - The Killeen Daily Herald

Recently unveiled documents reveal anarchist strand festered at Evergreen for nearly a decade – The College Fix

A cache of documents recently unveiled highlight that radicalism and anarchy has been pushed at Evergreen State College since at least 2008.

The documents were exposed by a disgruntled, anonymous Evergreen graduate in a blog post published earlier this month amid upheaval at the public university. The documents consists mainly of Disorientation manuals produced by a campus anarchist group that denounce police, capitalism and banks, and argueshoplifting is a form of survivalism. They also tick off examples of cultural appropriation, such as mohawks, and declare manifestation of white privilege is all around us.

The blogger, listed only under the screen name of Son of Tuck, claims a pervasive element has existed at the campus for years and more recently gained control of it.

The college isnt bad. It just got taken over by a domestic terror cell, writes the blogger, for which contact information is unavailable.The College Fix was made aware of the blog by an anonymous source.

Disorientation guides are not unique to Evergreen. Theyve popped up in the past at Columbia, Amherst, and even Middlebury College, where earlier this springstudents, faculty and outsiders violently protested a conservative guest speakers speech, a melee that left a professor there with a neck injury.

A campus in crisis

The revelation of the Evergreen documents comes amid massive turmoil at the public college in Olympia, Wash.

Last month, students cornered and shouted at biology professor Bret Weinstein over his objection to a Day of Absence event that asked white students and faculty to leave campus for a day. Protesters demanded he be fired. Many faculty called for Weinstein to be punished.

The events have left campus in disarray. Unspecified threats closedthe college for several days. Meanwhile, a group of vigilantes took to patrolling campus with baseball bats.

The current turmoil cannot be directly linked to student anarchists.

However thedisorientation manuals, produced in the past by a student anarchist group known as Sabot Infoshoppe, amount to radical, far-left manifestos that include writings expressing anti-corporatist and anti-police views, the latter of which is a main complaint among protesters today.

Other issues discussed in the manual include white privilege, food justice and what local businesses students should boycott.

A history of radicalism

Recent events at the public university are hardly the first time that left-wing students have stirred controversy on campus. A school known for its progressive reputation, past events show the roots of left-wing activism are embedded in the schools past.

For example, Evergreen was the site of an anti-police riot in 2008 and played host to an anarchist workshop in 2013. In 2006, some students even protested at the commencement speech of Washingtons liberal governor.

As for disorientation: Mohawks are cultural appropriation. Banks invest in operations that often hurt humans. Shoplifting is a form of survivalism. Those are just a few things stated in the 2013-2014 Disorientation Manual. Itspans 99 pages and includes anonymously written articles touching on issues ranging from protesting tips to discussion of neo-Nazis.

Depending on where youre from, issues such as race priviledges [sic] or food politics may or may not have occured [sic] to you before, the document states. But, be sure, they will come up in seminar. We want to prepare you here with overviews of such inflamatory [sic] ideas to help you begin your process toward a life of thinking more critically and empathetically.

According to theblog post written by the Evergreen graduate, the Disorientation Manual has been an annual tradition for Sabot Infoshoppe. The blogger posted photos showing the 2008-09, 2009-10 and 2010-11 manifestos.

Disorientation Manual 2013 by The College Fix on Scribd

The blogger, who says they graduated from Evergreen in 2012, states I picked up my copy every year at their booth during Orientation week and adds people knew about the DisMan. It unclear how widelythe documents were distributed.

Today, Sabot Infoshoppe is not listed as an official student group on the universitys website and its unknown if a disorientation guide was made for the 2016-17 school year.

Evergreen increasingly radicalized over the years

But I feel compelled to come forward with evidence that the school has allowed student groups (at best) or domestic terrorists (at worse) to indoctrinate freshman into their extremist ideology, the blogger writes.

Son of Tuck posits that recent events on campus, specifically the protest of Weinstein, havent occurred in a vacuum. The blogger argues the school, and the community around it, has had a radical strand for years.

There has been dissent brewing in Olympia (The All-America City86-87) for a long time, and Evergreen has been increasingly radicalized over the years by a small but ever-growing group of what I will call domestic terrorists, the blogger writes.

According to an online flyer for a past Sabot Infoshoppe meeting, the group was described as having a history of radical speaking events, workshops, and movie nights, as well as a former space for books, zines, and dvds.

The groups 2013-2014 booklet describes Evergreen as a school with a progressive student body, but rails on an administration described as too closely tied with corporate interests.

However, underneath this revolutionary reputation lies a hierarchical institution that often resembles the fucked up shit in society that we are considered radical for opposing, it states.

Its guide states manifestation of white privilege is all around us and diversity isnt great at the college. It alleges that examples of white privilege at the school are when white students control discussion during seminars and also include cultural appropriation via hairstyles such as mohawks or dreadlocks.

The manualalso includes anti-police and anti-bank sentiments, telling students that banks are totally fucked. Law enforcement is brought up multiple times throughout the document, with one article alleging police benefit the wealthy.

Sure, there are the random anecdotes of an officer rescuing a cat or catching a burglar. But, in reality, most police officers (and the Olympia Police Department [OPD] is no exception here) spend much of their time harassing poor people and protecting the interests of the rich and powerful, the reading states.

History of activism

The recent events at Evergreen arent the only time radical, left-wing students have held protests on campus. In fact, the school was the site of a riot in 2008 during a concert held on campus. After a campus police officer took a suspect into custody, the crowd shouted at the officer and then later damaged the officers vehicle. Multiple students were arrested over the incident, according to The Seattle Times.

In 2013, the campus was site of an anarchist workshop that wasmovedoff campus after an attendee got in a scuffle with a blogger attempting to take pictures of the event.

Liberal students apparently protested at the colleges 2006 commencement over speaker Christine Gregoire, who was then the Democratic governor of Washington. According to the Disorientation Manual, students turned their back to Gregoire as she spoke and held up signs. A banner at the event reportedly read Gov. Gregoire Please Stop Your Racist Welfare Policies.

MORE:I attend Evergreen State College. Its not racist. But it is delusional.

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IMAGE CREDIT: Evergreen College

About the Author

Nathan Rubbelke is a staff reporter for The College Fix with a specialty on investigative and enterprise reporting. He has also held editorial positions at The Commercial Review daily newspaper in Portland, Indiana, as well as atThe Washington Examiner, Red Alert Politics and St. Louis Public Radio.Rubbelke graduated from Saint Louis University, where he majored in political science and sociology.

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Recently unveiled documents reveal anarchist strand festered at Evergreen for nearly a decade - The College Fix