A big bookmark in our lives: York County Libraries are here for you with eBooks – York Daily Record

A $10 million capital campaign is underway for renovations and/or expansion at three York County libraries. York Daily Record

In accordance with Governor Wolfs decision to close all schools and nonessential establishments in Pennsylvania, and in compliance with a directive from the Office of Commonwealth Libraries, York County Libraries have been closed since March 15 to flatten the spread of coronavirus, which causes the COVID-19 illness.

Your 13 York County libraries will reopen as soon as circumstances permit. All library events scheduled during this closure also are cancelled. This includes our locations in Brogue, Dillsburg, Dover, Etters, Glen Rock, Hanover, Hellam, Jacobus, Red Lion, Shrewsbury, Spring Grove, Stewartstown and York City.

We will continue to closely monitor the situation and reassess our eventual opening date. In the meantime, as Governor Wolf and PA Physician General Rachel Levine might say, stay calm, stay safe, stay home, and stay engaged.

All library materials currently checked out are automatically renewed until at least April 15. No fines will be assessed during this closure. Please retain your library materials until we reopen, and dont stress about fines or penalties. They are waived during this time.

More: Social distancing driving you crazy? Here are some ideas of things to do as a family

More: Martin Library, a living vision for York County

Bookmarks mark the place where reading is suspended to let us know where to start again. For most of us, if we are careful and fortunate, this crisis will be a catalyst for placemaking in our lives.

This shift may seem scary. It may be cumbersome. It may be annoying. But it, too, shall pass.

We shall resume. We dont know when, but, when we emerge from this challenge, we will be back stronger than ever.

And before we get back to normal, York County will show her true colors of neighborliness, common sense, prudence, decency, compassion, healing, empathy, and mercy. Let our true character light the way during this crisis and be our legacy after the closures cease.

York County Libraries will continue to closely monitor the situation and reassess our opening date as deemed necessary. Further updates will be shared on our website and through social media.

In the meantime, we encourage you to make use of our eBooks and online services at yorklibraries.org. Thousands of titles in many genres and for all ages are at the tip of your fingers. After going to the homepage, scroll down to click on the blue EBOOKS! and more icon. Then click on the Axis 360 icon.

Scroll through our Features or your favorite genre or subject and click on your pick and select checkout. Enter your library card number (its on the back of the card) and PIN (last four digits of your card number). Select read now and presto, your electronic publication will appear on your computer, laptop, I-phone, or Kindle Fire. There are no late fees.

Online resources cannot replace the sharing, fellowship, classes and sense of community that our 13 libraries provide virtually every day. And our numbers of visitors bear this out. Even during this digital revolution, libraries are more popular than ever.

Perhaps because of the digital revolution, people crave community more than ever. Thats part of the reason why, in 2019, your York County Libraries attracted over 1.5 million customers like you.

But now, with our libraries, restaurants (for dine-in), bars and theaters temporarily closed, reading at home is a great way to stay safe while stimulating our minds, expanding our knowledge, and connecting to humanity.

Responsible physical distancing does not have to mean loneliness or anxiety. It can mean reflection, rewiring, and recommitting. It can mean reading.

These days can be an opportunity to take a deep dive into your favorite reads, to dig into those books on your shelves that you havent cracked open or finished, and to download titles that you once thought you didnt have time to explore.

Also, heres a fun activity: Read a book and then compare it to its movie. Here are just a few suggestions of authors whose works have been made into captivating movies: William Shakespeare, Jane Austen, Victor Hugo, the Grimm Brothers, Louisa May Alcott, Charles Dickens, C.S. Lewis, J.R.R. Tolkien, Ernest Hemingway, Antoine de Saint-Exupery, L. Frank Baum, Alex Haley, August Wilson, Harper Lee, Mario Puzo, Toni Morrison, Alice Walker, Agatha Christie, Arthur Conan Doyle, Arthur Golden, William Goldman, Markus Zusak, Margaret Mitchell, Jeff Shaara, Yang Martel, Zora Neale Hurston, Richard Wright, Terry McMillan, Stephen King, Michael Creighton, J. K. Rowling, Thomas Harris, Nicholas Sparks, Suzanne Collins, James Dashner, Veronica Roth, and John Green. Movie adaptations of their stories provide great opportunities for discussion, fun debate, and humor.

For the next few weeks, thank you for your patience and understanding. We pray for your safety, nourishment (physical and spiritual) and peace of mind. We pray for prudence, forbearance, and good decision-making. We pray for good health for all. We pray for peace and enlightenment.

Because we treat each other as we want to be treated, because we gracefully endure, York County and York County Libraries will be stronger and more united than ever on the other side.

In the meantime, keep learning and keep loving (from a distance). Keep calm and read on. We will see you soon.

Robert F. Lambert is president of York County Libraries.

The York Daily Record's coverage of coronavirus is being provided for free to our readers. Pleaseconsider supporting local journalism by subscribingatydr.com/subscribe.

Robert F. Lambert(Photo: Submitted)

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A big bookmark in our lives: York County Libraries are here for you with eBooks - York Daily Record

Frank Oceans Monks & the Fantasy of Worship – DJBooth

I spend a lot of time listening to poet Tommy Pico speak on love. In the Valentines Day-themed episode of his podcast gabfest, Pico and his three co-hosts bring up a very salient point on love: Worship and idolization arent necessarily love. How many of us, though, put our loves on pedestals so high we have no idea how we built them in the first place?

Pico and co. posit this is not love at all, but unhealthy obsession; this is not love and cannot possibly last. Eventually, people reveal who they really are. Pedestals crack and crumble. Idols tumble down into human territory. Were left with a choice: Do we accept the person we love, not solely their image? Can we, even? These are the questions percolating as I listen to Frank Oceans Monks, a sleeper hit off channel ORANGE.

Monks is, among other things, about Franks relationship with a series of women attending his concerts. He positions each concert as a religious experience. Worship is baked into the text of Monks. Frank is on a literal pedestal: the stage. The women of the track are inclined to see him as holier than, simply because he is an artist. And as Frank alludes (African girl speaks in English accent / Likes to fuck boys in bands), the women of the track are no strangers to this exchange of energy. Power imbalances aside, Monks rests on the power of lust. Frank is forthright about the sex: Likes to watch Westerns / And ride me without the hands. But it is within the subtext of Monks that we find our meaning. That is, we discover Monks is a warning on the perils of worship through the lens of lust.

For one, the mention of Westerns sets us up to understand the dynamic of groupie and artist and as an indictment of American ideals. Our society is responsible for propping Frank up on his pedestal simply because we see him on the stage. Capitalism has manufactured the cult of celebrity to sell us the narrative the talented are inherently better than us. True, Frank is using sex instead of sales, but in a nation where sex and money are linked in more ways than one, were not exactly stretching our reading.

Secondly, during the sex scene of the first verse, we struggle to see if Frank is commanding his partner or if hes speaking to the crowd: Waveem high, girl, to the sky / But youre beautiful to me / Life in the clouds / Keep em high, yall. The switch from girl to yall tips us off about the sex of the song being performance. There is no difference between the fictitious Frank guiding the crowd and fictitious Frank fucking a woman. In both instancesof worship through the lens of lustFrank is positioned as this greater being, and either the audience or the woman is inherently lesser. In this light, of course, we stand to disagree with the narrative of the verse. Such is the point: Frank is trying to dissuade us from worshiping our partners.

One verse down, and weve established Frank is playing as an unreliable narrator to teach us a lesson. In the second verse, Frank advances the notion of worship and performance. Monks in the mosh pit / Stage diving Dalai Lama / Feet covered in cut flowers / They mosh for enlightenment, he sings. We get the sense of stage and performance as spiritual. However, knowing what we know from the first verse, we have to understand Franks portrayal is not pure. The mention enlightenment can be read as sarcastic. At the least, it can be read as sarcastic. The great turn of this verse, though, comes with Frank removing himself from the narrative. The Indian girl of the second verse finds herself a man and wishes to run away. On the bridge, Frank assumes the voice of the boyfriend, but we know its not him.

Franks narrative turn is meant to showcase a difference in urgencies. The rambunctious sex of the first verse has an urgency by virtue of the worship of the situation. That is, fan worshiping artist. The urgency of the Indian girl hoping to escape with her lover feels purer by contrast. Here, Frank attempts to show us the power of love when worship is excluded, when two people meet on equal and human footing. Frank borrows lines from the first verse (Youre beautiful to me) on the bridge, but instead of us reading the lines as the lip service they were, we genuinely believe the character of the boyfriend. We read his urgency as excitement, not a manipulation. The fantasy of worship is no moreall that is left is acceptance and love.

This brings us to the thesis of the third verse: escape. Were still following the girl and her boyfriend. Were witnessing their escape from her fathers army. Literally, we can assume Frank is painting a picture of disapproving parents and dated social norms. Figuratively, when paired with the first verse, we can take the imagery in another direction. We can take the imagery to be an escape from the perils of worship replacing love. We see love as something to be earned, fought for, and something that must develop throughout hardship. We see love as dynamic, and not something that blooms because we idolize our partner.

To this point, Frank concludes the third verse with, Were lost in a jungle underneath these clouds / Theres a monsoon that never ends / A coke white tiger woke us from our slumber / To guide and protect us til the end. These gorgeous lines give us the impression the couples love will last, if only because theyve lived through so much together. To close the song, once again, Frank borrows earlier lines from his performer-self: Were in the clouds / Wave em high now, to the sky. As with the bridge, we believe the words of the boyfriend much more than we do the words of the fictitious Frank Ocean.

Monks concludes with love beating out worship, with a celebration. The journey of Monks presents a valuable lesson: Love is not implied, it is worked at. Love can be glorious and sudden, but it does not exist naturally. Frank warns us against using worship to supplant true love, and by employing multiple narratives and an unreliable narrator, we get the sense Frank takes this lesson very seriously. Bringing it back to Tommy Pico, he and his podcast cohorts land on love as being something you can only feel once you reveal yourself to a person, and they reveal themselves back. The work of vulnerability is privileged. Risking lives and running from archers, Monks personifies that work. Groupies be damned, there is more to love than the rush of standing upon a pedestal.

Originally posted here:

Frank Oceans Monks & the Fantasy of Worship - DJBooth

Opinion: Coronavirus is the greatest challenge we’ve faced in generations. Altruism is how to overcome it – The Globe and Mail

A volunteer for a community-owned grocery store speaks with a self-isolating person in Marsden, England, on March 23, 2020.

OLI SCARFF/AFP/Getty Images

Charles Montgomery is the author of Happy City: Transforming Our Lives Through Urban Design.

Auckland Island, a craggy expanse of sub-polar tundra nearly 500 kilometres south of New Zealand, was once a magnet for shipwrecks.

In January, 1864, the schooner Grafton foundered on a rocky beach on the south end of the island. The ships mate, Franois douard Raynal, was deeply ill at the time of the wreck. His crewmates managed to rig up a rope system and get him to shore.

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Raynal and the ships captain, Thomas Musgrave, used seal blood to record their ordeal. Despite their diverse backgrounds (American, French, English, Norwegian and Portuguese), the crew took care of each other and worked co-operatively. Once hed recovered, Raynal led the crew to build a forge using seal skin for bellows. He forged nails from salvaged materials. He baked and crushed seashells, then mixed them with sand to make concrete. The crew built a cabin and taught each other their respective languages.

After a year and a half, the men repaired the ships dinghy, in which Musgrave, Raynal and another man made the desperate crossing to Stewart Island in New Zealand. Musgrave then led a successful expedition to rescue the remaining two men.

Unbeknownst to the Grafton crew, another ship struck and broke up on the north shore of the same island five months after their wreck. Nineteen of the Invercaulds 25 crewmen made it to shore. They left one injured member of their party to die on the beach. As the castaways trekked across the island searching for food, they abandoned other weak members of the crew. They ate one fallen companion. Only three men remained alive when they were rescued a year later.

The fate of these two crews couldnt have been more different, but they reflect a pattern seen in other nautical disasters. The sociologist Nicholas Christakis studied shipwrecks between the years 1500 and 1900. He found a consistent theme: Crews who were co-operative, egalitarian and caring, those who shared food and cared for sick members, almost always fared better than those where the ethos was every man for himself.

Whats true for shipwrecks is true for communities and entire societies. In his book Blueprint: The Evolutionary Origins of a Good Society, Dr. Christakis offers evidence from societies throughout history that the secret to any groups success is its ability to embody several social traits. Shining among these traits are altruism and co-operation.

This is the lesson from mountains of research on human social groups. Altruism is the superpower that keeps us strong. We must activate this power as we face the greatest collective challenge in generations. The way we respond to the COVID-19 pandemic will determine not just our success as a society; it will define who we really are and how we will be remembered.

Are we a society of people who co-operate and take care of each other especially our most vulnerable members when we hit the rocks?

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COVID-19 sure doesnt make this easy. The pandemic is inherently disorienting: In times of crisis, our natural response is to come together literally. But this crisis demands that we maintain physical distance from one another. We cannot necessarily huddle together, warming our sick and weary, on this storm-battered shore.

Altruism, in this case, demands that we ignore messages from what the psychologist Daniel Kahneman calls our fast brain, in favour of our slow brain. This means actively cooling our fear-driven passions and impulses, and paying attention instead to evidence and sober analysis. It means ignoring social-media clickbait and conspiracy theories, and instead trusting in scientists and health authorities.

I feel this fast-brain/slow-brain tension acutely. I became a father last week, just as Canada was ascending the pandemic curve. My heart aches with the desire to embrace my son, but the evidence demands that I give space to him and his moms (his two primary parents) until the time for physical distancing has passed. Social solidarity, in this case, demands FaceTime rather than face time.

The pandemic exacerbates another social tension: Our species has evolved the remarkable ability to trust and co-operate with millions of people who are not our direct kin. Its essential for the success of cities and countries. But this ability competes with the tendency to favour people who seem more like us. In times of threat, much like the crew of the Invercauld, we are tempted to divide the world into those who should be protected and those who should be excluded from care because theyre weak or different.

This impulse has manifested in ugly ways already. U.S. President Donald Trump, against the advice of the World Health Organization, has dubbed COVID-19 the Chinese virus. Americans and Canadians of Chinese descent are reporting a surge in verbal and physical assaults. The South African government is building a virus fence along its border with Zimbabwe. One Kenyan parliamentarian insisted his constituents had the right to stone and chase away foreigners; one man has already been killed.

The virus is a convenient tool for any who believe their own social groups strength comes from excluding others. Its a weapon for those who double down on selfishness by shrinking the in group. When pundits talk about herd immunity essentially letting the virus run its course so we can ramp up economic activity again theyre really talking about culling the old, the sick and the poor.

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The falseness of this path is woven into our spiritual traditions. The Christian Bible advises us to "value others above yourselves, not looking to your own interests but each of you to the interests of the others. Islamic texts celebrate the people of Medina, who welcomed the war refugee Mohammed and his followers into their homes. The Buddha reached enlightenment when he understood the interconnectedness of all suffering and the primacy of compassion.

Altruism is also woven into our DNA. We are rewarded by feel-good hormones such as oxytocin every time we engage in trusting and trust-building actions. Evolutionary biologists invented a term to describe the phenomenon by which altruistic groups fare better than selfish ones. They call it inclusive fitness.

The pandemic is forcing us to reckon with our interconnectedness. Take the neighbourhood outside my office. Vancouvers Downtown Eastside is home to thousands of Canadas most vulnerable people, many of whom live with mental illness and addiction. Some are homeless. Thousands more live in cramped and filthy single-room occupancy (SRO) hotels, sharing bathrooms.

For years, many Vancouverites have been content to leave these people to their fate, tucked away in a grubby corner of the city. But activists have sounded the alarm that this concentration of poverty is a powder keg of contagion. The science is clear: Viruses spread when poor people dont have the resources to stay clean and healthy.

The virus could sweep through the SROs with astonishing speed, killing many immunocompromised people, but also compounding the spread of the novel coronavirus through the city. Our fates are now bonded even more closely than the crews of those South Pacific shipwrecks.

Common care has burst forth this spring. Community members and allies from all walks of life have rallied to raise funds to keep people in the Downtown Eastside healthy. (Yes, you can donate, right now at dtesresponse.ca.) Elsewhere, people across the country are offering support for homebound neighbours and strangers.

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But society-wide threats demand a higher level of collective action. When governments invest in inclusive fitness, they boost our collective well-being. It was concern for poor families that led the Saskatchewan government to introduce universal health care in 1961. Publicly funded health care has now put Canada in a stronger position to fight COVID-19 than the United States.

The past few decades have seen a deepening of inequity in many countries. (In Canada, its worsening in our big cities.) Neoliberal policies have left many people alone on the rocky edges of society. But governments are now rediscovering the value of reinvesting in common well-being.

In their pandemic response, city governments in San Jose and San Francisco have announced a temporary moratorium on evictions. The Danish government has promised to cover up to 90 per cent of salaries if businesses keep their employees. Hospitals and medical systems are being rapidly expanded. Social welfare nets are being mended. Universal basic income was once considered a radical idea, but leaders across the political spectrum are now advocating for cash payouts not just for laid-off workers, but for everyone.

The COVID-19 pandemic is just a taste of the economic and environmental shocks well weather in the age of rapid climate change. The decisions governments make today may shape society for decades to come. Countries with supportive foundations such as accessible health care and stable, affordable housing will be stronger as those storms approach.

A century and a half ago, the crew of the Grafton decided that a sick man was worth saving from their foundering schooner. Once healthy, Raynal used his smarts to help the group survive. Now we need to decide as a society: Will our decisions be driven by the impulse to exclude, or the knowledge that we really are all in the same boat?

Rome lay empty on Monday as a government-ordered shutdown to contain the spread of the coronavirus, under which all non-essential movements are banned and shops and parks are closed, continues. The Associated Press

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Opinion: Coronavirus is the greatest challenge we've faced in generations. Altruism is how to overcome it - The Globe and Mail

Jefferson Hack: The Beauty and Violence of Willy Vanderperre’s Photography – AnOther Magazine

March 12, 2020

Lead Imagehurt, burn, ruin & more, 2020Photography by Willy Vanderperre

Vicious,You hit me with a flower,You do it every hour,Oh, baby youre so vicious.

WhenLou Reed sings about the cruelty of attraction in the opening lines of Vicious, on his 1972 album Transformer, he captures brilliantly the dark psychic oscillation between obsession and revulsion. Through the use of a repetitive, abrasive guitar sound and his staccato voice, like a razor blade gently slicing through flesh, he tacitly transfers the hippy symbolism of a freshly plucked flower and eroticises it, tortures it. All love, he muses in Vicious, comes with an emotional price tag.

Another New Yorker of that period who sees beauty in the detritus of the downtown scene is Susan Sontag. She describes photographers as connoisseurs of beauty, wittingly or unwittingly. In her remarkably sharp introductory essay for Peter Hujars Portraits in Life and Death, Sontag calls them the recording angels of death, and writes, The photograph-as-photograph shows death. More than that it shows the sex appeal of death.

Willy Vanderperreis most known as a fashion photographer, whose cool and calculated eye has produced some of the greatest fashion advertising campaigns and magazine covers of the last decade. He hasimmortalised the Kardashian family for Calvin Klein and projected an idealised, sacrosanct beauty for Prada. His dark-tinged, gothic surrealism first began fetishising youth and unconventional beauty in the early 00s. What started as an underground aesthetic pushed through the advertising campaigns ofRaf Simons and the pages ofDazed and AnOther would, by the middle of the last decade, rise into a globally recognised pop culture style. Like Andy Warhols imperfect, slightly grubby graphic silk-screens ofMarilyn Monroe and Elvis Presley, work that was once seen as critical of a mainstream idealised version of beauty, as shocking, the sex appeal of death that links both Vanderperre and Warhols most iconic works soon became subsumed into the mainstream.

hurt, burn, ruin and more is a self-conscious act of returning to the roots of that sex appeal, the origins of Vanderperres melancholia-tinged romantic revolution in photography. Not a negation, but an urgent exploration of the forces that inspired it and catalysed it. Sontag saw that whatever their degree of realism, all photographers embody a romantic relation to reality.

The romance in Vanderperres hurt, burn, ruin and more is that of imperfection and a personal rejection of the vanity of traditional fashion photography, in the way that 17th-century northern European Vanitas paintings or memento mori traditionally shunned materiality for spiritual enlightenment. In the large-scale representation of a decayed rose in Untitled #15, we are brought so close to the decomposition of the image that it becomes a new landscape of the imagination, an almost interiorised view, like a proto-psychedelic Blakean vision. Oh Rose thou art sick, writes poet and painter William Blake in Songs of Innocence and of Experience, as he takes us on an electric ride through sexual pleasure laced with secrets, shame and guilt. Sub rosa is the name given to the roses symbolic ancient relationship to silence and secrets. Here, Vanderperres scale of display unlocks the secret power of macro photography to fetishise our mortality. As much as it renders the seemingly useless and overlooked fascinating, almost fantastical, it also suggests a fresh life beyond death for the fate of this rose; a spiritual rebirth or even the promise of an afterlife.

In this new series of works we are confronted with Vanderperres attempt to capture the double standards of idealised beauty, and a deeper exploration of the very corruption of the essence of beauty itself. The corrupting nature of extreme beauty is an idea brilliantly framed by one of Japans most famous post-war authors, Yukio Mishima. In his book The Temple of the Golden Pavilion (inspired by a real-life story of a young monk who burns the most beautiful of Zen temples) we are brought into a psychological paradox beyond mere envy or jealousy, of an obsession with beauty that leads to its fateful destruction. Mishima who famously committed harakiri a Japanese Samurai tradition of ritual suicide was also a fan of Noh theatre. In an interview about Noh in 1971, he took the idea further, giving agency to the destructive nature of beauty itself, telling the interviewer: True beauty is something that attacks, overpowers, robs and finally destroys.Georges Bataille, the Surrealist author of the influential Story of the Eye, who spent a life-time studying transgression and erotics, wrote: Beauty has a cardinal importance. For ugliness cannot be spoiled, and to despoil is the essence of eroticism, the greater the beauty the more it is befouled.

The flower in Untitled #11 curves upwards, a sexualised, single stem of irrefutable beauty. Its silk-thin stamen cradles a smattering of microscopic pollen, its anthers rise in peak production and its leaves dance mercurially, like an ancient deity, ordering the cosmos to bring its energy, via bird or bee or flutter of wind into the magical act of cross-pollination and the spreading of its seed. Flowers in this context can be viewed as our eroticised alter egos, waiting to be hurt, burnt or ruined, or as is the case with this monochromatic white background flash of inspiration, to also be adored, worshipped and deified.

In the creative production of these flower sculptures, we see Vanderperres relation to beauty and erotics reflected in his own mortality and also his own legacy. The dance of violence and art is a ritual as ancient as the cave paintings of Lascaux. In Untitled #3 we see smashed glass covering a bouquet of thistles, tulips, anthuriums and Birds of Paradise, caught in ballistic flight and fused into the white-heat of a lightning strike. They appear like the photograph of a crime scene shot by Weegee, asking if we should be witness to this death-scene, this torture garden? It feels like the perversion of the ceremonial laying of bouquets on a grave, as if hurled through a night sky in the midst of a storm in a cemetery.

We know from the shotgun paintings of William S. Burroughs andNiki de Saint Phalle that purposefully destroyed art can be more than just an act of pure nihilism. It can be a search for transgression, or even transcendence. We know it from the broken, ruined, imperfection in the Japanese aesthetic of wabi-sabi, and, more close to Vanderperres own biography, we know it from his love of post-punk electronic music a melancholia wrapped in sharp electronic dissonance, the coded and de-sexualised sound of synths, of the first innocent and exciting sonic merging of human and machines in culture.

The smashed screen of Untitled #1 speaks to the erotised, surreal violence of JG Ballards Crash, the automation of life (when the only way to get off is literally to drive high-speed into a wall) and also to the smashed hopes and sexual failures of our mobile screen age. Vanderperre talks about the aggression of social media and it must be an almost daily reality for a fashion photographer and their subjects whose imagery is regularly exposed via those automated channels. In Untitled #1 plastic-wrapped bouquets are being suffocated, choked and mangled into fantastic architectural shapes as if caught in a social media car wreck. Is it a reaction to the high-speed collision of images on social media which reduce meaning to surface, and where comments leave no room for morality? On social platforms there are no boundaries, no safe spaces, just a strange generational acceptance of pain and suffering a barrage of extreme love and abuse in equal measure. Its something exemplified in the persona ofGrimes on her album Miss Anthropocene, a construct for whom extinction is her own rebellion. She describes the album in Interview as a modern demonology or a modern pantheon, where every song is about a different way to suffer or a different way to die. She goes onto say, its the sound at the end of the world.

hurt, burn, ruin and more, represents our collective human fragility, the inevitability of our own plastic-wrapped self-destruction as a species. But its not defeatist, there is within it a vital spark, an energy and intensity that wishes to transcend the hyper-normality of conventional aesthetics that hold and frame us in the mirror of our failure. Willy Vanderperres work as a photographer has been a study of the energy of beauty, the interior and exterior magic and a search for its soul. WhenBjork sings dont remove my pain, its my chance to heal on notgetfromher heartbreak album Vulnicura, we tap into the essence of an acceptance of and transcendence beyond failure. To first break denial there needs to be a radical shock to the system, before the broken dreams and smashed hopes are revealed for what they are. In hurt, burn, ruin and more, we see a cosmic explosion of pure life energy and a new potentiality for beauty to emerge from darkness and chaos. Like all natural phenomenon, the new shoots of flowers always lean towards the light.

Willy Vanderperres new exhibitionhurt, burn, ruin and more is at The Store X, 180 The Strand, from March 13 22, 2020, 11am to 6pm, closed Mondays. A line of collectables including T-shirts and stickers will be available.

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Jefferson Hack: The Beauty and Violence of Willy Vanderperre's Photography - AnOther Magazine

Agnes Pelton Joins the Underappreciated Female Artists Finally Getting Their Due With a Major New Show at the Whitney – Vogue

The artist Agnes Pelton was born in 1881, but her paintingsenigmatic abstractions based on her New Age-y spiritual inquiriesmake perfect sense in our zodiac, meditation, and yoga-obsessed age. Its her moment, says Barbara Haskell, the Whitney curator overseeing the museums installation of Agnes Pelton: Desert Transcendentalist, the first survey of the artists work in more than two decades.

When Agnes Pelton: Desert Transcendentalist opens in New York this Friday, it will be something of a posthumous homecoming for Pelton, who spent much of her childhood in Brooklyn, a time marked by trauma. Her father died of a morphine overdose when she was nine. And shortly before her birth, her maternal grandfather Theodore Tilton, a high-profile abolitionist newspaperman, unsuccessfully sued his pastor Henry Ward Beecher for criminal intimacy with Tiltons wifea national scandal that cast a shadow over Peltons mothers life.

Agnes Pelton, Fires in Space, 1938. Oil on canvas, 30 1/8 25 in. (76.5 63.5 cm). Courtesy of Michael Rosenfeld Gallery LLC, New York.

The artist, understandably skeptical of Christianity, sought succor in esoteric spiritual movements, first in the teachings of New Thought and Theosophy, later in the study of Agni Yoga. In her early adulthood, Pelton painted nostalgic scenes of Grecian maidens in sylvan glades, two of which appeared in the seminal 1913 Armory show. But following her mothers death in 1921 and a move to live in an abandoned windmill on Long Island, the artist leaned into abstraction, mining her transcendental explorations to produce paintings like The Fountain, a 1926 canvas depicting plumes of water vaporizing before a glowing orb. At 50 she permanently decamped to Cathedral City, California, a dusty town outside Palm Springs, and her work took on the expansive feel of the desert. Her later paintings are metaphysical landscapes, notes Phoenix Art Museum curator Gilbert Vicario, airy, luminous fantasias populated with cryptic theosophical symbols: lotus flowers, wings, stars. (PAM organized the traveling survey.) Equal parts ethereal and hokey, they seem to describe another plane of existence, one the artist accessed in meditative trance states, and faithfully translated into paint.

For Pelton, these paintings were vehicles for her own insight into spiritual enlightenment, says Haskell, so draining to produce that she worked on them intermittently and kept them for herself, making money by hocking more straightforward desertscapes to tourists. (Always do this work first, she wrote of the abstractions, others only when these do not call you.) Though she showed her paintings occasionally, her retreat from the art world and increasingly inward-facing practice meant that by her 1961 death, Pelton, childless and unmarried, had fallen into obscurity. Her abstractions were dispersed: one later resurfaced at a Santa Monica thrift store; another was sold at a Santa Barbara museum deaccession sale for a few bucks. Haskell encountered Peltons work in the 90s, and even then, convincing the Whitney to acquire its first painting took years.

As the art world rediscovers a glut of fantastic 20th-century female artists unfairly ignored by history books, Pelton often comes up alongside fellow desert painter Georgia OKeeffe (they shared an early teacher) and fellow Theosophist Hilma af Klint. But whats really remarkable is her utterly idiosyncratic vision. Pelton is sui generis, marvels Haskell. She really was such an independent artist.

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Agnes Pelton Joins the Underappreciated Female Artists Finally Getting Their Due With a Major New Show at the Whitney - Vogue

We Need to Resacralize the World – lareviewofbooks

MARCH 16, 2020

BOTH JACK MILESS Religion as We Know It: An Origin Story and Karen Armstrongs The Lost Art of Scripture are contributions powerful in their own ways to the comparative study of religion. Miles was general editor to the Norton Anthology of World Religions, and his new book more of a pamphlet really serves as an introduction to his introductions in that extraordinarily ambitious project. Religion as We Know It sketches how the comparative approach to religion got underway as an academic field, and how Miles himself became an enthusiast. Armstrongs more substantial volume continues her decades-long rereading of the great texts of the worlds religions as rumination on ineffability, on religious practice as a way of knowing, and on compassion as the vital heart of the major approaches to the sacred. If Miless book is not quite a book, Armstrongs work is an anti-book. She wants to free us from the notion that religion is essentially about holy texts that contain the Truth; she urges us to leave literalism behind in appreciating what can never be written down but can still be lived with authenticity, even devotion.

Both authors are trustworthy, accomplished guides in these explorations. Although they have held distinguished academic positions, they use scholarship to go beyond the academy to speak to large and varied audiences. Miles won a Pulitzer Prize for his God: A Biography, a highly readable and insightful account of the emergence of the deity in the Hebrew Bible. He went on to produce thoughtful and accessible works about God in the Quran and about Jesus. Armstrong has been writing learned (and prize-winning) books on religion that reach a general audience for almost 40 years. Having begun with the Christian tradition, she has written on Muhammad and Islam, Judaism, Buddhism, and a host of other topics related to the politics and cultural relevance of religion.

Miless brief origin story concerns the development of the comparative study of religion a study that began in the West from a Christian perspective. Christianity introduced the notion that one could convert to a religion and still maintain ones previous ethnic and civic identity. You could become a Christian and still remain a Roman a conversion he judges an unprecedented and socially disruptive novelty. Rabbinic Judaism would reject this form of religiosity, insisting that there are no Judaists, only Jews. This rejection was in accord with most religious practices elsewhere, but the contrary Christian notion that religion could be separated from culture, politics, and ethnicity spread widely in the wake of European imperialism. Isolating religion from other aspects of identity and society would eventually protect the idea of faith from scientific knowledge at least for many. It also led to the academic field of comparative religion, giving it a subject to study distinguishable from that of a geographical area or a nation state or even a culture. Religion came to be considered its own thing.

Another origin story sketched by Miles here deals with religion as he came to know it. He confesses to an early pessimism, a time when he held firmly to Bertrand Russells dictum that the whole temple of mans achievement must inevitably be buried beneath the debris of a universe in ruins. The young Miles, also attracted to Camuss The Myth of Sisyphus, was determined to accept no consolation that would insulate him from this tough reality. Describing himself in those days as a sucker for this stuff, he judges that what he really wanted was closure. Eventually he began to wonder it was really wrong for any of us to seek some kind of interim closure, some way of coping with our own invincible ignorance. Religion wasnt, he came to think, a way of defeating ignorance (or even unbelief); it was an acknowledgment of what we do not know. This is, for Miles, not just a theoretical issue: [T]he hope must be for a reasonable way of coping with the practical impossibility of our ever living a perfectly rational life.

Karen Armstrong explores how people around the world have responded to this need to cope with what we cannot know, how they have constructed ways of living that are ordered and meaningful without claiming to be being perfectly rational. She presents a historical account, and she proceeds roughly in chronological order. But Armstrong sees historical accounts as always speaking to the concerns of their own time, and hers is certainly aimed at some of our pressing issues today, from Islamophobia to climate change. Much public discourse these days is dominated by dismissive quasi-scientific atheists and committed ultra-orthodox literalists. She is neither. [T]o read the scriptures correctly and authentically, she insists, we must make them speak directly to our modern predicament.

Some predicaments go back a long way. The ancient, sacred Jewish texts are marked by the traces of destruction, deportation, and displacement, and so its no wonder that Hebrew scripture has insisted on the vital importance of memory. Armstrong underscores that most scripture has the function of cultural transmission, especially because these texts are always embedded in rituals. Recitation, song, moving ones body, scripture should never be taken separately from the forms of life in which it is encountered. Armstrong makes the point in relation to China, but the same can be said in regard to many other parts of the world: In an age when few people were literate, scripture became a compelling force only if recited and performed. And performances are arts of memory.

Scripture becomes a compelling force as it evolves in a performative context. Theological proofs were a matter of complete indifference to the Buddha; Buddhist spirituality was rooted instead in bodily, often meditative, practices. When the Qurans verses were committed to memory, it was not to promote literalism, but to liberate the person chanting to achieve a transcendence that words alone would not inspire. Transcendence and the overcoming of ordinary conventions is the goal of the religious practices to which Armstrong is drawn. The stories of baby Krishna express a yearning for an ekstasis that is impossible in the humdrum world of the habitual. The habitual is also the world of our everyday language, and the religious practices described in The Lost Art of Scripture always strain toward the ineffable. Whether its Sufis or Sikhs, Confucian scholars or Yeshiva bochers, nobody gets the last word because there is no last word. There is no definitive meaning that ends the discussion. Commentaries and interpretations, new chants and dances that build on the old ones, are to be expected and celebrated.

Armstrong is writing against those who think there is a single significance for a text, or final answers to enduring questions. She rejects the Western quest for certainty or at least for overcoming doubt that she finds in Cartesian philosophy and in much of the Enlightenment. She also rejects those who claim to return to scripture for the final authoritative answer to how one should live. Protestant and Islamic fundamentalists alike dont have the toleration for ambiguity that her conception of a spiritual life requires. Unfortunately, she herself tries to ground her rejection of scientific reductionism in a neurological reductionism of her own. Throughout the book, Armstrong sprinkles in references to the right hemisphere as the place of metaphor, openness, and empathy in ways that are meant, I suppose, to give her hermeneutics a scientific veneer. For this reader, it is an unnecessary distraction, at best.

Turning all concerns about presentism aside, Armstrong is confident that the lost art of the worlds religions can return us to lives of compassion and to the quest for what she calls social justice. She minimizes whatever debates there might be about what counts as justice and about whom one ought to have compassion for in a world in which religious practices, even the bodily ones, lead to intense conflicts. She believes in the modern scientific scriptures enough to have faith that the idea of compassion is built into our neurology, but she doesnt say anything about whether the ideas of hatred and violence are also hard-wired into humans.

Be that as it may, Armstrongs book is a powerful commentary on spiritual commentaries, a midrash to be added to the debates about the meanings of religious practice. Like Miles, she seeks to cultivate practices that make sense of a world of suffering while acknowledging our invincible ignorance. As she puts it in her Post-Scripture, whatever our beliefs, it is essential for human survival that we find a way to rediscover the sacrality of each human being and resacralise our world. The rest is, and will be, commentary.

Michael S. Roth is president of Wesleyan University. His most recent books are Safe Enough Spaces: A Pragmatists Approach to Inclusion, Free Speech, and Political Correctness on College Campuses and Beyond the University: Why Liberal Education Matters.

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We Need to Resacralize the World - lareviewofbooks

Agnes Pelton Went to the Desert in Search of Solace. Her Paintings at the Whitney Show She Found Something Magical There – artnet News

Consider two paintings.

One isMother of Silence(1933), by the early 20th century spiritual-abstractionist painter Agnes Pelton. She is the star of a show that hasjust arrived at the Whitney Museum, part of a wave of recent interest in experimental art by previously unsung or undersung female artists working in esoteric or occult traditions, a vogue that is currentlyrewritinghow museums approach the history of modern art.

Mother of Silencecenters on a cluster of numinous blobs in pale lavender, pink, and turquoise pastels, set off against a red and black background and wreathed by precisely organized whorls of energy. It suggests the form of a seated Buddha.

Installation view of Agnes Pelton, Mother of Silence at the Whitney. Image: Ben Davis.

Now consider a painting not in the show,Mother of the World(1924), by the Russian painter, set designer, adventurer, and mystic NikolaiRoerich. In rich tones and flattened perspective, it depicts the veiled figure of the ultimate female goddess in Roerichs occult system, seated on her mountain throne and framed by divine halos.

Left to right: Agnes Pelton, Mother of Silence (1933) and Nicholas Roerich, Mother of the World (1924).

Look at the two together and you get a clear sense of the kind of archetypal image that Pelton is adumbrating in her abstraction. I have no idea if Pelton is referencing this exact image. However, she and her art both were deeply inspired by Agni Yoga, the doctrine that Roerich and his wife Helena dreamed up in the 1920s, claiming to be channeling Eastern wisdom through spiritual sances.

Indeed, one of the rare figurative works in the Whitney showand a slightly unsettling beat in its otherwise serenely etherial atmosphereisIntimation(1933). This is Peltons portrait of Nikolai Roerich, rendered in gauzy, unearthly colors and full guru style, his beady-eyed gaze transfixing the viewer.

Agnes Pelton, Intimation (1933). Image: Ben Davis.

Agni Yoga meant Path to the Divine Fire. The Roerichs doctrine celebrated fire as the symbol of the energy animating all fixed things and all forms of wisdom, the essence of the entire life, all-embracing, evading nought. The veiled goddess-of-goddesses shown in Nikolais painting was conceived as his ultimate unifying symbol of the divine light, whose energy, he preached, would be at last unveiled when the coming Age of Fire dawned. Then, as theHandbook of the Theosophical Currentexplains, fiery energies will move toward the sphere of the Earth to purify it from a surrounding heavy atmosphere caused by the crimes committed by humans.

In any case, the comparison merits two linked comments, one formal, one symbolic.

Formally, Roarichs painting clearly draws on Russian orthodox icon depictions of the Virgin, given a fanciful Buddhist-accented makeover. This mash-up makes sense, since Agni Yogas ideas were syncretic, promising to reveal the common secret wisdom at the root of all religions. Pictorially, however, it takes us towards devotional clich.

The modernist vortex of Peltons Mother of Silence, on the other hand, makes for a quietly more awesome spin on the subject.

And consequently, Peltons Mother better fits what I take to be both works underlying idea: a spiritual presence who incarnates the protean energy at the root of all earthly things. The miasmic, dreamy character of the Pelton painting is far more evocative of that idea than the deliberately stiff, folk art style of the Roarich one.

The student surpasses the master here, or the acolyte outshines the guru.

Originally organized at thePhoenix Art Museum byGilbert Vicario, Agnes Pelton: Desert Transcendentalist features 40-odd paintings by Pelton, of the only 100 or so abstractions she made during her life. She made figurative art too, tourist-friendly California landscapes (she actually called them Tourist Paintings) that she sold to support herself when money got tight, but none are here. Her more modernist works are what she considered to be her calling.

Always do this work first, others only when these do not call you, Pelton advised herself in her diary, writing of the abstract-symbolic works. She arrived at their forms via extensive meditation and trance, transcribing into her notebook exact sketches of the seemingly aleatory constellations of forms and symbols that came to her before rendering them to canvas.

Agnes Pelton, Fires in Space (1938). Image: Ben Davis.

Without knowing anything about Agnes Peltons story, you would likely guess something about these paintings subject matter: solitude (because of their evocations of empty landscapes); healing (because of their gentle, nourishing color palette); and mysticism (because of their many occult symbols: evening stars, floating portals, roses, swans, lotus flowers, magic mountains, holy deserts, windows of illumination opening in space, and flares of the divine Roerichian fire breaking into reality).

Still, its worth knowing a bit about Peltons life story. Born in 1881, her life was vividly shaped by family events that happened before she was even born: 19th-century Brooklyns most infamous sex scandal, the BeecherTiltonAffair. Her grandmother, Elizabeth Tilton, had been exposed as having an affair with liberal preacher Henry Ward Beecher. Her grandfather, once a Beecher acolyte, sued for alienation of affection. Doubling his humiliation, he lost in court, and was estranged from the church and from New York society.

Agnes Pelton, Orbits (1934). Image: Ben Davis.

Of her familys heritance of infamy, Pelton would remember that it cramped our whole life and it also cramped mine. [it] overshadowed me. Her mother (who had been the one to report the infidelity) married a wealthy but troubled man from a Louisiana sugar empire. He died of morphine overdose in 1891. Young Agnes grew up inclined to melancholy and tears, surrounded by deeply religious and perhaps unnecessarily serious people. She was diagnosed with neurotic fever at 19, and may have had an eating disorder.

Pelton would find comfort in two things. One was art, which she studied at Pratt starting as a teenager, going on to paint portraits for money, and Symbolist-inspired canvasses out of passion. She would show at the 1913 Armory Show, the sensational survey that introduced ideas of modern art to still-provincial USA (Marcel Duchamps Cubistic Nude Descending a Staircase was the big succs de scandale). There, Peltons work appeared alongside future heroes of the art history textbooks like Charles Sheeler and Marsden Hartley.

Agnes Pelton, Room Decoration in Purple and Gray (1917). Image: Ben Davis.

The Whitneys show features just one introductory example that gives a taste of Peltons early mode of the 1910s, her Imaginative Paintings. Its a large canvasher largest, actually a painting for a muralfeaturing a woman walking in a secluded garden landscape that has a swirling, animate character. It skirts Symbolist kitsch (her own later judgment on these early works, according to the show catalogue, is that they were insincere and not real).

Nevertheless, the idea of the solo female seeker in communion with natural and cosmic forces was the foundation of all the more experimental work Pelton didthough a theme she would elaborate in less and less literal ways.

Peltons other comfort was alternative spirituality. In the 1920s, in her 40s, her mother died and she left New York to live in a windmill house on Long Island. She also developed an interest in Theosophy, the epiphanic slurry of pan-religious beliefs pioneered by Russian migr and occult entrepreneur Helena Blavatsky (18311891). It was under the influence of Theosophical ideas about accessing an abstract Divine Reality at the root of all perception that Pelton began her adventures into abstraction, such as the The Ray Supreme (1925) and Being (1926), which suggest physical reality shot through with spiritual vibrations.

Agnes Pelton, Being (1926). Image: Ben Davis.

Her best works, however, are from a little later. In 1930, through an acquaintance with composer and transpersonal astrologer Dane Rudhyar, Pelton would discover the Roerichss Agni Yoga doctrine, a heretical elaboration of Theosophy that, in addition to spinning pages of alluring hokum out of the transcultural significance of fire, stressed self-help and moral improvement through spiritual living.

The Roerichs tome, Leaves of Moyras Garden, advised the reader: In creation realize the happiness of life, and unto the desert turn thine eye. In 1932, Pelton complied literally, moving West to Cathedral City, California, near Desert Hot Springs, where she found the solitude in which she had always longed to work, as well as the community of others with similar esoteric interests.

Made after her arrival, a painting like Sand Storm can be read as allegorical of Pelton literally turning her eye to the desert to find happiness: The canvas shows a floriform window of divine light, piercing through the swirling clouds of desert sand, conjuring a hardy, healing rainbow.

Agnes Pelton, Sand Storm (1932). Image: Ben Davis.

How to look at these paintings, with their wonky, hieratic quality? Part of their appeal is their exotic sense of marshaling secret totems and magical signs, but a lot of their esoteric symbolism remains remote. I also think the search for a master code might miss the point of such imagery for Pelton herself.

Peltons family history had been scarred by the rigidity, coldness, dogma, and moral judgementalism of New Yorks Gilded Age religious society. Aside from offering the spiritual warmth of a literal fire cult, proto-New Age philosophies like Agni Yoga appealed because they seemed a tool to free yourself from dogmatic constraintsthey encouraged curiosity in the whole panoply of world religions, and you could take from them what you wanted, in a highly personal way.

Agnes Pelton, Resurgence (1938). Image: Ben Davis.

Pelton seems to have read deeply and widely in esoteric literature and forged her own synthesis to meet her own needs. As much as Mother of Silence evokes Roerichs goddess of divine fire, for instance, it also seems to have been for the artist an avatar of her own mothers spirit as well. In Peltons California studio, she kept the canvas near her, to commune with its spirit for advice on painting and to give her comfort in times of money woes.

What made esoteric philosophies so appealing to so many people in the late 19th and early 20th centuries was how they triangulated between faith and freedom. They offered a sense of metaphysical order and higher truth appealing to those from religious backgrounds, but also promised a modern freedom from old doctrinal rigidities and the ability to make ones own path. This delicate balance is coded into the formal texture and symbolic vocabulary of Peltons canvasses: Her art gives a comfortingly ordered, hieroglyphic form to symbols of protean, unbounded potential: holy fire (Mount of Flame, 1932), swelling oceans (Sea Change, 1931), rippling atmosphere (Red and Blue, 1938).

Agnes Pelton, Red and Blue (ca. 1938). Image: Ben Davis.

And what is true within the canvasses is also true between them: Peltons art embodies a protean spirit in that she never really repeats an idea.

Clearly, Peltons work has its own recognizable mix of abstract color-forms, allusions to landscape, and far-out symbolism. But each composition distinctly introduces a new pictorial ideaand you cant help but think that the newness is part of the point, that what each work symbolizes, in its unique conjugation of forms, is being in touch with an energy that is ever-changing.

Agnes Pelton, Prelude (1943). Image: Ben Davis.

The point I would make is that her particular spiritual disposition is also an aesthetic asset. Peltons restlessly questing imperative is part of what makes her art a font of pleasant surprises. Just when you think youve got her style figured out, there appears something like Prelude (1943), with its saffron sky blossoming with floating gear shapes. Whered that come from? Its like a little revelation.

Perhaps you could argue that all this simply means that, as much as Agnes Peltons art answered a spiritual call and an inner necessity, she also was a trained artist and brought an artists instinct for formal freshness to her quiet desert studio.

Though she did not experience huge success in her lifetime, Pelton showed her spiritual-abstract works at such non-arcane institutions as the San Diego Museum of Art, the San Francisco Museum of Modern Art, the Crocker Art Museum, and the Santa Barbara Museum of Art. She certainly seemed to have believed that she was bringing into the world images with a higher significance, but unlike more mediumistically inspired artists who viewed themselves as mere vessels, Pelton signed her finished canvasses with her name, at the bottom corner, like someone who hoped to be recognized for her individual vision.

But theres a reason to think that Peltons avoidance of repetition or working in series was more than just an artistic taste, a clue that continuous symbolic evolution was the lifeforce of her mode of creation in a particular way. Throughout the decades of her oeuvre as seen at the Whitney, she never repeats herselfexcept for once.

Agnes Pelton, Light Center (1947-48). Image: Ben Davis.

In 1947-48, Pelton made a work called Light Center, a hovering oval of energy suspended between an animate, rippling earth and a gauzy, serenely agitated sky.

Agnes Pelton, Light Center (1960-61). Image: Ben Davis.

In 1960-61, she repeated the same composition. Charcoal lines remain on the canvas, where you see her trying to plot how exactly to tweak the image to make it repeat. These lines remain on the work because she died before she finished it.

Who knows why Agnes Pelton turned, at that moment, to her own back catalogue for inspiration. In 1943, a friend, Jane Levington Comfort, had observed in a letter to a mutual acquaintance that Pelton is very fragile and very potentmuch more so than she knows anything about or would dream of believing if you told her. And so it is a beautiful thought that this artist, who had all her life restlessly looked for wisdom from the beyond, was complete enough at the end to let herself take inspiration from her own power.

Agnes Pelton: Desert Transcendentalist is on view at the Whitney Museum of American Art, through September 1, 2020.

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Agnes Pelton Went to the Desert in Search of Solace. Her Paintings at the Whitney Show She Found Something Magical There - artnet News

Opinion: General Buratai in the eyes of the people by Abe Kolawole – Latest News in Nigeria & Breaking Naija News 24/7 | LEGIT.NG

Editor's note: Abe Kolawole, a former public relations officer at the National Association of Nigerian Students writes on the operations of the Nigerian Army against terrorists in the northeast.

Kolawole suggests that the Army under Lieutenant General Tukur Buratai has come to become the best and most engaging security outfit in the country.

Disclaimer: The views and opinions expressed here are those of the author and do not necessarily reflect the official policy or position of Legit.ng.

Your own opinion articles are welcome at info@corp.legit.ng drop an email telling us what you want to write about and why. More details in Legit.ngs step-by-step guide for guest contributors.

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It was Plato who, during the Golden Age, when history was rising as a major sign of the growing sophistication of the Athenian society, declared that a life not examined is a life not worth living. As myth gave way to more accurate chronicling and prose replaced verse as the medium for preserving facts, the fifth-century Greek came closer to the scientific spirit of free inquiry in modern times.

Memories are made of these! Yet, nothing seems more characteristic of the present age than the homogeneity of its point of view. We may frown at its developmental smugness.

But we must admire its optimism, its cosmopolitanism, its intellectual refinements, its spirit of true enlightenment and the critical engagement with which it examines the world and its leaders. For, it is always instructive for the serious student of history to start by trying to determine what an age thought of itself.

Such an investigation is made easier by studying the lives and times of the important men and women that shaped the age with their actions.

In documenting the life and times of a towering personality, exciting experiences are selected, which present emotional and spiritual values, to interpret the tale as it is rehearsed in imagination or told to an admiring listener or hearer.

As a revolutionary, a faithful servant, a dedicated realist and reformer, who can bridge all gulfs, level all mountains and put a lamp in every tunnel, as exemplified by his selfless service to Nigeria, his fatherland since he was appointed the Chief of Army Staff by President Muhammadu Buhari in 2015, Lieutenant General Tukur Yusuf Buratai, has undoubtedly, come to be seen as a modern-day phenomenon whose corpus requires a large canvas.

Under him, the Nigerian Army has come to become the best and most engaging security outfit in the country.

For his effort in modernizing the Nigerian Army for global relevance since becoming Chief of Army Staff, Lt. Gen. Buratai has been lionized by millions of Nigerians both at home and in the Diaspora.

Due to his leadership role and gallantry in checkmating the Boko Haram insurgency, Gen. Buratai has been venerated for excellence in Security, Selfless devotion, service, vision, courage, doggedness, the willingness to take action, patriotism, performance and inimitable commitment to the national ideal in our democratic journey. These are the essential characteristics of a national hero.

Tukur Buratai is, undoubtedly, a reputable military expert, a historian, a philosopher, an administrator, a development expert, an iconic personality, and a perception management expert. Comments of many Nigerians on Buratai reflect the looming intellectual profundity of the man in question.

A man who can think out of the box to contain the security challenges facing the country, Buratai builds synergies with other countries armies around the world. He attracted the Chief of Army Staff of South Africa to Nigeria recently.

According to him, the outcome was quite tremendous. For him, the understanding that they needed to work together to improve the two African countries' securities in view of contemporary security challenges in the world, was a major achievement.

He has enthused that the fight against terrorism is a global phenomenon and it requires a global approach. Consequently, Africa needs this cooperation to approach it holistically.

The gathering of African military chiefs in Nigeria has brought to the fore the individual challenges African soldiers are facing in the continent and collectively they have put together measures to address the challenges in order to foster peace and security in the region.

Nigeria has started receiving the results and reaping the fruits of the summit.

Nigerian Army has come to become the best and most engaging security outfit in the country.Source: Twitter

There is now a common understanding and strategies on the cascading insecurity in the continent and how to tackle it together. This shows that Buratai is a modern team player and continental leader.

General Buratai as COAS believes that national interest can be better secured when there is cooperation among the security agencies, hence the synergy with other security agencies in the fight against criminal elements across the country.

He also believes that the solution to criminal insurgency does not lie in military operations alone. Hence he always reiterates the efficacy of joint efforts of all Nigerians: the military and civil populace, in the war against crime and criminality in the country.

It is in recognition of this remarkable leadership quality that he is variously described as a game-changer, a man of distinction, a man who places national interest above self, a man who personifies patriotism, courage, inspiration and motivation, as well as the initiator of some uncommon initiatives, a man who rekindles the fighting spirit of the Nigerian Army.

General Buratai's private home in Borno was destroyed by the insurgents at the peak of the battle. But he saw that as a personal sacrifice which could not deter him from his plans for the redemption of his fatherland.

This man of distinction changed all that was needed to be changed, especially as regards strategies and policies, all aimed at the rebirth of the Nigerian Army and defeating the dreaded Boko Haram terrorists.

General Buratai's exceptional leadership style as exemplified by his father-son relationship with the troops has changed the known norms.

Thus, for the first time, we have a COAS who advances to the battlefield with his troops. This is informed by his belief that one cannot live in absentia if one wants to achieve meaningful results. This uncommon attribute became the magic-wand that he uses to perform uncommon feats.

The highly motivated troops had no choice but to charge before the terrorists and defeat them thereby liberating Nigerians from their stranglehold as well as regaining not only the lost territories but also the glory of the Nigerian Army.

The effect of that singular action has led to the massive reduction or elimination in the incidents of bombings and attacks especially in States like Yobe, Kano, Kaduna, Adamawa and the FCT, Abuja.

While Borno state is still experiencing occasional attacks on soft targets, there is no doubting the fact that the Nigerian Army under the eagle eyes of General Buratai has been able to deal a decisive blow on the capacity of the terrorists to plan major attacks on government houses, security formations, police and army barracks, places of worship and others.

By relocating to the theatre of war in Borno state, General Buratai boosted the morale of troops and made the soldiers believe that Nigeria was worth dying for.

It was Buratai's sterling leadership qualities that created the late Lt. Muhammad Abu-Ali who did an excellent job in the war theatre before he was killed by the sect in 2016. He coordinated series of attacks on the sect and launched a massive one on Sambisa Forest where many of the terrorists were killed and their flags and other symbols recovered.

Since then, the sect has only been able to launch a few cowardly attacks on soft targets in Maiduguri. General Buratai has a firm grasp of basic leadership principles.

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It was a firm grasp of basic leadership principles that enabled Napoleon, an obscured soldier from Corsica, to take a bankrupt and war-devastated France and defeat the most powerful nations on earth, dominating Europe during his time.

Hitler literally was a little corporal and was never commissioned as an officer, yet he arose to dominate some of the great generals of his time.

For a while, he dominated Europe even more than Napoleon had in the past. To do this he seized a few basic principles of leadership and used them better than the generals and other politicians that he dominated. General Buratai did not emerge from the blues.

He attended the Nigerian Defence Academy, NDA, Kaduna as a member of the 29th Regular Combatant Course (29 RC). On the successful completion of his Officer Cadet training, he was commissioned as a Second Lieutenant on December 17, 1983, into the Infantry Corps of the Nigerian Army.

A highly brilliant officer who earned a degree in history from the University of Maiduguri and another in philosophy from Bangladesh University of Professionals, Dhaka, Gen. Buratai also graduated from the National Defence College, Mirpur, Pakistan.

General Buratai, our amiable Chief of Army Staff makes his times. He is an aggressively creative leader.

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Opinion: General Buratai in the eyes of the people by Abe Kolawole - Latest News in Nigeria & Breaking Naija News 24/7 | LEGIT.NG

How Rishikesh Became the Capital of Yoga Worldwide – Communal News

Its no new story that yoga was first introduced in India. People from all over the world visit this spiritual country to learn the holistic teachings of Yoga. The traditional art of Yoga has been kept alive for many centuries for the mental and physical well-being of people. So, long before people even had the idea of gym or fitness, Yoga was doing its part to maintain the wellness of people.

All the sages and yogis started residing in Rishikesh over the years. A major reason for this was the holy river Ganges. In Hindu mythology, the river Ganges is considered prestigious and sacred, which is why Hindus worship the river. Taking a dip in the water is known to wash away the sins of people. So, this became a major attraction for people. Other than that, the lush-green mountains add more beauty and divinity to this location. It is considered a mystical place with a serene aroma attached to it. Rishikesh became a home for the seekers of enlightenment. As Rishikesh was already a holy point for the locals of India, slowly the activities started to seep in. Yoga started gaining its popularity in this land. So, many yoga programs were getting introduced in yoga schools and ashrams because of the increasing demand. Yoga gurus started getting attention from the West too.

Now, the main credit of Rishikesh being discovered goes to the English rock and pop band- The Beatles. It was after their visit in 1968 to learn transcendental meditation from Maharishi Mahesh Yogi that Rishikesh gained the attention of the masses in the West. That was the turning point. Tourists and wanderers came in to look for a rejuvenating experience, and they werent disappointed. The place is very peaceful, and people are always curious to visit The Beatles ashram, where they visited and started their spiritual journey.

Rishikesh is known to be the birthplace of Yoga, and the city of saints. It is one of the oldest pilgrimage places of India. It is a gateway to your spiritual world. It is known as Tapobhumi, a place for Yoga and Meditation. The place is filled with spiritual energy in between the emerald Himalayas. It is believed that during the ancient times, a rishi, Raibhya was sitting on the banks of river Ganges and performed various yoga asanas and intense practices. According to ancient mythology it is believed that Lord Vishnu appeared and gave him blessings. Since then, the traffic of spiritual seekers, yogis increased threefold when saints started meditating and doing sadhanas near the holy river.

There are innumerable yoga centers in Rishikesh and it became a common point for the saints, yogis, and seekers to connect and elevate their potential through Yoga and sadhanas. Many yoga teacher training and yoga retreats were starting to take over the market of Rishikesh more rapidly than ever. Before we knew it, Rishikesh became the world capital of yoga teacher training in India. Many yoga programs like 200-hour yoga teacher training (YTT), 300-hour YTT, and 500-hour YTT started became popular. These programs ensured that aspiring yogis, who can complete the 1 month to 3 months courses, gain the eligibility to be a global-level yoga teacher.

From that point on Rishikesh became the hub for yogic studies. People from different corners of the world were drawn to this ancient city to immerse in the authentic teachings of yoga. The spiritual aura of the town served as the perfect abode to learn the ancient science from its roots. Till date, Rishikesh continues to draw millions from across the world to its lap to discover the secrets of this timeless practice.

Why is Rishikesh the Yoga Capital of the World?

Mental and Physical health

The practices of Yoga include both mental and physical exercises. The most famous and oldest yoga style was Hatha Yoga which eventually gave birth to many other modern forms like Ashtanga Vinyasa Yoga which exist today. With the growing tensions in the world, chaos has nestled in our competitive and busy lives. The lifestyles and eating habits have become insanely poor, and therefore the illnesses and diseases have conquered the bodies and minds of people. To protect you from damage, a little bit of effort and patience is needed. Yoga is a natural way of healing; so the practices of Hatha yoga, Meditation, Pranayama, Ashtanga yoga got the recognition it deserved by showcasing the required results. This way of balancing and harmonizing ones mind, body, and soul got popularized in the West rather quickly.

Cleansing and detoxifying purposes

Living like a yogi isnt easy especially if you are used to city life. Here, you will be cutting out your obsessions with the materialistic world, so that you can look within and internalize your thoughts. Getting to know your body is a part of the yoga practice through Yoga anatomy. Whatever we are consuming affects the body in some way or the other, therefore combining the practices of Yoga with Ayurveda is the best advice you can get from any esteemed yogi. This is an herbal way to detoxify your body, cleanse the body of all the toxins, and it purifies your soul.

A natural way of healing

We cannot be more thankful to the yogis who incorporated yoga in the Vedic scriptures and the following books like Hatha Yoga pradipika, etc. Throwing light on this natural way of healing has saved the lives of people long before the hospitals ever existed. This therapeutic way of living keeps you away from illnesses and diseases which attack the system. In the foothills of the Himalayas, you can nurture yourself and others around you with self-awareness, and connecting with nature.

The community of yoga gurus and spiritual seekers

Rishikesh was the hub of yogis for many years, even before the Beatles stepped in. This community of yogis has only increased over time, by attracting many spiritual seekers to the city. The yoga gurus of Rishikesh are considered as the most astounded yogis in the entire world for their dedication, years of experience, and learning. The main essence of spirituality is sparked by your teacher or yoga guru who becomes the guide to help you walk on the path of enlightenment. Here, all the like-minded people grow and transform themselves with the life-changing practices of yoga under established gurus of yoga ashrams/schools.

The divine spiritual energy

Leave your city and just visit Rishikesh to check the difference in the vibrational energy of Rishikesh. The place is covered in lush-green scenery, pristine waters, and tranquil air. It is not a polluted city and is rather refreshing. The tourists have noticed the peaceful vibe amidst nature in Rishikesh, which makes this spiritual journey even more interesting. It is a perfect place to unwind your thoughts, and fill yourself up with positive energies and natural force.

All of these reasons make Rishikesh the most-preferred destination in the whole world for the teachings of yoga. Come and unlock your internal power through Yoga to live a more rejuvenating, fulfilling, and healthy life.

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How Rishikesh Became the Capital of Yoga Worldwide - Communal News

Digital Wisdom in the Time of Coronavirus Disease 2019 – Patheos

Last year the three of us who contribute to this site published an essay on the digital transformation of higher education. The goal of that paper was to present a framework for thinking about how colleges and universitiesespecially faith-based institutions, such as oursmay develop goal-oriented formative practices as they integrate digital technologies into teaching and research.

This is what we wrote over two years ago:

Institutions of higher education are hastily updating material technologies for digital education and digital scholarship, but our formative technologiesour practices for cultivating wisdom for a digital ageare most in need of an upgrade. This involves much more than digital skills and literacy The great challenge and opportunity before all of us in higher education concerns the epistemological and ethical formation of people who will have a certain type of relationship with [new information and communication technologies]. Within the context of Christian higher education, the need to integrate new ICTs into our individual and institutional lives well and wiselyas we consider what technologies are doing to us and what we will do with themis of utmost significance if we are committed to the cultivation of competence, character, and wisdom.

Our institution, Seattle Pacific University, is located not too far from the first large transmission cluster of the novel coronavirus (COVID-19) identified in the United States. An earlier case had been identified in the area in January, but the first death in the greater Seattle area was recorded on February 28. At that time our educational technology team was in the midst of planning for a faculty in-service program on online learning design, but they quickly shifted their planning to prepare all faculty for online instruction. On March 6, we were among the first universities to announce that we would complete our current quarter online. On March 12, we announced that our next quarter would be online as well.

Now were in the midst of managing this significant transition. Fortunately, after years of investing in an educational technology stack and creating a department focused on instructional design (ID), we have human and technological resources to prepare and support faculty as they explore digital alternatives to face-to-face educational experiences.

There is a spectrum of online instruction that ranges from basic remote instruction at one end to well-designed online instruction on the other. For finishing up a term with a few remaining weeks, remote instruction typically is sufficient. But preparing for a whole term online requires a move towards ID.

There are good models for online instruction, and plenty of quality and open resources. The most important point to realize is that good online instruction requires rethinking how instructors are present (e.g., providing early and frequent feedback), how students interact with content (i.e., not through long video lectures), and how to cultivate community in a virtual place (e.g., through group discussions). Im not an ID expert, but Ive learned some simple and helpful things over the years to improve the digitally mediated relationships I have with my online students. Ive also learned how to transfer ID strategies into my face-to-face classes.

ID is often used in conjunction with backward designi.e., beginning with the end in view, such as learning outcomes or standards. More holistically, the entire educational enterprise can be approached from the perspective of backward design: What sort of people do we hope to form? Those goals or endsour wholetelosshould govern the adoption and adaptation of technology.

So the first part of our framework concerns defining a shared telos. For Christian higher education, that involves individuals and institutions participating in new creationthe transformation of all things. It also includes more common goals, such as disciplinary and ethical competencies as well as preparing for wok and civic life. All of these have a technological dimension to them. Students need to understand critically, and ethically use, new and emerging technologies to participate in our changing world. But how do we select and shape appropriate technologies and practices?

The first claim is rather familiar and problematic. It often takes the form of something like, Swords dont kill people, people kill people. Yes, people kill peopleand people design swords with which to kill people. The sword inherits the intention of its designer, which shapes the sword that participates in the action of the one who wields it. The sword on my shelf may seem innocent enough by itself, but why does Isaiah imagine a time when swords shall be beaten into plowshares?

On the other hand, surrendering to apparent or actual technological autonomy is also problematic. We are responsible for our artifactseven the artificial agents to which we increasingly transfer many of our responsibilities. If we understand how others views of and assumptions about technology influence designers intentions, as well as our use of their creations, we may discover that these technological teleologies are not aligned with our desired telos. We may find ourselves distracted from our own goals and captive, in both thought and action, to others ends.

This leads to the third part of our framework, which focuses on developing counter-formational practices and rituals related to technology. Drawing from different spiritual disciplines, we provide a number of examples in our paper that can help redirect attention and agency toward the ends were seeking. Some of these alternative liturgies involve technology and some do not; each is rooted in ancient formative wisdom. The point is to cultivate our own robust practices that resist competing teleological practices so that we may realize our intendedtelos.

When the modern university emerged, it integrated new formative practices with new print technologies to cultivate and form a particular type of personone whose attention and agency were focused on certain disciplinary ends. (See Chad Wellmons excellentOrganizing Enlightenment: Information Overload and the Invention of the Modern Research University[Johns Hopkins, 2015] for more about this history.)

For many decades now, institutions of higher education have been updating missions and material technologies for a digital world being shaped by new ICTs. With the current pandemic, technological adaptation is accelerating and many worry about leaving behind and losing the best of what higher education has been. But this is another technological narrative that needs to be critiqued. Our emerging information and technological environment is rapidly changing us and our world, and educators need to be shaping it actively. Our goals, our critiques of our technological culture, and our new formative practices will enable us to become and cultivate people of digital wisdompeople who are able not only to manage technological challenges but also to use technology wisely to create a new and better world.

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Digital Wisdom in the Time of Coronavirus Disease 2019 - Patheos

Reflections for the III Sunday of Lent – Vatican News

Fr. Antony Kadavil reflects and comments on the readings at Mass for the third Sunday in Lent. He says that we are challenged by todays Gospel to remain thirsty for the living water, which only God can give.

Ex 17:3-7; Rom 5:1-2, 5-8; Jn 4:5-42

Introduction: Todays readings are centered on Baptism and new life. Living water represents Gods Spirit who comes to us in Baptism, penetrating every aspect of our lives and quenching our spiritual thirst. The Holy Spirit of God, the Word of God, and the Sacraments of God in the Church are the primary sources of the living water of Divine Grace. We are assembled here in the Church to drink this water of eternal life and salvation. Washed in it at Baptism, renewed by its abundance at each Eucharist, invited to it in every proclamation of the Word, and daily empowered by the anointing of the Spirit, we are challenged by todays Gospel to remain thirsty for the living water, which only God can give.

Homily starter anecdote: Photeine, the Samaritan woman evangelist: Venerated as a saint among the Greek and Russian Orthodox and given the name Photeine (Greek) or Svetlana (Russian), which means radiant or shining (from the Greek noun phos or light), the woman at the well has been variously praised by Origen, John Chrysostom, Augustine, and Teresa of Avila as: (1) an apostle, (2) one who left her water pot at the well in order to go off and preach the Gospel, (3) the first apostle to the Gentiles who invited her neighbors to Come and see. Legend has it that when the woman left Samaria to preach the Good News, she eventually made her way to Carthage in Africa where she was imprisoned for the Faith and died a martyr. Another legend, preserved in Spain, says that Photeine (also Photina) converted and baptized Neros daughter and 100 of her servants (Margaret Hebblethwaite, Six New Gospels, Cowley Publications, Boston: 1994). Fascinating legends and traditions notwithstanding, the woman of Shechem offers veteran believers and catechumens a living example of the dynamics and ramifications of Christian Baptism including: (1) the overture of God to the sinner 2) the sinners growing response in Faith and consequent conversion. (3) the mission of the disciple to proclaim the Good News to others. (http://frtonyshomilies.com/)

Scripture lessons summarized: The first reading describes how God provided water to the ungrateful complainers of Israel, thus placing Jesus promise within the context of the Exodus account of water coming from the rock at Horeb. The Responsorial Psalm (Ps 95), refers both to the Rock of our salvation and also to our hardened hearts. It reminds us that our hard hearts need to be softened by God through our grace-prompted and -assisted prayer, fasting and works of mercy which enable us to receive the living water of the Holy Spirit, salvation, and eternal life from the Rock of our salvation. In the second reading, Saint Paul asserts that, as the Savior of mankind, Jesus poured the living water of the gift of the Holy Spirit into our hearts. In the Gospel, an unclean Samaritan woman is given an opportunity to receive living water. Today's Gospel tells us how Jesus awakened in the woman at the well a thirst for the wholeness and integrity which she had lost, a thirst which He had come to satisfy. In revealing himself as the Messiah to the Samaritan woman, Jesus speaks to her of the fountain of water he will give the life-giving waters of Baptism. The water that Jesus promises is closely linked to conversion and the forgiveness of sin. Here is a woman who comes to Faith and becomes a missionary who brings others to Jesus. Jesus recognizes the gifts and ministries of women in his future Church. This is also a narrative about God wooing the outsider or, as Paul will say, the godless. The Samaritans, who were considered godless in general, in this town ended up confessing Jesus as the Savior of the world. This Gospel passage also gives us Jesus' revelation about Himself as the Source of Living Water and teaches us that we need the grace of Jesus Christ for eternal life, because He is that life-giving water.

The first reading: Exodus 17:3-7, explained: Today's Gospel gives us Jesus' revelation of himself as the Source of Living Water. Hence, the passage chosen from Exodus tells of the Jews complaining about their thirst, a figure of human longing for God and spiritual satisfaction. The rock which Moses strikes represents God who gives the water (Gods own life), essential for our spiritual life. This reading shows us a time when God's people literally thirsted, and God satisfied them. The Israelites had been slaves for several generations in Egypt, and for the most part, they had forgotten their ancestral religion and their Gods Covenant with their patriarch Abraham. Now their new leader, Moses, was telling them that their ancient Lord had at last heard their cries and was now leading their escape from Egypt back to their homeland. In spite of the mighty deeds God had done for their liberation from Egypt, the former slaves complained that in Egypt, at least they were not thirsty. It is astounding to see their lack of Faith.

The second reading: Rom 5:1-2, 5-8 explained: In the second reading, Saint Paul asserts that, as the Savior of mankind, Jesus poured the living water, or the gift of the Holy Spirit, into our hearts. We need the Holy Spirit to sustain us spiritually, just as we need water to sustain us physically. Through Jesus, God gave us the Spirit when we were dying of thirst. Paul realized that he and all the Jews who kept the Law of Moses were trying to become justified on their own. But keeping the Law is not an adequate means of justification because we are unable to make ourselves worthy of God's favor, whether by good works, by keeping the Commandments, by rituals or by prayers. The word grace, in this context, means the gratuitous, unearned, undeserved love and favor of God for us. By living water in todays Gospel, Jesus is referring to this grace as a relationship with God and an active participation in His life. According to Paul, redemption or justification is the gratuitous gift of God manifested in Jesus saving death on the cross. By virtue of his death, Jesus has made just, or put in right relationship with God, every sinner who will appropriate His saving gifts by Faith. Faith, then, is the admission that one cannot justify oneself, and that it is God who will grant us justification by His grace.

Gospel exegesis: The conversion texts for Cycle A Gospel: Since each of the persons featured in the Gospels, e.g. the woman of Samaria (Lent III Sunday), the man born blind (Lent IV) and Lazarus (Lent V), is an example of conversion, their stories offer excellent catechesis for Lenten penitents and RCIA participants, and, hence, they were placed in the Lenten Sunday lectionary from the fourth century, where they have remained. Each of these Gospel texts also features the transforming love of Christ for those whom he calls to salvation; he is living water, light and sight for the blind, and the source of life for all who believe.

Jesus mission trip from Judea to Galilee: Palestine is only 120 miles long from north to south. Judea is in the extreme south, Samaria in the middle and Galilee in the extreme North. In order to avoid the controversy about baptism, Jesus decided to concentrate his ministry in Galilee. The usual route around Samaria, normally taken by the Jews to avoid the hated Samaritans, took six days. The shortcut (three days journey), from Judea to Galilee crossed through Samaria and, on the way to the town of Sychar, passed Jacobs well. The well itself was more than 100 feet deep. It was located on a piece of land that had been bought by Jacob (Gn 33:18-19), and later bequeathed to Joseph (Gn 48:22).

Jesus encounter with an outcast sinner: Jesus came to the Samaritan town called Sychar, near the land that Jacob had given to his son Joseph. Jacobs well is there and Jesus, tired by the journey, sat down by the well.When Jesus and his disciples reached the well, it was a hot midday, and Jesus was weary and thirsty from traveling. Ignoring the racial barriers and traditional hostility between Samaritans and Jews, Jesus sent his disciples to buy some food in the Samaritan town. It was at this point that a Samaritan woman came to the well to draw water. She had probably been driven away from visiting the common well in the town of Sychar at dawn by the other women of the town, as a moral outcast. It was this woman whom Jesus asked for water, and it is no wonder that she was surprised, because the petitioner was a Jew who hated her people as polluted outcasts and betrayers of Judaism. The scene recalls Old Testament meetings between future spouses at wells. Jacob meets Rebekah at the well of Haran, and Moses and Zipporah meet at a well in Midian.

The background history: The mutual hostility between the Jews and the Samaritans had begun centuries earlier when the Assyrians carried the northern tribes of Israel into captivity. The Jewish slaves betrayed their heritage by intermarrying with the Assyrians, thus diluting their bloodline and creating a mongrel race called the Samaritans. The Assyrian men who were relocated to Israel married Jewish women, thus producing a mixed race in Israel as well. Hence, southern Jews considered all Samaritan bloodlines and their heritage impure. By the time the Samaritan Jews returned to their homeland, their views of God had been greatly contaminated. By contrast, when the southern Hebrew tribes were carried off into captivity, they stubbornly resisted the Babylonian culture. They returned from Babylon to Jerusalem, proud that they had compromised neither their religious convictions nor their culture. So, when the Samaritans offered to help to rebuild the Jerusalem Temple, the southern Jews who had returned from exile vehemently rejected Samaritan assistance. Consequently, the rejected and ostracized Samaritans built their own temple on Mount Gerizim. But in 129 B.C. a Jewish General destroyed it, a slap in the face for Samaritan dignity that continued to sting for centuries, deepening the mutual scorn and hostility between Samaritans and Jews.

The Divine touch and conversion: So, the water-seeking Samaritan woman who faced Jesus that day belonged to a heritage rejected by the Jews. In addition, she expected scorn simply because she was a woman, for in the ancient Middle East, men systematically degraded women. Finally, this Samaritan woman seemed unwanted by her own people. Since she had had five husbands, and was living with a sixth lover, she seems to have been considered by fellow villagers a social leper, and she seems to have been driven from the common well of the town by the decent women. Perhaps she had not stopped wishing that somewhere, sometime, some way, God would touch His people that He would touch her! Jesus meeting the Samaritan woman at Jacobs well illustrates the principal role of Jesus as the Messiah: to reconcile all men and women to the Father. Hence, Jesus deliberately placed himself face-to-face with this person whom, apparently, no one else wanted. Jesus saw, in this social outcast and moral wreck, a person who mattered to God. The Samaritan woman must have unburdened her soul to this stranger because she had found one Jew with kindness in his eyes instead of an air of critical superiority. She was thirsting for love that would last, love that would fill her full and give purpose to her life. Just as Jesus confronted the woman at the well with the reality of her own sinfulness and brokenness, so we must, with Gods grace, confront our own sinfulness and, in doing so, realize our need for God.

The conversion leading to witnessing: Jesus not only talked with the woman, but, in a carefully orchestrated, seven-part dialogue, he guided her progressively from ignorance to enlightenment, and from misunderstanding to clearer understanding, thus making her the most carefully and intensely catechized person in this entire Gospel. Jesus always has a way of coming into our personal lives. When Jesus became personal with this woman and started asking embarrassing questions about her five husbands, she cleverly tried to change the subject and talk about religion. She didnt want Jesus to get personal. But Jesus wanted to free her, forgive her, shape her life in a new direction, and change her. He wanted to offer this woman Living Water. [Scholars have debated as to precisely what Jesus meant when he referred to living water. As Raymond E. Brown has explained, there are two possibilities: living water means the revelation or teaching which Jesus came to give, and it also means the Spirit which Jesus bestows (The Gospel According to John, Anchor Bible, Vol. 29, Doubleday, New York: 1966).]Theliving watermay refer to Baptism and the gift of the Spirit, the source of life. It may also refer to Jesus as the source of life. At the end of their long, heart-to-heart conversation, Jesus revealed himself to the woman as the Messiah, which in turn led her to Faith in him. This growth in understanding on the part of the woman moved through several stages: first, she called him a Jew, then Sir or Lord, then Prophet, and finally Messiah. When the Samaritans came to hear Jesus because of her testimony, their affirmation of Faith reached its climax as they declared that Jesus was the Savior of the world, and that they believed in him not just because of what she had said for we have heard for ourselves, and we know that this is truly the Savior of the world. Step-by-step Jesus had led the marginalized woman in her Faith journey, and her enthusiastic response, powerful personal testimony and brave witnessing with its dramatic results in her town, stand in dramatic contrast to Nicodemus' hesitance (3:9), the crowd's demand for proof (6:25-34) and the Pharisees' refusal to acknowledge the hand of God in the healing of a blind man (9:24-34).

Life messages: 1) We need to allow Jesus free entry into our personal lives. A sign that God is active in our lives is His entering in to our personal, private lives. Jesus wants to get personal with us, especially during this Lenten season. Jesus wants to get into our private lives because we have a private personal life which is contrary to the will of God. Christ wishes to come into that private life, not to embarrass us, not to judge or condemn us, not to be unkind or malicious to us, but to free us, to change us, and to offer us what we really need: living water. The living water is God the Holy Spirit Who enters the soul of the woman through Jesus and his love. We human beings are composed of four parts: mind, body, emotions and spirit. When we let God, the Holy Spirit come into us and take control of our thinking, our physical activity, our emotions and our spirit, He can bring harmony to all four parts of our humanity, and so to the way we live. We can find this living water in the Sacraments, in prayer and in the Holy Bible.

2) We need to be witnesses to Gods work in us, just as the Samaritan woman was, proclaiming Jesus as God and Savior through our loving lives. Let us have the courage to "be" Jesus for others, especially in those "unexpected" places for unwanted people. Let us also have the courage of our Christian convictions to stand for truth and justice in our day-to-day life. Today, the invitation of the Samaritan women to Come and see reminds all thirsty sinners that we are daily called to be cleansed, taught, renewed and satisfied by Jesus great gift.

3) We need to be open to others and accept others as they are, just as Jesus did. We have been baptized into a community of Faith so that we may become one with each other as brothers and sisters of Jesus and as children of God. To live this oneness demands that we open ourselves to others and listen to one another. We need to provide the atmosphere, the room, for all to be honestly what they really are: the children of God. It is the ministry of Jesus that we inherit and share. Jesus did not allow the womans status, past, attitude, or anything else to obstruct his ability to love her. And loving her, he freed her and made her whole, made her the child of God she already was. Let us also open our hearts to one another and accept each other as Gods gifts to us. Thus, we shall experience resurrection in our own lives and in the lives of our brothers and sisters.

4) We need to leave the husbands behind during Lent as the Samaritan woman did. Todays Gospel message challenges us to get rid of our unholy attachments and the evil habits that keep us enslaved and idolatrous. Lent is the time to learn from our mistakes of over-indulgence in food, drink, drugs, gambling, promiscuity, or any other addiction that may keep us from coming to the living waters of a right relationship with God. We all have our short list, don't we? And we all know, honest to God, what it is we need to leave behind before we come to the Living Water and the Bread of Heaven. Let us make an earnest attempt to do so during this Lenten season.

5) We need to turn to Jesus who loves us with non-judgmental, unconditional love: We all face moments when guilt plagues us; when we are upset for falling for the same temptations again and again; when we make choices that turn out to be all wrong; when our relationships with others fall in a heap; when we feel lonely, sick and tired of the way people are treating us; when we are depressed and upset and cant see anything good in ourselves; when our Faith is at rock bottom and we feel as if the Church and religion arent doing anything for us; when we beat ourselves up for lack of enthusiasm to be true disciples of Jesus ready to do anything for him; when we survey the days that have gone by without a word of prayer; when all we feel is failure and defeat. During such moments it is great to read a story about Jesus and his love and acceptance of the woman at the well. Let us rest assured that Jesus is there to accept us warmly and help us to see that he will give us the strength and the power we need to overcome whatever it is that is grieving us. (Fr. Antony Kadavil, chaplain, Little Sisters of the Poor, Mobile, AL, U.S.A.)

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Reflections for the III Sunday of Lent - Vatican News

Black business and superstition – Bulawayo24 News

SUPERSTITIOUS beliefs and practices have negative consequences and thus need to be curbed to avoid society breaking down into medieval mayhem, something which is quite easy to do as illustrated in the narrations. The kuchekeresa phenomenon, Zengeza Zombie and Sunningdale magic worm narrated in detail last week are just a few of the examples which show how detrimental superstitious beliefs can be if not regulated.

Witchcraft, witch finding and related crimes are contained in sections 97-102 in Part IV of the Criminal Law Codification and Reform Act which replaced the old Witchcraft Suppression Act. The law neither admits that witches and witchcraft exist nor does it deny their existence.

The law as far as possible tries to concern itself with things that can be proved with tangible evidence or on a balance of probabilities. It is important to note that claims and beliefs of supernatural occurrences are not evidence.

The law acknowledges that people indeed can engage in practices that are commonly associated with witchcraft like using charms or casting spells whether they work or not.

Engaging in practices normally associated with witchcraft is illegal and not the outcome thereof because that cannot be proved. No known empirical evidence has been adduced and scientifically verified that proves the veracity of claims of voodoo, mermaids, vampires etc.

The Randi Paranormal Challenge was a US$1 million dollar prize ran by former magician turned sceptic James Randi from 1964 to 2015. It challenged people to come forward to prove the veracity of their supernatural claims and psychic powers. In its 51-year history none of the more than 1 000 claims voluntarily submitted to the challenge was able to claim the prize.

Locally there is a glut of stories of paranormal occurrences like baboons which drive cross-border trucks, gorillas which talk and retrieve cheating spouses, money spitting snakes, etc.

The stories are funny and would be funnier if it wasn't for that many people sincerely believe them and take them very seriously. It does not matter how educated or intelligent these people are.

There is just a deep need to believe in the supernatural. Michael Shermer in his book Why Intelligent People Believe Weird Things explains that superstitious intelligent educated people are actually better and more sophisticated at rationalising superstitious beliefs so they hold them even more strongly because they believe there is good reason to.

It is not an exaggerated assertion that the majority of black Zimbabweans are superstitious and hold dearly to those beliefs even without sensible reason. Something just must be out there to explain the phenomenon they cannot understand.

Despite so many of them believed to be crawling around the country and so many camera phones to date, no-one has ever shot even a grainy photo. The strange objects found here and there always look curiously hand-made and contrived to look scary.

Superstitious practices and beliefs are no laughing matter as they have serious tangible consequences. Death, injury, family conflicts and rifts arise from accusations and reprisals. Witch-hunting usually done by tsikamutandas that prey on the gullible is illegal.

People should be educated on the importance of steering away from unproductive supernatural beliefs and associated practices. A superstition only breeds under-development. Unfortunately Zimbabwean society is rapidly becoming increasingly superstitious concurrently with the increase of dubious unregulated religious sects.

The witchcraft phenomenon is not unique to Zimbabwe or Africa. It is a universal phenomenon. The only difference is the extent of the seriousness with which it is taken. Beliefs in witchcraft were deep rooted in medieval Europe. Ritual killings, witch-hunting and burning witches was the order of the day but eased with regulation and enlightenment.

The United States also had its troubles. The Salem Witch Trials took place in Massachusetts in the 17th century. Most of the accused people were vulnerable women of course.

They were blamed for causing disease and illness in society pretty much like happens in our own society and other undeveloped societies which do not fully comprehend the germ theory of disease.

Once a person is accused of being a witch there is no way out of a brutal execution because nothing can be proved or disproved.

The accusation itself is the proof. Anything can lead to a witchcraft accusation good looks, bad looks, poverty, wealth anything at all. Attempting to defend an accused person can itself lead to an accusation.

The madness of the Salem witch trials and senseless executions only stopped when the senselessness became evident and the realisation that supernatural claims need to be curbed and regulated by the law to stop society breaking down into mayhem.

All articles and letters published on Bulawayo24 have been independently written by members of Bulawayo24's community. The views of users published on Bulawayo24 are therefore their own and do not necessarily represent the views of Bulawayo24. Bulawayo24 editors also reserve the right to edit or delete any and all comments received.

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Black business and superstition - Bulawayo24 News

Spiritual Enlightenment | Enlightened Beings

The Secrets to Experiencing your Life As a True Spiritual Adventure

By Jafree Ozwald

My first glimpse of what spiritual enlightenment is all about came to me in 1995, visiting a guru in Lucknow India. For 2 weeks I was sitting with a spiritual master named Papaji, who was offering his satsang gatherings to a crowd of 300+ people. I had been meditating religiously for 6+ months prior to this meeting, trying to find peace inside myself with my fathers suicide. I feel this daily meditation practice laid the foundation for the spiritual awakening that was to occur.

The profound silence I experienced for months after this inner explosion was what created the spiritual experience for me. There was no attachment to the mind. No real commentary on anything of this world. It In that moment, the mind literally stopped all analytical thinking and was no longer interested in being hooked into any opinions or judgments about anything.

My ego (self-identity) was obliterated and there was nobody left to judge anything or anyone including myself! There was only a small witness left, an observer of the entire Universal existence. I constantly felt like I was in a state of oneness with everyone and everything.

Thoughts still happened, yet I was no longer behind the steering wheel of them and they were not nearly as intriguing as this peaceful super quiet Presence inside. Everywhere I went was amazing, life was truly heaven on earth without being identified with this me but rather the unified one Being.

I later researched the experience to uncover that it was called a Samadhi experience lasted for the next several weeks to come and became the most amazing life transforming experience of my entire life.

Life has been completely different since that day. I no longer get wrapped up in the suffering that is created by the mind because I know who I am. Yet, the mind is like a wild elephant who often tries to regain control. So I realize even though Ive tasted Samadhi, there is still MUCH more to understand, experience, learn and integrate on a conscious and energetic level. I have my entire life to integrate this experience.

I could not choose, so I surrendered to existence. There was this merging of my mind and the physical reality all around me, and had this very STRONG knowing that I was free to do anything! It was the first time I felt that I had magical manifesting abilities. I remember hearing something my father once said about anything is possible. I felt the future was wide open to something amazing because there was something guiding me. Its amazing how the Universe always knows the bigger picture and has our highest interest in mind.

I find that any being who is fully liberated from all suffering is spiritual life and one could even call them spiritually enilghtened. This person is free from seeking for happiness or satisfaction from the outer world, as they know the only thing that truly satisfies comes from the source within. I dont believe one can actually arrive at any final enlightenment finish line, as long as you are alive there is still room to evolve, grow spiritually and expand in consciousness. The Universe is an infinite playground and there truly is no end to the outer world as well as the inner.

In my experience of the spiritual path, as long as the mind is directed outwards, our energy continues to flow away from our center, our inner peace and stillness, where all real sustainable love, joy and real answers to life are found. Its only when we turn our attention to the source of our sweet calming spiritual essence on the inside, that we introduce the possibility of stopping this eternal egoic searching habit completely.

Ecstasy is our very nature; not to be ecstatic is simply unnecessary. ~ Osho

The reason there are not more spiritually awakened beings on the planet today is because people have forgotten how to relax, trust and enjoy their natural connection to Source. The most important direction we need to turn for answers is inside ourselves. The outer world will captivate us, and invite us to experience all its tantalizing joys and sorrows. Yet, the most radical and enlightening path to liberation is not one that falls prey to being addicted to the outer world for fulfillment, yet discovers it easily and effortlessly within.

The mind is often very blind to the fact that its the incessant searching the causes us not to see. Whenever we are not getting what we want, its because we are in a state of wanting, needing or demanding and not coming from a place of allowing, accepting or receiving. As long as we continue directing our attention only towards the outer world, wanting this and craving that, we will be forced to retreat inside ourselves to reboot. Our bodies are designed to remain in a state of balance and healing naturally.

Its the incessant stressful egoic efforting of the mind and attachment to our egoic desires which causes us to struggle, suffer, and eventually die in pain instead of having a generally calm centered spiritual existence.

If we want to experience enlightenment and fulfilling life, there must be an conscious awareness in each moment of where we are focusing our attention. We must get deeply curious every hour of our lives if we are bathing in the light of our being, fully aligned with our connection to that which brings us the deepest resource of joy, love, peace and bliss.

The spiritual enlightened state contains this healing feeling of a sweet surrender and full acceptance to the grand totality of life. It is in the relaxation into this profound truth that we realize our true infinite spiritual nature, and become super powerful manifesting magnets that effortlessly attract anything and everything our heart desires.

One of the greatest truths Ive found on the path is that this spiritual source of energy (who we actually are) is soooooo huge and all consuming that ultimately it doesnt matter if we get whatever our ego wants or doesnt want. The mind/ego will always be wanting something that it thinks will make us happy, complete or satisfied. There is no absolute completion or ultimate satisfaction to achieve at in life, this is a never ending eternal journey we are on which is spiraling higher and deeper towards total liberation and complete ecstasy.

When we look for spiritual enlightenment with the mind, we will miss it. The desiring mind cannot find it. The mind is what creates the block the enlightened state. The mind creates desires, so that when we DO get whatever our ego wants, we also are getting what we dont want as well. When any big desire is achieved, we always get both.

For example, we meet our dream partner/soul mate and later find out they have an annoying habit that we cannot stand, if we buy our new dream car it also comes with an insanely high monthly insurance rate and costly maintenance fees. If we discipline ourselves with daily exercise and get super strong and fit, we may only later experience becoming super stiff and tight from not integrating calming deep stretching yoga exercises as well. The weekend drinker who loves to party, always forgets about the horrible hangover experience that will painfully consume his/her life the next morning.

There is no single payoff from achieving any desire in this world that does not also have a cost to it. Even if we think weve found our perfect dream life, theres always going to be some perpetual feeling of the gratitude of it all, to keep your mind happy, peaceful and at a vibration that can reach an even better life next year. We all exist in the world of duality, male/female, black/white, daytime/nighttime, the opposites are everywhere we can look.

Spiritual enlightenment is the joyous liberating realization that the ego will always get want it focuses on, and it will never be satisfied enough. It get what it wants, and then wants more. We cannot escape from living in between these two poles that are not fully contradictory, yet rather better understood as complementary of each other. We are the rainbow spectrum in between the black and white extremes of the light.

The spiritually enlightened being is at peace between both extremes. Getting and not getting. There is also total freedom of choice in each moment as to what is wanted to explore and experience. The spiritually enlightened being releases there is a chooser behind it all, who can decide to have the experience of avoiding things, clinging to ideas, or simply relax and let the natural movement of lifes pendulum guide us along the way.

When one is spiritually enlightened, there is a constant appreciation for life just as it is. It doesnt matter if the ego is getting what it wants or does not want anymore. This feeling is one of the most spiritually enlightening and liberating experiences to explore.

When we realize that life is always, always, always going to deliver a win-lose experience with every desire we jump after, we start to relax about the whole game and drop into something deeper inside.

Initially, the first step on this ego-less path can feel like apathy. The mind starts thinking whats the point of life if we always get what we want AND what we dont want, and never ONLY just the goodies. Yet, apathy also will soon fall away when we feel that the nature of desire is pure suffering (not having) and that finding peace with desire is the ultimate goal.

Your essence, your essential unbounded joy, is so huge that it flows in every direction. Nirmala

Desires simply manifest them more easily when we are not attached to them in any way. The ride through life is also much more enjoyable along the way when we know the secret to being at peace with the mind and its incessant desiring seeking habit. When we understand that every single time we achieve a desire we will always get both what we want AND dont want, we stop being so forceful, manipulative, and pushing our will on the world to making things flow OUR way.

When your spiritual enlightenment is integrated, the ego has the power of a shadow. It follows you wherever you go, yet it has no real voice over yours. It has stopped being so greedy, needy, and full of selfish demands and clingy egoic agendas. This is when real freedom happens!

I find one of the best approaches to dealing with our desires is knowing that once we do get a desire manifested, we must be emotionally prepared to receive the opposing negative by-product as well. This doesnt mean we cannot celebrate achieving anything in life and be outrageous about it. In fact, we must go fully into appreciation if we want to continue expanding our manifesting magnet power.

We must let go into our greatest joyful expression, not holding back on any level, while having awareness of the knowledge that soon there will be the mysterious flip side showing up, that brings everything back to even neutral balance.

Lifes problems may be complicated, yet the answers are always very simple. ~Unknown

My teacher once told me life is like a gambling casino where you always win whatever you bet. If you bet $10, you get $10 back each time. There is always an even outcome, a perfect balance to life which makes everything fair in the end. Hidden inside every beautiful wave is a dark undertow. Once we are conscious and aware of the nature of duality, our incessant craving and yearning for our desires to be met will subside for good. It is then that we will discover the most enlightening exploration of all.

A life of perpetual relaxation within ourselves where we can enjoy the grace and ease of simply being alive. The day we discover how to remain relaxed into our true essence, our essential real nature, the greatest freedom and enlightening path will be revealed. For more insights into this, please read my blog post on How to Experience Spiritual Enlightenment.Spiritual enlightenment happens when you are in a state of no-mind, where the mind is so calm and at ease that it seems to disappear and only the witness remains. When your mind has completely let go of this world, and is completely non-attached to everything in it from a place of love, peace and compassion, then and only then are you truly free.

The mind is our greatest cause of suffering, and is what allows us to be liberated from it. It is the great mechanism we need to transcend all thinking and discover the awesome natural state of bliss within.

We crazy spiritual seekersspending our lives trying to awaken, instead of resting in the awakening that is already here now and always. ~Kathleen McCarthy

If you want to reach the state of spiritual enlightenment, the first thing you want to do, is stop doing. Stop doing whatever you are trying to accomplish in your life for this moment. Stop thinking, stop efforting, and stop trying to achieve anything for a few moments right now.

Just trust this experience. Let go of ALL your intense inner efforting for the rest of today. Just for today, relax into your body and realize in your heart of hearts that you are an Infinite Being and will never die. Allow for this one simple truth to be found in each experience today and a dynamic shift in your consciousness will occur.

Secondly, know that each experience you have in life is the right experience. Every lesson you are here to learn is being provided to you through each life experience. Remember, nothing is by chance. The Universe is constantly giving you all the consciousness you need to embrace each experience and each experience is designed to awaken, enlighten and empower you.

When your interpretation of each experience includes the knowing that there IS a divine energy who loves and accepts you just as you are, you can never have a bad experience. The Universe is an infinitely intelligent and conscious energy which is always supporting you to awaken into your greatest potentiality.

The jiva (individual soul) who is called I does not really exist; if he exists at all, then he is just the Supreme Reality. ~Ramana

Our problems, anxieties, and personal issues are like particles of sand in between our toes. Depending how we walk they either grind at us or massage our feet. Your problems are always your greatest spiritual teachers in disguise. Explore each of them with a childlike curiosity and they will reveal themselves as the brilliant messengers that they are.

You have a greater wisdom inside you that simply needs a bit of nurturing and compassion. If you feel stuck and cannot see what your issues/problems are, simply practice being grateful for whatever is in your life right now and enjoy it!

The individual, the world and God are illusory creations in the Supreme Reality, like the snake in the rope, knowing thus, be happy in unity with that blissful One, by dissolving the three in Him. ~Ramana

If a certain problem or issue keeps arising in you and will not go away, sit with it. Face it directly and ask yourself, What is the exact issue I would like more clarity and understanding about? Write it down and voice it out loud. Find out what this issue sound like and talk with this other voice inside you who is creating this issue.

Listen. Pay attention to what is underneath the mental chatter happening in your head. It is pointing you towards the divine answer. Follow it with curiosity and let it show you the way through. Each issue in your life repeats itself because it is unlearned and ignored. Once you pay attention to the wake up call by realizing the infinite being you really are, your problems will dissolve immediately and spiritual enlightenment presents itself as your natural state of being!

Close your eyes and see it there. Be silent and have a taste of it. Your very nature is what I call enlightenment. Enlightenment is not something alien, outside you. It is not somewhere else in time and space. It is you, your very core. ~Osho

Allow your body to soften and your mind to open. You are about to go on an amazing inner journey of self-discovery! Be aware that a spiritual awakening is about to take place in your life. Imagine what that will feel like. A child-like curiosity and exploration will provide you with everything youll need to know.

Whatever suffering is occurring in your life, is because youre dwelling on it. Right nowstop focusing on it. Let it go! Look deeper within yourself. Notice how big and bright your consciousness truly is! Make time today to release the emotional negativity youre dwelling on. Write down the things you are worried about, afraid of happening, are always tolerating, or where you feel stuck in your life. When youre all empty, write on the back of that paper what WANT to manifest and focus on instead! You can choose to have fun in your life at anytime.

My personal experience of Spiritual Enlightenment began in 1995 in India. I fell into a state of pure awareness that is free from the chattering mind and connected with the infinite all loving powerful Source. In this enlightened state, I realized that the world is absolutely perfect as it is.

In this state, you feel, see, and experience the divine order in everything. There is a great warm love in your heart all the time and every action in your life becomes very very easy because your essence is always at ease.

The awesome state of Spiritual Enlightenment occurs naturally when we deepen in our sadana (spiritual practice) and are consistent with it. A constant focus towards the unlimited source of love, consciousness and power creates a more enlightened, empowered, loving state of being in you. When you have raised your vibration enough, your mind will relax and see the blessing in everything. This relaxation is a state of emptiness where you are surrendered to the vastness of this infinite Universe.

Are you ready to expand your consciousness and tap into the Divine Source within you? Get ready to open your mind and relax deeper than you have ever relaxed inside! Youre about to discover the spiritual experience and finally find freedom from suffering here on Earth.

Supreme states of bliss are available to you now! This highly advanced spiritually enlightened state of being is easy to access when you are raising your vibration daily. The Super Manifesting Program does just that! Youll open your mind and heart chakra to a whole new level and drop into the spiritual enlightenment you are meant to experience.

Thank you for tuning in. May the most spiritually enlightening and deeply life transformative experiences come your way

In history, more people have become enlightened on the full moon than any other time of the month. If you are a serious meditator and wish more than anything to find freedom from suffering, do this meditation every evening before the full moon. Sit for as long as you possibly comfortably can. It will prepare your body for the intensely high and low emotional energies that will arrive with each full moon.

Sit in an upright position and relax every muscle inside your body, especially the jaw, hands and mouth.

To quiet the mind chatter, breathe deeply into your heart and make a sighing sound of relief with each exhalation. Then breathe into your belly and make a sound, and then your sex center, and then all 3 centers together. Make a sighing sound of relief with each center on your exhalation.

Repeat this cycle 3 times, and allow the body to become perfectly still and silent, like a slow breathing statue.

Be unfocused. When the mind focuses on something relax into your Presence. Explore what it feels like to let everything be as it is.

Rest deeply inside your core, and be at peace with everyone as they are and everything that is.

The planets collective consciousness is growing exponentially! The amount of free resources being distributed via social online media is forcing the worlds eyes to open wide so we can all see clearly what needs to occur.

See the article here:

Spiritual Enlightenment | Enlightened Beings

Where Is Our World Heading? – Chapter 29 of Positivity Bias – Chabad.org

The Rebbe once said to a Gerer Chasid namedRabbi Neiman, The world says that I am crazy about Moshiachand they areabsolutely right!

Indeed, if there is one thing that the Rebbe and Chabadin general are known for, it is their fervent belief in the imminent arrival ofMoshiach. This teleological driving force was at the root of everything theRebbe said and did. But what does this actually mean, and what does it have todo with the Rebbes Positivity Bias?

Without getting too deep into the finer points of Jewishphilosophy and prophecy, Moshiach is the main developing character, bothperpetually absent and potentially present at all times, throughout our storyof Creation and Redemption. His inevitable arrival will signal the ultimateredemption and goal of history, when the world will be made right and truthwill be as clear as day for all to see.

The Rebbes belief in Moshiachas the culmination of the Divine/human drama gave him and all those he inspiredmore than a hope, but rather a vivid faith in the ultimately positive outcometo all of the worlds bitter exiles and alienations.

A foundational aspect of this is that we all have ourwork cut out for us in order for it to occur; we are charged with spirituallypreparing ourselves and the world for redemption. From this perspective,history has been a millenia-long crash-course on bringing Moshiach into ourmidst from out of the hovering realms of pure poetic potential.

It is this very combination of belief in Gds ultimategoodness and in our own personal power to positively impact the world thatforms the basis of the Rebbes Positivity Bias.

The Rebbe believed that we are living in Messianic times.From when he was a small child, the Rebbe dreamed of that imminent great day,and despite the immensely challenging times he lived through, he never stoppednursing that dream. In a letteraddressed to Yitzchak Ben-Zvi, the second president of Israel, the Rebbe wrote:

From the time when I was a child attendingcheder, and even earlier than that, there began to take form in my mind avision of the future redemptionthe redemption of Israel from its last exile,redemption such as would explain the suffering, the decrees, and the massacresof exile.

In many ways, this dream is what made the Rebbe uniqueamong other towering Jewish figures of our time. Most leaders see their lifeand impact in terms of their specific generation, but the Rebbe viewed his rolethrough the wider lens of history in its entirety. He saw his generation as awhole, while at the same time also as a small but critical part of a muchlarger super-structure and meta-process.

Therefore, wherever you look in the Rebbes teachings,there it is: the dream of Moshiach. Sometimes implicit, but more oftenexplicit, in almost every one of his talks and letters, the Rebbe reveals theaspiration that is closest to his heart: A burning desire to see our imperfectworld enter into an era of peace and wholeness, devoid of war and suffering,replete with revealed goodness and the pursuit of Gdly knowledge.

Indeed, the Rebbe most clearly articulated the contoursof this dream on the very night he assumed the mantle of Chabad-Lubavitchleadership, 10 Shevat, 5711 (1951), in his discourse entitled Bati Lgani.

In this, his first public teaching as Rebbe, he citescenturies of Midrashic history, revealing this worlds ultimate importance toGd as His garden and most-desired abode, as well as its simultaneousspiritual vacancythe Shechinah (the DivinePresence) is in exilewaitingto be welcomed back home. And this is where we come in. As Gds entrustedgardeners, it is our job to maintain and cultivate the world for Gdseternal residence.

In the words of the Rebbe on the very night he assumedthat name, after thousands of years of baby steps and quantum leaps, going allthe way back to Adam and Eve in the Garden of Eden, it is up to us to completethe job and usher in the final redemption.

There it is: The Rebbes world-redeeming dream. Nothingless than bringing humanity across the finish line of history and ushering inthe Messianic era.

But how?

One of the axiomatic teachings regardingMoshiach that the Rebbe would often share is that Moshiach willnot come to change reality; rather, he will expose reality for what it trulyis.

In support of this idea, he would often say that theHebrew word for exile has the same letters as the Hebrew word for redemptionexcept for the addition of the letter alef. Alef is the very first letter in the Hebrewalphabet.

Numerically, alef equals oneand therefore represents the Divine Oneness inherent within all of reality.

Paradoxically, the word elef,spelled the same as alef, means one thousand,implying multiplicity. Furthermore, the letter alef isessentially silent, having no sound of its ownmerely giving breath to vowelsand voice to movement.

Alef, therefore, represents thesilent presence of ultimate unity concealed beneath the surface of the strivingand suffering world of multiplicity, just waiting to be revealed. Moshiach willempower us all to hear and see the silent and invisible alefin exile, thereby transforming it into redemption, once and for all.

In this seemingly simple word-play, the Rebbe is pointingout a powerful paradigm shift in our understanding of Moshiach.

Moshiach does not mean the articulation of a totallydifferent word or world. The letters or infrastructure of our lives and theuniverse will fundamentally stay the same, except that the alefwill be revealed, quietly smiling at us out of the tumult of our experiences,revealing the garden of oneness within.

The Rebbe was once asked: If you could chooseany era in history in which to live, which would it be?

This one, he answered immediately.

Throughout his myriad spiritual teachings, his inspiringpersonal interactions, and his bold public outreach projects, the Rebbespiritually developed and actively expressed the idea that we are the lastgeneration of exile and the first of Redemption.

We are thus living on the transitional cusp of anunfathomable evolution of consciousnessa spiritual revolution. This is both anunbelievable privilege and an awesome responsibility, as our individual andcollective lives are literally and metaphorically laying the final stones forthe bridge between exile and redemption.

Based on this eschatological understanding of where weare in the process of history, the Rebbe saw the signs of Moshiachs imminentarrival everywherefrom world events to social trends, and advances intechnology and medicine. From his inaugural address, and on thousands ofoccassions thereafter, the Rebbe declared it his mission to empower others tosee the world through a similar lens, to understand and appreciate the natureof the miraculous and meaningful times we are living through, to get a glimpseof the hidden alef within the world and eventsswirling around us.

Traditionally, the vast multitude of Biblical propheciesrelating to the redemption have been viewed through a supernatural lens, andwere thus considered as being irreconcilably removed from our daily reality andexperience. They were understood as miraculous aberrations, and therefore asclear signs of Divine intervention.

Today, however, according to the Rebbe, many of theprophesied miracles pertaining to the Messianic era have begun to come intoexistence at varying degrees of actualization. As such, the fulfillment of thewords of the prophets no longer requires a wild imagination or blind leap offaith to behold. According to the Rebbe, it is more a matter of opening oureyes to see beneath the surface of natural events and advances, in order torecognize the Hand of the Creator at work in history.

For instance:

The Rebbe saw in the rise of feminism the beginningstages of Jeremiahs prophecy: For the Lrd has createdsomething new on the earth, a woman shall rise above a man.

In many countries and cultures the world over there hascontinued to be a general shift in the direction of including and advancingwomens voices, issues, and rights. Today, women are increasingly gainingpolitical power and make up more than a fifth of members of national parliaments,and counting.

Similarly, as we have explored, the Rebbe saw in theemergent counterculture of the 1960s, many examples of prophesiedsocio-generational shifts and conflicts that would occur leading up to thearrival of Moshiach; for example, the words of Isaiah that theyouth will be insolent and rebellious towards their elders.

Rather than interpreting those words apocalyptically, theRebbe chose to focus on the potential positive outcomes of such radicalexpressions of youth, and thereby sought to validate them and strengthen theirgood points.

The Rebbe, along with various other Chasidic leaders,including his father-in-law, the Previous Rebbe, felt what they considered tobe the beginnings of the birth pangsof Moshiach in the various cataclysmic events of the 20th century, particularlyWorld War II.

In related fashion, the Rebbe sawthe Six-Day War, and the corresponding mass spiritual awakening and immigrationof impassioned Jews moving to Israel, as a symbolic nod to Isaiahs prophecythat It will come to pass on that day that the great shofarwill sound. The prophecygoes on to describe the in-gathering of Jews lostand dispersed in exile, as they return to Jerusalemin the final redemption.

With the appearance of various communication technologiesover the course of the 20th centuryfrom the phone to radio to television tothe beginnings of the internetthe Rebbe saw the potential, not for morediscord and confusion, but for more communication and connection. Additionally,with the introduction of the World Wide Web, by making all informationaccessible to the furthest reaches of the globe, the groundwork has been laidfor the world to be filled with the word of Gd,literally!

This redemptive view of the world is the ultimateexpression of the Rebbes Positivity Bias. Wars, revolutions, uprisings, rapidshifts in consciousnessas unsettling as these things may be to our lives inthe moment and to the established order of the dayare ultimately leading ustowards a more perfect union, a higher system of truth and harmony. This wasthe unyielding faith of the Rebbe.

The Time is now! The world is ready formore light!Are we?

Can we keep our composure and direction amid what appearsto be the madness of a new world being born? Can we hold on to the promise ofgoodness and Gdliness revealed? Can we see through the brokenness and not losehope? This takes work and faith. The work of developing and maintaining apositive outlook to keep moving toward the light. We need faith that the sparksreally are there, waiting to be acknowledged and uplifted.

Indeed, despite what the pessimists will have us believe,we are actually living in unprecedented good times. Rather than regressing,which is what it often feels like, our world is progressing, and at breakneckspeed. But it often takes the cultivation of a positive and expansive outlookto see the resplendent forest through the smoldering trees.

In January 2018, Time Magazine welcomed Bill Gates as its first guest editor inits 94-year history. Gates designed the edition around a mindset that he hadendorsed for years: optimism. He then invited the worlds greatest minds andexperts on world progress to share their findings. In an interview he gaveexplaining why he decided to edit an issue of Time,he explained:

Reading the news today doesnt exactly leave you feelingoptimistic. But many of the awful events we read about have happened in thecontext of a bigger, positive trend. On the whole, the world is getting muchbetter.

This is not some naively optimistic view; its backed bydata.

According to Swedish economic historian named JohanNorberg, who wrote an important book on the topic called Progress:

If someone had told you in 1990 that over the next 25years world hunger would decline by 40%, child mortality would halve, andextreme poverty would fall by three quarters, youd have told them they were anaive fool.

But the fools were right. This is truly what hashappened.

And not just that:

For most of human history worldwide, life expectancy wasaround thirty years. Today, in most developed parts of the world, it is overeighty. By 2030, it will reach over ninety years in certain parts of the world.

In the 1990s there were more than 60,000 nuclear armsaround the world, but by 2018, that number had fallen to approximately 10,000nuclear arms.

Two hundred years ago, 90% of the world lived in extremepoverty; today that number is 10%.

Indeed, according to the prominent Israeli publicintellectual Yuval Harari, more people die today from eating too much than fromeating too little.

Through too many medical advances to count, today thelame are dancing with the aid of prosthetics, the blind can see, as 80% ofvisual impairment has already been cured,and through stem cell research scientists are well on their way to curingdeafness,bringing to life the Messianic prophecies of Isaiah: Then will the eyes of the blind be opened and the ears of the deafunstopped. Then will the lame leap like a deer.

As pointed out by the Rebbe in one of his talks,even the UN, despite its many intrigues and imperfections, channeled thisMessianic energy of the time when it decided to prominently display theprophetic words of Isaiah: And then they will beat their swords into ploughshares, andnations will learn war no more in the entrance hall, expressing anintention to work towards the redemptive cause of lasting international peace.

The list goes on. And each new miracle reveals thefulfillment on some level of yet another prophetic vision related to thedawning of the Messianic age of Redemption according to our prophets of old.

Gates concludes his interview: This issue of Time [is] a crash course in why and how the world isimproving. I hope youll be inspired to make it even better.

On a cold Tuesday night in February, 1992,just two years before passing away at the age of 92, the Rebbe could be seenstanding at the front of Chabad Headquarters at 770 Eastern Parkway for hoursand hours on end. Personally greeting the thousands who had lined up, the Rebbehanded each person a freshly printed copy of what would be the very lastdiscourse he edited and distributed before his passing.

Opening with the verse (Exodus 27:20) VeatahTetzavehAnd you will connect/commandthis discourse has come tobe considered the Rebbes last ethical will and testament.

Along with his first public discourse, Bati Lgani, it provides a kind of bookend to the more thanforty years of his transformational teachings.

In it, among many other things, the Rebbe acknowledgesand articulates certain unique historical and spiritual aspects of Jewishexperience in the current day and age. The Rebbe cited the well-known rabbinicmetaphor comparing the Jew to an olive, because his inner oil and light areonly revealed when he is crushed. The Rebbe then states that historicallyspeaking, the Jewish People were most productive and pious when they werecrushed through harsh decrees, oppressions, and massacres.

These externally-imposed conditions activated asuper-rational dimension of the soul, which allowed our ancestors to stubbornlyand miraculously hold fast to their Jewish traditions and faith in the face ofdeath, disgrace, and ostracization.

But we are all familiar with the saying, It is easier tofight for ones principles than to live up to them. According to the Rebbe,this is precisely the existential situation in which contemporary Jews findthemselves. For now, with the disappearance of the vast majority of daily,systematic threats to the Jewish ways of life, the modern Jew is faced with aneven bigger challenge: To find the inspiration within to be willing to live asa Jew, and not just to be willing to die as one.

Additionally, following the European Enlightenment, thegeneral societal trend in the Western World has been a decrease in organizedexpressions of religiosity and a corresponding increased slide towards secularhumanism. While outwardly this may appear to many as a sign of spiritualdegeneration, the Rebbe recognized it for the opportunity that it was. For thisis but another way in which the Jew of today is free of many of the externalpressures to engage and express his commitment to Jewish faith and identitythat prevailed in the past. The modern Jew, according to the Rebbe, isincreasingly left to his or her own devices to connect with their Jewishcommunity, heritage, and tradition.

The Rebbe saw Jewish history through the lens of a humanlife. Like a baby, whose first steps and development require constant hands-onattention and reassuring affection, the Jewish People in their national infancyduring Biblical times required overt miracles and revealed Gdliness to helpthem learn to walk out of Egypt. This spiritual caretaking continued as Israelgrew up through Divine revelations, and under the wing of priests and prophets,judges and kings. But as time passed, the Jewish People continued to maturespiritually, and along with this maturation the revealed presence andprovidence of Gd diminished correspondingly. This journey has created the conditionsfor us to grow into our own faith and develop a connection with Gd and aspiritual worldview that comes from within, without external pressure or evenrevelation. This has given us the exceptional opportunity to manifest theultimate, deepest, and highest level of faith.

For so long as a Jews compliance with the Will of Gdis externally motivatedhowever commendable such motivation is in itselfit isnot yet quite complete, said the Rebbe in 1991.

Indeed, it is clear from many public talks andpronouncements during this period, that the Rebbe was very consciouslypreparing his followers and future admirers for his departure. Through it all,one radical message consistently rings loud and clear: We all must becomeself-starters. We cannot rely on help from without, not even throughfaith-awakening hardship, let alone external positive support, constantguidance, and new teachings. We must find that eternal light within our ownsouls and ignite it, not once, but over and over again, through good deeds, thecultivation of a positive and providential perspective, and passionateexpressions of holiness and faith.

What else can I do so that all Jewish People shouldagitate, truthfully cry out, and effectively bring Moshiach in actuality. Weare still in exile. and more importantly, in an internal exile with regards toserving Gd, cried out the Rebbe in the spring of 1991. The only thing I cando is give it over to you: Do all you can to actually bring our righteousMoshiach, immediately and directly. I have done my part, from now on you mustdo all that you can.

Perhaps, in statements such as these, the Rebbe wasalluding to the fact that the time had come, and we were now ready, for each ofus to become a tzaddik and reveal the Rebbe within.

In the winter of 1992, around the same time as thepublication of Vatah Tetzaveh, Gabriel Erem, the CEOand publisher of Lifestyles Magazine, approached theRebbe as he distributed dollars. On the occasion of your 90th birthday, Eremtold the Rebbe, we are publishing a special issue What is your message to theworld?

Ninety, the Rebbe replied, is the value of the Hebrewletter tzaddik. The meaning of the word tzaddik, is a truly righteous person, [the highestspiritual attribution]. And that is a direct indication that it is in the powerof every Jew to become a real tzaddik, a righteousperson, and indeed they should do so for many years, until 120 (for the restof their life).

This message, the Rebbe added, applies equally tonon-Jews as well.

Traditionally, the word tzaddikhas been applied exclusively to saintly leaders of exceptional spiritualstature, but in this instance, and increasingly towards the end of his life,the Rebbe applied it to everyone.

It is no longer enough for an elite caste of holy leadersto tend to Gds garden. We must, each and every one of us, accept Gdsinvitation to play our role in the final phase of the meta-historical drama ofworld redemption.

This democratization of Divine responsibility isprecisely the paradigmatic shift the Rebbe sought to inspire and strengthenwithin each individual, the Jewish People, and humanity as a whole.

From the redemptive dream of a precocious child to adaring vision of cosmic renewal, the stories and teachings explored throughoutthe course of this book all in some sense culminate in the Rebbes clarion callto action:

Our generation is uniquely positioned to calibrate theconditions for monumental shift. The future is up to each one of us. Become thetzaddik you already are. The world is Gds garden;we are each its humble gardeners. Care for it and beautify it in the way thatonly you can.

We are no longer waiting for Moshiach, Moshiach iswaiting for us!

A new day is approaching; lets awakenthe dawn.

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Where Is Our World Heading? - Chapter 29 of Positivity Bias - Chabad.org

Altered perspectives: The ‘interactive’ Okinawan garden – The Japan Times

If Japanese landscape gardeners looked toward mountains and river valleys for inspiration in creating the rock arrangements that form the power grids of their gardens, infusing natural elements with Taoist and Buddhist principles, it is likely that Okinawans cast their eyes over the seas that surround their subtropical islands, finding in their marine gardens models for terrestrial forms.

Where Japanese gardeners, in their pre-Shinto, animistic phase, sought out waterfalls, forest glades and pebble beaches, requisitioning these spaces as proto gardens or purified clearings where the gods could be summoned and petitioned, the ancient Okinawans, without any notion of arranged landscapes functioning as magnetic fields for the spirits, allotted groves, rocks, cliffs and crevices called utaki as manifestations of the sacred.

Rather than being spiritual conductors, or metaphysical platforms for the representation of abstract Buddhist concepts, the stone elements of Okinawan gardens, created much later than mainland counterparts, would serve the more aesthetically pleasing function of reflecting the marine, flora and geological aspects of the islands. Where the white gravel and sand placed around stones in ancient sites symbolized an arranged but natural order conducive to worship and ritual where later stone gardens associated with temples, stood for the boundary between the sacred and the human the Okinawan version of landscape design invited interaction.

When Ono-no-Imoko, head of a diplomatic mission to China, returned to Japan in A.D. 607, he brought with him a detailed commentary on garden methods practiced in the Middle Kingdom. As an independent sovereign entity, but also a vassal state of China, emissaries and scholars of the Ryukyu Kingdom (present-day Okinawa), exposed for long periods to Chinese culture, would have likewise returned with garden prototypes, notes and sketches that would be applied to Okinawan landscape designs. In this context, a visit to Fukushu-en, a Chinese garden in Naha, is instructive. Here, the fabulist rocks, floating pavilions, arched bridges and clusters of banana frond, cycads, bird nest fern and ripening bamboo, strike a chord with Okinawan landscaping, whose designs are closer to the gardens of retired Chinese administrators in Suzhou than the temples or tea gardens of Kyoto.

Bougainvillea highlight an old coral garden wall on Taketomi Island, Okinawa. | STEPHEN MANSFIELD

The clearest example of a garden closely modeled on Chinese principles, but with strong native elements, is Shikina-en in Naha. Destroyed in the battle of Okinawa in 1945, the circuit garden was faithfully reassembled in the postwar period from surviving stones and masonry. The formal grounds of the original garden, serving as a second residence for the royal family and a guest villa for visiting dignitaries from China, was completed in 1799.

The choice of stones, reflecting the Chinese preference for jagged, spiny rocks with pitted surfaces, hollows, cavities and blowholes, reflects a quite different aesthetic to that of many Japanese gardens, where surfaces are darker, smoother to the touch and more understated. The elegant, hexagonal Rokkaku-do, reminiscent of water pavilions found in Chinese gardens, is approached via a short bridge made from sekitangan (Ryukyu coral stone), a material common to many Okinawan gardens. A large causeway crossing the pond is another Chinese allusion, the span replicating the bridge that crosses a dike running through the Western segment of Hangzhou Bay.

Chinese landscape designers were, arguably, the first to conceive of gardens as spaces for literary discourse and as devices for meditation. Lao Zi, a sixth-century B.C. Taoist philosopher, understood the garden as a spiritual site that could induce a state of emptiness conducive to enlightenment.

Garden guardians: Lion-dog statues are common features at the entrance to Okinawan homes. | STEPHEN MANSFIELD

No such elevated aspirations were applied to Okinawan gardens such as Shikina-en. The adoption of Chinese garden principles and forms in Okinawa resulted in landscapes that, despite the existence of symbolic elements and the articulation of space according to the dictates of feng shui, or geomancy, served primarily aesthetic and visual ends. Where in the Chinese garden a construct like the Rokkaku-do might have been erected for the purpose of admiring the sound of the rain or to listen to the wind racing across a pond, the water pavilion here serves an essentially ornamental function. It is doubtful that Okinawans have ever seriously viewed their gardens as embodiments of philosophical allegories, or as incarnations of Buddhist or Taoist worldviews.

Though less given to metaphysics or abstraction, the chiaroscuro of charcoal shadows, or the notion of stones as seats of the luminous divinities that typify the temple gardens of Japan, Okinawan gardens do not represent a disintegration of meaning, or an abandonment of symbolism, but rather an emphasis on form and materials.

There are, of course, exceptions. In the stone garden of the Sadakichi Shinjo Residence on Miyako Island, we find a garden that, in its random, haphazard placement of rocks, resembles an eruption of vertical lava deposits, an accidental rebellion against form.

Intensely ornamented, the steep rock face at Kin Towns hanging bonsai garden in Okinawa. | STEPHEN MANSFIELD

One looks equally quizzically at the Hanging Bonsai Garden in Kin-cho, situated along the east coast of Okinawas main island. Also known as the Limestone Cave, Bonsai Garden and Cafe Gold Hall, the complex, created by Matsuzo Gibo in the 1960s and now run by his grand-daughter, Sayuri Shimabukuro, defies easy explanation. Inspired by an urge to protect Okinawan bonsai, the trees alongside other plantings and the liberal presence of ornamentation that includes shisha (lion-dog statues), mythological goddesses, Chinese-style Buddha statues and phoenixes are approached by passing through a limestone cave. This disgorges visitors onto a ledge, overhung with a steep limestone cliff, on which bonsai, cycads, birds-nest ferns and miniature waterfalls congregate. Its an extraordinary sight, underscored by the soaring verticality of the crustal rock face.

Unlike Shikina-en, whose reassembled elements feel more contemporary, the rocks in Miyara Dunchi, a stone garden on Ishigaki Island, resemble disused machine parts, where the welding has become rusty, jammed up and immutable. At first glance, Miyara Dunchi, Japans southernmost formal garden, appears to be the creation of a Chinese sorcerer or Daoist recluse, its fabulist forms and saturated patinas the result of 200 years of tropical erosion. Commissioned by a magistrate named Miyara Peichin Toen in 1819, the gardens adjoining residence is the oldest extant example of a samurai-style villa in Okinawa. The time-worn, salt-encrusted verandah looks out onto stone clusters resembling Chinese rockeries, rock piles that, in their wrinkled and perforated forms, evoke offshore formations and coastal cliffs. In place of the lotuses, chrysanthemums and willow trees of the Chinese garden, are fallen bougainvillea and hibiscus petals, birds-nest ferns growing in the crevices of rocks, the glossy fronds of cycads, a line of typhoon resistant fukugi trees and the ghostly roots of the ficus tree.

Writers, designers and landscape specialists have paid little serious attention to Okinawan gardens. One looks in vain for equivalents to the lavish coffee table books, manuals of design theory or learned treatise devoted to the Japanese gardens that grace the shelves of bookshops or the reading lists of online stores. Earnest discussion on the innovation or direction of the Okinawan garden is practically nonexistent. These radiant, sun-lit plots have, it seems, little appeal for garden academics.

This is an odd omission, arguably attributable to the perception of Okinawan gardens as either a minor niche genre or an essentially non-Japanese form.

Bougainvillea highlight an old coral garden wall on Taketomi Island, Okinawa. | STEPHEN MANSFIELD

Traditional, privately owned gardens in mainland Japan, viewed from inside the house or from wooden decks, function less as living spaces, than as impeccable, carefully framed and composed galleries. Okinawan private gardens by contrast, are intended for use and interaction. People sit drinking beer and awamori Okinawas rice-based firewater beneath shady trees, on white plastic chairs, or on their tile or wood verandas and decks. Signs of old wells, weather-beaten wooden tables, piles of damaged roof tiles, garden hoses and clay pots often convey a messy impression, simply because these are thoroughly functional spaces. Within the garden walls, which are plot boundaries rather than design confinements, the owner has complete freedom over content. If a rock sits in the middle of a medicinal herb patch or a cement water tank at the center of a banana grove, then so be it. Less places to contemplate nature than to make contact with it, locals sit and chat under the shade of trees, smelling nature, feeling it ripple over their skin.

Bracts of the hanging heliconia, a floral element in the tropics | STEPHEN MANSFIELD

The garden adage that one should avoid combining colors that intensify each other in preference for more subtle fusions, does not apply to Okinawa, where vibrancy is valued. Contrary to gardens where flowers are used to calm and soothe the mind and spirit, Okinawan flowers and the environments they are placed in, have an energizing, revitalizing effect, one that is visually and emotionally gratifying. Long sunshine hours and abundant rain create miniature rainbows under the foliage, prismatic effects that are not only spellbinding to see, but act as fertilizer rays, providing light and heat to the undersides of plants.

Familiar flowers one would find in arboretums around the world begonias, gardenias and ixora are common to Okinawa. The islands are home to many exotics with startling blossoms and bracts, including red ginger (a native of the Moluccas and Melanesia), bromeliads, cordylines, the synthetic gloss of the pink and red spathes of the anthurium, the flower spikes of wild costus and heliconias (a plant noted for its unique form). The papery leaves, or bracts of the bougainvillea, are ubiquitous in Okinawa, adding splashes of color to garden walls, open borders and medians. A sea facing scandent, or climbing shrub, the plant does well on vines, but also exists as a potted plant, cultivated as a bonsai tree. Associated in the Okinawan mind with graveyards, where they are often grown, hibiscus acquire a sunnier character when grown in gardens. The painters Henri Rousseau and Paul Gauguin, who used tropical colors so effectively in their art, would have felt quite at home here among the exuberant flowers and foliage of these islands.

In the village of Inamine, just off the quieter northern stretch of Route 58, I discover a number of older gardens, identified by their periphery of well-established fukugi trees and blackened coral walls. It only takes a friendly greeting and an expression of admiration for the beauty of a garden, and I am admitted into these private spaces and urged to take as many photographs as I like. A common feature of the older gardens I find here, and in many of the smaller islands of Okinawa that I have visited, is the presence of hinpun, or Chinese-style screen walls, invariably facing the entrance but within the garden itself. In China where, when looked at from a perspective of geomancy, entrances and thresholds may be precarious spots, such walls help to deflect malign spirits. While the same idea may have been adapted in Okinawan gardens, they have the dual function of providing extra privacy and, in these typhoon-prone islands, acting as windbreaks.

Left: Paul Lorimers naturalistic home garden in Shinzato is a study in elimination. | STEPHEN MANSFIELD

The final garden I make a point to visit and photograph is owned, not by an Okinawan, but a New Zealander, one who has lived in these islands for more than 40 years, time enough to be considered, at the very least, an honorary local. Paul Lorimer moved to the village of Shinzato a few years ago, purchasing a house for which the term run-down would be an understatement. The home came with an uncultivated plot of 900 tsubo (almost 3,000 square meters).

After months of renovation work on the structure, Lorimer turned his attention to the wilderness outside his front door. While the rear plot, as yet untouched, remains an untamed jungle, a knot of entangled tree branches, tropical shrub, wild fruit and herbs, he has created a foreground garden that can be viewed at leisure from the wide verandah he has hand-built. Instead of designing a garden from scratch, he has simply eliminated cluttered or obtrusive plantings and vines, retaining the plants and trees he most values, creating in the process air streams to ventilate space.

The resulting domestic landscaping is evidence that sometimes, the best gardens are not the result of an imposed scheme or design, but an amicable collaboration between humanity and nature.

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Altered perspectives: The 'interactive' Okinawan garden - The Japan Times

The Haunted California Idyll of German Writers in Exile – The New Yorker

After 1933, the exiles had to come to grips with a world that surpassed their most extravagant nightmares. One popular stratagem was to insert contemporary allegories into historical fiction, which was enjoying an extended vogue. Heinrich Mann produced a hefty pair of novels dramatizing the life of King Henry IV of France. A gruesome description of the Bartholomews Day Massacre makes one think of pogroms in Nazi Germany, and the leaders of the Catholic League radiate Fascist ruthlessness. Dblin, by contrast, immersed himself in recent history, undertaking a novel cycle titled November 1918. It examines the German Revolution of 1918-19, with the Communist leaders Rosa Luxemburg and Karl Liebknecht featured as principal characters. Dblin seems almost to be reliving the Revolution and its aftermath, in the hope that it will have a better outcome.

A handful of migr novels have emigration itself as their subject. Segherss Transit is the classic example of the genre, but others are worth revisiting. Feuchtwangers Exil, translated into English as Paris Gazette, is a soulful satire, set among disputatious emigrants in Paris. Sepp Trautwein, the protagonist, is a high-minded German composer who transforms himself into a belligerent anti-Nazi newspaper columnist. His finest hour comes when he invents an absurd speech by Hitler on the subject of Wagner. Exile is a humiliation, Feuchtwanger writes, but it makes you quicker, more ingenious, subtler, harder.

A more desperate vision emerges in the work of Klaus Mann, Thomass oldest son, who labored all his life in his fathers cold shadow. The Volcano, published in German in 1939, three years after he arrived in the United States, registers the toll that exile exacted on the young. In scenes anticipating Klauss own fatehe died of a drug overdose in 1949, at forty-twocharacters spiral into suicidal despair or chemical oblivion. Hollywood provides no respite: All was false herethe palms, the sunsets, the fruit, nothing had reality, everything was swindle, mere scenery. The novels depiction of gay desire presumably explains why an English translation never appeared. At the end of the narrative, a mystically inclined Brazilian boy converses with an angel, who kisses him on the lips, takes him on a flight around the world, and brings the consoling news that tolerance reigns in Heaven.

Werfel, having prophesied Nazi terror in Musa Dagh, shied away from a head-on confrontation with it. At the start of his final novel, a bizarre and fascinating experiment called Star of the Unborn (1946), Werfel confesses his inability to address the monstrous reality of the day. In a sly way, the novel speaks to that reality all the same. The narrator, F.W., is transported to a peaceful utopia in the distant future, which collapses into chaos. The tone is mainly playful, even zany, but a chill descends when F.W. visits a facility known as Wintergarden, in which those who have tired of life undergo a retrovolution into infancy and then death. The process sometimes goes awry, producing ghastly mutations. It is a conjuring of the Holocaust written just as reports of the German death camps were appearing.

Thomas Mann, the uncrowned emperor of Germany in exile, lived in a spacious, white-walled aerie in Pacific Palisades, which the migr architect J.R. Davidson had designed to his specifications. He saw Bambi at the Fox Theatre in Westwood; he ate Chinese food; he listened to Jack Benny on the radio; he furtively admired handsome men in uniform; he puzzled over the phenomenon of the Baryton-Boy Frankie Sinatra, to quote his diaries. Like almost all the migrs, he never attempted to write fiction about America. He was completing his own historical epic, the tetralogy Joseph and His Brothers, which is vastly more entertaining than its enormous length might suggest. The Biblical Joseph is reinvented as a wily, seductive youth who escapes spectacularly from predicaments of his own making, and eventually emerges, in the service of the Pharaoh, as a masterly bureaucrat of social reform. Its as if Tadzio from Death in Venice grew up to become Henry Wallace.

Manns comfortable existence depended on a canny marketing plan devised by his publisher, AlfredA. Knopf,Sr. The scholar Tobias Boes, in his recent book, Thomas Manns War (Cornell), describes how Knopf remade a difficult, quizzical author as the Greatest Living Man of Letters, an animate statue of European humanism. The supreme ironist became the high dean of the Book-of-the-Month Club. The florid and error-strewn translations of Helen Lowe-Porter added to this ponderous impression. (JohnE. Woodss translations of the major novels, published between 1993 and 2005, are far superior.) Yet Knopfs positioning enabled Mann to assume a new public role: that of spokesperson for the anti-Nazi cause. Boes writes, Because he so manifestly stood above the partisan fray, Mann was able to speak out against Hitler and be perceived as a voice of reason rather than be dismissed as an agitator.

Essays like The Coming Victory of Democracy and War and Democracy remain dismayingly relevant in the era of Vladimir Putin, Viktor Orbn, and Donald Trump. In 1938, Mann stated, Even America feels today that democracy is not an assured possession, that it has enemies, that it is threatened from within and from without, that it has once more become a problem. At such moments, he said, the division between the political and the nonpolitical disappears. Politics is no longer a game, played according to certain, generally acknowledged rules.... Its a matter of ultimate values. Mann also challenged the xenophobia of Americas strict immigration laws: It is not human, not democratic, and it means to show a moral Achilles heel to the fascist enemies of mankind if one clings with bureaucratic coldness to these laws.

On the subject of German war guilt, Mann incited a controversy that persisted for decades. He was acutely aware that mass murder was taking place in Nazi-occupied landsa genocide that went far beyond what Werfel had described in Musa Dagh. As early as January, 1942, in a radio address to Germans throughout Europe, Mann disclosed that four hundred Dutch Jews had been killed by poison gasa true Siegfried weapon, he added, in a sardonic reference to the fearless hero of Germanic legend. In a 1945 speech titled The Camps, he said, Every Germaneveryone who speaks German, writes German, has lived as a Germanis affected by this shameful exposure. It is not a small clique of criminals who are involved.

The overwhelming fact of the Holocaust led Mann to call for a searching self-examination on the part of German people all over the world. In Germany and the Germans, a remarkable speech delivered at the Library of Congress in 1945, he argued that the demonic energies of Hitlers regime had roots reaching back to Martin Luther. Mann did not exclude himself from the web of shame: It is all within me. I have been through it all. In the end, he said, there are not two Germanys, a good one and a bad one, but only one, whose best turned into evil through devilish cunning. The entire story is a paradigm of the tragedy of human life. That message of universal responsibilitywhich, Mann made clear, is not the same as universal guiltaroused fierce opposition in postwar Germany, where searching self-examination was not in fashion. Allied forces, for their part, were happy to skate over the de-Nazification process, so that Western Europe could focus on fighting a new enemy, the Soviets.

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The Haunted California Idyll of German Writers in Exile - The New Yorker

5 Themes of Nietzsche That You Can Apply to Your Life – Study Breaks

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Frederick Nietzsche, the 19th century German philosopher, transformed the fields of science and philosophy. His revolutionary ideas have drastically altered the history of modern intellectual thought, but during his lifetime, he amassed countless enemies with his antithetical beliefs toward religion and morality.

Following his renouncement of religion, he wrote a letter to his sister, explaining why he felt the need to leave the church. Nietzsche wrote, Hence the ways of men part: if you want to strive for peace of soul and pleasure, then believe; if you wish to be a devotee of truth, then inquire. Here are five ways that Nietzsches ideals can be applied to your own life.

Nietzsches search for moral truth in his life led him to question why humans feel the need to discover truth. He began his critique of truth by emphasizing that all life is perspective. He thought that because everyones life is different, their beliefs, judgments and actions will also differ. As our interpretations and judgments change, our perspective shifts, leading individuals to have different perceptions of morality.

This realization led Nietzsche to question why people feel the yearning for immutable laws to govern morality. Nietzsche asked himself the questions, Why truth rather than perspective? Why certainty rather than more interpretation? He postulated that our will to truth was not a natural desire.

Instead, Nietzsche believed that the human demand for rigid morality was a choice that we make out of fear, in order to convince ourselves that there is order in the universe. Nietzsche claimed that, because our will to truth forces us to base our beliefs in the perspectives of others, it glorifies the least creative parts of ourselves.

As America becomes increasingly polarized, the two political parties continue to drag their feet in the ground, refusing to shift their ideologies. In this age of internet misinformation, confirmation bias the human tendency to interpret new evidence as confirmation of ones previous beliefs has become all too common. This fallacious way of thinking is maintained by one-sided news sources that bend the truth to attract people that think like them.

In these times of political uncertainty, we could all benefit from the wisdom of Friedrich Nietzsche. If we sought to understand others perspectives, instead of screaming at those we disagree with, we could move past our party differences.

Nietzsche realized that everyones values are different because they have distinctive perspectives. Everyone has different perceptions of life, so the truth is never black or white. People engaging in confirmation bias are obeying their will to truth, and subscribing themselves to a particular ideology, while ignoring other possible principles. Nietzsche teaches us that our beliefs should naturally change over time, as our judgments and perceptions of life change.

Instead of engaging in confirmation bias and believing only the facts that fit your narrative, attempt to gather facts from different perspectives. Nietzsche wants you to recognize that your will to truth is not a natural desire. Next time you think your beliefs are right and someone elses are wrong, remember that your values may not coincide with theirs, but that doesnt mean you cant understand their perspective. Instead of judging their beliefs, interpret them, and try to figure out what led them to that way of thinking.

If you think someones beliefs are wrong, silencing them will only push them further away. The only way for us to come to a mutual understanding is by creating a more open discussion, focused on respecting varied perspectives.

What weve called universal values, what we have called truth, has always only ever been the personal expressions of those who promoted them. Nietzsche

Nietzsche believed that universal morality is merely personal maxims that have been universalized for everyone to follow. He explains that the real values we hold are not based on the perspectives of others, but are expressions of who we are, and what feels powerful or life-giving to us. Nietzsche believed a rigid religious code creates what he called the herd mentality. Like a herd of animals, a herd mentality aims towards sameness, comfort and the preservation of its population.

The herd mentality puts the community over the individual, and limits creativity and independence. Nietzsche realized the universal codes he previously followed were nothing more than tools for enforcement, used by the herd to limit his free choices and individuality. Because universal morality requires us to adopt our beliefs from others perspectives, it limits our free expression and appeals to the least creative part of ourselves: the part that craves inflexible moral truth.

Rainer Maria Rilke was a poet during the late 19th and early 20th centuries whose writing was fueled by his fluctuating beliefs concerning an increasingly secular, war-torn Europe. Prominent Nietzsche themes appear in his poetry and, like Nietzsche, much of his work was not appreciated during his lifetime.

All who seek you test you.And those who find you, bind you to image and gesture.I would rather sense you, as the earth senses you.In my ripening, ripens what you are. Rilke

In this poem, Rilke examines spirituality, and recommends that we broaden our view of what is considered pious. Building off Nietzsches view on universal codes of morality, Rilke suggests that most of the people who seek and find religion enact it as a group of rules to abide by, and to be confined to. Nietzsche believed that organized religions constrain people to a specific way of thinking, thereby limiting their intellectual freedom.

This is because they adopt the perspectives of others, who see God rigidly in image and gesture. They refrain from seeing God in different ways, thus restricting Gods influence on their lives. Rilke, like Nietzsche, believed that spiritual enlightenment could never be synonymous with conformity because enlightenment comes from the unknown, something you can sense but not conform to.

Instead of keeping your spiritual beliefs stagnant, try to evolve your spirituality and change it for the better when an opportunity presents itself. It is the changing perception of God, Rilke suggests, that changes people for the better.

Nietzsche suggested that we can move past our will to truth, and free ourselves from the entrapment of the herd mentality, by becoming beyond good and evil. Instead of falling victim to our will to truth and borrowing the values of others, we should awaken our will to power, which is our passion and drive to create our life in the image of what we value.

Nietzsches philosophy proposes that we say yes to whatever gives us meaning in our own lives the things we find value in personally. Many critics believe Nietzsche to be a promoter of anarchism because of his hatred of government and religion but, although his work has been frequently associated with anarchists, Nietzsche denied these claims.

I dont think his goal was to demonize the values of those organizations. He was merely pointing out problems in the structures of government and religion. His philosophy doesnt condemn specific values; instead, it condemns values that are adopted from others. Nietzsche maintained his criticism of organized religion throughout his life, but he also recognized that spirituality can grant immense value to some peoples lives.

Although some religious scholars see Nietzsche as an enemy to be disproved, I see him as someone who exposed obvious problems in religion because he wished for people to autonomously discover their own spirituality. His attacks on organized religion lead many spiritual folks to reject his insights, but his intention wasnt for people to abandon spirituality. His philosophy was a renouncement of his faith, not an attack on the faith of others.

Although many religious individuals find his work repulsive, I believe you can appreciate Nietzsche and still find meaning in religion. Nietzsche preached individual freedom of belief, whatever that belief may be.

Nietzsches ethics ask us to take a bold step. Eliminating our sources of truth in the world will most likely lead to nihilism, which is the belief that nothing has value or meaning. Many perceive nihilism as a negative or destructive perspective, but in contrast to the common view, Nietzsche believed nihilism is a prompting, or an opportunity that can enable us to reevaluate what gives value to our lives. Nietzsche believed that if we destroy our previous set of beliefs, and suffer the initial existential angst of nihilism, we can discover where our true values lie.

Many misinterpret his view as an endorsement of pessimism, but they couldnt be further from the truth. His view enables someone to experience the full depth of their character. Nietzsche advises a revision of self but doesnt require us to get rid of all of our past herd-built values. He is asking us to consider our existing values, as well as all other possibilities.

Nietzsche is not advising you to adopt a nihilistic outlook on life. He is saying that to find your own truths in life, you must first reject the truths given to you by the herd. To find value in your life, you cannot blindly follow the values of others. Next time you feel a loss of meaning in your life, interpret that depressed state as an opportunity for change. Instead of sulking in your perceived loss of self, realize that you feel that way because you avoided your true values. Look at nihilism as a gift that enables you to find true value by cleaning your slate of its narrow imitative beliefs.

What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: This life as you now live it and have lived it, you will have to live once more and innumerable times more Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus?

The greatest weight is a metaphorical situation put forth by Nietzsche. His goal was to make you think about what gives value to your life. Nietzsches hypothetical makes us ask ourselves if we would want to live eternally as we have been living. He proposes that most of us would curse the demon. The greatest weight is the feeling that crushes you into repeating past mistakes, and it is built from the unevaluated values you adopt from your herd.

Nietzsche suggests that in every little thing ask yourself, do you desire this once more and innumerable times over? If you change yourself and reevaluate your values, the weight can be lifted. However, if you remain under the same influences of the herd-prescribed guilt, you will become crushed under the weight, and submit to your unoriginal repetitive ways.

His vision, from the constantly passing bars,has grown so weary that it cannot holdanything else. It seems to him there area thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over,the movement of his powerful soft stridesis like a ritual dance around a centerin which a mighty will stands paralyzed.

Only at times, the curtain of the pupilslifts, quietly. An image enters in,rushes down through the tensed, arrested muscles,plunges into the heart and is gone. Rilke

In Rilkes poem The Panther, he observed a panther behind the bars at a zoo, insightfully comparing the panthers will to live with that of mankinds. This poem examines how the greatest weight confines humankind to a subservient state. Like the panther, mankind lives behind bars. The panther is held captive in a cell made from human ingenuity, while mankinds personal jail cells are blandly pre-subscribed by social beliefs that captivate the wildness and individualism of the human spirit.

Humanitys confinement is built from its defined limitations. The social norms and beliefs of an individuals herd composes the bars of their prison, restricting that persons actions, and inhibiting their freedom of original self-expression. Rilke, like Nietzsche, recognized that we can escape our enclosure of forced beliefs and awaken ourselves to what we value personally. But, upon realizing all the bars that stand in the way of our dreams, many of us submit to the comfortability of our cage.

When you feel overtaken by the greatest weight, dont hide your wild aspirations in fear of them once again resurfacing. Break out of your self-made, herd-based enclosure and chase after the dreams that give meaning to your life.

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5 Themes of Nietzsche That You Can Apply to Your Life - Study Breaks

Author Shares Personal Journey to Spiritual Awakening, Teaches Readers How to Lift the Veil of Universal Truths in New Book – Yahoo Finance

'My YOUniverse According to Dharma,' by Beatriz Roche, helps readers better understand themselves and raise their consciousness.

MADRID, March 2, 2020 /PRNewswire-PRWeb/ -- Author Beatriz Roche has published an inspirational book about her transformative journey to enlightenment in which she invites readers to awaken their spirits, discover their universal truth, and tap into their limitless inner power.

In "My YOUniverse According to Dharma," Roche shares her experience crossing paths with her late, close friend, Yelitza, in a dream and again later in Roche's meditation. Through these encounters, Yelitza introduced Roche to Dharma, leading Roche to channel this highly evolved, nonphysical consciousness.

Roche's book delivers what she learned as a receptor and translator for this energy and explores topics such as how the world was populated, how people perceive time, what dark and light forces exist in the universe, how people are absolute creators of their reality using their conscious and subconscious thoughts and emotions, and how loving oneself is fundamental to everything.

"This journal or conversation with Dharma was of great help to me when I needed it the most," Roche wrote in her book about its development. "I had no previous training as a channeler, so it came as a huge and wonderful surprise. The world according to Dharma satiates my never-ending thirst for truth. And apparently, this is just the beginning."

Ultimately, "My YOUniverse According to Dharma" is a comprehensive channeling guide to personal growth that considers a wide range of existential questions intended to raise readers' consciousness and help both them and those around them.

"Beatriz has written a beautiful book about the power of love and friendship," a reader wrote in a five-star review of the book on Amazon. "She takes the reader on a journey of self discovery and awakening. In reading it we are immersed in a world of creative energies which uplift us. The reader is left both grateful and inspired."

"My YOUniverse According to Dharma" By Beatriz Roche ISBN: 978-1-9822-2964-1 (hardcover); 978-1-9822-2965-8 (softcover); 978-1-9822-2966-5 (e-book) Available through Balboa Press, Barnes & Noble and Amazon

About the author Beatriz Roche was born in Caracas, Venezuela, but has lived abroad for most of her life. Always a creative and curious person, Roche is passionate about the subjects of metaphysics and spirituality and is excited to share Dharma's wise and exceptional information and messages through "My YOUniverse According to Dharma". Roche is also the author of "The Key's Key," (previously titled "The Key To It,") and she attended college in Boston, where she graduated with the dean's award and literary honors. She currently resides in Madrid. To learn more, please visit http://www.conversationswithdharma.com.

General Inquiries, Review Copies & Interview Requests: LAVIDGE Phoenix 480-648-7557 dgrobmeier@lavidge.com

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Author Shares Personal Journey to Spiritual Awakening, Teaches Readers How to Lift the Veil of Universal Truths in New Book - Yahoo Finance

Leap Year 2020 horoscope: The spiritual significance of February 29 – Express

A Leap Year occurs once every four years and was created back in 45BC by Julius Caesar to avoid inconsistencies in the calendar. Because February 29 is so rare, some consider the day holds significant spiritual power for your horoscope.

From a numerological perspective, the number 29 breaks down to 11 (2+9).

New age spiritual communities consider this as relating to awakening and spiritual enlightenment.

The number 29 of course features in every other month, but February (two) is an unusual combination of numbers and thought to be a rare energy to experience.

Two in numerology is the number of pursuing your soul purpose or mission.

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People believe the number carries a feminine energy with it capable of aiding you to materialise ideas into the real world.

When 11 (29th) and two (February) combine, their respective energies can create a powerful time for love, healing and teaching.

These two numbers are thought to represent the arrival of the spiritual light messenger and those who are open and aware may receive some guidance for progression.

Numerologists also believe February 29 can trigger a type of ripple effect within you because the auspicious date has such a rare vibration.

Some believe this ripple creates an opportunity to literally leap forward at this time and play catch up in our own lives.

A Leap Day provides extra time to achieve goals and this creates a vibrational impact on the dimension of time in the Universe.

From an astrological perspective, 2020s Leap Day falls in the star sign of Pisces.

The energy and essence of Pisces concerns connecting with your deeper consciousness, emotions and spirituality.

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Having another day to enjoy in the vibration of Pisces can appear like the Universes way of reminding us about the importance of consciousness and your own spiritual advancement.

Prior to the invention of the clock, our ancestors used the Sun and the stars for temporal guidance and also viewed synchronistic events as the way the Universe communicated movements in time.

These synchronistic events included perceiving divine messages in nature and the behaviour of beasts.

This leap in time provided by February means it is vital to observe any synchronicities that occur and whether they can provide clues about your own path of awakening and purpose.

This is especially important for those attempting to make sense of what energy February 29 has in store, as the world acts as a mirror to your existential experience.

Walking though February 29 is almost like walking through a rare portal that is only accessible to us every four years.

To most it may just feel like an extra day, but if you challenge yourself to open your awareness and think about the deeper rhythm and flow of time in this Universe, you may just be able to tap into a new energy within your own soul.

Those born on a Leap Day still have their birthday every year as this is indicated by your solar return, when the Sun returns to the same degree that it was on the day you were born.

The Sun travels through this spot every year, regardless of whether it is a Leap Year or not.

Leap Day babies can calculate their Solar Return simply by looking at their astrology chart and working out what degree the Sun was at during your time of birth.

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Leap Year 2020 horoscope: The spiritual significance of February 29 - Express

Patrick Swayze’s 10 Best Movies According to IMDb | ScreenRant – Screen Rant

One of the most beloved actors of the 80s and 90s, Patrick Swayze cultivated an on-screen persona as the sensitive, troubled bad boy. Sure, he literally tore out a mans throat towards the end of Road House (1989), but have you seen the guy dance? With swiveling hips and legs that were just as likely to roundhouse you to the face as dance the mambo, Patrick Swayze became the poster boy for a new generation of action hero: van Damme meets Fred Astaire.

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Patrick Swayze was even more endearing for the fact that he wasnt afraid to undercut his masculine image onscreen, particularly in films like Dirty Dancing (1987)and To Wong Foo, Thanks for Everything! Julie Newmar(1995).

Sadly, Patrick Swayze passed away in 2009 at the age of 57, after a protracted battle with cancer. But his legacy lives on through his many indelible film performances. Here are his top ten movies, as voted by users at IMDb.

Patrick Swayze plays Max Lowe, a depressed American surgeon seeking spiritual enlightenment in India, in the director Roland Joffs City of Joy. After being severely injured in a mugging not long after arriving in the Indian metropolis of Calcutta, Max is rescued by poor rural farmer Hazari Pal (Om Puri). Hazari decides to take Max back to his home in the slums, referred to by locals as the City of Joy. There, Max meets Irish doctor Joan Bethel (Pauline Collins), who convinces him that the path to enlightenment is through helping those around him.

The film did not live up to the critical or commercial success of Joffs previous films, such as the Academy Award-winning historical drama The Killing Fields(1984), and its white savior narrative has dated poorly. However, its uplifting message still resonates with IMDb users, making it Patrick Swayzes tenth-highest rated film.

Patrick Swayze, Wesley Snipes, and John Leguizamo star as three New York City drag queens on a cross country road trip to Hollywood to compete in the Miss Drag Queen of America Pageant in the lengthily titled To Wong Foo, Thanks for Everything! Julie Newmar. When their car breaks down in the small backwater town of Snydersville, the group encounters both prejudice and support from the local community.

Although the film features strong performances from its three leads as well as a string of wonderful cameos, it still compares unfavorably with the superior Australian film The Adventures of Priscilla, Queen of the Desert (1994).

Late 80s cult classic action movie Road House is one of those so-bad-its-actually-great movies. Patrick Swayze plays Dalton, a bouncer at the Double Deuce, a roadside bar in Jasper, Missouri. When Dalton finds out that corrupt businessman Brad Wesley (Ben Gazzara) is extorting many of the local shopkeepers out of their profits including the owner of the Double Deuce he decides to defend the town from Wesley and his henchmen.

Although it was a critical flop and scored five Golden Raspberry nominations, including Worst Actor for Swayze, Road House is still a lot of fun. Just dont go in expecting Citizen Kane.

2005 British black comedy Keeping Mum centers on the clueless vicar of the countryside parish of Little Wallop, played by Rowan Atkinson. Focussed on writing the perfect sermon, he is unaware that his family is falling apart around him: his wife (Kristin Scott Thomas) has begun an affair with American golf pro-Lance (Patrick Swayze), his promiscuous teenage daughter (Tamsin Egerton) is struggling with her blossoming sexuality, and his son (Toby Parkes) is being bullied at school.

Although it features a stellar ensemble cast, including Dame Maggie Smith in a pitch-black role as the comically sinister housekeeper Grace Hawkins, Keeping Mum never really elevates itself above a pedestrian comedy. However, Patrick Swayze plays the sleazy jerk to good comedic effect in one of his last film roles.

Classic romantic fantasy film Ghost was a commercial and critical hit and cemented Patrick Swayzes status as a sex symbol. The film centers on Swayzes character, Sam Wheat, who is shot and killed in an apparent mugging while walking home with his girlfriend Molly Jensen (Demi Moore). Sam discovers that he now exists as a non-corporeal ghost, only able to communicate with Molly via a psychic (Whoopi Goldberg in an Academy Award-winning role).

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One of the most loved romance films of the 90s, and featuring that pottery scene, Ghost is a must-watch for any true Swayze fan, and it is still highly appreciated by the IMDb community.

Ranking alongside Ghost as arguably the most iconic Patrick Swayze movie is 1987s Dirty Dancing. Patrick Swayze plays Johnny Castle, a dance instructor at an upscale resort in the Catskills who begins a romance with Frances Baby Houseman (Jennifer Grey), a young woman vacationing there with her wealthy parents. When Johnnys dance partner Penny (Cynthia Rhodes) is unable to participate in their upcoming dance performance, Baby volunteers to take her place, against the wishes of her overprotective father (Jerry Orbach).

A bona fide romantic coming-of-age classic, Dirty Dancing remains firmly entrenched in popular culture and still gets regular cinema screenings to this day making it one of Patrick Swayzes most enduring films.

Patrick Swayze features amongst an impressive cast of future stars in this coming-of-age ensemble drama directed by The Godfathers Francis Ford Coppola. The film focusses on the often-violent rivalry between two gangs of teenagers living in Tulsa, Oklahoma, in the mid-60s. Swayze plays Darrel Darry Curtis, an older member of the Greasers: a gang of tough working-class teens who do battle with the wealthier Socs.

Based on the influential novel by S.E. Hinton, Coppolas film helped launched Patrick Swayzes acting career, as well as those of his co-stars Tom Cruise, C. Thomas Howell, Emilio Estevez, Rob Lowe, Matt Dillon, Ralph Macchio, and Diane Lane.

A surprise hit with IMDb users, indie black comedy 11:14 tells the various interconnected stories that take place during a single night leading up to two fatal car accidents that occur at precisely 11:14 pm. Patrick Swayze plays Frank, a father trying to cover up what he suspects is a murder committed by his teenage daughter Cheri (Rachael Leigh Cook). His bumbling efforts to dispose of the body inadvertently contribute to the films tragic conclusion.

The movies appeal lies mostly in its twisty plot. The film unfolds like a puzzle, jumping back and forth through time to slowly reveal how the actions of the various characters all piece together to eventually cause the twin accidents.

Kathryn Bigelows action classic Point Break stars Keanu Reeves as FBI agent Johnny Utah, who goes undercover in the local surfing community after he becomes convinced that a group of surfers are responsible for a string of recent armed bank robberies. His suspicions soon prove correct, after he discovers that a gang led by surfing guru Bodhi (Patrick Swayze) are the culprits.

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Bigelows direction and the strength of the performances of the two leads elevate Point Break beyond just a simple action movie, turning it into an almost philosophical reflection on machismo interspersed with some kickass set pieces.

Patrick Swayze plays against type as a small-town motivational speaker revealed to be a closeted pedophile in Richard Kellys mind-bending cult film Donnie Darko. The film is a unique genre mashup, incorporating elements of teen drama, thriller, horror, and sci-fi.

It centers on the eponymous Donnie Darko (played by a young Jake Gyllenhaal) who is visited in a dream by a monstrous rabbit who tells him the world is about to end. From there the movie only gets weirder, exploring ideas of time travel and parallel universes on the way to a truly bizarre conclusion.

The fact that audiences are still trying to decipher what actually happened in the movie is part of its enduring charm and maybe the reason behind why it has become Patrick Swayzes highest-rated film with the IMDb community.

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