A disappointing progress report on diversity and inclusion – strategy+business Today

Diversity, Inc.: The Failed Promise of a Billion-Dollar Business

by Pamela Newkirk, Bold Type Books, 2019

Racial and ethnic minorities make up 38.8 percent of the population of the U.S. and a nearly equivalent share of its workforce. But minorities represent only 17 percent of full-time university professors and 16.6 percent of newsroom journalists. They are only 4.5 percent of Fortune 500 CEOs and 16 percent of Fortune 500 boardroom directors. They are 9 percent of law firm partners; 16 percent of museum curators, conservators, educators, and leaders; 13 percent of film directors; and 6 percent of the voting members of the Academy of Motion Picture Arts and Sciences.

These discrepancies havent gone unnoticed, but they also havent been effectively addressed. During more than three decades of my professional life, diversity has been a national preoccupation, writes journalist and New York University professor Pamela Newkirk in the second paragraph of the preface to her book Diversity, Inc. Yet despite decades of handwringing, costly initiatives, and uncomfortable conversations, progress in most elite American institutions has been negligible.

Newkirk devotes most of Diversity, Inc., which is heavily focused on racial inequality, and particularly, discrimination against African-Americans, to demonstrating this dismaying reality through a sometimes tangled mix of factoids and anecdotes drawn from the arenas of academia, media, and business. The bigger stories that emerge are all variations on the same theme: The lack of progress by minorities in Americas elite institutions is a function of a political and societal arc that has stretched across a half a century.

It begins in the mid-1960s, when, just years after the infrastructure of segregation had started to be dismantled, President Lyndon Johnson kicked off his Great Society initiative, which, in part, aimed to right the wrongs committed over centuries of racial and ethnic injustice. Deploying an impressive combination of social programs, regulations, and legislation, Johnson sought to provide equal educational and economic opportunities to minorities. It worked for a while: People of color got access to educations and jobs that were previously denied to them.

Twenty years later, Newkirk reports, conservative politicians, with the support of President Ronald Reagan, began attacking the Great Society as an entitlement that the richest nation in the world could no longer afford. They cut program funding and gnawed away at regulations and legislation under the guise of correcting reverse discrimination. The progress by minorities stalled. (Only recently, a decade after additional setbacks in the Great Recession, have some small gains resumed.)

Meanwhile, the corporate demand for diversity and inclusion (D&I) is booming, according to Newkirk. In 2003, an MIT professor estimated that companies were spending US$8 billion annually on diversity efforts. In March 2018, a job site reported that postings for D&I positions had risen 35 percent in the previous two years. In 2019, 234 of the companies in the S&P 500 had diversity professionals 63 percent of whom had been appointed or promoted to their roles in the previous three years. Universities such as Tufts, Cornell, and Georgetown are offering certificate and degree programs in D&I, even as minorities are significantly underrepresented on their faculties. In 2014 and 2015, Google spent $264 million on its diversity programs; yet, in 2019, black employees were only 3.3 percent of the companys workforce and 2.6 percent of its leadership. And so on.

The convoluted raft of facts that Newkirk constructs to indict the D&I industry in the final chapter of Diversity, Inc. barely floats, but she is right. A stroll down the corridors of power in corporate America is all the proof we need: The denizens are slightly more diverse now than in the early 1980s, but they are nowhere near as diverse as the workers in the nations call centers, warehouses, and retail shops, or as the customers they serve.

The convoluted raft of facts that Newkirk constructs to indict the D&I industry in the final chapter of Diversity, Inc. barely floats, but she is right.

Assuming that the will to do something more than admire this problem can be mustered within nondiverse leadership teams (and by no means should that be considered a given), what should that something more be? Newkirk offers a few hints in two chapter-length cases that embody the books shaky prescriptive content: one involves the Coca-Cola Company, the other the National Football League.

The former case dates back to 2000 and a high-profile class-action lawsuit that resulted in Coca-Cola paying a $192.5 million settlement for racial discrimination the largest such settlement in legal history. (The median pay for African-American employees at Coca-Cola was $36,596; for white employees, it was $65,531.) In addition, the company agreed to become the gold standard for diversity in the corporate world. To ensure accountability, a seven-member task force was appointed to oversee Coca-Colas efforts to address endemic racism with a program of systemic and cultural transformation. Over the next four years, explains Newkirk, the climate and composition of Coca-Colas workplace began to change, first gradually, as the task force nudged and sometimes dragged the company into compliance with the court agreement.

The diversity effort really took off with the 2004 appointment of E. Neville Isdell as chairman and CEO. Isdell, who was born in Northern Ireland but grew up in Zambia and spent the first part of his career working for Coca-Cola in Africa, drove the initiative until his retirement in 2008, and then his second-in-command, Muhtar Kent, the U.S.-born son of a Turkish diplomat, picked up the reins until 2017. By 2019, the attention of these two CEOs for 13 years (and James Quincey, CEO since 2017) had driven the minority composition of Coca-Colas 727-member leadership team up to 24.3 percent although that is still not representative of the U.S. population at large or the companys U.S. workforce, which is 32.3 percent minority. The lesson: D&I transformations require committed and long-term leadership from the top.

The National Football League case dates back to 2002, when two African-American head coaches (of five in the 80-year history of the league) were fired in two weeks, leaving just one African-American head coach in a league in which 67 percent of the players were African-American. This prompted civil rights lawyers Cyrus Mehri and Johnnie Cochran, Jr., to commission an analysis of the performance of NFL head coaches. It revealed that African-American coaches, as a group, outperformed white coaches but were consistently passed over for the job. The result was the Rooney Rule, named after former Pittsburgh Steelers owner Dan Rooney, which required that NFL teams interview at least one candidate of color before hiring a new head coach.

Since the rule was adopted, reports Newkirk, the percentage of black and other coaches of color rose from 6 percent or two coaches to a high of 25 percent or eight coaches during a single season. But the Rooney Rules record is spotty at best. In early 2019, for example, seven of eight open head coach openings were filled by white coaches. The lesson: Compliance may jumpstart D&I efforts, but it isnt enough to power them over the long run.

In the end, racial diversity will not be ushered in by pledges, slogans, or well-compensated czars, concludes Newkirk. Yes, change will require resources and resolve, but no amount of money, no degree of effort, will succeed alongside a willful negation of our shared humanity. More than 50 years after the Civil Rights Act of 1964 forbade job discrimination, a remedy continues to elude us.

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A disappointing progress report on diversity and inclusion - strategy+business Today

I-74 crews make progress on the bridge arches – WQAD Moline

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MOLINE, ILLINOIS -- Delayed construction on the new I-74 bridge could mean a new detour for drivers coming into Illinois.The project manager, George Ryan, says the change will keep the bridge on time and on budget. Ryan also says crews are making progress on the arches.

"We are making great progress on the arch," Ryan said. "The arch is a very difficult build, very complicated build, and it takes a lot of time and effort to make sure it's right."

But the difficulty isn't stopping crews. They've laid down the first strut. The strut connects the sides of the arch.

"We've set some pieces," Ryan said. "We're just finishing setting on of the struts that goes between the arches on the Iowa side, and then they will run over and set the strutt on the Illinois side."

Ryan says setting the struts means the arch alignment is good.

"The rumors that they were off substaintly were never true," Ryan said. "Part of the reason that it takes so long to construct the arch is because we are surveying each section of that arch and the contractor is steering it, to make sure we're where we need to be."

The arch is set to be closed in Spring 2020. Then, crews will begin construction on the next arch.

"We wont be able to start on the eastbound arch until we finish the westbound arch," Ryan said.

The Iowa bound bridge was expected to be done by the end of this year, but Ryan says it is now set to be done in 2020.

41.506700-90.515134

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I-74 crews make progress on the bridge arches - WQAD Moline

Progress by Jets has been in short supply – Newsday

BALTIMORE John Harbaugh is the coach of the AFCs best team and maybe the best in the NFL. But he couldnt have been more complimentary about the Jets, and almost sounded concerned about facing them Thursday night.

We see a team thats won four of their last five games, the Ravens coach said. This team has found a winning formula. Sam Darnold is playing very well, making plays. Hes a very talented young quarterback. They have really good skill players. I think that theyre a winning team.

The record, of course, says otherwise. The Jets took a 5-8 mark into the game against the 11-2 Ravens.

The Jets have one more win than last season, but no one is calling it progress. The big picture is theyre out of the playoffs for the ninth consecutive season and have underachieved on so many levels.

This year was supposed to be different.

The Jets hired an aggressive offensive-minded head coach whose system was expected to put a lot of points on the board and bring out the best in Darnold.

They brought in a fiery and proven defensive coordinator who was going to make that unit nasty. They signed two marquee free agents one on each side of the ball who had a winning pedigree and were supposed to have major impacts.

In the end, only one of those things have happened. Gregg Williams has done a tremendous job with a banged-up defense.

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Only two projected preseason starters have played in every game. Linebacker C.J. Mosley, a former Raven, has played in only two games after signing a five-year, $85 million contract.

Yet Williams is overseeing the NFLs No. 2 run defense and was looking forward to trying to slow down MVP front-runner Lamar Jackson and the NFLs No. 1 rushing game Thursday night.

Im a competition-aholic, Williams said.

Adam Gases offense hasnt had Williams type of success this season.

The Jets are 31st in total offense and 29th in scoring, and Gase hasnt turned Darnold into the next great quarterback. Theres no doubt Darnold was set back by his bout with mono that kept him out for three weeks.

Gase also hasnt utilized LeVeon Bell in a way to maximize his skill and talents.

His role and production have fallen far short of expectations after the Jets gave him $52.5 million over four years. Bell has been neither a game-changing playmaker or security blanket for Darnold.

Bell may have lost a step after sitting out last season over a contract dispute with the Steelers. But the Jets offensive line has been a disappointment, and Gase hasnt given Bell the touches he got in Piitsburgh.

Gase prefers a passing offense and using more of a running back by committee approach. Bell is someone who needs the ball and could be getting it from a different quarterback and team next season.

But with three games remaining in this season, the Jets hope to continue to make strides overall. Just as it was at this point last season, Darnolds overall development is the most important thing the Jets can take into next year.

There will be changes all across the team, but Jets CEO Christopher Johnson said Gase would be back. Barring something unexpected, Darnold will get to start out at least one more season in Gases offense.

Going into his third NFL season and second with Gase, Darnolds knowledge and understanding of the system should enable the Jets to move more quickly through some things in the offense during OTAs and training camp.

Darnold has shown signs of improvement since that fateful October night that he was seeing ghosts against New England. He has looked far more comfortable in the offense. Darnold has thrown nine touchdown passes and two interceptions over the last five games before Thursday.

But the Jets final three opponents can present plenty of challenges for quarterbacks of any experience level. The Ravens, Steelers and Bills rank in the top six in total defense and points allowed and are in the top nine in passing defense.

These games can only help Darnolds growth.

I feel like Im recognizing things a lot better than I was last year, Darnold said. I feel like coverages and different pressures that teams bring, I feel a lot more comfortable there. Ive made a jump to that degree.

I feel like I can get a lot better in a lot of different areas. Im going to continue to work on those things and make sure I continue to focus on that every single week.

Griffin goes on IR. Ryan Griffin became the 17th Jet to be placed on injured reserve. The veteran tight end suffered an ankle injury early in last weeks win over the Dolphins.Griffin had a strong first season with the Jets. Signed just before training camp, Griffin caught 34 passes for 320 yards and five touchdowns. The Jets signed him to a three-year extension last month. Offensive linemen Brent Qvale was activated to fill Griffins roster spot.

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Progress by Jets has been in short supply - Newsday

Work in Progress: Gallows humor, smart writing, and Lilly Wachowski – Vox.com

If I told you that Showtimes new series Work in Progress marked the first foray into half-hour television for Lilly Wachowski, one of the visionary directors behind The Matrix trilogy, and Speed Racer, and Bound, and honestly, I could list everything shes ever made you might picture something drastically different from what you will see when you tune in. But you should definitely tune in! Its very, very good.

Instead of a cosmic tale that transcends time and space, Work in Progress is the story of a middle-aged queer woman, one whos gender non-conforming, overweight, and struggling with suicidal ideation while living in Chicago in the late 2010s. If Wachowskis other work tries to find the specific in the universal, Work in Progress finds the universal our sadness and loneliness and fears in the hyper-specific.

But though Wachowski is working as an executive producer, writer, and showrunner on the series, its hyper-specificity comes from its star, co-creator, writer, and co-showrunner Abby McEnany, a comedian and performer from Chicago who has grounded Work in Progress in her very real experiences and life. The opening three minutes of the first episode essentially a very dark comedic sketch are at once some of the most heartbreaking and hilarious Ive seen on television this year.

And everything that follows is thoughtful about a wide range of topics, from gender identity to the intersection of queer identities and mental illness to Julia Sweeney, the Saturday Night Live performer who invented the character of Pat, whose ambiguous gender was the bane of existence for gender non-conforming folks like McEnany. Sweeney even appears in the series as herself.

Work in Progress is smart about all of this stuff and more. And when I found out it started its life as an independently filmed pilot, I wanted to know so much more about how it came to be, how it ended up on a major network like Showtime, and how Lilly Wachowski got involved as a producer. So I jumped at the opportunity to talk with McEnany; her co-creator, director, and co-showrunner Tim Mason; and Wachowski herself (after hyperventilating a little) about the process of making Work in Progress.

A transcript of our conversation lightly edited for length and clarity follows.

So you produced this pilot independently, then Showtime acquired it as a series. Thats a pretty rare way to get a TV show on the air. How did you decide to pursue that strategy?

There was no other way for us to do it. So it was just like, Well, you do it yourself. I dont know how to answer that! We just knew nobody would pick it up, or how [we would find someone who would]. We didnt know anybody. How would we get a meeting? So it just came down to: Well, well just do it ourselves.

We actually were like, What if we shot this and then we put it online in chunks, and itd be a web series? And then we put it into chunks and it really didnt work. It worked as a full pilot. I had been taking general meetings after this short film [a different project], and I told Abby, Im so sick of meetings that dont lead to anything. We didnt get into this to have meetings. We got into it to make stuff. So we looked at the budget and were like, What the hell, lets go do it.

We had to come up with $30,000, and we did.

As someone who enjoys meetings

[imitating Emily] And at that moment, I had nothing in common with the Work in Progress crew. They hate meetings?! Thats a bunch of bullshit!

[all laugh]

Im sorry! I do! When you were making the pilot, though, did you think there might be a platform for it? Or did you just want to make it the best it could be?

The goal was always to make a TV show. Create this thing. Make it as as great as we can on our budget and [with] our limited time. Then the goal is like, Lets try to sell this thing, and how are we going to do that? So the goal was always to create an episodic TV show.

Whats amazing is the favors that we called in for some people, like my editor, some of the cast. You know, like the cast came in, and it was, like, on an ultra-low-budget SAG agreement. So they got paid $125.

Julia Sweeney got $125 for the pilot.

People did it basically as a favor. Now, because Showtimes putting it straight on air, those people became cast members. We were all in together. And so my editor is now coming on as the editor for half of [the series]. The [director of photography]. Everyone. Everyone who gave us favors, we tried to keep in the family.

Lilly, you have a unique perspective on this, having joined the project a little later. [Wachowski joined the pilot on the basis of its first scene, a three-minute act with Abby in therapy.] You must get handed a lot of stuff. What was it about this?

As a viewer and supporter, I was in when I saw the first three minutes a year and a half ago.

We had filmed those first three minutes a year before.

But even before that, I was into Abby, after seeing her one-woman shows. I knew what a brilliant and unique storyteller she was. You dont get opportunities to work with people like that a lot. And so I was like, Ill do whatever I can to help you guys get the show into whatever form its going to take, because I want to see the show. Its amazingly funny and beautiful and touching, and all the things that you want a show to be.

How have you found the process of writing for half-hour television?

There was this investigation that took place to figure out what the thing was. Make the thing, and then figure out what the thing is after. Once they made the pilot, it was just, like, Well, whats going to happen? The pilot has been so perfectly set up with this idea of the person who has suicidal ideations and has given themselves 180 days to live. Its like youve built in this ticking time bomb in the plot of the show.

There was no question in my mind that you had this very A to B structure, which was like, Okay, last episode, no [time] left, what happens? If youre riding a roller coaster, what are the ups and downs? Were trying to find it. Tim is constantly reminding us all the time, Whoa guys, this is a comedy, dont forget. Its supposed to be funny. No, its dark. Heading towards the darkness.

Thats kind of my go-to.

So once you have this whole picture, then you go, where do you make the cuts? And its just like youre telling these acts. So in our case its like an eight-act thing. The first act [the pilot] is done, and then you can make little compartments [for the other acts].

A lot of Work in Progress takes place in the intersection between queer identities and people who have mental illness. What did you find interesting about that intersection? What stories lie there?

I guess Ive always wanted to just tell my truth and be very open about it. I have no shame about telling people that I have mental illness. So I didnt even think [about] it that way. I just think it was, like, tell this story. I really am just constantly trying to figure this shit out. What am I doing? Im trying to be open with that stuff.

In the last few years, to me, just the idea of gender and sexual fluidity has opened up a lot of freedom. To me, my relationship with Chris [a character on the show] is based on a real relationship I had with a young trans man I met. I was in DC for a month, years ago, and I met this lovely man. We dated and then we did long-distance. And this woman who Ive known in the community, was like, Youre dating a trans man? Well, I guess youre not a lesbian anymore. Im like, Who fucking cares? Do you have a list? In my mind, she has this big whiteboard in her home.

So I dont even know. When all the crew heads [met for the first time], Lilly introduced us, and everybody got up and said what they were doing and their pronouns. I was like, She, her, hers. Could change tomorrow. Theres so much more openness now. So youve just got to tell the truth, barf it all out, figure shit out.

You want to honor this ticking clock around the characters suicidal ideation, but Work in Progress is a TV show that might run for many years, so you dont want to treat the topic callously. How do you tell that story responsibly?

That is something thats very concerning. Its a comedy, but we people having suicidal thoughts thats not funny. But its, like, humor [is] the reason that Im still alive. Sometimes its very dark, but thats a mechanism for me and several people to survive. But weve checked in a bunch to make sure, are we honoring that darkness? We dont want it to be glib. This is real shit that people are dealing with. I hope we do it right.

In this show, its coming from a real place. To be able to talk about suicidal ideation and to do it with humor is important. We do enough of not talking about suicidal ideation. So we do it with humor as an entry point for people to enter into this discussion and get seriously involved in this kind of dialogue. When we talk about the character, for me, it super resonates as somebody whos battled depression and my gender dysphoria. Knowing that Abby has gone through her own depression, I think were definitely being sensitive about it. But its more like a welcome mat to start talking about these topics.

The goal is, were not making fun of it. A lot of comedies I love, theres one thing like, God. Really? Its fun to make fun of fat women? Whatever. Everythings great about the show except for that one thing. So hopefully were honoring the experience and not making fun of the people, or the fact that people live through this stuff. Thats like opening conversation. Because its not funny that people are so desperate that they want [to] end their life. Thats not hilarious. It is devastating and tragic and real.

But the way the three of us have created Work in Progress is to talk about it in a way where its all about losing that shame of mental illness, that stigma. People dont talk about it.

I know how these things get sold. This show will be sold as, From Lilly Wachowski, director of The Matrix, etc. People are going to come into it expecting one thing and get something very, very different. So, whats the intersection of the grand cosmic scale that Lillys other projects have been on and this tiny little project?

I think the intersection is that this show is queer as fuck. Queer and trans as fuck. I think all the trans people that come up to me and say, Oh my God, The Matrix! It unlocked so many things for me. Thank you so much. All those people will watch this show. Theyre going to watch the show and theyre going to really like it. Because its sweet and it shows trans people and queer people in a very normalizing and loving way.

As we were working, I was like, Im gonna watch Cloud Atlas. With the budget that Ive been working on for this show, theres nothing like sitting down and watching Cloud Atlas and being like, Oh my God, we are coming from such different filmmaking backgrounds.

At the crew head meeting, we were talking about cross-shooting [shooting scenes between two characters by alternating focus on those characters, with the camera always focused on the person furthest from it], and I said I had had really good luck with it on this crap mac-and-cheese commercial. Lilly was like, Oh well, we did it on Cloud Atlas. [all laugh]

[imitating Tim] Well, on my Cloud Atlas, crap macaroni-and-cheese commercial...

The intersection I see is the respect for the emotional truth that the characters have that exists in those giant, beautiful films of Lillys, and then in this tiny thing. Theres a lot of similarities, that it has to do with how you respect your characters and how you treat your characters.

Well, I will be sure to headline this interview, Work in Progress: Its just like Cloud Atlas.

Work in Progress (a TV series that is exactly like the 2012 Wachowski magnum opus Cloud Atlas) debuted Sunday, December 8 on Showtime. New episodes air Sundays at 11 pm.

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Work in Progress: Gallows humor, smart writing, and Lilly Wachowski - Vox.com

Burgum to highlight progress on Reimagining the Rural West Initiative at Western Governors’ meeting – The Dickinson Press

The Western Governors Association provides us with a bipartisan platform for working on shared interests and seeking common ground on addressing the important challenges facing our states, Burgum said. Since launching the Reimagining the Rural West initiative last June, weve made significant progress toward identifying best practices and recommending policies to support vibrant rural communities in the West, with a focus on creating new economic opportunities, expanding connectivity and building great places where people want to live and work. Im deeply grateful for my fellow governors efforts on this initiative.

Stakeholders and policymakers have gathered at workshops this fall in North Dakota, New Mexico and Idaho to discuss the challenges and opportunities facing rural communities, with a fourth workshop planned for March in Oregon, home of the WGAs current vice chair, Gov. Kate Brown. Results of the first years work of the initiative, as well as proposed next steps, will be released next summer at WGAs 2020 Annual Meeting in Medora, N.D.

Topics of discussion at the 2019 Winter Meeting in Las Vegas will include the need for more effective state-federal partnerships, cutting-edge energy innovations, growing precision agriculture, behavioral health in education, cybersecurity, and bipartisan efforts to address the epidemic of missing and murdered indigenous women, with North Dakota Indian Affairs Commission Executive Director Scott Davis among the panelists.

Among the featured speakers will be Land OLakes President and CEO Beth Ford and Segway inventor Dean Kamen, whose FIRST (For Inspiration and Recognition of Science and Technology) organization aims to inspire young people to enter STEM fields.

Western Governors joining Burgum at the meeting include Brown, Sisolak, Doug Ducey of Arizona, Jared Polis of Colorado, David Ige of Hawaii, Brad Little of Idaho, Steve Bullock of Montana, Steve Sisolak of Nevada, Kevin Stitt of Oklahoma, Kristi Noem of South Dakota and Gary Herbert of Utah.

The WGA represents the governors of 19 western states and three U.S. territories, supporting bipartisan policy development, the exchange of best practices and ideas, and collective action on issues of critical importance to the western United States such as agriculture, energy, water economic development and natural resource development.

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Burgum to highlight progress on Reimagining the Rural West Initiative at Western Governors' meeting - The Dickinson Press

Progress Isn’t Always Progress – Caffeinated Thoughts

I have never cared for the left hijacking the word progress. When those on the left use the word progressive to define themselves it, by design, implies those of us who are on the right are against progress.

Which isnt always true, it depends on what you see as progress. I was reminded today of this quote by C.S. Lewis in The Case for Christianity that illustrates that if we are going down the wrong road (or toward the wrong policy) it isnt progress.

We all want progress. But progress means getting nearer to the place where you want to be. And if you have taken a wrong turning then to go forward does not get you any nearer. If you are on the wrong road progress means doing an about-turn and walking back to the right road and in that case the man who turns back soonest is the most progressive man. There is nothing progressive about being pig-headed and refusing to admit a mistake. And I think if you look at the present state of the world its pretty plain that humanity has been making some big mistake. Were on the wrong road. And if that is so we must go back. Going back is the quickest way on, Lewis wrote.

These words penned in 1943 are true today. We can look at the present state of the world and see that its pretty plain that humanity has been making some big mistake. Lewis was in the throes of World War II as the United Kingdom and her allies were at war with Nazi Germany with the future of Europe at stake. Today, we have our own challenges.

I am a fan of progress. I am excited by progress we make in medicine, technology, etc. I am a fan of moving forward provided we are moving toward what is good and right (or at least amoral). Then there is personal progress toward a goal, a milestone, or some achievement.

When we are heading down a wrong road culturally, where the left often want to take us, that is not progress. In that sense conservatives are the true progressives when we attempt to turn things around.

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Progress Isn't Always Progress - Caffeinated Thoughts

State of the Nova Nation: Big 5 Revenge, Progress Report, Blue Hen Battle, and More! – VU Hoops

Weve got a lot to catch up on. First episode in just over a week, as Eugene comes back from being sick, and Chris Lane joins the show for the first time in two seasons!

The podcast is also available for free on iTunes/Apple Podcasts, Google Play Music, Stitcher and Spotify (a bit later in the day)! You may also listen to the newest episode at the bottom of the post.

Episode Description: Weve got a lot to catch up on! Chris Lane joins the show, as we recap the Penn Quakers and Saint Josephs Hawks Big 5 matchups. The Villanova Wildcats are now 3-0 in Big 5 play, and theres been a lot of free time with huge gaps in between games, so we take a look back at some of the younger guys and some impressions of the team from their previous two wins. Also, we preview the upcoming game against the Delaware Blue Hens, reminisce on some cold, and good Villanova basketball games of the past, sift through a full mailbag of questions, and more!

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State of the Nova Nation: Big 5 Revenge, Progress Report, Blue Hen Battle, and More! - VU Hoops

Trumpet Shares 2019 Progress and Plans for Further Expansion in 2020 – P&T Community

LAKEWOOD, Colo., Dec. 12, 2019 /PRNewswire/ --Trumpet Behavioral Health ("Trumpet") provides high-quality autism treatment to children, adolescents, and teens across the country. Throughout 2019, Trumpet has made significant investments to expand their service areas in California, Arizona, Ohio, and Colorado, helping more families gain access to scientifically-supported and family-centered autism care.

Trumpet moved into a new treatment center in San Jose, California, and expanded service areas to include South Orange County, Whittier, West LA, and El Cajon. At the same time, Trumpet entered into a new partnership with Easterseals Southern California, which allows Trumpet to serve the growing population of clients in San Diego County, Los Angeles County, and Orange County.

In Arizona, Trumpet broadened their services to include Ahwatukee, Mesa, San Tan Valley, and Flagstaff. In early 2020, Trumpet will also open a new autism center in Tucson. Given the rapid growth in the Phoenix area and an increasing need for quality autism treatment, these expansions ensure all families can receive the care they need.

In Ohio, Trumpet brought their services to Cleveland and opened a new center in Columbus. Another center, based in Cincinnati, will open in early 2020. While the clinic is being completed, Cincinnati families will still be able to receive home-based autism services.

In its home state of Colorado, Trumpet began serving families in Fountain and Castle Rock in late 2019, and new clinics in Aurora and Lakewood are set to open early in 2020. Now, these communities can benefit from receiving quality autism care in their own neighborhoods instead of traveling for treatment.

"By building new centers and expanding our existing service areas, 2019 marked a year of rapid growth for Trumpet Behavioral Health," says Trumpet CEO Ned Carlson. "As we enter 2020, we look forward to making high-quality autism treatment accessible to even more families, and serving our new clients with the same level of professionalism, care, and compassion that our current clients have come to expect."

About Trumpet Behavioral Health

Trumpet Behavioral Health offers evidence-based applied behavior analysis (ABA) therapy to children, adolescents, and young adults with autism spectrum disorder (ASD). Trumpet's team of dedicated and highly-skilled individuals provide center, home, school, and community-based services throughout Arizona, California, Colorado, Kansas, Michigan, Ohio, and Texas. For more information, please visit https://www.tbh.com/.

Media contact: Josh Sleeper, Chief Operating Officer, (855) 824-5669.

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Trumpet Shares 2019 Progress and Plans for Further Expansion in 2020 - P&T Community

Stephen M. Ansell, MD, PhD, on Progress of CAR T-Cell Therapy – Cancer Network

At the 2019 ASH Annual Meeting, Stephen M. Ansell, MD, PhD, from Mayo Clinic, discussed a plenary session presentation focused on chimeric antigen receptor (CAR) T-cell therapy, and the excitement surround new bio-specific agents that will be available for patients.

Transcription:I think there's been a lot of really encouraging data from ASH 2019 for large cell lymphoma, particularly in the relapsed/refractory space. So, I think we're learning a lot more about CAR T cells. But I think the most interesting data was data that was in the plenary session, looking at a bio-specific antibody targeting CD 20, and CD 3. So, basically taking the tumor cell and T cells and bringing them into close proximity with a very encouraging promising response rate, a little early data, so we still need longer follow up. But I think what was interesting is in CAR T cell failures, where we really are challenged for options to treat those patients, they showed that in those patients, kind of repurposing the T cells and bringing them back into close contact with the tumor but using the bio-specific antibody actually resulted in high response rates. So, I think this is a very encouraging space to watch as new agents become available, but particularly the bio-specific therapies, there are other bio-specifics that are similar, also with very good results. So, I think as a class this is a very promising approach.

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Stephen M. Ansell, MD, PhD, on Progress of CAR T-Cell Therapy - Cancer Network

Progress and missteps marked 2019 in Bay Area art – San Francisco Chronicle

Zanele Muholis Bona, Charlottesville (2015) was included in the Contemporary Jewish Museum exhibition Show Me as I Want to Be Seen. Photo: Yancey Richardson

The Bay Area visual art scene in 2019, like seemingly every aspect of life these days, was marked by political considerations once thought outside its boundaries.

In certain aspects, that was a very good thing, as traditional centers of authority ceded a degree of power or, at least, competed to demonstrate to an increasingly diverse community their accessibility and inclusivity. Regardless of the motive, for example, behind adding works by artists of color to our public collections, the net result is that the future will at least know that such artists were here.

Untempered political passion can also have a blinding effect, however, as we saw in several important instances this year. And then there were the choices made, not for the sake of art and its value to community, but out of mere expediency.Those decisions, too, will shape our tomorrows.

When leaders at the San Francisco Museum of Modern Art wished to broaden the museums collection to include more works of art by women, LGBTQ artists and artists of color, they decided to employ a venerable museum practice: deaccessioning. Recognizing that they missed the boat when works that now command six- and seven-figure prices were affordable, they decided to effectively trade a pricey object a Mark Rothko painting eventually sold for $50.1 million at auction for strong works of lesser value.

There was pushback, and there were legitimate questions. Some asked, Why not tap those rich trustees? And though the museum has other great Rothkos, was this too good a work to let go? In the end, it was enough for me that rare and major works by Rebecca Belmore, Forrest Bess, Frank Bowling, Leonora Carrington, Lygia Clark, Norman Lewis, Barry McGee, Kay Sage, Alma Thomas and Mickalene Thomas now grace our city.

It wasnt only SFMOMA that made big strides in collection diversity this year. The UC Berkeley Art Museum and Pacific Film Archive (whose director, Lawrence Rinder, announced his retirement in September) accepted a gift of nearly 3,000 quilts of superb design by African American artists.

Shortly after the Fine Arts Museums of San Francisco opened the excellent exhibition Soul of a Nation: Art in the Age of Black Power, on view at the de Young through March 15, they announced acquisition of the monumental painting Penumbra (1970) by featured artist Frank Bowling. At nearly 23 feet wide, the vintage masterwork is even larger than SFMOMAs 17-foot Bowling, painted in 2018.

Also of note were the Contemporary Jewish Museums celebration of gender-nonconforming artists and themes, Show Me as I Want to Be Seen, and the Museum of the African Diasporas Black Refractions: Highlights From The Studio Museum in Harlem, both of which were presented in the first half of the year.

Continuing through Jan. 5 is the Sonoma Valley Museum of Arts abbreviated-but-revelatory survey of Abstract Expressionist Bernice Bing, a proud Chinese American lesbian outsider, even in the days of beatnik San Francisco. And still on view through Feb. 14 at SFMOMA, Soft Power examines the approaches of a broader range of socially engaged artists.

CJM, SVMA and SFMOMA developed their own content, while MoAD and the de Young signed on to national tours. The key to the success of all these shows was that they focused first on art of complexity, rather than lazily relying on sloganeering, as the plethora of self-consciously political exhibitions often do.

Several important decisions this year were marred by shortsightedness. In June the San Francisco Board of Education considered complaints from some parents and students that an 83-year-old mural at George Washington High School causes psychic harm. It depicts such despicable institutions as slavery and the slaughter of Native Americans in the pursuit of our so-called manifest destiny.

Rather than seeing an educational opportunity in the murals content, which plainly implicates Washington in a shameful period of American history that should never be forgotten, the school board voted to permanently paint it over. After an uproar both local and national, the board backed off. Yet it still plans to censor the work by boarding it up, unless citizen action and promised lawsuits prevail.

Meanwhile, the San Francisco Arts Commission, a group that calls itself the city agency that champions the arts, once again showed its cowardice when art was under attack. Its Visual Arts Committee knuckled under when county Supervisor Catherine Stefani demanded rejection of a winning design for a sculpture of poet Maya Angelou.

Berkeley artist Lava Thomas, who is African American, won the competition for the public monument fair and square, with a 9-foot bronze representation of a book bearing Angelous face and a quotation from her work. But Stefani, after the fact, insisted that only a statue-type figure would do and the committee went meekly along.

And speaking ofa failure of courage, one can hardly ignore the announcement in July by Napas di Rosa Center for Contemporary Art that it would abandon its founding mission, selling off most of the 1,600 works of art in its fabled collection of works by Bay Area artists. The centers board and its director said, in short, that it is just too hard to raise $3 million a year, or to trim programs to fit its resources.

Outraged artists, many of whom thought their legacy would be preserved at di Rosa, say they donated or deeply discounted the works now destined for the auction block. Their appeal that center officials identify an alternative institution to house, preserve and appropriately utilize this unique collection has fallen on deaf ears.

In the final days of November, a letter signed by center director Robert Sain came to light. Quietly circulated among commercial galleries and auction houses, it offered for sale 18 important works from the collection. Near the top of the list: a 31-foot-high monumental sculpture by Mark di Suvero titled For Veronica, dedicated to the wife of the centers late founder.

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Progress and missteps marked 2019 in Bay Area art - San Francisco Chronicle

Covering The Opioid Beat: ‘There is Progress’ – Crime Report

By Crime and Justice News | December 12, 2019

Cincinnati Enquirer drug reporter Terry DeMio writes about her years covering the opioid epidemic. In 2012, the opioid epidemic had been snaking through local communities for about a dozen years, but this was when accidental overdose deaths started outnumbering traffic fatalities. What about fentanyl? Its been on the streets about half as long as DeMio has had this beat. Part of that catastrophe came from another synthetic opiate that was new to the streets, carfentanil. An expert told DeMio it was a large-animal opioid. Horse? she asked. Elephant, he said. The Enquirer dubbed it the elephant opioid, which was picked up by national and international media.

Meanwhile, cops and medics were taking care of little children whose parents were not waking up when the children found them. One child in our region called a relative to say his parents seemed frozen at the dinner table. They were dead from an overdose. There is progress now, DeMio says.More people are recognizing the threat of addiction and how it can happen to anyone and that there is no place for discrimination and bias against these victims of a chronic health condition. Theres a nod to the need for more recovery support. Certified peer mentors help guide people in recovery. More programs try to keep families together by providing in-home care. Overdose deaths, for the first time in years, dropped in Ohio and Kentucky in 2018. The outcry for help from the opioid-epidemic warriors the people living the nightmare has been heard.

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Covering The Opioid Beat: 'There is Progress' - Crime Report

River Authority Shows Progress on Construction of San Pedro Creek Culture Park – Rivard Report

Standing on dirt and loose rocks along West Houston Street, Kerry Averyt explained that the San Antonio River Authority has tried to be a good neighbor during construction of San Pedro Creek Culture Park.

Construction of the linear park has required many road closures downtown, impacting area businesses. The river authority keeps an updated webpage of road closures on the San Pedro Creek Culture Park site.

We affect businesses along Houston Street and theres no question, theres some impact there, said Averyt, the river authoritys senior engineer. But we keep working and coordinating with all of our stakeholders up and down the creek to minimize it as much as possible.

Averyt led a tour Thursday of a segment of San Pedro Creek Culture Park stretching from Houston to Nueva streets. Phase 1s second segment is targeted for completion in November 2021. The price tag for Phases 1 and 2 of four planned phases is $260 million, Averyt said.

Historic preservation and respect for archeological exploration have influenced construction in a segment of the project that includes two historical landmarks: the 1949 Alameda Theater and the 18th-century Spanish Governors Palace. Construction has had to adapt to the occasional archeological dig, Project Manager Ryan Silbernagel said; there have been three digs in Calder Alley and one by the Spanish Governors Palace.

But the digs dont delay construction, as archeologists are able to set up alongside construction, Silbernagel said.

There havent been any major significant finds, Silbernagel said. Mostly a lot of pottery shards.

Some of the more interesting cultural artifacts will eventually be displayed as part of the San Pedro Creek Culture Park, Averyt said.

Designers and engineers have also maintained many historic elements throughout the project. Averyt pointed to a fire escape on the side of the Alameda Theater that they decided to keep through its renovation.

Originally we wanted to take that fire escape down, but this is a historic building, a historic structure, he said. It was a lot less complicated to leave that in place if we could.

Bonnie Arbittier / Rivard Report

The original fire escape is preserved on the side of the Alameda Theater next to the future entertainment plaza.

The Historic and Design Review Commission approved the final renovation design for the theater in October; work is expected to begin early next year.

About 30 percent of a retaining wall in Calder Alley was salvaged to use in the creek project too, Silbernagel added.

This segment of the linear park will include two permanent art installations. In November, Bexar County commissioners selected Brooklyn artist Adam Franks design for an interactive light installation at a water wall along one of the paseos. A microphone picks up close-range sound, and people can manipulate the light reaction with what kind of noises they make. And further down the creek, the river authority is looking for artists to paint a five-panel mural, public art curator Carrie Brown said.

We are just now starting the selection process but were working closely with Bexar County to frame what the mural content will be, Brown said.

The segment also will have an entertainment plaza by the Alameda Theater that can be utilized in many different ways, Brown said. Designers had considered building an amphitheater, but that would not have been as useful, she added.

When you have an amphitheater, its an amphitheater, and thats how you have to use it, Brown said. Now that we have a plaza, its much more flexible. We didnt want to build something that wouldnt be functional for people who would use it.

Funding sources for Phases 3 and 4 of the San Pedro Creek project are still being identified by the river authority. Those phases are being planned and would extend the linear park to South Alamo Street. Bexar County has paid for the bulk of the project, while the 2017 municipal bond allocated $19.5 million to the linear park. The county also expects to receive some federal dollars from the Mission Reach projects federal reimbursement.

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River Authority Shows Progress on Construction of San Pedro Creek Culture Park - Rivard Report

Academic Futures year 3: Progress on our priorities | CU Boulder Today – CU Boulder Today

At the start of the fall semester, campus kicked off year three of Academic Futures by integrating the strategic initiatives into the implementation of our priority themes and projects. At the heart of this process is our commitment to furthering the public good by embracing our role as Colorados leading national public research university.

Read aboutthe progress so far this year on the campuss four priority themes and projects, along with concurrent work on other Academic Futures themes and projects.

On Nov. 20, the Academic Futures Interdisciplinary Education, Research and Creative Works Committee submitted its final report (PDF)and the response from campus to Provost Russell Moore.

Both are currently under review by the provost and Chief Operating Officer Kelly Fox.

The report has some compelling ideas and suggestions for moving ahead in an area in which we have a long record of doing exciting work, said Moore. The campus response gives us just a taste of the facultys strong appetite for engaging in interdisciplinary research, teaching and scholarship in new ways, as well as by enhancing existing efforts.

Moore said he and Fox would announce early in the spring semester a path forward on the reports recommendations.

Responding to the Foundations of Excellence initiative, the campus is implementing a first-year advising model, under Vice Provost and Associate Vice Chancellor for Undergraduate Education Mary Kraus, that embeds first-year advisors in colleges, schools and programs, networked together under a common structure and budget. Hiring is underway to add more first-year advisors across all of CU Boulder colleges and schools, and implementation will be complete as of July 1, 2020. CU Boulder leadership continues to consider the recommendations of the First-Year Experience Committee report for funding and implementation.

Associate Vice Provost for Advising and Exploratory Studies Shelly Bacon says the first-year advising model is one of several advising-related initiatives that are underway.

As we work toward implementation, we are involving campus stakeholders in important conversations about how best to honor students local disciplinary contexts while ensuring a consistent experience for our students across colleges and schools, Bacon said.

Its wonderful to see advising being valued as a key contributor to student success, and I look forward to the progress I know well make as an advising community over the next few years, said Bacon.

The Center for Teaching & Learning (CTL), which will soon announce a lead for inclusive pedagogy, is offering workshops to build inclusive communities of practice in partnership with the Office of Diversity, Equity and Community Engagement (ODECE).

CTLs pilot projects this spring include a series for faculty on graduate student mentoring co-sponsored with the Graduate School and a conference for graduate students on career paths, including the entrepreneurial path, with the Research & Innovation Office (RIO).

I am very excited to see that our strategic vision announced back in October is really taking shape and serving our campus community, said Kirk Ambrose, director of CTL. This spring, I look forward to having our full staff team in place and to continuing our work with partners across campus in advancing a common student-centered approach to learning through new and innovative offerings.

The fall 2019 semester saw several milestones in the work of making excellence inclusive campuswide. The publication of the finalized version of the IDEA Plan took place Oct. 30, marking the first comprehensive diversity plan of its scope for CU Boulder.

Following the momentum of the IDEA Plans release, the campus saw record attendance at the 29th annual Diversity and Inclusion Summit. The event featured two days of workshops and campus addresses focused on building community, fostering diversity and inclusion. Allied student groups partnered with the Diversity and Inclusion Summit Planning Committee to coordinate several sessions, including the Leadership Unplugged conversation at which diverse members of the campus community engaged in honest dialogue.

Following a well-attended fall summit, the Office of Diversity, Equity and Community Engagement is now gearing up for the spring summit, which will take place on Tuesday, Feb. 25, 2020.

This is an exciting time, said Vice Chancellor for Diversity, Equity and Community Engagement Bob Boswell. We recognize that the activities weve been engaged in are bringing more people together than ever before, helping us to move toward making excellence inclusive. During the spring semester, departments and units across campus will move from inspiration to action as they tailor the IDEA Plan to their localized units.

To help provide initial guidance on IDEA Plan implementation, a transition working group, led by Vice Chancellor Bob Boswell, Assistant Vice Chancellor and Deputy Chief HR Officer Merna Jacobsen and Arts & Sciences Associate Dean for Student Success Daryl Maeda, held its first meeting in November.

Additional updates regarding the rollout of activities stemming from the IDEA Plans recommendations will be forthcoming in the spring semester.

Provost Russell Moore has received threeworking group reports on online and distance education.

The first two reportson creating a plan to move from the current state of online education to a desired future state and to consider new possibilities for continuing education as a program innovatorwere submitted to campus leadership in October.

The third reportto create infrastructure and resources for online/continuing educationwas submitted on Friday, Dec. 6, and is under review.

Putting these recommendations together will help us chart a course of action on online and distance education that will begin to take shape in the spring semester, said Moore.

The universitys evaluation for reaffirmation of accreditation is underway with an external review team from the Higher Learning Commission (HLC) on campus holding drop-in sessions and open forums for faculty, staff and students.

As we complete our site visit with HLC this week, I want to thank everyone for their input and support, said Katherine Eggert, senior vice provost for academic planning and assessment. This was a full-campus lift, and I am proud of our collective accomplishment.

HLC will take action on the universitys reaccreditation in early 2020.

We continue to work with schools and colleges to develop a more robust governance ecosystem, ensuring more direct representation of faculty across campus.

The efforts of the Strategic Facilities Visioning (SFV) team have culminated with the delivery of a dynamic digital planning tool, PREVIEW, that is on the cutting edge for facilities evaluation in institutions of higher education. This tool will prove integral in helping campus leadership make the most meaningful and impactful infrastructure investment decisions in support of the campus mission and priorities emanating from Academic Futures.

PREVIEW (Planning for Research and Education: Visioning Information Explorer WebApp) is the final deliverable of the 15-month SFVprocess. SFV, informed by the other major campus strategic initiatives, drew collaborative input from more than 180 visionaries representing 30-plus colleges, schools, institutes and major support units across campus.

The tool implements the future vision for space types and functions articulated by these visionaries and incorporates a wealth of campus data on space and programming, enabling campus planners to test different planning scenarios for leadership.

The Office of Planning, Design and Construction is now in the process of integrating the tool into its workflows as the university prepares to embark on creation of the next campus master plan due in 2021.

PREVIEW comes at a pivotal time for our campus as we plan for the future, and it represents a truly innovative approach to space planning in higher education, said David Kang, vice chancellor for infrastructure and sustainability. Shaped by the thoughtful work of our SFV visionaries, the tool will bring an unprecedented level of data validation to our infrastructure decisions.

The goal of PREVIEW is multi-faceted and will enable leadership to do the following:

While aggregating a wealth of data sources from across campus into its functionality is a key component of PREVIEW, the form and intent of the tool were driven largely by the work of the SFV visionaries during the scenario planning phase.

Scenario planning entailed visionaries working in interdisciplinary groups to develop and test future infrastructure scenarios relating to identified university requirements and the evolving landscape of education and research. While each of the six teams focused on distinct topics, their proposed strategies and goals aimed for alignment with the chancellors strategic imperatives and ultimately converged on a vision of human-centered campus planning.

Key findings across the scenario planning teams articulated the spatial components and strategies necessary to achieve university strategic goals. That phase culminated in the development of building templates for unique building typologies across campus, each of which applies a mixed-use approach to campus programming to facilitate an enhanced experience for all students, faculty and staff.

Our scenario planning teams ultimately created a vision for the campus on the building, neighborhood, campus and university scales that helped mold the PREVIEW tool, Kang said.

The result is a tool that helps ensure future space decisions meet programmatic needs while also meeting the holistic, university-first vision for campus infrastructure.

Colorado statutes require CU Boulder update its campus master plan every 10 years, with the next due in 2021. Housing and transportation master planning efforts to help inform the next campus master plan are currently underway, and an energy master plan initiative with the same aims will begin soon.

This initiative, embedded inAcademic Futures, is integrated in our daily activities of research, scholarship, creative work, teaching and service. These activities further the public good by providing new knowledge, discoveries and creative works that directly serve communities. Progress on this initiative will be announced in the spring semester.

Under theIDEA Plan, we are creating commitments to diversity, equity and inclusive excellence that will sustain, support and inspire our research, scholarship, creative work, teaching and service. ThroughStrategic Facilities Visioning, we are transforming the universitys physical infrastructure to support learning, teaching, research and community interaction.

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Academic Futures year 3: Progress on our priorities | CU Boulder Today - CU Boulder Today

GOP is roadblock to real progress in D.C. and more letters to the editors – Chattanooga Times Free Press

I keep seeing comments from local conservatives that Democrats in the U.S. House of Representatives have been too busy impeaching Donald Trump to pass any bills or take care of any government business.

In fact, the House has passed more than 400 bills this year, dealing with pressing issues such as health care needs, our decaying infrastructure, immigration policy, and even updating the longstanding Violence Against Women Act. It is the Republican majority in the U.S. Senate, led by Sen. Mitch McConnell, which has failed to debate or pass bills on these key issues.

And on Tuesday, the House approved President Trump's new North American trade deal and worked to meet a budget deadline. So members of the House are doing exactly what they need to do: take care of business, and impeach a president who has openly sought the help of foreign countries to help his own election campaigns.

Trump's actions have violated Article II, Section 4 of the U.S. Constitution, and any honest senator, whether Republican or Democrat, would vote to convict him and remove him from office.

Allen Chesney

***

Lee's stinginess hurts Tennesseans

Gov. Bill Lee withholding money from the poor is like those who solicit money for disaster relief, but only give out a portion of that money. Their excuses are that they are saving back for future disasters. Lee said there has been a reduction in the number of people needing assistance. He plans to use the money for other projects.

In a United Way report published recently, [TFP reporter] Joan McClane wrote that the number of Hamilton County families facing financial hardship has increased in recent years.

Gov. Lee didn't see that report apparently. He has lost my vote.

Janette Roberts

***

Drug companies' ad spending out of whack

I am tired of listening to conservative media commentators justifying the exorbitant prices of pharmaceuticals on the claim that otherwise money would not be available for research for new breakthrough drugs.

How much money from these high prices goes to the rampant television commercials and other advertisements for prescription products now available?

Harry Geller

***

More solar panel use needed in city

The energy from the sun is one of the most important characteristics needed for life as we know it on earth. Solar energy also has the power to be incorporated into modern technology by us in the form of solar panels. These solar panels take energy from the sun, and it is then converted into electricity.

This electricity we use every day to power our homes and businesses does not have to come from fossil fuels all the time. Incorporating more solar panels in downtown Chattanooga will allow for fewer of these nonrenewable resources to be used. These panels would be cost effective in a few years as a more natural source of power is generated.

Already the Chattanooga Metropolitan Airport is powered 100% by solar energy. Why can't more places in the Chattanooga area incorporate solar power?

Miranda Phillips

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GOP is roadblock to real progress in D.C. and more letters to the editors - Chattanooga Times Free Press

Work in Progress Review: The Queerest Show on TV Is About a Suicidal Butch With OCD – IndieWire

Following the premiere of The L Word: Generation Q, queer audiences who lined up outside viewing parties for the nostalgia-TV event of the year would be wise to leave the TV on for another half-hour. If they do, they will be delightfully surprised by Work in Progress, the most radical queer show to ever make its way to television.

Showtimes new half-hour comedy stars co-writer Abby McEnany, a Chicago improv mainstay who created the show with director Tim Mason (Lilly Wachowski is also an EP and writer). The semi-autobiographical series follows Abby a suicidal, funny, heavyset butch with OCD as she embarks on a relationship with a much younger trans man. In the four half-hour episodes provided to critics, Work in Progress sensitively mines comedy from body shame, mental illness, trans literacy, consent, and gender policing all through Abbys hilariously neurotic point of view.

Playing a fictionalized version of herself, McEnany is able to navigate such otherwise heavy topics with lightness and humor because she is driving the narrative, both behind the scenes and on camera. She can be self-deprecating, exploring the various shades of self-loathing that come with having a body that doesnt fit into societys impossible standards, because she surrounds her character with loving friends and a hot young love interest. Behind the anxiety, depression, and panic attacks, the audience can rest easy knowing there is a writer who actually loves herself at least enough to make a hilarious TV show about her life. Abby the character may not see herself as desirable, but her show does.

Work in Progress opens with Abby telling her therapist of her plan to end it all, which involves throwing away an almond for every day of her life. The almonds provide a catchy structure to the episodes, their ritualistic plunk into the trash creating a pithy reminder of the stakes whenever things get too silly. And silly they get right away; after explaining her elaborate suicide plan, Abby realizes her therapist has died in session.

At lunch with her straight sister, Abby meets a cute waiter named Chris (The Politician star Theo Germaine), a trans man whom she initially mistakes for a baby dyke. The ensuing romance is unlike anything seen on TV before, and it unfurls with such a cute neuroticism its impossible not to root for these two. By putting an older butch dyke and a young trans man together, the show can explore more than one side to the experience of gender non-conforming people, an experience as varied and textured as humanity itself.

In the second episode, Abby schools her brother-in-law that, It is not the job of the queer community to educate the cis straight community on something they could easily learn from a public library. When she then allows his question, he has the right response: Yeah, Im good. But it doesnt feel like an after school special; Abby delivers this very important trans etiquette lesson in a flippant squawking tenor while sipping a Capri Sun that she needed help opening.

One of the shows most brilliant turns comes from an interaction with Julia Sweeney, the former Saturday Night Live cast member most famous for the gender-confusing character Pat. As Abby explains to Sweeney, who plays herself as well, Pats jokes stemmed from the fact that no one could tell if Pat was a man or a woman. With Chriss help, Abby confronts Sweeney over the character she says ruined her life, and Sweeney invites them over for dinner with her husband, played by a delightfully weird surprise guest star.

Surprisingly, one club scene in Work in Progress contains more diversity of bodies, gender expressions, and races than the entirety of The L Word: Generation Q. In yet another scene, Chriss crew of polyamorous Chicago queers feel authentic and real, but they arent presented with any glaring arrow announcing them as such. The show doesnt have to overly perform its queerness; its baked into its very existence. Every queer person knows someone like McEnany, (though maybe not as funny), but we almost never see people like her on TV. The title could just as well refer to Hollywoods slow-but-steady embrace of queer characters that look and behave like actual queer people. It is a work in progress, and it just took it a giant leap forward.

Grade: A-

Work in Progress premiered on Showtime on December 8.

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Work in Progress Review: The Queerest Show on TV Is About a Suicidal Butch With OCD - IndieWire

State of the marijuana industry: Progress in Congress, red tape mark national cannabis landscape – The Nevada Independent

Its been a big year for the cannabis industry, with progress on measures to remove marijuana from its highly stigmatized federal status, open up banking for hemp and bring legalized marijuana to new states.

But thats not to say there isnt still agonizing regulation as a main roadblock to the growth of businesses and investing in the industry, observers said Wednesday at the opening sessions of the Marijuana Business Conference & Expo (MJBizCon). The comments came during a state of the industry presentation that touched on marijuana-related achievements, setbacks and what industry participants should look out for in the years to come.

As we enter the 2020s, resolutions to those business issues that have plagued this industry, in some ways, feel closer than ever. And dare I say, they feel inevitable, said Marijuana Business Daily CEO Cassandra Farrington during the conference, which is taking place at the Las Vegas Convention Center.

Top of mind for marijuana-related businesses are the policy twists and turns in the White House and legislative chambers.

Under President Trump there were fears for crackdown, [but] it didnt really materialize it in any fashion. He basically ignored the issue, said Marijuana Business Daily President Chris Walsh.

The ongoing presidential campaign brings its own uncertainties.

On the Democratic side, we dont know. Joe Biden has not really been friendly to the idea of legalization, Walsh added.

The conference, put on by the publication Marijuana Business Daily, received a warm welcome from Clark County and the City of Las Vegas, who proclaimed the entire week MJBizConWeek. Since Nevada legalized recreational marijuana in 2016, the market has had its share of growing pains.

Upon learning of foreign interests who allegedly made illegal campaign donations to try to obtain a marijuana license, Gov. Steve Sisolaks office issued an indefinite moratorium on the transfer of licenses in October. The governor also called for the creation of a cannabis task force to root out potential corruption or criminal influences, and aid in creating a stronger vetting process for issuing licenses.

In Washington, D.C., there are signs of forward motion for policies that have long struggled to gain political traction.

Walsh said that the 2018 Farm Bill a bill signed by Trump that loosens restrictions on the production of hemp, a non psychoactive variety of the cannabis plant could shift politicians view of marijuana toward seeing it as just another plant, and open the gates wider to legalization as perceptions change. Last week, federal regulators gave the OK for banks to extend full financial services to hemp cultivators.

Walshs state of the industry presentation also highlighted the SAFE Banking Act, which passed in September with approval from 229 Democrats and 91 Republicans in the House of Representatives, and has moved on to a Senate committee. The bill would make it legal for financial institutions to provide services to licensed marijuana businesses, without fear of federal penalties that come with aiding and abetting the sale of federally controlled substances.

In November, the House Judiciary Committee approved the Marijuana Opportunity Reinvestment and Expungement (MORE) Act, which is considered the first marijuana legalization bill to be approved by a congressional committee. The Act includes removing marijuana from the Schedule 1 list, requiring federal courts to expunge records for certain past convictions, and lays guidelines for an equity initiative to reinvest in communities that have been negatively affected by convictions for marijuana-related crimes.

Walsh said the SAFE Banking and MORE Acts werent groundbreaking in themselves, in that they arent going to change the industry immediately, but that they were a step in the right direction. Currently, 11 states have legalized a recreational market and 33 have legalized medical marijuana.

Illinois, which became the first state to legalize recreational marijuana through legislative action (rather than a ballot initiative) this year, was deemed an absolute highlight of the year. Walsh said that capping the number of retail stores at 500 will limit the initial growth of the industry in Illinois.

While limiting growth might sound counterintuitive for those eager to see the legal marijuana industry grow, Walsh said it might be key to preventing the game of survival, playing out in California since the state legalized recreational marijuana in 2018. Business license applicants rushing into the market might not be ready for the rapidly changing regulations and investing landscape of the young industry.

Whos hurting the most? It is companies that overestimated the market and scaled too aggressively They cant even launch their business because of some ridiculous regulation or ban, Walsh said. A lot of the companies are victims of circumstances playing out in California again with the bans and the regulatory affairs.

Regulatory chaos, licensing issues, a lack of support from regional governments opting out of the recreational market, and tax hikes were some reasons Walsh listed to explain why current and prospective business owners, as well as investors, have become discouraged in the California market. A recent tax hike on marijuana businesses has been criticized for pushing businesses out of the legal market and consumers into the illegal market.

New York and New Jersey seemed to be on the verge of legalizing recreational marijuana in 2019, but fell short of expectations, because of disagreement over regulations, taxes [and] social equity, according to Walsh. He encouraged an optimistic outlook to these early developments, and is confident the push will come to fruition.

The bottom line is, [New York and New Jersey] will legalize [recreational marijuana] once they come to an agreement on some important issues, he said.

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State of the marijuana industry: Progress in Congress, red tape mark national cannabis landscape - The Nevada Independent

Covering the opioid epidemic: Despair and bravery, helplessness, iron will and way too much death – The Cincinnati Enquirer

They were hiding.

Even when they were in recovery from addiction, they were afraid to tell their stories.

It was a struggle seven years ago, as more people started to dieduringtheheroin and prescription-painkiller epidemic, to get anyone who'd been through it to talk about it. Often,their parents were hiding, too.

Then it became evident to many moms of addicted children that they had to speak out,bluntly. There seemed to be no other way to stop this massive public health crisis.

This was the precursor to my current heroin beat, in 2012 and 2013. Yes, the opioid epidemic had been snaking through our communities for about a dozen years, but this waswhen accidental overdose deaths started outnumberingtraffic fatalities.

Heroin had driven into the scene and it seemed that every idyllic suburb of Northern Kentucky was afflicted. (I was in our Kentucky office back then.) We were at Ground Zero.

Noel Stegner of Fort Thomas walks in Evergreen Cemetery in Southgate where his grandson, Nicholas Specht, was buried after he died from an overdose in 2013. This was Stegner's first trip back to the cemetery.Enquirer file

Many simply could not believe it was happening here. A young man overdosed in his girlfriend's bedroom in a lavish home in Boone County and when paramedics rang the doorbell, the adults there were dumbfounded. Overdose here? No.

This, it seemed, was the beginning of a tumult of deaths of our neighbors.

The beginning is what it felt like, even though one dead young man's mom in Northern Kentucky had been crying out for help for more than a decade already. First, for her son. Then, for others' sons and daughters.

Charlotte Wethington, of Morning View, Kentucky, an advocate for people with substance-use disorder since 2002, when her son, Matthew "Casey" Wethington, died from an overdose.Enquirer file

Charlotte Wethington, of Morning View,tried repeatedly to get health care for son Casey, who was drowning in a heroinaddiction that no one could figure out. She was told that she'd have to wait for him to "hit rock bottom" before he could recover.

Without addiction treatment, Casey died in 2002, at 23.

The tears I watched spill from Charlotte's eyes were just the first. From then on, I'd listen to anguished mothers who could not protect their children. I'd get calls from worried moms whose kids were calling them because they were sick from withdrawalin a jail cell. From frightened parents whose sons or daughters had relapsedand disappeared with the family car or a credit card.

It was Charlotte who started collecting the mothers of addicted children to offer them hope, promoting a law the Matthew "Casey" WethingtonAct for Substance Abuse Intervention that she'd gotten the Kentucky General Assembly to pass. Now known simply at "Casey's Law," the legislation lets family or friendsseek treatment for loved ones with addiction who refuse help.

I also remember when most of these families depended on trial and error for help. Go to a doctor? Why? Most doctorshad no clue how to treat their disease.

I remember talking to the cops, because this was before health departments were involved in what was clearly a public health disaster. The cops threw up their hands.

People would puzzle and argue over this thing called "harm reduction." (They still do, but more are on board now.) It was a new idea for our region and questioned by even the most well-meaning.Should we work to keep people alive as they inject themselves with an illicit drug? Should we keep them safe and give them help and hold their hand loosely instead of locking them up or letting them march to their deaths?

There was no needle exchange here then.

Christi Woodruff died in April 2011 from a blood infection that started in her arm from a contaminated needle and wound up in her heart. She was 30. Her mother, Jenni Woodruff of Alexandria, was helpless to protect her.

Jenni Woodruff (left), weeps as she clutches a poster with her daughter Christi's photograph. This was in Frankfort, Kentucky, where she was trying to convince legislators to approve needle exchange.Enquirer file

Kentucky legislatorschanged the law in 2015, after Jenni testified at a hearing. She carried with her ahand-made poster emblazoned with a photo of her daughter. But the rigmarole to put the law into action, wow. Campbell and Kenton counties' exchanges, with conditions, were finally established in mid-2018. Boone County still doesn't have one.

In Greater Cincinnati, a mighty, mostly volunteer needle-exchange efforton a shoestring budget started in 2014. Four years later,Hamilton County Public Health, with others, started paying for needle exchange siteswith a vow to sustain them.

Nicholas Specht stopped breathing at 30 years old in August 2013 behind a bathroom door at his parents' Fort Thomas home. He'd overdosed. And when the police arrived, they couldn't help. They had nothingto revive him. Neither did his parents.

"I didn't know what naloxone was," said his father, Eric Specht.

I remember that, too. How does this opioid overdose antidote work? How do you pronounce that? How do you even spell it?

The family created the nonprofit NKY Hates Heroin, which advocates for, and raises funds for, treatment and recovery help.

Holly and Eric Specht attend hearings in Frankfort to advocate for comprehensive heroin legislation in 2015.Enquirer file

I remember the talk, early on, of a "Lazarus drug." It'd been approved for use among emergency medical caregivers in 1971, but if you were at risk of overdose you could forget about your family or a friend carrying it. You could not get it,even though it's a non-narcotic that, if given to someone who's not overdosing will only hurt for a second, as if a squirt of water is beingshot up their nose.

I watched as busloads of people in recovery were taken to a cold, Falmouth storefront where there was no running water, where a grass-roots group including a doctor, some moms, a couple of nurses and a few activists trained people to use naloxone. It was a rogue endeavor. Naloxone hadn't been approved yet to be handed out this way.

When it was,NKY Hates Heroin helped to disseminate naloxone.

We've gotten better. We need to do more. It's what I think about every day.

Twice a year, (birthday and death day) and more randomly in between, I see Facebook posts from a mother I met in 2015, sobbing and shaking seven months after her 22-year-old son died from a heroin overdose.

The irony here is that Coty's mom, Rhonda Dupuy, had made an appointment for him to get medication-assisted treatment, which shows the most promise in keeping opioid users alive and stable enough to respond to therapy. Then, she said, "there was a holdup with insurance."

The appointment was delayed until May 27. Coty used one more time and died May 25.

Rhonda Dupuy of Dry Ridge (right) accepts a hug from Pennie Tacket of Taylor Mill just months after Coty Glass, Rhonda's son (in photograph she holds) died from an overdose.Enquirer file

These parents are just a smattering of the bewildered and heartbroken I've met since I started covering this nationwide crisis that has dug in and hunkered down in our communities.

I am privileged to do it.

I got to talk, early on, to experts from New York City who'd been using harm-reduction tactics since 1994 to help protect those vulnerable to HIV. We still talk. We are on a first-name basis. (Oh and HIV? Yes, that's another symptom of the epidemic that hit here, as predicted.)

I was lucky enough in 2016, thanks to The Enquirer's then-Editor Peter Bhatia, to be giventime and space to develop an expertise in addiction and, particularly, opioid addiction. I've met and routinely conversed with some of the world's leading researchers and specialists in addiction and with those fighting it on the ground.

I wrote about Baltimore's kitchen-sink approach to overdoses. Thatcity had been lauded for making sweeping attempts to keep people alive after a devastating year of deaths, so our editors agreed to let me go there to witness it.

Baltimore overdose response prevention trainers Nathan Fields, center, and Miriam Alvarez, show residents how to use naloxone, in 2016.Enquirer file

My partner, photographer Carrie Cochran, and I went with public health agents to some of the grittiest Baltimore streets. About a quarter-block from a corner store where the addicted stood and waited for a black SUV to pull up with drugs they needed, the harm-reductionists set up a table and went to work.

Then-health commissioner Dr. Leana Wen had blanketed the prescription of naloxone to all 620,000 Baltimore residents.

Health department agents went to the streets with folding tables and displays of naloxone andtold curious passersby that they could be first-responders and save lives. People stopped and listened, learned and left with this life-saving medication.

After that story published, I heard from someone from Hamilton County Public Health who thought the comparison of cities was unfair. Yet, here we are, three years later, and similar programs, plus others, have been established in Greater Cincinnati.

From September 2017 to September 2019, the Hamilton County Narcan Distribution Collaborativedistributed 37,750 kits.

So sometimes, you have to stop and look at how far we've come. You just have to.

In southwest Ohio, we used to have weeks-long waiting lists at treatment centers to be seenfor a health condition that could kill someone any minute.

Now the average wait time is 48 hours or less. Not perfect, but better.

Some hospitals (Mercy Health, for one) are offering medication-assisted treatment to those who've overdosed to help them wait out the time before they get into treatment. And St. Elizabeth in Northern Kentuckyis getting some patients from the emergency room to Journey Recovery Center outpatient services within just eighthours.

Some police departments (Alexandria was first here) even have Angel programs, where people can come in, turn in drugs and get help without being arrested.

The terrible still happens.

I remember reporting about a mother who arranged for her daughter to get heroin in the Kenton County jail. How could a mother do that? People were shocked. The mother suffered from addiction, too. Could she have been trying to spare her daughter the pain of withdrawal? It was a question I had to ask, though no answer came.

The daughter died. The mother was convicted of trafficking to her daughter. There is no sadder story.

Jamie Green of Northern Kentucky, pictured here with her daughter, Brooklyn, died from a heroin and fentanyl overdose in the Kenton County jail.Provided

That jail has evidence-based treatment now for inmates.

And what about fentanyl?Remember when that turned up? It's been on the streets about half as long as I've had this beat.

This is the drug that had officials dropping their jaws because of its strength. At first, itwas being sold mixed with heroin to unwitting buyers.

Remember when more than 170 people overdosed in Hamilton County in a week? I do. That wasfentanyl unleashedon the unsuspecting.

Part of that catastrophe came from another synthetic opiate that was new to the streets, carfentanil. I remember an expert telling me this was a "large-animal opioid."

"Horse?" I asked.

"Elephant," he said.

And that's why I dubbed it "the elephant opioid" in my stories for a while. That phrase got picked up by all kinds of national and international media.

About a year later, I was hearing about even moredeath and fruitless attempts at help. It was:Sure, we can revive you, but get you into treatment afterward? No.

Paramedics and family services workers were exhausted from it all.One paramedic told me in 2017 that he remembered thehair on the back of his neck would stand on end as he headed out on an overdose call. Not anymore, he said. Too common.

Cops and medics were taking care of little children whose parents were not waking up when the children found them. One child in our region called a relative to say his parents seemed frozen at the dinner table. They were dead from an overdose.

I was seeing evidence of our crisison the streets (sometimes in the weary faces of young women trafficked and addicted), hearing it in phone calls and from families and former users in the region, seeing it in coroner reports and posts on Facebook. And more.

I'm still asking why. I'm still reporting on an evolving system of help and prevention and hope.

But there is progress.

More people are recognizing the threat of addiction and how it can happen to anyone and that there is no place for discrimination and bias against these victims of a chronic health condition.

Theres a nodnowto the need for more recovery support. We have certified peer mentors who help guide people in recovery. We have more programs that try to keep families together by providing in-home care. We are focusing more on caring for the children of those with addiction.

The overdose deaths, for the first time in years, dropped in Ohio and Kentucky in 2018.

The outcry for help from the opioid-epidemic warriors the people living the nightmare has been heard.

We have fierce, loud, determined and educated voices and stories with names and faces attached.

Theres a lot less hiding, now.

What's next in this crisis?

I plan to find out.

Heroin: Reclaiming livesThe Enquirer

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Covering the opioid epidemic: Despair and bravery, helplessness, iron will and way too much death - The Cincinnati Enquirer

Park in honor of Indianapolis icon still in progress over four years later – WRTV Indianapolis

INDIANAPOLIS There are questions about the future of a park in honor of an Indy icon.

Charles Williams was an iconic leader of the Indiana Black Expo and the Indianapolis community.

The Rev. Charles R. Williams Park sits across the street from the home of Lois Love Hill, on the near north side. Hill has lived in the neighborhood for more than six decades.

"Charles was helping out here," Hill said. "Charles was in the churches preaching about how they had to help us; to come together."

In 2002, Williams would face his biggest enemy cancer.

Following his death in 2004, a piece of property near Fall Creek Parkway was named in his honor as a park in 2015.

At a recent Black Expo planning meeting for its 50th year, a man raised concerns about the park, demanding answers.

RTV6/Jason Strong

"I don't see any point in having his name stuck in the ground over there, and doing nothing with the property that they say is Charles Williams park," Hill said.

The creation of the park did come with a blueprint calling for a playground, parking lot, performance shelter, and a trail connected to the Monon and Fall Creek greenways.

At the time, developing the park was priced at $1.7 million. The progress is on hold as an advisory group, which oversees the property, has been meeting for about six months about the park's future.

"I want a park. I want a safe park," Hill said.

At this time, the advisory group that oversees the property is waiting for a $1.5 million grant, according to the group's president Robert Caldwell.

Caldwell just happens to be the fiance of Reverend Williams' daughter and he says they're on a personal quest to make sure the park gets built, and built the right way.

The original cost was $1.7 million. Once the group gets the money, they will update their design to reflect the budget.

Indy Parks submitted a statement to RTV6 about the Charles Williams Park, saying:

"In 2015, Indy Parks was honored to lead efforts for the Rev. Charles R. Williams Park master plan, which brought residents, community leaders, and other groups together to create a blueprint for future park amenities. The plan highlighted the addition of a playground, parking lot, spray ground, performance shelter, bocce ball courts, horseshoe pits, and trail connecting to the Monon and Fall Creek Greenways. Until funding and resources are identified and secured, our team will continue to be an advocate for this park through discussions with groups and with potential funders on the value of enhancing the existing space and through our partnership with the newly formed Rev. Charles R. Williams Park advisory group. As with any major park redevelopment project, it will take a strong community effort and support to truly transform and enhance Rev. Charles R. Williams Park."

Rev. Charles Williams Park3200 Block of Sutherland Ave.

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Park in honor of Indianapolis icon still in progress over four years later - WRTV Indianapolis

Chart: Two decades of progress in the world’s poorest countries – World Bank Group

The last two decades have seen significant progress in many of the world's poorest countries.The extreme poverty rate fell from more than 50% to about 30%. Child mortality declined from nearly 14% to 7%. Access to electricity increased by 57% and the share of people using at least basic drinking water and sanitation services increased by 22% and 41%, respectively, among other results. The International Development Association (IDA) is one of the largest sources of funding for fighting extreme poverty in the worlds poorest countries. IDA provides zero- or low-interest loans and grants to countries for projects and programs that boost economic growth, build resilience, and improve the lives of poor people around the world. Since 1960, IDA has provided more than $391 billion for investments in 113 countries. As an institution of the World Bank Group, IDA combines global expertise with an exclusive focus on reducing poverty and boosting prosperity in the worlds poorest countries.

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Chart: Two decades of progress in the world's poorest countries - World Bank Group

Salarius Pharmaceuticals to Present Trial-in-Progress Poster at Epigenetics Symposium: 15 Years of Lysine Demethylases: From Discovery to the Clinic -…

Presentation Will Provide Overview of Ongoing Clinical Trial of Salarius Lead Drug Candidate, Seclidemstat, in Ewing Sarcoma

HOUSTON, Dec. 12, 2019 (GLOBE NEWSWIRE) -- Salarius Pharmaceuticals, Inc. (SLRX), a clinical-stage biotechnology company targeting the epigenetic causes of cancer, announced today the acceptance of an abstract at the Epigenetics Symposium: 15 Years of Lysine Demethylases: From Discovery to the Clinic taking place Monday, December 16, 2019 at the Franklin Institute in Philadelphia, PA. The trial-in-progress poster presentation will include an overview of the ongoing Phase 1/2 clinical trial for Salarius lead drug candidate, Seclidemstat, a potent reversible LSD1 inhibitor being developed as a treatment for Ewing sarcoma, a rare pediatric bone cancer.

Details of the symposium and poster presentation are as follows:

Abstract Title: Trials in progress: A phase I/II clinical trial of the reversible LSD1 inhibitor, seclidemstat, in patients with relapsed/refractory Ewing sarcomaWhere: The Franklin Institute, 222 North 20th Street, PhiladelphiaWhen: Monday, December 16, 2019 at 8:30 a.m. EST to 7 p.m. ESTSymposium Website: Epigenetics Symposium: 15 Years of Lysine Demethylases: From Discovery to the Clinic

The Epigenetics Symposium is an ideal event to showcase our progress bringing our lead drug candidate, Seclidemstat, into the clinic and the impact it could have on Ewing sarcoma, a rare and deadly bone cancer that most often strikes children and young adults and for which there are no targeted therapies approved, stated David Arthur, Chief Executive Officer of Salarius Pharmaceuticals. Lysine demethylase enzymes are a well-known target for epigenetic-based drug development. We have developed Seclidemstat to be a differentiated LSD1 inhibitor, and we are excited that it has reached the clinical trial setting where its safety and therapeutic activity can be assessed. Research shows that LSD1 expression is elevated in 60% of Ewing sarcoma patients and correlates with poor patient prognosis and decreased overall survival. Given the potential of Seclidemstat to address this great unmet need, we look forward to releasing early cohort data next year from our Ewing sarcoma study and a Phase 1 study in advanced solid tumors.

About Salarius PharmaceuticalsSalarius Pharmaceuticals, Inc. is a clinical-stage oncology company targeting the epigenetic causes of cancers and is developing treatments for patients that need them the most. Epigenetics refers to the regulatory system that affects gene expression. In some cancers, epigenetic regulators often become dysregulated and incorrectly turn genes on or off leading to cancer progression. Drugs that can safely modify the activity of these epigenetic regulators may correct the gene changes that are driving the disease. The companys lead candidate, Seclidemstat, is currently in clinical development for treating Ewing sarcoma, for which it has Orphan Drug designation and Rare Pediatric Disease designation by the U.S. Food and Drug Administration. Salarius believes that Seclidemstat is one of only two reversible inhibitors of the epigenetic modulator LSD1 currently in human trials, and that it could have potential for improved safety and efficacy compared to other LSD1-targeted therapies. Salarius is also developing Seclidemstat for several cancers with high unmet medical need, with a second Phase 1 clinical study in advanced solid tumors, including prostate, breast and ovarian cancers. Salarius receives financial support from the National Pediatric Cancer Foundation to advance the Ewing sarcoma clinical program and is also the recipient of an $18.7 million Product Development Award from the Cancer Prevention and Research Institute of Texas (CPRIT). For more information, please visit salariuspharma.com.

Forward-Looking Statements This press release contains forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. All statements, other than statements of historical facts, included in this press release are forward-looking statements. These forward-looking statements may be identified by terms such as will, can, could, believe, plan, allow, expect, provide, able to, position, anticipate, progress, potential, and similar terms or expressions or the negative thereof. Examples of such statements include, but are not limited to, statements regarding: the progress in bringing Seclidemstat into the clinic and the impact it could have on Ewing sarcoma; the development of Seclidemstat to be a differentiated LSD1 inhibitor; the potential of Seclidemstat; anticipated timing of release of early cohort data from the companys Ewing sarcoma study and a Phase 1 study in advanced solid tumors; the companys belief that Seclidemstat is one of only two reversible inhibitors of LSD1 currently in human trials and that it could have potential for improved safety and efficacy compared to other LSD1-targeted therapies; and the companys development of Seclidemstat for several cancers with high unmet medical need, including prostate, breast and ovarian cancers. Salarius may not actually achieve the plans, carry out the intentions or meet the expectations or objectives disclosed in the forward-looking statements. You should not place undue reliance on these forward-looking statements. These statements are subject to risks and uncertainties which could cause actual results and performance to differ materially from those discussed in the forward-looking statements. These risks and uncertainties include, but are not limited to, the following: the ability of the company to raise additional capital to meet the companys business operational needs and to achieve its business objectives and strategy; the companys ability to project future capital needs and cash utilization; available sources of cash, including from CPRIT and its equity line; future clinical trial results; that the results of studies and clinical trials may not be predictive of future clinical trial results; the sufficiency of Salarius intellectual property protection; risks related to the drug development and the regulatory approval process; the competitive landscape and other industry-related risks; market conditions which may impact the ability of Salarius to access capital under its equity line; the possibility of unexpected expenses or other uses of Salarius cash resources; and other risks described in Salarius filings with the Securities and Exchange Commission, including those under the heading Risk Factors. The forward-looking statements contained in this press release speak only as of the date of this press release and are based on managements assumptions and estimates as of such date. Salarius disclaims any intent or obligation to update these forward-looking statements to reflect events or circumstances that exist after the date on which they were made.

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Contacts Investor Relations LifeSci Advisors, LLCJeremy FefferManaging Director(212) 915-2568 jeremy@lifesciadvisors.com

Media Relations: Tiberend Strategic Advisors, Inc.Johanna BennettSenior Vice President (212) 375-2686 jbennett@tiberend.com

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Salarius Pharmaceuticals to Present Trial-in-Progress Poster at Epigenetics Symposium: 15 Years of Lysine Demethylases: From Discovery to the Clinic -...