Coming to Broadway in Fall 2019 – NYU Washington Square News

Summer has finally come to a close, and that means its time for sweaters, pumpkins and Broadway previews. This fall, there are dozens of new shows coming to Broadway and off-Broadway stages near you. Comedies, tragedies, musicals, dramas you name it.

Not only is NYU conveniently located close to many theaters, students also have access to discounted tickets. As the weather gets colder, seeing a play can be the perfect opportunity to bundle up and relax for a little bit. Here are all the shows coming to theaters near you this fall.

Broadway

The InheritanceLocation: The Ethel Barrymore TheaterPreview: Sept. 27

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The Inheritance was a West End success and winner of four Olivier Awards, including Best New Play. Based on E. M. Forsters Howards End, this is a two-part play that tells the story of three generations of gay men. The Inheritance emphasizes the connection between them through humor and heartbreak alike.

David Byrnes American UtopiaLocation: Hudson TheaterPreview: Oct. 4

David Byrnes American Utopia is a once-in-a-lifetime performance to view, having sold out intheaters all around the world. A theatrical rendition of Byrnes world tour of the same name, the performance features Byrne and 11 other artists from a host of countries.

TinaLocation: Lunt-Fontanne TheaterPreview: Oct. 12

Tina is a musical biography of Tina Turner, often referred to as the Queen of Rock and Roll. The show follows Tina from her humble beginnings through her successful career.

Jagged Little PillLocation: The Broadhurst TheaterPreview: Nov. 3

Jagged Little Pill was inspired by Alanis Morissettes Grammy-winning album of the same name. The rock musical follows the Healys, an outwardly perfect family dealing with private demons and life-altering circumstances.

A Christmas CarolLocation: Lyceum TheaterPreview: Nov. 7

Charles Dickens classic story is brought to life in this immersive performance. A ChristmasCarol offers a new take on the timeless tale for theater-goers of all ages.

Kristin Chenoweth: For the GirlsLocation: The Nederlander TheaterPreview: Nov. 8

In this show, Kristin Chenoweth turns her new album For the Girls into a Broadwayperformance. Chenoweth dedicated this album to female artists who influenced hercareer, and she incorporates many of their songs into the show.

Slavas SnowshowLocation: Stephen Sondheim TheaterPreview: Nov. 11

Since its October 1993 premiere in Moscow, performance artist and clown Slava Polunins theatrical experience has become a timeless and universally beloved work. Truly in a genre of its own, Slavas Snowshow promises to awaken everyones inner child.

The Illusionists- Magic of the HolidaysLocation: Neil Simon TheaterPreview: Nov. 29

The internationally renowned magic troupe brings together a new, all-star cast of the worlds top illusionists for what The New York Times called a high-tech magic extravaganza.

Off-Broadway

Heroes of the Fourth TurningLocation: Playwrights Horizon, Mainstage TheaterPreview: Sept. 13Opening: Oct. 7

This will be the world premiere of Will Arberys play examining the psyches of four young conservatives reuniting at their small Catholic college in Wyoming. Heroes of the Fourth Turning sheds light on the contemporary political landscape and the human desire to be understood.

Scotland, PALocation: Laura Pels TheaterPreview: Sept. 14Opening: Oct. 23

This production will be the world premiere of Adam Gwons dark comedy. Literature, cult fiction and Broadway collide in this play based on the 2001 film that draws inspiration from Shakespeares Macbeth.

Little Shop of HorrorsLocation: Westside Theater UpstairsPreview: Sept. 17Opening: Oct. 17

Seymour and Audrey work at a little plant shop, and their lives are turned upside downby a man-eating plant thats threatening the entire world. Little Shop of Horrors merges Roger Cormans film with a book by Howard Ashman, and it follows Seymour, Audrey, Audreys boyfriend and the man-eating plant.

The New EnglandersLocation: The Studio at Stage IIPreview: Sept. 17Opening: Oct. 2

In Jeff Augustins latest play, Eisa and her two dads live in a small town in New England but desire more fulfilling lives. Each member of the mixed-race family in The New Englanders is navigating life and trying to pursue a unique path.

Forbidden Broadway: The Next GenerationLocation: The Triad TheaterPreview: Sept. 28Opening: Oct. 16

Five years after its last run in 2014, Forbidden Broadway comes back to the stage in acomical mashup of well-known Broadway shows performed by this generations Broadway stars.

The Wrong ManLocation: Robert W. Wilson MMC Theater Space/Newman Mills TheaterOpening: Oct. 7

Duran is The Wrong Man. This musical performance sees him falsely accused of murder because he was at the wrong place at the wrong time.

For more information on upcoming shows and ticket sales, visit http://www.playbill.com.

Email Dani Herrera at [emailprotected].

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Coming to Broadway in Fall 2019 - NYU Washington Square News

Mitchell novel and Fleabag extract revealed at Sceptre Salon – The Bookseller

Published October 2, 2019 by Mark Chandler

David Mitchell read from his new novel at a Sceptre Salon storytelling event last night, which also featured an exclusive extract from Phoebe Waller-Bridges highly...

David Mitchell read from his new novel at a Sceptre Salon storytelling event last night (1st October), which also featured an exclusive extract from Phoebe Waller-Bridges highly sought-after "Fleabag" book.

More than 100 guests packed into the Phoenix Arts Club in Soho mentioned in the second line of Mitchells new book Utopia Avenue.

Mitchells book, announced last week and released on 2nd June 2020, follows the career of 1960s rockers Utopia Avenue, the strangest British band you've never heard of. He read an atmospheric section of the book following one of its characters as she walked the streets of Soho.

There was also a surprise reading by editorial director Emma Hermanfrom Waller-Bridges Fleabag: The Scriptures, which the audience was urged not to share. Sceptre won an eight-publisher auction earlier this year for the book, which features the complete scripts alongside exclusive material and is out on 12th November.

Abi Dar, the Nigerian author of Sceptres lead 2020 debut fiction title, The Girl With the Louding Voice, kicked off the night before an appearance from Simon Parkin, investigative journalist and author of A Game of Birds and Wolves, the untold true story of WW2s Operation Raspberry, which has been optioned for film by Steven Spielberg.

There were also appearances from Professor Noreena Hertz, global economist and author of The Lonely Century, and Sanne Blauw, econometrician and author of the international non-fiction bestseller The Number Bias.

Carole Welch, publishing director at Sceptre, told the audience: These books exemplify the kind of fiction and non-fiction we aim to publish inspired writing and irresistible reading: superbly written books that are as illuminating and thought-provoking as they are captivating, that will stir, move and sometimes shock you. And in ranging from debutants to the mighty David Mitchell, whose first novel we published 20 years ago, they exemplify our aim to nurture our authors over the long-term while always being on the lookout for outstanding new voices from around the world to join them.

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Mitchell novel and Fleabag extract revealed at Sceptre Salon - The Bookseller

Sheffield Theatres 2020 season to include Tom Bateman and four world premieres – WhatsOnStage.com

Sheffield Theatres' new spring/ summer 2020 season will feature a world premiere by Chlo Moss, Tom Bateman in his Sheffield Theatres' debut and two plays by Bryony Lavery.

Artistic director Robert Hastie's new season opens with the world premire of Chlo Moss' Run Sister Run, a co-production with Paines Plough and Soho Theatre and directed by Paines Plough's new co-artistic director Charlotte Bennett. Run Sister Run will play from 27 February to 21 March.

Tom Bateman makes his Sheffield Theatres debut in the title role of Coriolanus. Adapted and directed by Hastie, the production sees the artistic director return to Shakespeare's political plays after his inaugural Sheffield Theatres production of Julius Caesar. Coriolanus will play from 6 to 28 March.

Additional co-productions include Everybody's Got to Leave Sometime with Dante or Die and playing in May 2020 and This is What She Said to Me with Utopia Theatre, conceived and directed by Moji Elufowoju and written by Oladipo Agboluaje. This is What She Said to Me plays from 18 June to 4 July.

As previously announced, the theatre play host to a new production of Oliver Twist, in a co-production with Leeds Playhouse and Ramps on the Moon and one of two plays in the season by Lavery. Amy Leach will direct the show, which plays from 13 to 23 May.

Completing the season is Justin Martin's production of Oscar and the Pink Lady by Lavery, adapted from the novel by ric-Emmanuel Schmitt. The show will run from 26 June to 18 July and is directed by Justin Martin.

Artistic director Hastie said of the season: "Next season sees us continue this commitment to new writing with four world premires across our stages Run Sister Run, Here's What She Said To Me, Oscar and the Pink Lady and Everybody's Got to Leave Sometime. Three are by British writers whose heart and humour leap off the page, and one co-created with Sheffield People's Theatre, our company of Sheffield citizens whose determination to break new ground with every project is inspirational.

"We compliment the new, with one of Shakespeare's greatest plays Coriolanus, and a society in turmoil. The old ways are being challenged by a new breed of political player, and caught in the middle is a famous soldier whose ambition clashes with his contempt for the people he wants to lead. Beginning my tenure at Sheffield by directing Julius Caesar showed me the power of big Roman plays in the Crucible's forum-like auditorium. It's a public stage for big ideas and bold performers, and I'm thrilled to be working with Tom Bateman on Coriolanus as he returns to the stage to play the title role."

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Sheffield Theatres 2020 season to include Tom Bateman and four world premieres - WhatsOnStage.com

Powers Of X: 10 Things Fans Should Know About The X-Men 100 Years In The Future – CBR – Comic Book Resources

Jonathan Hickman'sHouse of X/Powers of X event has been reshaping the X-Men and their place in the Marvel Universe, as the line heads towards the "Dawn of X" relaunch. To do this, each issue released weekly has been telling an oddly linear non-linear story that takes place across different timelinesduringdifferent time periods withinthose timelines.

RELATED: House Of X: The Most Important Moment In Each Of Moira MacTaggerts 10 Lives

Thanks to the newly-revealed abilities of Moira X, she has had lifetimes tosee if and how the mutant race can survive. So far, sadly, the answer she's found is that they can't survive. This was shown perfectly by the brief look at the X-Men from 100 years in the future, which revealed some interesting information about the team, Moira, and their place in the Dawn of X.

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Technically, we've seen what the X-Men might look like a hundred years in the future already, when Marvel launched their2099 line of comics. This series introduced new characters based on present-day heroes, as they existed about a hundred years in the future.

The X-Men 2099 were mutants who followed in the same footsteps as Xavier, though their members were not connected to the present-day team beyond serving as inspirations. With the 2099 characters set for a return in upcoming Marvel storylines, it seemed important to specify that these are different X-Men from the future.

Given that this team of X-Men appears 100 years in the future, it would be nice to think that they are flourishing and co-existing with humanity in Xavier's dream utopia. Unfortunately, that isn't the case. Earth has been taken over by Nimrod and the Sentinels, who work together with enslaved humans to wipe mutants off the face of the Earth.

RELATED:Powers Of X: 8 Mutants Who Could Be On The Quiet Council Of Krakoa

Theyhave almost succeeded in this mission: the majority of mutantkind escaped to the Shi'ar Empire, while the remains of the X-Men stayed behind to continue the fight. The total population of mutants left on Earth whenreaders were introduced to the X-Men of the future? Eight.

Our first introduction to the X-Men of the future comes during one of their final battles, as a team of familiar but different mutants fight against cybernetically-enhanced humans and Sentinels from the Man-Machine Ascendency.

The mutant known as Rasputin is an amalgamation of mutantgenes from Colossus, Quentin Quire, Shadowcat, X-23, and Unus the Untouchable. Her partner is the pacifist known as Cardinal, who resembles a red-tinged Nightcrawler and is also made from multiple strains of mutant DNA.

The hybrid mutants Rasputin and Cardinal were actually the third attempts at genetically engineering a new race of mutants using thecombined DNA of multiple mutants, and they were known as Chimaera mutants. We saw the beginnings of Sinister's DNA database inPowers of X, whichwas originally requested by Xavier and Magneto.

RELATED:Powers of X: Sinister's 10 Secrets, Explored

As revealed by the additional information included in the issues, following the decliningmutant population and constant threat from humanity, Sinister set up breeding pits on Mars and went about constructing mutant combinations based around military operations. The Man-Machine Ascendency would replicate this process with its less successful HOUND program.

Asteroid K serves as the last bastion of the mutant race on Earth and is a remnant of Krakoa that floats above the Earth in orbit. The remaining X-Men were forced to relocate there after the fall of Krakoa on Earth, which was followed by the destruction of the breeding pits on Mars.

While the majority of the mutant race then left for the safety of Shi'ar space, the X-Men set up shop on the space-bound Krakoa, which is fitting considering that a chunk of Krakoa was hurled into space during the legendaryGiant-SizeX-Men #1, which rebooted the team back in 1975.

While our first introduction to the team is through the Chimaera mutant hybrids, when they reach Asteroid K the remaining mutants are revealed and they include a couple of familiar faces. Leading the team is Wolverine, who appears to have shrunk a bit in his older age but is still the same old Logan.

RELATED: Wolverine Villains Ranked: The 10 Worst That Logan Has Ever Faced

He is joined by the powerful mutant Xorn, whose abilities derive from a singularity that is housed within his head. Joining the present-day members is a Groot-like being that is revealed to be Krakoaand Cypher in a merged state, though his dialogue indicatesthat Cypher is no longer with them.

The team is revealed to be discussing their plans with none other than Apocalypse himself, who (up until this point in the comics) was always more of an enemy than an ally. His role as the leader of this future team of X-Men gave readers a few clues about these characters and their role in the timelines ofHoX/PoX.

The mutants we previously discussed are actually Apocalypse's Four Horseman, along with North, a Chimaera mutant with the abilities of Lorna Dane and Emma Frost. As revealed by the info sheets, Wolverine is War, Xorn is Death, North isPestilenceand Krakoa/Cypher is Famine.

Apocalypse led his Four Horseman on a final mission into the Man-Machine Ascendency's archives, while the Chimaera mutants (and Xorn) distracted Nimrod's forces. Their mission was to locate the date that Nimrod would come online in the past, which proved to be incredibly important given all the sacrifices made.

RELATED:X-Men: Apocalypses 10 Best Horsemen, Ranked

Not only were the Chimaera mutants wiped out when Xorn's mask was removed and his singularity exposed, but Apocalypse and his Horsemen were also taken out by Nimrod. Wolverine was the only survivor to make it back to Asteroid K with the recovered information.

The Chimaera mutants' distraction was simply an attempt to buy Apocalypse and his Horsemen time in the archives. While Rasputin, North, and Xorn were more than eager to fight, Cardinal was genetically cursed with pacifism and usually unable to join in the battle.

However, he revealedthat he had taken a "terminal apocalypse seed" to deal with his usual peaceful nature. Apocalypse has used Death and Life seeds of Celestial origin before, but given his connection to Krakoa and the role the plants are playing inHoX/PoX, we have to wonder what other kinds of seeds the X-Men are using to amp up their powers.

As we previously mentioned, Moira X's mutant abilities allow her to live her life beginning to end multiple times, and she retains the memories from each lifetime. She has spent these lives on various paths that explored the options available to mutant-kind, with each action usually resulting indisastrous consequences for mutants and/or humans.

When the Wolverine of the future escaped back to Krakoa after the X-Men's final mission, he awakened Moira from her stasis, which revealed that this was the version of Moira who had attempted to follow Apocalypse's way to save mutantkind, apparently to no avail. The information about Nimrod's beginning in the past was downloadedby Moira and she was killed by Wolverine, ending her ninth life alongside Apocalypse's X-Men and beginning the timeline ofHouse of X.

NEXT: Claws Out: The 10 Most Savage Things Wolverine Has Ever Done

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NPRs Aarti Shahani tells her familys immigration nightmare in Here We Are – San Francisco Chronicle

Aarti Shahani, NPRs Silicon Valley correspondent, has a new book coming out, Here We Are: American Dreams, American Nightmares. Photo: Michael Short / Special to The Chronicle

Aarti Shahani opens the door to her Oakland home in Fruitvale with a wide smile, asks her 20-year-old nephew Akshay to please keep the noise down as he fires up a blender in the kitchen and then sits down in a comfy chair in the living room with her legs and bare feet tucked casually beneath her.

Its 9/11 today. How fitting, she says.

It does feel like a meaningful coincidence that Shahani, NPRs technology correspondent, whose voice is familiar to public-radio listeners from her on-air interviews with Silicon Valley tech titans, is discussing her new memoir, Here We Are: American Dreams, American Nightmares, on the 18th anniversary of the Sept. 11, 2001, terrorist attacks, a flash point for the United States complicated view of immigrants.

Shahanis heartfelt, galvanizing new book charts the protracted criminal justice nightmare her own immigrant family endured after her father was arrested for mistakenly selling electronics to the infamous Cali cartel in the mid 90s. He suffered under threat of deportation for a decade after that. Shahanis deep, personal commitment to advocating for immigrant rights was profoundly shaped by those events, as well as the unfortunate aftermath of 9/11.

I write in my book about being on the front lines of a history thats really important to remember, and it includes aspects of post-9/11 life in America which were toxic and awful, and which we have to watch out for, like the near-immediate roundups of brown men, Shahani said. But seeing President Obamas tweet this morning about veterans volunteering to clean up Ellis Island, I found myself thinking that this day also reminds us of the sense of unity were capable of, the good things we find in service and in loyalty to each other.

That duality Shahanis abiding love for an adopted countrys inclusive ideals, and her scorn for those ideals being debased through policies that discriminate against immigrants and the poor is at the heart of the provocative book she says she ran away from writing for a number of years.

Here We Are begins in 1981 when 1-year-old Aarti, her two older siblings and her parents, both Indian refugees who had been displaced by the India-Pakistan-Bangladesh partition, arrive with just a few thousand dollars in teeming, multiethnic Flushing, Queens (one of the most diverse tracts of land on the planet), from Morocco, where Shahani was born, to start a new life.

Undocumented at first, the Shahanis received their green cards a few years later, but carving out a new life remained a steep uphill climb. Shahanis mother found work in a bridal sweatshop. Her father, Namdev, an introvert with a head for numbers, resigned himself to manual labor, until he was eventually able to start a wholesale electronics store with his younger brother in Manhattan.

Utopia was so close, Shahani, 39, writes in a chapter describing how that vision fizzled in 1996, the moment she arrived home from high school (she had won a scholarship to the prestigious Brearley School) to find that her father and uncle had been arrested for unwittingly selling watches and calculators to Colombian drug lords.

Led astray by a lawyer who convinced him a trial would be too risky, Shahanis father pleaded guilty to money laundering and was sentenced to eight months at Rikers Island. His conviction, followed by a rapid decline in his health and spirits, transformed teenage Aarti overnight from a brainy 12th-grader focused on Model U.N. and wanting to be supernormal into a tenacious young activist attuned to the injustices of a broken immigration system.

Shahani spent the next 15 years doing everything she could think of writing letters to the judge, speaking out publicly, lobbying Congress to exonerate her father and avert his deportation. In 2002, she founded the nonprofit Families for Freedom to defend other families facing deportation.

I spent my 20s regurgitating legal facts and talking points first time, nonviolent offense, eight-month sentence, the judge said on the record hes paid an inordinate price, et cetera because I was campaigning to make my father stay here, Shahani said. I had that rap down. What I had never explored was, What was it doing to our father-daughter relationship?

Her fathers residency in the U.S. was secure only after he became a U.S. citizen in 2009. He died not long afterward. Shahani herself became a citizen at 21 during the year she took off from the University of Chicago to work on her dads case.

Here We Are is a persuasive critique of the impossibly stacked deck against poor immigrants like Namdev Shahani who are pressured to take plea bargains (Aarti Shahanis explanation of the trial penalty he faced is indispensable), but its also a coming-of-age story of an ambitious, whip-smart daughter getting to know herself better as her Old World father comes into clearer view.

Its about me exploring, how did this guy who was basically a stranger growing up become my best friend in the context of the case that destroyed his life? Shahani said.

In conversation, Shahani is a sharp thinker and articulates with matter-of-fact candor the ins and outs of her fathers prolonged legal jeopardy. But her voice slows and grows quieter when she reflects on the deeper reason she wrote the book: I needed to give him a proper eulogy, she said. I think that he lived an extraordinary life, but the kind of life that often goes uncelebrated.

She admits she put off the idea of writing about her familys painful past for years, out of fear of being engulfed by emotion. But in 2015, after she had transitioned to journalism and moved to the Bay Area (she decided to stay in California following a three-month fellowship at KQED) and started working for NPR, she decided to report New York v. Shahani (her fathers case) like any other assignment.

She dug into the facts and wrote a first draft over the summer of 2017, in the solitude of two separate Buddhist retreats. It felt very, very cathartic, she said.

It also felt like a timely act of resistance to President Trumps anti-immigrant rhetoric.

Following the 2016 election, many Americans were asking themselves, What am I doing for my country besides complaining? Well, Im a writer, and whether or not I wanted to admit it, I had become a person of some privilege, with a megaphone I never could have imagined having. How did I want to use it?

Sharing her familys embattled immigration story became my unique contribution at a moment when people like us, who are the essence of America, are under attack.I believe we have a president who wants to erase the fact of people like me, and its not accurate and its causing harm.I know Im not alone in having a sense that were in ahistoric moment where every voice counts.

Shahani said she hopes that by telling the heartbreaking details of her familys tortuous path to citizenship, shell open readers eyes to the fact that while policy debates put issues into separate buckets, immigration and criminal justice, for instance, our story is proof that theyre all interwoven. Working-class immigrants get caught up in these systems because of the things you dont know, cant access or cant afford.

I hope people read Aartis story and get a much better understanding of what immigrant families really go through, and are able to see how connected and at times arbitrary the criminal and deportation systems are, said Benita Jain, an Oakland attorney for the Immigrant Defense Project whos known Shahani since 2001.

Theres an unfairness to both of those systems that people are often not aware of unless theyre inside it. Aartis never-back-down approach, that she would cross any bridge to keep her dad here, is an inspiration.

Shahani didnt expect to be a journalist (as a young girl, she wanted to be a prosecutor), but has found an obvious talent and satisfaction chronicling Big Techs advances and misdeeds. She has reported on Mark Zuckerbergs congressional testimony, and recently interviewed Microsofts president, Brad Smith, on the need for regulation.

I chose tech as a beat because it felt like a safe distance from everything I had come from, she said, And yet its amazing to me how some of the issues I cover come full circle, for example the protests around companies like Palantir and Google helping with tracking and surveillance tools for the governments immigration enforcement agencies.

Tech reporting also threw into relief forShahanithe double standard of who pays the price in this country, she said. Its just amazing to me that (ousted Uber founder) Travis Kalanick has not been arrested. Reporting on Uber in particular, and Facebook secondarily, has really opened my eyes to how justice works in America. If youre wealthy, at most you face civil penalties. If youre working class, you face criminal penalties.

What impresses me most about Aartis coverage of Silicon Valley is that even when reporting on unhuman technologies, whether big tech or small startups, she manages to always tie her stories back to people, said NPR CEO Jarl Mohn. I didnt know her personal story when I first got to know her, but now that I do from reading her riveting book, I understand how her life experiences deepen her reporting.

Talking with Shahani, who has sharp observations about everything from the jail-to-deportation pipeline and tech industry malfeasance to the shared sense of humor that kept the Shahani family together through dark times, its clear why she describes her outlook on America in Here We Are as rage in the moment and hope in the long term.

I think its funny that Trumps family and mine both come from Queens, she said. We have very different lessons from there, and I would say mine is correct. Growing up, I had the United Nations working-class style. I was constantly being exposed to people from different countries, with different accents. My parents fled the partition of India, Pakistan and Bangladesh because you had Muslims, Hindus and Sikhs killing each other. They moved into a building where those same people were exchanging milk and sugar, and babysitting for each other.

What more can I say?

As for Aartis lanky nephew, Akshay, who finally took his smoothie into his room to give his aunt privacy to talk about her familys saga? Hes her older brother Deepaks son, and he figures into Here We Are too, as an infant caught up in a dramatic residency struggle of his own after his mother kidnapped him to India and, yes, his tenacious aunt Aarti spearheaded working with lawyers in New Jersey and London, even Interpol, to secure his return.

Akshay now lives with his proud aunt and attends college. Hes hardworking, like us, Shahani writes in her books poignant epilogue, Dear Dad.

Life is just fascinating, she said. I think if youre open to what might happen, man, things can really happen.

Aarti Shahani: Author appearance. 7 p.m. Thursday, Oct. 17. Books Inc. 317 Castro St., Mountain View. http://www.bookinc.net

1 p.m. Saturday, Oct. 19. Book Passage. 51 Tamal Vista Blvd., Corte Madera. http://www.bookpassage.com

In conversation with Nellie Bowles. 6:30 p.m. Monday, Oct. 21. The Commonwealth Club. 110 The Embarcadero, Taube Family Auditorium, S.F. http://www.commonwealthclub.org

In conversation with Ezra Klein. 7:30 p.m. Thursday, Nov. 7. The Battery. 717 Battery St. S.F. http://www.thebatterysf.com

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NPRs Aarti Shahani tells her familys immigration nightmare in Here We Are - San Francisco Chronicle

The Far Rights Apocalyptic Literary Canon – The New Republic

Politico has reported recent discussions among White House staff of a self-published, rambling essay called Bronze Age Mindset. The book is a dizzying 198-page treatise, written under the pseudonym of Bronze Age Pervertshorthanded to BAP by his ardent fans. And they are legion. Its a smash hit with the right, and is currently ranked #3 on Amazons bestseller list in Ancient Greek History, and #174 in Humoran inarguably more competitive category.

The authors Twitter presence is a post-post-post-ironic blend of jokey homoerotic photos of bodybuilders and boorish far-right memes. But while BAPs prose is rather artfully penned, Bronze Age Mindsets arguments are fractured and incoherent. Imagine the opinions of Jordan B. Peterson, as expressed by Ayn Rands Superman, in the playful vernacular of Donald Barthelme. The essay nevertheless manages to exert a sneaky power on the reader, despite being so chopped and screwed. BAPs introduction to the book is an incantation of sorts, the haunting final sentence of which ends without a terminal period; a detail that is unlikely to have been omitted by mistake:

I want to prepare you to receive this old spiritold spirits are moving from behind the reeds... the silhouette shimmers against a river in late summer, and I see already men who know how to honor such uncanny old friends. May they inhabit us again and give us strength to purify this world of refuse

The far-right literary oeuvre provides ample opportunities for such spirits to be conjured. In the years since Trumps election, one particular workGerald James McManuss 2001 political thriller Dark Millennium: A Visionary Talehas felt eerily prescient. Its protagonist, U.S. President Alexander McGrail, is presented as both a hero and a beloved villain. Hes a narcissistic sociopath and a racist. He treats women badly. He betrays trusted allies. As the story progresses, he enlists a top military officer, General Brandt, to help him put a diabolical secret plan into action: Together they fake a terrorist attack that kills every Democrat in Congress. McGrail blames Muslim extremists for the tragedy, but the press doesnt buy his explanation. Their offices are thus raided and the media is eventually shut down completely. Then, as is the case in many of these authors fantasy scenarios, things spiral into race war.

Incited by the medias accusations against the president, Americas black ghettos ran red with blood and flame. Uprisings broke out first in the eastern cities. ... In Manhattan, Brandt oversaw the execution of thirty thousand captured blacks. They were dragged kicking and screaming to the edge of a huge pit that was dug out of Central Park. Some blacks demanded their rights, most begged for mercy, but they were all thrown into the pit and remorselessly machine-gunned by Brandts men.

The violence spreads throughout the country as McGrails America systematically murders all people of color, feminists, socialists, and, of course, Jews. The story ends years into a future wherein McManuss fictional leader is, despite his personal flaws, venerated as the herofounder of a pure and enduring whites-only ethno-utopia.

The point is not to say that the harrowing plot of Dark Millenniumis about to come true. It is, rather, to acknowledge that there exists a broad, far-right subculture, which is actively posting, plotting, and praying that it will. Charlottesville was an attempt to galvanize this very movement. Its organizers sought to Unite the Right, and bring together the various outlier factionsmens groups, paleo-libertarians, sovereign citizens, and the likethat constitute the nebulous Alt Right and Alt Light. Instead, things quickly devolved into hooliganism, as the same old clowns rolled up, united only by the same old hatreds of the same old groups that have been targeted for decades, as codified in books like The Turner Diaries, The Camp of the Saints, and Dark Millennium: people of color, feminists, socialists, and Jews.

Despite this movements failure in Virginia, the right has since become increasingly unified online, emboldened by evidence of their influence on Trump, and a mounting sense that they are gearing up for something big. The neo-Nazi website The Daily Stormer recently featured a homepage header image of cartoon machine guns circling the Constitution. The sites publisher, Andrew Anglin, posts multiple times daily, revving up his followers, and has called for a soon-to-come age of ultraviolence, followed by a forceful solicitation of compliance with leadership:

There will be leaders. You need to be prepared to recognize them for who they are, and you need to be prepared to do whatever they tell you to do, exactly as they tell you to do it. You are going to be required to do things that you cannot possibly imagine yourself doing right now. And if you do not do these things, you will die.

If Donald Trump loses the presidency next fall, we all know hell tweet up a storm on election nightrailing against the corrupt media, decrying rigged elections, shrieking about socialism. But then what? What if he takes it to the next level and calls for violence or declares martial law? One hopes that those to whom we entrust the power of state violencecops, soldiers, spieswould keep the oaths of a constitutional order. Or, might they instead take us down a new path; a darker one, snaking though clearings felled by norm-breakers like Mitch McConnell and Devin Nunes: hearkening to the paeans to the great replacement of Tucker Carlson, the fragmented agitations of BAP, or the fascist violence of Andrew Anglin? All of these folktales could quickly come into competition, with the winner determining whether or not a Trumpian crie de guerrewill accomplish what Charlottesville could not: calling the lone wolves to the hunt, bolstered by a newly-unified army of Bronze Age Mindsetsuncanny old friends.

What if the next Democratic debate kicked off with this question from the moderators: Senator Warren, lets say you win the election in a narrow victory. Rather than concede, President Donald Trump goes on live television and whips his crowd into a frenzy, exclaiming, Theyre trying to steal the presidency from us! The time is now! Rise up and fight! How would you, as president-elect, respond?

The Beltway set may yet believe this question to be crazy. But in Trumps Americawhere Greenland is for sale, weather is changed with the swish of a Sharpie, and tanks roll down Pennsylvania Avenue on July 4they should know that crazy people are seriously contemplating these questions, and looking to the books theyve spent a lifetime reading and sharing for prophecy, if not instructions. We so-called normies must be prepared to answer.

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The Far Rights Apocalyptic Literary Canon - The New Republic

The best recent SF, fantasy and horror review roundup – The Guardian

In Lois Murphys atmospheric debut, Soon (Titan, 7.99), something very strange is happening in the remote Western Australia township of Nebulah. It was once a thriving mining town, but now its population has been reduced to 500. One day a convoy of grey vehicles arrives, only to mysteriously vanish. They are followed by a creeping mist haunted by the ghosts of the towns dead; citizens who venture outside in darkness are taken by the mist, never to be seen again. Soon the population of Nebulah stands at a mere six benighted souls, the derelict and downtrodden, who have their own reasons to remain. Narrated by Pete McIntosh, a flawed but likable washed-up ex-cop, this story of low-key horror and creeping paranoia follows the fate of the last half dozen to its devastating climax. Winner of the prestigious Australian Aurealis award for the best horror novel of 2017, Soon is a penetrating psychological study of desperate characters existing on the edge of society, and their struggle to retain a semblance of humanity in the face of an unknown terror.

In Kassandra Montags first novel, After the Flood (Borough, 12.99), its the year 2130 and global heating has taken its inevitable toll. Rising sea levels have inundated the continents and what was once the US is now a string of small islands. Some survivors eke out a subsistence living on land, while others have taken to the seas, where life is even more precarious. Myra and her daughter Pearl are among the latter, trading the fish they catch while attempting to avoid pirates, who treat women like cattle. Seven years earlier, Myras husband abducted her younger daughter Rowena, and Myras life since then has been a constant, heartbreaking search for the girl. When Myra hears a rumour that Rowena might be living in remote Greenland, she persuades a ships captain to take her on the long voyage north. Montag balances graphically rendered set-piece adventures with a moving account of a mothers love as Myra, resilient yet vulnerable, faces triumphs and setbacks on her perilous quest to reclaim her daughter. By turns bleak and uplifting, this is a refreshingly original take on the dystopian post-apocalyptic subgenre.

Alex Stern, protagonist of Ninth House (Gollancz, 16.99), Leigh Bardugos first novel for adults, is not your average Yale student. The wayward daughter of LA hippies, Alex is a vulnerable high-school drop-out with a history of drug abuse. She also possesses unique supernatural abilities, which is why she was offered a place at the university. Alex becomes one of the guardians of Lethe House, a secret society monitoring the dark goings-on in the eight other Houses, which are run by a privileged elite inclined to occult excess. When a student is murdered, she uncovers a web of terror and abuse. Ninth House is a timely exploration of the use and abuse of power and a gut-churning thriller that pulls no punches, with a strong female lead and a headlong plot.

In the first book of the Salvation series, Peter F Hamilton introduced a large cast scattered across a sprawling galaxy-wide utopia threatened by an enigmatic alien race. In Salvation Lost (Macmillan, 20), he ratchets up the tension and splits the narrative between the 23rd century and the far future. We follow many characters from volume one, as well as a host of new faces, as the human race joins forces with benevolent extraterrestrials, the Nena, and works to save itself from the malign Olyix, who are intent on harvesting Homo sapiens as offerings to their god. Hamilton excels at interweaving the narratives of multiple viewpoint characters without once relaxing narrative impetus, combining time-lines to great dramatic effect and telling a tense hi-tech story that never loses sight of the human element. Best read after the opening volume, Salvation Lost is action-oriented hardcore science fiction at its page-turning best.

Loosely based on the killings of a mother and daughter accused of witchcraft, Clay McLeod Chapmans The Remaking (Quirk, 9.99) retells and recasts the real events in a series of connected episodes. When Ella Louise Ford and her daughter Jessica were burned as witches in Pilots Creek, Virginia, in 1931, the murders and the stories of the subsequent ghostly hauntings echoed down the years. In 1971 the story is made into a low-budget horror film starring nine-year-old Amber Pendleton in the part of Jessica, a role that will haunt her for the rest of her life. In 1995 the original film is remade, with a washed-up, drug-addicted Amber this time playing the part of Jessicas mother. The story jumps to 2016, when the director of a podcast travels to Pilots Creek to track down Amber and investigate the events of 1931. Chapman uses an array of narrative techniques in an ambitious mosaic novel exploring the power of urban myth and superstition.

Eric Browns latest novel is Murder Served Cold (Severn House).

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The best recent SF, fantasy and horror review roundup - The Guardian

He fell in love with Oz – The Age

Santa Cruz was an epitome of the lavish optimism and creativity of the times and attracted international attention. Ray found it permanently liberating. He played major roles in Santa Cruzs attempt to build an academic utopia among the redwoods, emulating the best of Oxbridge, creating a college system which sought out talent and held it to high standards, and emphasising inter-disciplinary studies.

But Santa Cruz soon encountered the darker side of the 60s escalating frenzy and violence from both left and right. With Ronald Reagan as new governor of California, suppressing academic meetings and civil liberties, and Richard Nixon as new president of the US, threatening worse oppression, America lost its charm, and Ray undertook a new adventure in the department of politics of the young Monash University, in Australia, the home of his exceedingly homesick then wife.

Professor Nichols.

The move failed to save his marriage, but as Ray put it, he fell in love with Oz, and became an Australian citizen.

Experiencing Monashs enormous expansion, he defended the pre-eminence of undergraduate education, faced down efforts to impose behaviourism and to dilute standards, and championed new academic enterprises and greater academic self-government.

In addition to running the department, he directed its honours program throughout his years at Monash, was much involved in faculty governance, was vice-president of the academic union and ran the universitys first general strike, broadcast frequently on the ABC and Radio Singapore, served as a consultant to various government operations, and led community action groups in Carlton and the eastern suburbs, blocking inappropriate development and becoming increasingly involved in green causes.

He was a celebrated lecturer, but most relished the spontaneous cut and thrust of seminars. His greatest joy was seeing his students become independent. He was distinguished by his scholarly works on political action, ideology, and language, with frequent reference to France and America.

He negotiated early retirement from Monash when he couldnt stop staff cuts and forced mergers of departments.

Ray was both an idealist and an ironist. He was a committed secular humanist and democrat but declined to embrace any grand ideology. He opposed instrumentalism (domination by means/end efficiency) and post-modernism (logocentric relativism), as threats to political progress and intellectual rigour.

He was dismayed by the rise of right-wing irrationality in America and infuriated by intellectual laziness and parochialism everywhere. He was convinced that political calamities were largely because most people dont think much about most things.

He believed passionately in education, participation, and intellectual leadership and that the parlous nature of organised intellectual life made its defence all the more essential. His numerous long-time friends, many of them former students, are some tribute to those beliefs.

Ray was a member of Melbournes Boobooks and of Trinitys William Pitt Society and a life member of the Oxford Union.

He is survived by his beloved wife his partner of three decades the painter and illustrator Francisca (Sisca) Verwoert.

Paul Verwoert was Ray Nichol's student at Monash University, studying politics.

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He fell in love with Oz - The Age

Arts This Week: The New Peabody Essex Museum, ‘Nixon’s Nixon,’ And ‘David Byrne’s American Utopia’ – wgbh.org

This week, Jared Bowen takes us to the new Peabody Essex Museum, reviews Nixons Nixon at New Repertory Theatre, and breaks down the pre-Broadway run of David Byrnes American Utopia.

The Peabody Essex Museum opens a new wing and garden to the public with free admission on Sept. 28 and 29.

Aislinn Weidele, courtesy of the Peabody Essex Museum

The Peabody Essex Museum is expanding its footprint in Salem with a new, 40,000 square foot wing and 5,000 square foot garden. The new wing features three floors of dedicated gallery space highlighting the museum's permanent collections in maritime art, Asian export art, and fashion and design. Outside, a new garden gives viewers the chance to experience local and imported plants as well as a confluence fountain that flows through the center of the garden.

It's a whole new adventure, says Peabody Essex Curator Lynda Hartigan. It's an opportunity for the museum to share the incredible richness of its many facets of its collection. The museum opens its new wing to the public on Sept. 28 and 29. Admission is free for the day.

Nixons Nixon, presented by New Repertory Theatre through Oct. 6

Andrew Brilliant/Brilliant Pictures, courtesy of New Repertory Theatre

Spend a boozy night at the White House in New Repertory Theatres Nixons Nixon. The play takes place on the eve of President Richard Nixons resignation when he invites his Secretary of State, Henry Kissinger, to the White House for a closed-door meeting. The details of which have never been revealed, but here theyre imagined by playwright Russell Lees. Written in 1996, Nixons Nixon paints a humorous and compelling picture of a moment in history that feels more resonant today than ever before.

When you have those momentous times, Lees said, that's when character comes out when your innermost, deepest feelings and thoughts and concerns will rise to the surface.

Here youll find two of Bostons most esteemed actors taking the stage, says Jared. Jeremiah Kissel as Nixon delivers a ferocious performance finding the wild incomprehension of a trapped political animal.

David Byrnes American Utopia, presented at the Emerson Colonial Theatre through Sept. 28

Matthew Murphy, courtesy of Emerson Colonial Theatre

The Emerson Colonial Theatre hosts the pre-Broadway run of David Byrnes American Utopia. As frontman of the band Talking Heads and creator of the rock musical Here Lies Love, David Byrne is known for his innovative music projects. In his new stage show David Byrnes American Utopia, Byrne strips away the conventional clutter of a musical performance by removing everything from the stage but the musicians themselves, who perform new songs alongside Byrnes classic hits all while barefoot.

Beautiful, intellectual and moving, David Byrnes American Utopia is all that youd anticipate from the brilliant Byrne, says Jared. And as the title might suggest, theres an abundance of sheer joy here, too.

Making plans to see the new Peabody Essex Museum? Tell Jared about it on Facebook or Twitter!

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Arts This Week: The New Peabody Essex Museum, 'Nixon's Nixon,' And 'David Byrne's American Utopia' - wgbh.org

Why the left’s belief in a Swedish ‘utopia’ is based on a lie – New York Post

When Elisabeth Asbrink invites you to visit her in Stockholm, Sweden, be sure to wear your very best socks.

I hate it when people walk into my home in their shoes. In that way I am extremely Swedish, she said. We find it very, very rude.

Removing your shoes before entering a home is a universal norm in Sweden, Asbrink says but not a lesson her immigrant parents, born in Budapest and London, ever taught her.

When they went to the homes of colleagues and friends they would dress up, then had to have dinner in their socks. Which they found very strange, Asbrink recalled. They believed that it was an old tradition, from when Sweden was a peasant country full of earth and mud.

They were wrong, as Asbrink, an acclaimed journalist, learned years later.

In Made in Sweden (Scribe), out Tuesday, Asbrink explains the awkward truth: Swedens no-shoes rule is not a quaint custom carried to the city from Swedens farms but the lingering effect of an edict handed down by its all-encompassing welfare state.

In the 1930s, one of the first things the welfare state organized was housing, Asbrink told The Post. These were tax-paid flats, and the state wanted to control the inhabitants. So they had inspectors and actually sent them into peoples homes.

The government issued extensive, exacting rules of conduct, cleanliness and behavior for its agents to enforce.

The residents had to open the windows at certain times of the day. Everyone had to take a bath once a week, Asbrink said. And they were required to take their shoes off indoors.

Anyone who refused to comply could be evicted.

That quirky facet of everyday Swedish life did not rise naturally from the people at all, Asbrink said. It came from the state wanting to train them.

Its a telling glimpse of the regimentation and conformity lurking beneath the shiny surface of Swedens apparent utopia, a society that represents the highest hopes of the American left.

Sen. Bernie Sanders and Rep. Alexandria Ocasio-Cortez have heaped praise on Sweden as the political system of their dreams. They point to its cradle-to-grave welfare state as the source of a comfortable yet egalitarian way of life that Americans, they insist, should be clamoring to copy.

We want to model our socialist policies off of European countries, Ocasio-Cortez told Anderson Cooper in January. What we have in mind and what my policies most closely resemble are what we see in the UK, in Norway, in Finland, in Sweden.

Not so fast, says Asbrink, who was born and raised in Gothenburg, Swedens second-largest city. Her deep dive into the Swedish national character reveals a dark undercurrent threading through Swedens social paradise.

Sweden has a very strong self-image of being a good country, Asbrink said. Its in the tradition of Sweden to put itself forth as a moral role model.

For more than a century, that moral imperative has driven Swedes from philanthropist Alfred Nobel to diplomat Olof Palme to teen climate activist Greta Thunberg to lecture the world on peace, justice and progress.

Of course its a lie, Asbrink said. But its at the foundation of a lot of our political decisions.

To maintain their notion of national goodness, Swedes turn a blind eye to the more disturbing elements of their history, Asbrink writes.

They dont discuss the 63,000 of their fellow citizens who were forcibly sterilized, right up until 1976, to keep the welfare system free of children who might inherit mental or physical disabilities. As soon as welfare is based on all citizens contributing, Asbrink writes, those who are not considered contributors become a problem.

Swedes also suppress the memory of their nations willing collaboration with Nazi Germany during most of World War II even while technically maintaining neutrality.

Sweden managed to maneuver itself through the war without officially taking sides, Asbrink said. So all the people in Sweden who wanted Hitler to win and there were many of them never had to deal with the consequences or the stigma that collaborators in the occupied countries received.

That meant even members of the Swedish Nazi party, including IKEA founder Ingvar Kamprad, could remain unrepentant.

That ideology went below, like a submarine, but was never really dealt with, Asbrink said. In the 1980s, some of the former fascists helped form the Sweden Democrats, now the nations third-largest political party and the focal point of its anti-immigration movement.

The other pillar of Swedens national character is lagom, or doing things according to the law, as Asbrink translates the concept.

They tend to idealize Sweden ... But theyre thinking of the Sweden of 1983.

We Swedes like order, she said. We like to direct how to do things, and then we like to stick to it. Its deeply integrated into Swedish mentality and culture: Each person stays in their place, and no one gets ahead of anyone else.

Those twin concepts the relentless sense of national goodness, the strict sense of national order form the spine of Swedens welfare state. But maintaining them comes at a cost.

Nowhere else has the direct link between individual and state evolved as far as in Sweden, Asbrink writes.

You dont expect your family or relatives or friends or charity organizations to help if you become vulnerable, she said. You expect the state to help you. Swedish parents have no obligation to their children once they turn 18. The elderly turn to the state rather than their adult offspring for support.

This of course means freedom from family bonds or ties, Asbrink said. But it also means isolation. People feel lonely. There is a built-in depression that comes with this deal with the state.

From the 1950s through the 1970s, that translated into some of the developed worlds highest suicide rates and had a noticeable impact on Swedens artists.

Our dark side can be seen in our culture, in our films and books, Asbrink said. Ingmar Bergmans The Seventh Seal, featuring a black-robed, chess-playing Death, and the cynical Scandi noir genre of crime fiction which later gave rise to The Girl with the Dragon Tattoo and its sequels captured the depths of Swedish dysphoria.

Alcohol offers a traditional escape from the emotional pall. But even Swedens drinking culture is constrained.

The habit here is to drink on the weekend and not at all during working days. But then when you do drink, to drink a lot, Asbrink said.

Dropping their everyday mask of lagom requires a kind of transformation. To do it, Swedes flash a universal signal: They sing the first few lines of Helan Gar, a 19th-century drinking song that translates as Heres the first and whose very lyrics herald a binge in the offing.

A party is not properly Swedish without it, Asbrink said.

The ubiquitous Helan gar has been Swedens unofficial anthem for decades. In 1957, the national ice-hockey team famously sang it on the medal podium after they pulled off a shocking World Cup victory over the Soviet Union.

If you find two Swedes in any part of the world, they will happily sing it for you, Asbrink says.

The shared heritage of this simple tune helped form the connective tissue that the Swedish state relied on as its social safety net grew. But over time and under pressure, even those bonds can begin to fray.

The Sweden that Americas democratic socialists want to emulate, in fact, no longer exists.

I think they tend to idealize Sweden. Swedes do that as well. But theyre thinking of the Sweden of 1983, Asbrink said. In terms of economic equality, that was the year when income differences were as low as they have ever been. Our politicians in the last 25 years have actually chosen to make those differences bigger.

A host of incremental changes, beginning in the early 1990s during a painful recession that shrank tax revenue while increasing demand for social services, have had a revolutionary effect, she explained. In Swedens cities, new rules shifted the housing balance away from rental units which had encouraged economically mixed neighborhoods toward condominiums, pushing low-income residents out to the suburbs in a major population shift.

Services that once were state-run, from pharmacies to postal deliveries, have been privatized. With the introduction of private schools, Swedens children no longer share the same educational opportunities. A public medical system plagued by long wait times convinced many employers to begin offering private health insurance to their workers.

Along with those gradual shifts, a steep increase in immigration since 2011, fueled by hundreds of thousands of Syrian and African refugees, has tested the limits of Swedish generosity. The rise of populist and nationalist political parties since 2014 reflects that continuing unrest.

Swedes have become more individualistic, she said. They dont say we anymore they say I, they say me.

Altogether, it means that equality here is not what it used to be.

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Why the left's belief in a Swedish 'utopia' is based on a lie - New York Post

Premiere Week Ratings Lows and TV’s New Normal – Hollywood Reporter

Same-day Nielsen ratings for network series have fallen precipitously in the past five years, and delayed and multiplatform viewing isn't likely to get all of those losses back.

Here is a partial list of shows that have had their lowest-rated season premieres in the past couple of weeks: Modern Family, The Good Doctor, Young Sheldon, Law & Order: SVU, Empire, NCIS: New Orleans, American Horror Story. It would be no surprise to see the likes of The Flash and The Walking Dead join that group when they open their seasons in early October.

Ad-supported TV is swimming against a years-long tide of declining viewership, coupled with an explosion of other places to watch programming everything from Netflix to Twitch.

On top of that, networks are adapting to the changing landscape by trying to reach viewers via their own apps and digital platforms, which makes it awfully easy for a viewer to miss an episode when it airs, forget to set the DVR and still be able to catch up.

As a result of all those changes, same-day Nielsen ratings the numbers that are released every morning have fallen precipitously in recent years. Some of that audience has in fact migrated to delayed viewing or other platforms, but some of it is just gone.

The Hollywood Reporter looked at the premiere weeks of three recent seasons: 2014-15, 2017-18 and this week, which kicked off the 2019-20 season. The linear audience, still pretty strong in 2014, is now quite small.

In the first week of the 2014-15 season, primetime shows on the big four broadcast networks (excluding sports and news programs) averaged a 2.3 rating among adults 18-49 and about 8.75 million viewers. Only two shows a pair of episodes from Fox's soon-to-be abandoned reality series Utopia fell below a 1.0 in the 18-49 demographic, and The Big Bang Theory's season premiere topped the rankings with a 5.5.

Three years later, the audience erosion was pretty significant: 18-49 ratings were down to 1.5, a drop of 35 percent from 2014, while the total-viewer average fell 23 percent to 6.77 million. The week's top entertainment show, again CBS' Big Bang Theory, posted a 4.1 in adults 18-49

Through Thursday, the premiere-week averages for 2019 were down to 1.0 and 5.51 million viewers, declines of 33 percent and 19 percent from just two years ago. With Big Bang Theory no longer airing, Fox's The Masked Singer claimed the No. 1 spot among adults 18-49, albeit with just a 2.5 rating.

Since 2014, then, the average adults 18-49 rating for a premiere-week show has fallen by more than half. Total viewers has fallen by 37 percent.

(Yes, there are a couple cable shows name-checked in the list above, too. Ad-supported cable is on a similar trajectory: American Horror Story premiered to a 3.1 in adults 18-49 in 2014, a 2.0 in 2017 and a 1.0 on Sept. 18. Since 2017, The Walking Dead's on-air ratings have come down by almost two-thirds.)

Broadcasters will recoup some of those losses through delayed viewing; if patterns from last season hold, the 18-49 average for this week's shows will come up by about 60 percent with seven days of DVR and on-demand playback. Multiplatform viewing is also a good-sized part of the picture. NBC's Superstore and The Good Place, both of which pull mediocre numbers on air, last season more than doubled their 18-49 ratings after a week (with digital platforms included).

But even with a 60 percent bump in adults 18-49 over seven days, this year's premiere-week slate only would only barely move ahead of the same-day ratings from two years ago. That's not going to be tenable for a whole lot longer.

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Premiere Week Ratings Lows and TV's New Normal - Hollywood Reporter

OPINION: Republicans Report On the proposal to arm eligible academics – The New Political

Aaron Reining is a senior double majoring in history and political science. The following article reflects the opinion and views of the author and does not present the thoughts of the Ohio University College Republicans.

The state of crime in Athens is enough to warrant concern to anyone. The right to individually possess and bear arms is the traditional deterrence against those who would threaten harm to our community.

For example, one of the major issues that the student body has routinely drawn attention to is violence and sexual assault on and around campus. Recent crime statistics data provided by the 2018 Clery Act Annual Security Report for Ohio University show the somber state of reported assaults. Beyond those cited instances, it is indicated that there are additional cases that go unreported.

The comparative rate of crime is lower on college campuses, like Ohio U, compared to the national average of reported crimes. A study done by Mark Gius, a professor at Quinnipiac University who has done research in public policies from abortion to gun control, proved little correlation between permitting concealed carry on campus to increased crime rates. So permitting individuals to carry does not increase risk but instead offers a safeguard against future assaults.

The concern for the public as well as individual safety is not a partisan issue. Instead, it helps bulwark against continued attacks and should be heavily considered in respect to all those who deserve their right to defense.

There remains a constitutional right to bear arms and defend oneself in the face of danger. As such, students and faculty of higher learning should be granted the merit they deserve as other respectable citizens who freely carry off-campus.

From their position as burgeoning community leaders and respectable professionals throughout all fields, academics over the age of 21 should be qualified to obey and defend the laws and standards that bind them to their academic institutions. Therefore, as is the case in many colleges across the country, Ohio U should allow and advocate for concealed carry permits on campus for the common defense of its student body and faculty.

Across the nation, 10 states have already passed campus-based legislation which allows students, faculty and staff to carry concealed firearms. Typically these permits are only accessible to those who are 21 or older. In some states, public universities are required to allow these permits, and in others like Arkansas, public universities are individually granted the option on whether or not to permit licensure on campus.

With recent gun-related national tragedies, many have argued for continued restrictions on owning firearms. However, it is profoundly problematic that some people who are running for office desire a future in which most guns are not available to the public. Criminals who disobey the law will still carry a gun, illegal or not.

Alarmingly, the independent socialist candidate running for mayor in Athens, Damon Krane, recently voiced support for disarming the police. Athens is on the precipice of becoming a haven for criminals and thugs who can just shove the police aside and commit crimes whenever they want, without fear of consequences.

If you believe in your God-given rights, consider bearing arms and evening the odds in any potential circumstances of danger. We do not yet dwell in a utopia and humanity will never fully be peaceful and docile. To those of Athens who dread walking home at night under the cover of darkness, the constitution ordains the right to carry and be free from fear, if people will stand up for it.

This is a submitted column, and please note that these views and opinions do not reflect those of The New Political.

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OPINION: Republicans Report On the proposal to arm eligible academics - The New Political

Time After Time Is More Timeless Than You Think – Gizmodo

The futures not a utopia after all, Mr. Wells.Image: Warner Bros.

Released September 28, 1979, sci-fi romance-slash-crime drama Time After Time has a lot of elements that feel quite dated when you watch it today, including some very primitive special effects. But its chilling underlying message still rings trueand its cornier parts make it fun to revisit.

In Victorian London, an eccentric gentleman named H.G. Wells (Malcolm McDowell), still a few years away from becoming the famous author we all know him to be, hosts a dinner to unveil his new invention: a time machine. Most of the assembled group (dressed in stuffy waistcoats with pocket watches, and given to saying things like Balderdash! and calling each other Old sport!) dont know what to make of the devicebut one among the party, Dr. John Leslie Stevenson (a pre-Time Bandits and Tron David Warner), seizes the opportunity to use it as an escape route when Scotland Yard arrives to arrest him for being Jack the Ripper.

Thats a hell of a build-up, and it doesnt stop there.

Time After Time leaps into 1979 San Francisco with Wells in pursuit of Stevensonsomeone he once thought was just condescending and really good at chess, but now realizes is a sadistic murderer. Even worse, hes a sadistic murderer who has appropriated Wells invention (which Wells originally constructed as a way to visit what he assumed would be a utopian future) to commit more horrific crimes without consequence.

Everyone wants a personal time travel device, but with so many different devices to choose from,

Despite what sounds like a pulse-pounding plot, Time After Time is not what Id call an action movie. Its not a time-travel thriller like Timecop, noris it trying to build a Terminator-style complex mythology. Instead, the stakes feel very contained and personal. But while Marty McFly, another unwitting time traveler, could at least recognize the past he visits in Back to the Future, Wells Time After Time journey plops him into a 20th-century world where everything is unknown. That includes whatever historical milestones hes totally skipped over, as well as advancements in technology and the evolution of culture. He also has no way of predicting or preventing whatever awful thing his former friend is going to do next.

Thanks to the way the time machine worksit requires the use of a special key to prevent it from returning to its point of origin, which Jack the Ripper fails to grab before he peaces out of 1890s LondonWells at least knows where and when to start his search. Why San Francisco? Well, thats where an H.G. Wells museum exhibit containing the time machine is on display, so thats where Wells turns up, to the shock of onlookers (including a very young but unmistakable Corey Feldman).

Truth be told, if Time After Time had just been an entire movie of Wells fumbling around San Francisco, discovering things that both shock (cars, airplanes, telephones, the need for a personal ID) and delight (McDonalds French fries!) him, that wouldve been OK with me. Part of that might be down to the fact that Ive lived in San Francisco for over half my life, and its pretty incredible to see whats changed and whats stayed the same since 1979, since much of Time After Time makes use of real locations around the city. It even throws in offhand references to Bullitt and Vertigo, two of San Franciscos most famous cinematic showcases.

Star Trek isnt really known as a comedy, and on its face, neither is The Voyage Home. Its about

Speaking of movies set in San Francisco, theres a very good reason the early part of the movie feels a lot like Star Trek IV: The Voyage Home. Time After Time director Nicholas Meyer, who adapted his script from Karl Alexanders work-in-progress novel, also co-wrote Leonard Nimoys 1986 entry in the big-screen Trek series. Specifically, he penned the modern day San Francisco scenes, and while theres no Time After Time scene to rival Spock nerve-pinching an obnoxious punk kid, we do see Wells trying to sell antiques hes brought through time with him to raise funds for his detective work, much like Kirk does in The Voyage Home.

Ultimately, his old-fashioned awkwardness serves him well when it endears him to staunchly modern gal Amy (Mary Steenburgen, whose quirky performance injects an off-kilter energy into the proceedings), the free-spirited bank employee who becomes entangled in his quest. After the two fall in love (fun fact: McDowell and Steenburgen met on the movie and were married for 10 years after), she inevitably catches the Rippers eye when Wells and his nemesis cross paths again.

Now that a Star Trek movie is #1 at the box office again, everybody's looking back at the

After the success of Time After Time, his directorial debut, Meyer went on to direct 1982's Star Trek II: The Wrath of Khan and 1991's Star Trek VI: The Undiscovered Country. But Time After Time came after Meyer scored a scriptwriting Oscar nom for 1976 Sherlock Holmes tale The Seven-Per-Cent Solution, based on his own novel about the Sir Arthur Conan Doyle characters struggles with cocaine addiction. Holmes gets a shout-out in Time After Time, a project representing the ultimate combo of Meyers twin passions for period intrigue and sci-fi, as seen throughout his careerjust look at his more recent writing credits, which include History Channel miniseries Houdini and the first season of Star Trek: Discovery.

While certain aspects of Time After Time are fairly ridiculous in 2019the time machines trippy journeys look like someone just slapped a prismatic Instagram filter over the film, and the scripts earnest attempts at championing womens lib now come off as cringe-worthyits critical take on humankinds lust for violence still hits its mark. Jack the Ripper is delighted to realize hes not the sickest ticket running around in 1979, not by a long shot. In fact, he blends right in amid all the war, mass murder, civil unrest, serial killers, stores peddling guns, ultraviolent entertainment (when Wells and Amy take in a movie, its the fictional Exorcist IV), you name it.

When Jack picks up where he left off in Whitechapel and starts slicing up sex workers anew, the jaded San Francisco homicide cops just sigh and mutter, First the Zodiac, now this. Its not the utopia Wells was so sure hed find in the future; its a grim reality check about the horrors that people can and will carry out, and it feels just as true today as it did 40 years ago. We suck, for the most part...but at least there are a few kind souls, like Amy for instance, whore doing their best to keep a certain amount of goodness in circulation.

The tale of Time After Time enjoyed a brief revival thanks to a 2017 TV adaptation based on Alexanders novel, but the series, which globbed a more convoluted storyline onto that already bonkers initial premise, failed to catch on like the movie did and was canceled after just five episodes. No matterif you want to see Jack the Ripper stalking prey at a disco, or H.G. Wells sampling fast food for the first time, the mostly silly but occasionally sobering Time After Time has long since cemented its weird little corner in history.

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Time After Time Is More Timeless Than You Think - Gizmodo

Matt Collins: The next trend in digital? It’s not coming – Third Sector

If I speak at a conference and do a Q&A session at the end, theres one question that always gets asked: "Whats the next big trend in digital?"

The world this casual question comes from looks like this.

We come back to work after the Christmas break. We open our favourite charity digital news sources and find that theres a fun new trend in the sector. Hes a fun little virtual robot Twitter user. Lets call him Trendo.

Trendo (right) is coded to solve all your challenges: everything from a broken culture to a bloated team structure and, of course, achieving your online income targets.

All you have to do is follow Trendo on Twitter, retweet his latest tweet for engagement purposes, sit back and let the magic happen.

Trends that are/were fads

Trendo, of course, isnt real. But he has other disguises in the real world.

Remember Ello, the no-advert, invitation-only, potential Facebook killer social network without any users? We were all sure that everyone would abandon the existing dinosaur platforms in droves and sign up for this ad-free utopia.

How about the Draw Something craze? For a while, the future was drawing random stuff on your phone. Given enough time, charities would find out how to make money from it.

Today, Trendo is taking more of a virtual reality form. Just send a headset to your supporters and the problem of creating truly immersive content for it (not to mention a compelling donation call to action) will probably solve itself.

All fun things. All fads. None of them will lead to the money the charity sector really needs to do the work it really needs to do.

Its discipline

The problem is this: digital marketing is not a fashion show.

Heads of digital at big charities do not sit sit back by the virtual catwalk, watch a parade of this seasons outfits and pick their favourites.

Neither is it Tinder. Managers at smaller charities cant just sit back in their chairs, swiping left or right on their phones, constantly hopping to the latest fun platform.

This is a discipline. It requires time and money to learn. There are diplomas in digital marketing, an MSc in user experience design and post-graduate study in digital sociology, to name but three.

Doing digital of any kind is a marriage. Its a commitment between your charitys objectives and the best way of achieving them. Its doing what works, not whats new: the right kind of trend

How about this for an alternative form of trend hopping (a true story)?

A large charity built the expertise and reputation of its digital comms team internally, as many do. As it did this, it saw an opportunity to provide more of its services online.

So it built the internal skills needed and a proof of concept for these online services by applying for and getting external funding.

Meanwhile, senior managers at the charity were looking for new fundraising products to expand fundraising. The digital comms team was also able to apply to that the skills it had learned in developing those digital services products. It showed the need by starting with contractors and freelancers as a more palatable introduction than with permanent staff. This led to five new team members joining.

At the same time, the head of digital made the case for additional budget and headcount by demonstrating the new demands on resources. That brought in another four new team members.

All this led to the charity reaching online one in five of the people it helped in total. Today, a business case for a permanent digital services function has been agreed in principle by senior management.

The trend that the head of digital hopped on was of increasing demand for online services externally and for new fundraising products internally.

This was not some shiny, disposable app, not a flash-in-the-pan trend.

Outro

Viral campaigns are over. Trendo isnt coming. Theres no more magic. We need to get back to work.

So lets all acknowledge: that digital marketing is a real discipline; that getting results from digital marketing usually takes a long time; and that it will feel like a right slog most of the time.

If youre working in digital marketing, forget the trends and tool up with what will actually work, what will actually change the world.

Matt Collins is managing director of Platypus Digital, a digital marketing agency specialising in the charity sector

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Matt Collins: The next trend in digital? It's not coming - Third Sector

Pope: without the joy of the Gospel one cannot be a missionary – Vatican News

Pope Francis on 30 September met representatives of missionary congregations of Italian origin and urged them to go out and joyfully proclaim the Gospel of Jesus who attracts.

By Robin Gomes

Pope Francis on Monday encouraged missionary congregations of Italian origin to keep alive in the people of God the awareness of being fundamentally "outgoing", that is, sent to bring to all nations the blessing of God who is Jesus Christ.

May your Institutes collaborate more and more with the particular Churches in order to foster an increased awareness of the missio ad gentes (mission to other peoples) and take up again with renewed fervour the missionary transformation of the Churchs life and pastoral activity, the Pope told some 70 men and women religious of the Comboni, Consolata, PIME and Xaverian congregations.

The heads of these congregations met the Pope on the eve of the Extraordinary Missionary Month of October 2019 that he instituted in October 2017, to commemorate 100 years of the Apostolic Letter Maximum Illud of Pope Benedict XV, that sought to give a new impetus to the Churchs missionary mandate of proclaiming the Gospel.The theme of the month is Baptized and sent out.

At a time when everything seemed to lead to the preservation of the existing, the Pope noted, their founders, on the contrary, became the protagonists of a new momentum towards the other and those far away. The Church exists on the road, he said. "On the couch, there is no Church."

The Pope said it is necessary to rediscover the mysticism of mission in all its fascinating beauty, and a thirst for communion with Christ through witness, which their founders experienced, leading them to give themselves totally. This mysticism, he said, always retains its extraordinary power.

The Holy Father said he was struck by their pledge of being missionaries sent to other peoples, outside their country of origin, and for life without any sense triumphalism but welcoming it as an opportunity for discernment, conversion and renewal.

The Pope thanked the missionary men and women congregations for their dedication to their vocation of missio ad gentes, which, he said, is inseparably ecclesial because it is rooted in baptism, and linked to their rich charisms that the Lord has called them to.

Help to keep alive in the people of God the awareness of being fundamentally "outgoing", sent to bring to all nations the blessing of God who is Jesus Christ, the Pope urged. By collaborating among themselves, he said, missionary congregations also help the people remember that mission is not the work of individuals, of "solitary champions", but is communitarian, fraternal and shared.

The Pope said that mission is not a one-way traffic from Europe to the rest of the world but thrives on exchange. Territories that once received missionaries are today producing the majority of priests and religious in the Church. This, he said, arouses a sense of gratitude towards the holy evangelizers who with great sacrifices sowed in those lands. It is also a challenge for communion and formation for the Churches and for congregations, trusting in the Holy Spirit who is Master in harmonizing differences.

In this regard, Pope Francis recalled that General Congregation of the Jesuits in 1974, where someone asked if they could have an Indian or an African as Jesuit general. But those days, the Pope pointed out, a general had to be a European. Today many religious congregations have superiors general from those lands, he said, noting there is a Latin American Jesuit general today. The thing has been reversed: what in 1974 was utopia, is a reality today, he said.

He told the men and women missionaries that by leaving behind their beloved native country they are proclaiming that with Christ there is always novelty in life, without boredom, fatigue or sadness. The missionary needs the joy of the Gospel: without this one cannot be on a mission, one does not proclaim a Gospel that does not attract. "This attraction, he stressed, is the heart of mission" because it is only Christ who attracts.

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Pope: without the joy of the Gospel one cannot be a missionary - Vatican News

The New Alchemists: could the past hold the key to sustainable living? – The Guardian

The New Alchemists: could the past hold the key to sustainable living? | Life and style | The GuardianSkip to main contentAUTUMN DESIGN PART 3 INDEXEditor's letterThe right design can make a radical difference. It can change lives and save the planet. The latest issue of the Observer's Design magazine is full of designers and artists who are rethinking the way the world works from the ground up. Fashion designers who dont think we should make more clothes. Researchers looking at moss, fungus and meat for new construction materials. We also mark the anniversary of the group the New Alchemists, a research group from the 60s who first saw the magic in renewable energy and a sustainable way of living. Enjoy. Alice Fisher

In 1982, Richard Buckminster Fuller visited the New Alchemy Institute, in Cape Cod, Massachusetts, to open a new geodesic dome. Frail of body but still sharp of mind, the 87-year-old architect was something of a countercultural guru by this stage, thanks to his spaceship Earth philosophy and his forward-looking designs, not least the dome.

Lightweight, efficient, simple to construct and futuristic, domes became a hippy cliche in the 70s, but the New Alchemists dome was a little different. Designed by Fullers disciple Jay Baldwin, it was the first pillow dome: made of triangular panels of transparent plastic inflated with argon gas, which improved its insulation properties (the same technology is behind Cornwalls Eden Project).

Inside the pillow dome was a miniature forest of plants, tropical fish ponds and a ripening fig tree. Fuller nodded with approval. He said, Shes beautiful, recalls Nancy Jack Todd, co-founder of the New Alchemy Institute (NAI), along with her husband John. He turned around and said to John with this happy smile: This is what Ive always wanted to see: my architecture with your biology. He called the work we were doing the hope of the world.

Founded in 1969, the NAI set out to design a sustainable way of living from top to bottom: food, energy and shelter. This was the era of Rachel Carsons Silent Spring, James Lovelocks Gaia hypothesis, and the Whole Earth Catalog (of which Baldwin was an editor). It was the era of anti-nuclear and anti-Vietnam war movements; a time when huge numbers of people felt that modern society was on the wrong path, and better alternatives were possible. I wouldnt say we were on the same page as Bucky, John Todd says, but we came to the same conclusions. His basic message, about how to do more with less, really resonated with us.

The New Alchemists alternative was a harmonious system of organic farming, renewable energy, sustainable architecture, waste treatment and ecosystem restoration. No pesticides or chemicals, no fossil fuels, no waste, no pollution, low impact, energy efficient. In other words, they were doing 50 years ago what were now realising we should have been doing all along.

Despite their long hair and countercultural leanings, the New Alchemists were not hippies; they were scientists. John Todd, the driving force behind the NAI, is a marine biologist by training; his wife Nancy is a writer and activist, and the third founding member, Bill McLarney, is a fish biologist. True, their large-format journals of the time have a quaint, radical vibe to them, with their intricate hand-drawn covers depicting unicorns and dragons. But alongside quotations from Tolkien and poems about mushrooms are reports on their experiments on the insect-resistance of certain cabbage varieties, diagrams of their low-tech wind turbines or progress reports on aquaculture techniques.

Nor was the NAI a commune. It was a research project, the Todds explain; people came there to work, not to play. At its peak, the NAI had around 30 members, aided by hundreds more temporary volunteers. Few actually lived on the site. There were no experiments in common ownership or free love. The Todds and their three young children lived in a small cottage a few miles away, where they still live today.

Socially, we agreed, the three of us founders, that we wanted to lead private lives, Nancy says. We felt that there were too many revolutions underneath it already without trying to do a social one as well. Besides, John adds, Being somewhat reserved Canadians, there is not a lot of gossip or juicy stories.

The catalyst for the NAI was frustration with academia, John says. In the late 60s, he and McLarney both began teaching at San Diego State University, where John was to head up a new department of environmental studies. He soon hit a wall of institutional inflexibility: The idea of doing activities from various disciplines energy, architecture, agriculture, waste water, you name it was simply not possible within the university setting at that time. A number of people, who became very close friends, were coming to the same conclusion: that we had to find new institutional structures to go after a larger vision.

The Todds and McLarney quit academia, found new jobs at an oceanographic institute in Cape Cod and started to put their New Alchemist ideas into practice on a 12-acre plot of land. The first objective was agriculture. They set about improving the soil quality and planting food crops. They began breeding rabbits and digging fish ponds. McLarney introduced the then-unheard-of tilapia, an easily farmable fish. Other friends and colleagues came to join them. A 1973 film made by the National Film Board of Canada portrays the NAI as an Arcadian utopia: a lush, green world of healthy, happy people tending healthy, happy crops. They build wind turbines out of car parts and oil drums, swim in the pond, gather for communal outdoor meals, scavenge at the local dump and play guitars together in the sunset. It almost looks like a parody.

The NAIs approach was a combination of old-fashioned common sense and modern scientific method. Everything was monitored and recorded: weather conditions, soil chemistry, crop yields, numbers of midge larvae (used as fish food) growing in different qualities of water. Data was analysed, techniques were compared, processes were refined, until their organic yields exceeded those of industrial farms. But underpinning it all was Johns belief that natural systems could be duplicated, harnessed and harmoniously interlinked. The wind pumps the water, that waters the garden, that grows the carrots, that feed the rabbits, that fertilise the earthworms, that feed the fish, along with the carrot tops. And it all feeds the people. Each time we make a connection, as in nature itself, the whole becomes more stable, more strong and more healthy, John says in the film.

In one significant, typically low-tech breakthrough, John began to experiment with 5ft translucent cylindrical water tanks filling them with pond water and observing the miniature ecosystems that formed inside. As the tanks received more sunlight than a pond would, algae and other life grew much quicker. They were perfect for cultivating fish in (tilapia eat the algae). You could link them together and water would become progressively cleaner as it flowed from one to the next. You could grow vegetables hydroponically on their surface. Most importantly, the water heated up in the sun, so the tanks became an effective store of solar energy thermal flywheel, as John puts it.

All of this fed into the New Alchemists approach to more complex architecture. Where Le Corbusier famously decreed that a house is a machine for living, the New Alchemists believed it should be more like a living machine a combination of architecture and biology. Our first little experiment used a geodesic structure to literally create a miniature world, John says, explaining a 1971 forerunner of the pillow dome, which they built over a fish pond. Inside the structure, the air was the atmosphere; the water was analogous to the 70% oceans the Earth needs to maintain a stable climate; the remaining 30% was a quite complex ecosystem, considering the size of the project. So we were already using the Earth as a model for design.

The New Alchemists most ambitious structures were what they called arks two experiments into the shelter aspect of their mission. Two young architects from Yale University, David Bergmark and Ole Hammarlund, led the design: one ark in Cape Cod and another on Prince Edward Island, Canada, thanks to a commission from the Canadian government.

The Prince Edward Island ark, on a windblown promontory surrounded by the sea on three sides, was the New Alchemists architectural high point. We would recognise it today as a show-home for off-grid living, employing sustainable design principles that are now common practice but were nascent, untested technologies at the time. Aligned east-west, the Prince Edward Island ark was partly sunken into the earth on its north side, with sloping glazing along its south facade to capture maximum solar radiation. The south facade also featured a row of vertically aligned solar collectors (heating water rather than generating electricity photovoltaic technology was nowhere near advanced enough yet). A prototype hydraulic wind turbine nearby covered the buildings electricity needs.

The dominant space inside was a high-ceilinged greenhouse containing plant beds for growing vegetables, herbs, flowers and tree saplings. Lizards, newts, ladybirds and even a resident snake controlled insect populations. The ark also contained 32 of Todds solar-algae tanks primarily for fish cultivation, but the tanks proved so effective at storing heat that the buildings other experimental climate systems became redundant. We were growing bananas in January, says Todd. When a winter storm caused a three-day power cut and buried the landscape in snow, the ark remained a stable temperature inside.

About one-third of the ark was a home, where the Todds New Alchemist friend Nancy Willis and her family lived happily for a time, growing their own produce and managing the living machine. Though light and spacious, the ark was not the stuff of high-end design aesthetically, but it represented a potential new way of living sustainable, self-sufficient, integrated with nature on an intimate scale. Shelter, food, energy. Perhaps a social revolution after all.

The Prince Edward Island ark was opened in September 1976 by Canadian prime minister Pierre Elliott Trudeau (father of current PM Justin), who arrived by helicopter with much fanfare to find a bunch of dirty, exhausted New Alchemists who had completed the build hours before. Trudeau gave a stirring speech about how the ark was the birth of the new philosophy and told the Todds he would like to have a similar house for his own family. Very close by was a nuclear plant, Nancy recalls, so I said to him, All of this makes nuclear energy completely unnecessary, doesnt it? Trudeaus answer was noncommittal.

The fate of the Prince Edward Island ark mirrors that of not only the NAI itself, but the whole sustainability movement of the 70s. Functionally, the building exceeded expectations. The hydraulic wind turbine proved to be a failure and the solar collectors leaked, but the living machine was alive and well, drawing visitors, spreading the sustainability gospel and growing enough vegetables and fish to sell surplus to local restaurants. But politically, the winds were changing. By 1981, their Canadian government allies were no longer in office and financial support dried up. After numerous rescue attempts, the ark was converted into a small hotel and restaurant in the early 80s. Around 2000, it was demolished.

A similar change of sentiment hobbled the NAI in Cape Cod. During the 70s, it had been funded by a series of grants from the US government and private foundations. But as the Reagan era set in, those funds became harder to access. The sentiment became more me than we. The hippies cut their hair, abandoned their geodesic domes and found proper jobs. The NAI survived Reaganism, but much of its energy through the 80s went into merely staying afloat, rather than pushing the vision, as John puts it. It eventually dissolved in 1991.

But the New Alchemists found other ways to push their vision. McLarney founded an offshoot of the institute in Costa Rica, named ANAI, which has transformed the countrys southern Caribbean coast and become a model for conservation and sustainable development. Architects Bergmark and Ole remained in the Prince Edward Island region practising sustainable design. The New Alchemists Cape Cod plot was turned into a co-housing project, complete with a refurbished ark.

John Todd retreated from architecture and returned to his first love: water. Those experiments with solar-algae tanks put him on a path of environmental restoration, using natural systems to improve water quality and remove pollution. He realised a long time ago what the world is just beginning to realise now: that ecosystem restoration is key to stabilising the climate, and nature itself can help provide the answers. In 1982 the Todds founded a new initiative, Ocean Arks International, researching and applying this knowledge in multiple situations, from natural wastewater treatment to ocean-going eco-repair vessels to an ambitious project to re-green the Sinai desert (it even involves geodesic domes). It is a continuation of what the New Alchemists began, John says: Doing good things in bad places.

Rather than feeling bleak about the future, he is surprisingly optimistic. He recently published a book called Healing Earth, part-autobiography, part-manual on how to save the world. Its opening line reads: I am writing this book based on the belief that humanity will soon become involved in a deep and abiding worldwide partnership with nature. Yes, the planet is in crisis, but rather than what the New Alchemists called doomwatch science monitoring environmental decline John Todd has always been focused on practical solutions. The more we weave together the knowledge thats been accumulated in the last 100 years, the more we can do things that we never dreamed of, he says. We dont have to invent anything; we just have to pay attention to whats been learned.

A Safe and Sustainable World: The Promise Of Ecological Design by Nancy Jack Todd is available now (25, Island Press).

Living Lightly on the Earth: Building an Ark for Prince Edward Island 197476 by Steven Mannell is available now (30, Dalhousie Architectural)

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The New Alchemists: could the past hold the key to sustainable living? - The Guardian

From Doctor Who to The Walking Dead: your favourite TV cliffhangers – The Guardian

Cooper head butts himself

Twin Peaks, picked by Holden_on

Just when you think everything has gone well Cooper is out of the Black Lodge, Annie is saved, Windom Earle defeated (albeit by Bob!) it all goes wrong. Cooper goes to the bathroom to brush his teeth. He starts to grin, squeezes the toothpaste into the sink, rears his head back and head butts the mirror. In between the cracks in the mirror, Bobs face is staring back at him.

The West Wing, picked by NonOxbridgeColumnist

It has to be the season one finale of The West Wing, leading up to the assassination attempt and its two cliffhangers in one episode. The cold opening (six and a half minutes by itself) takes you up to: I saw something ... and then you spend 30 minutes or so watching the previous 24 hours before lurching back to the present. Those last five minutes, with foreknowledge of something, seeing things youve already watched from a different angle (most wonderfully Sams smile at Toby after the take-off sign, which brings me to the verge of tears just writing about it), are stomach-churningly tense. Ive watched it eight times and I still feel queasy. Its absolutely masterful writing.

24, picked by StanleyGoodspeed

The best ending of a 24 episode was when Jack Bauer had to execute his annoying but totally innocent and good-guy-in-the-end boss Ryan Shapiro in a scrapyard on the orders of the series villain, otherwise he would release a bio weapon. I kept thinking something or someone would save the day, or it was just a test to see how far Bauer would go. But it happened and the episode ended with a blank screen and no end credit music.

Doctor Who, picked by chriskilby

The Master, nicking the Doctors Tardis and stranding him at the end of the universe with hungry cannibals banging at the door in Utopia, still takes some beating. Also, Edge of Darkness: GET ME PENDLETON!

Battlestar Galactica, picked by ExileCuChulainn

Battlestar Galactica (the new one) when the battered fleet jubilantly arrives at Earth. Adama announces to the survivors that their journey is finally over. A party travel down to the surface, landing in the ruins of a large city. They are left speechless when they find Earth to be a desolate, radioactive, lifeless world, destroyed by nuclear conflict thousands of years previously.

The Walking Dead, picked by mattblack81

The Walking Dead where Negan had them on their knees. You knew someone was getting beaten to death but you had to wait months to find out who. Because of the comics, there was lots of speculation but even when you think you knew, there was another twist.

The Bridge, picked by Literally

I liked the second series of The Bridge. When Saga realises Martin killed Jens, we expected this would be the time for her to realise how much she likes Martin and understands his reasons but she arrests him.

Dallas, picked by GonePhishing

The JR thing was massive it even spawned T-shirts with I Shot JR on them. Esther Rantzen and the Thats Life! crew milked it for an age, doing weekly trawls of high streets in search of grannies opinions. But it was at a time when there was very little TV choice. We had two and a half channels and not 24/7. Most telly finished at about midnight and didnt kick off again until about 9am, 11am at the earliest in BBC Twos case. The BBC drama budget was about 5 an episode, so anything from the States was considered huge.

Blockbusters, picked by DiagostA 1985 edition of Blockbusters we were left on a Friday tea time cliff edge after time had run out and it was flashing for both white and blue hexagons in a deciding game. A very tense weekend in our household was had.

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From Doctor Who to The Walking Dead: your favourite TV cliffhangers - The Guardian

"Could all things ‘green’ be the glue that sticks us back together?" – Dezeen

Dulux choseTranquil Dawnas its colour of the year for 2020, but something bolder would have better represented the year ahead, says Michelle Ogundehin.

Dulux's colour of the year for 2020 a hazy, muted green that recalls a sort of pale Chinese celadon mixed with sage and a smudge of grey is intended to embody "our desire to treasure our most human qualities and give our homes 'The Human Touch'".

However, more than the actual colour it is the whybehind the hue that interests me the rationale of the process before the product, if you will. Quite aside from the complexity of trying to assign a single shade to represent an entire year.

Dulux's approach is nothing if not rigorous. Every year its parent company, Akzonobel, gathers an international team of independent architects, creatives and designers at its Global Aesthetics Centre in Amsterdam in order to debate the cultural and lifestyle shifts deemed significant for the year in question.

The brief is to compile as coherent a global picture as possible of the mood ahead. Last year, I was invited to join them. To be clear though, the translation of this three-days of brainstorming into physical colour is the remit of the in-house team alone, we're just sketching the outline for them to fill in, so to speak.

The brief is to compile as coherent a global picture as possible of the mood ahead

Certainly, there was much to discuss, from the growing phenomenon of bio-hacking and the question of whether we've reached peak human, to what one participant dubbed, the Volatile, Uncertain, Complex and Ambiguous world.

The words of Ginni Rometty, the CEO of IBM were recounted: "you can be the disruptor instead of the disrupted". Statistics like "47 per cent of today's jobs will disappear in the next 25 years", were shared. And we discussed the urban isolation seen in China, a result of the proliferation of virtual reality online services that render real life human interaction redundant.

But it wasn't all bad. There was also the new wave of gentrification of China's countryside as old houses in villages deserted by a generation's exodus to the city are remade as luxurious guest lodges slow retreats, in an ironic twist, for those now harassed urbanites to escape back to. Plus, the possibility of a shift from a consumer society to a creative one, and the emergence of the Elastic Woman, the now 50-60-year-old baby boomers who refuse to conform to any ageist stereotypes.

The rationale for Tranquil Dawn hinged on rediscovering what makes us human.

In summary, things were messy, but there was a glimmer of hope and optimism visible just over the horizon. After the dark, must come the light, no? But how does this all add up to a laconic misty green?

Certainly, all things "green"are the narrative of the times. Pinterest noted back in 2018 that sage green saveswere up 170 per cent, and as issues of sustainability hit the mainstream and campaigning about the environment gets ever more vocal, even business behemoths like Unilever have stated that its entire portfolio of over 400 brands "will need to demonstrate viable corporate social responsibility goals in order to remain part of the group in the long-term".

"Pantone's colour of the year harks of naivety, not optimism"

Nevertheless, the rationale for Tranquil Dawn hinged on rediscovering what makes us human. And this is a markedly different stance to that of trend forecaster WGSN, which predicted Neo Mint as the colour for 2020 a shade superficially similar to Tranquil Dawn in its minty-ness but with a far more strident edge, less fresh than fluorescent.

As WGSN put it, "For years we've been imagining life in 2020, and now the worlds of technology and science are turning these dreams into reality".It cited the NASA Mars mission, the building of the world's tallest building in Saudi Arabia and the introduction of artificial intelligence to assist judges at the Olympic games as evidence of technology's beneficence.

We are after all in the midst of what has been dubbed the Age of Anxiety

This is a rather idealistic stance, and one that immediately brings to mind American satirist H L Mencken's scathing put down: "an idealist is someone who, on noticing that a rose smells better than a cabbage, concludes that it makes better soup".

We are after all in the midst of what has been dubbed the Age of Anxiety. An era in which the superficial seems to reign supreme, infamy is more desirable than respect, consumerism is promoted at every turn and the digital realm appears to have superseded reality.

Have you watched the Netflix documentary The Great Hack? If not, I highly recommend that you do, because, as this film asserts, data is becoming the most valuable asset on earth, and yet it's the one thing that we as individuals have no power to own yet give away with every single digital interaction.

We need think only of the ease with which highly polarising, filtered "news" was used to target, influence and persuade the unsuspecting to understand why this should be cause for concern. In short, instead of delivering a glorious collaborative utopia, right now, the dream of the connected world, is tearing us apart.

In response, according to Heleen van Gent, head of AkzoNobel'sGlobal Aesthetic Centre: "Against a background of increasing technological power, we want to understand our place in society and how we can make a positive impact on it. We need fresh purpose, to be the architects of our own future, and we are asking searching questions of both ourselves and society."

Tranquil Dawn is more of a cool neutral, than a statement shade, what I'd refer to as a subconscious colour

So, could all things 'green' be the glue that sticks us back together? Certainly, the US-based Behr paints concur with Dulux. In August it announced its 2020 Colour of the Year as Back to Nature S340-4 describing it as a "fresh and slightly yellow-based green [that] serves as an ideal backdrop to satisfy the desire for a soft landing at home a great option for adding peace and tranquillity to any space".

Indeed, from a psychological point of view most shades of green do automatically recall lush grass, trees and foliage, thus we intuitively connect it with Spring, new growth, optimism and rebirth."We are reassured by green on a very primitive level," says colour psychologist Karen Haller, "Where there is green, we can find food and water it equals life."

Tactility, imperfection and a pale flush of colour: interior design trends for 2019

It sits at the centre of the colour spectrum too making it restful for the eye; in other words, we don't have to work too hard to see it, so it's intrinsically calming, which is why you see pale green used a lot to paint the walls of hospital wards.

But lest we forget, green also connotes jealousy, decay and sickness, thus the precise shade of green chosen is paramount. After all, contrast the stealthy allure of British racing green with the zesty reverberation of a vivid lime.

I'd have preferred a slightly punchier, dirtier green

Simplistically put, the former is mixed with black, thus deepened, slowed and given a sophisticated solidity; less the green shoots of spring than the ancient fir forests of Scandinavia. And the latter, energised by a generous dollop of yellow, has a shouty, look-at-me absence of subtlety that calls to mind highlighter pens and sugar-fuelled fizzy drinks. Both greens, but miles apart in their resultant emotive affect.

Thus, Behr's Back to Nature veers dangerously towards the sickly with its subdued yellow undertones; and Tranquil Dawn, goes to the other end of the scale, being a seriously dialled-down green with base notes of smoky blue. It's more of a cool neutral, than a statement shade, what I'd refer to as a subconscious colour, in that it's there, but it's only whispering for attention, happy to hum along in the background, without overwhelming.

Arguably we could say that it speaks well of collaboration because it works best as part of a palette; it's a team-player rather than a leader, eminently tasteful, diplomatic and flexible, and no doubt it will have universal commercial appeal. In short, it's a natural comforter rather than a provocateur, hinting at success rather than overtly promising it.

However, I think Dulux could have been bolder. A year ago perhaps there was more optimism about the future, but right now, as we still lack the strong governmental leadership that we so sorely need, the goal must be self-empowerment, something evidenced already in the escalating number of people's marches, rebellions and protests seen all over the world.

Thus, I'd have preferred a slightly punchier, dirtier green, as one thing is for sure, it promises to be anything but a tranquil dawn to 2020.

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"Could all things 'green' be the glue that sticks us back together?" - Dezeen

Rainn Wilson Cast in Utopia New Amazon Series | TVLine

The Offices Rainn Wilson has a (dangerous) new day job. The actor formerly known as Dwight Schrute has landed a lead role in Utopia, Amazons forthcoming nine-episode drama series from Sharp Objects and Gone Girl author Gillian Flynn, TVLine has learned.

Adapted from the British series of the same name, Utopia centers on a group of young adults who meet online that are mercilessly hunted by a shadowy deep state organization after they come into possession of a near-mythical cult underground graphic novel. Within the comics pages, they discover the conspiracy theories that may actually be real and are forced into the dangerous, unique and ironic position of saving the world.

Wilson who joins a cast that also includes Sasha Lane (American Honey) will play Michael Stearns, a once promising virologist who has lost his edge. When a nationwide outbreak of a deadly flu arises, Michael offers his expertise, and soon finds he has landed smack in the middle of something much bigger.

In more casting news, Dan Byrd (Cougar Town) will play Ian, who craves a more exciting life and embarks on a mission to uncover the secrets of the graphic novel, our sister site Deadline reports. Additionally, Cory Michael Smith (Gotham) has joined the ensemble as Thomas Christie, a Christie Laboratories employee who tracks down the only copy of the graphic novel for less than benevolent reasons.

Since clocking out of The Office, Wilson has appeared in Foxs Backstrom, Showtimes Roadies and, more recently, HBOs Room 104 and CBS All Access Star Trek: Discovery.

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Rainn Wilson Cast in Utopia New Amazon Series | TVLine

Brigade Utopia – Brigade Pre Launch Project Varthur Bangalore

Full of each feature Brigade Utopia- going to be new landmark in term of residences that has been launched by the major realty Brigade Group at elegant locale Varthur, Bangalore. The urban based project is offering 1, 2, 3 and 4 BHK apartments with unmatched features. The housing project hosted high rise towers & building to set a grand outsider environment. Property consists better design according to modern lifestyle ongoing in the world. The infrastructure development in the property is running in such a way through which you would get better residential lifestyle in Bangalore city. Varthur is located on the bank of Varthur Lake, and also famous for its connectivity to prominent region of Bangalore city like Marathahalli, Balagere, Whitefield and many more. The region is known for its growth since two past decades. Brigade Utopia Varthur Bangalore apartments are coming amongst that kind of environment from which you would be in the comfort zone at every moment.

The property consists two side open home within towers. Each infrastructure is being created vastu shastra consideration, space effective and effective outline, so that fresh air increase in the quality atmosphere all around. Brigade Utopia varthur apartments have been ventured considering the suggestion of best firms, that's why its towers & building got better configuration in compare to other housing project going on in Bangalore. Brigade varthur apartments got better shape of basement+ground+upper storeys consideration. In the presence of courtyard & gallery, each apartment supposed to be a ventilated layout, even every home has been created to follow the winds & suns path.

Brigade Utopia master Plan has been created according to modern RERA updation. Each apartment is being created under the guidance of best civil engineer & master architectures. The provision of providing basement in each building is brilliant thinking, it will give a enough space for several utilities. Where would garden location and swimming landscaping, both have been covered inside the master plan. Even buildings area and others infrastructure location have been decided in the project perfectly. Brigade groups designer suggested better master plan for the towers & buildings. Brigade Utopia Apartments will have every features that should be inside the modern living homes.

A dedicated space provided to the clubhouse that space will be used as party lawn & other occasional utilities. Children playground consist indoor & outdoor games that generally perform by the kids after coming from their school. Moreover swimming pool landscaping, swimming premises, yoga hall, multipurpose hall and other social things, are some advance residential features inside the Brigade Utopia Varthur Housing project. It is lashed with each basic amenities such are sewage treatment plant, 24 hour electrical conveniences with backup, 24 hour uninterrupted water supply, security at main gate, intercom and much more.

Brigade Utopia Master Plan has been planned under the guidance of world class architecture firm. Thats why, it got brilliant storeys & proactive terrace on. Even its floor plan got zero wastage planning to utilize each space in each flat. With including much better residential amenity such are clubhouse, community hall, multipurpose hall and other social features make the apartment better than better. Bangalore is known as Electronic/IT city in India, it is home of information technology parks & electronic companies. The property is well connected to the key region by the public transport facility, moreover many upcoming constructions regarding to entertainment, education and hospitals are giving its important part in the development of Varthur.

Brigade Utopia New housing project is one of excellent creations, it came from the top inventory of brigade group. Now it has been executed physically. As far as the question is about price of homes inside project, very reasonable in compare to other residences developing in Bangalore city.

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Brigade Utopia - Brigade Pre Launch Project Varthur Bangalore