Hay on Wye book festival goes on line – and it’s free – Blackpool Gazette

Hay-on-Wye Festival is to book lovers and writers what Glastonbury is to pop and rock fans.

It has celebrity and kudos, glamour and gravitas as Hollywoods finest rubs shoulders with Booker Prize winners.

Literary heavyweights mix it with best-sellers - not that one means you cannot be the other - though a book snob may argue otherwise!

There is no need for despair, this year, as though the real Hay is cancelled, Hay Festival Digital is going online, free to access.

The main programme runs from Friday May 22 to Sunday May 31 and features free live broadcasts and interactive events from more than 100 award-winning writers, global policy makers, historians, pioneers and innovators, celebrating the best new fiction and non-fiction, and interrogating some of the biggest issues of our time.

It will be hosted on the crowdcast platform to enable questions and comments.

Donations totalling 350,000 have helped it go ahead in this digital format.

Director Peter Florence said: It looked alarming, but festival-goers are generous and imaginative in their response to crisis.

However the financial blow to the Powys town cannot be under-estimated. The festival brings an economic boost of about 28 million every year to an area made up mostly of smaller, independent businesses and traders.

This years programme is no less star-studded with Benedict Cumberbatch and Helena Bonham Carter all set to appear. Authors Hilary Mantel, Roddy Doyle, Ali Smith and Sandi Toksvig will be among the writers previewing their new work.

Mr Florence highlighted the most-extraordinary cast set to celebrate the life of William Wordsworth, including festival president Stephen Fry, Tom Hollander and Jonathan Pryce.

Hay usually sells 275,000 tickets and there have been more than 200,000 digital registrations for this years event so far.

Across Wales, Covid-19 has put paid to numerous live events, with the Welsh Government calculating the direct economic impact on those it supports at about 33 million.

That may mean digital alternatives will be here to stay. The model that we used to have, of flying in writers and thinkers and artists around the world, thats thats not going to come back anytime soon.

And we as producers, the artists as creators, and the audience as participants, will all adapt to whatever new reality is possible.

Wordsworth 250: A Night In With The WordsworthsFriday May 22, 6.30pm - 7.25pmSimon Armitage, Margaret Atwood, Benedict Cumberbatch, Monty Don, Lisa Dwan, Inua Ellams, Stephen Fry, Tom Hollander, Toby Jones, Helen McCrory, Jonathan Pryce and Vanessa RedgraveA gala performing of Williams poetry and Dorothys journals begins the 250th anniversary celebrations with a superstar cast reading work that will include Intimations of Immortality, Daffodils, lines composed both Upon Westminster Bridge and Above Tintern Abbey, The Prelude and We Are Seven.

Stephen Fry: TroyFriday May 22 at 9pmThe actor and author previews scenes from the third part of his Greek trilogy, which follows Mythos and Heroes. Q&A afterwards.

Maggie OFarrell talks to Peter Florence about her latest book Hamnet, Saturday May 23 from 1pm - 1.45pmShortlisted for the Womens Prize.On a summers day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?

Ali Smith: The Beginning Of The And, A Hay Festival ExclusiveMonday May 25 at 6.30pmA meditation on continuance, by prize-winning novelist Ali Smith, filmwork by Sarah Wood.

Tori Amos talks to Dylan Jones: Resistance: A Songwriters Story Of Hope, Change And CourageMonday May 25 at 9pmSince the release of her first, career-defining solo album Little Earthquakes, Tori Amos has been one of the music industrys most enduring and ingenious artists.

Hannah Rothschild talks to Rosie Boycott: Fictions: House Of TrelawneyTuesday May 26 at 1pmThe new novel from the author of The Improbability of Love, winner of the Bollinger Everyman Wodehouse Prize for comic fiction, is a mischievous satire of English money and class.

Simon Schama: Return Of The Tribes. Nationalism In The Age Of Global DisasterWednesday May 27 at 4pmThe historian explores the isolations and protections of our current situation in a time of Coronavirus, and reflects on the clear and present dangers to society.Roddy Doyle talks to Peter Florence: Fictions: Love - A Preview

Wednesday May 27 at 7.30pmA festival special preview of the new novel published later this year by the Booker-winning author of Paddy Clarke Ha Ha Ha and the Barrytown Trilogy.

Jules Hudson: Escape To The CountryThursday May 28 at 2.30pmFor more than a decade, the BBCs hit rural property series Escape to the Country has helped thousands of would-be country dwellers do just that. Now presenter Jules Hudson shares his experience of seeking out captivating country homes

Hilary Mantel talks to Peter Florence: The Mirror And The LightSaturday May 30 at 2.30pmThe novelist discusses the final volume of her Thomas Cromwell trilogy. Both Wolf Hall and Bring Up The Bodies won the Booker Prize.You can hear Hilary Mantel discuss Bring Up the Bodies at Hay 2012 on Hay Player.

Allie Esiri, Helena Bonham Carter and Dominic West: A Journey Through A Year Of Shakespeare (Or What You Will)Saturday May 30 at 5.30pmTake a journey through the year with Shakespeare, and join curator Allie Esiri and acclaimed actors for this illuminating celebration of the greatest writer in the English language

Anne Enright talks to Peter Florence: Fictions: ActressSunday May 31 at 1pmCapturing the glamour of post-war America and the shabbiness of 1970s Dublin, Actress is an intensely moving, disturbing novel by Booker Prize-winner Anne Enright about mothers and daughters and the men in their lives.

Sandi Toksvig talks to Lennie Goodings: Between the StopsSunday May 31 at 5.30pmThe View of My Life from the Top of the Number 12 Bus: the long-awaited memoir from the star of QI and The Great British Bake Off.

The events will remain on the crowdcast platform for 24 hours and will then be available on Hay Player.

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Hay on Wye book festival goes on line - and it's free - Blackpool Gazette

Amazon.com: Immortality:: How Science Is Extending Your …

That arresting statement sounds as if it might come from a science fiction story. But it is astonishing, exciting fact-as explained by Dr. Ben Bova. In his distinguished career, Dr. Bova has predicted many scientific developments. Now he explores the future effects of science and technology on the human life span and discovers that one day, death will no longer be the inevitable end of life.

Dr. Bova guides readers through worldwide research into the biochemical processes that causes aging and death, and shows what scientists are discovering about stopping, perhaps even reversing them. With crystal-clear prose, Dr. Bova explains how science could maintain the youth and vigor of a fifty-year-old indefinitely and the consequences for marriage and family ties. He also offers provocative thoughts on the tumultuous societal consequences of such biomedical breakthroughs, as greatly extended life spans and virtual immortality transform institutions like Medicare, Social Security, pension plans, life insurance, even the very foundations of work and retirement. Here is a compelling, startling, understandable, and vitally important study of humankind's greatest challenge -- and most tantalizing opportunity.

That arresting statement sounds as if it might come from a science fiction story. But it is astonishing, exciting fact-as explained by Dr. Ben Bova. In his distinguished career, Dr. Bova has predicted many scientific developments. Now he explores the future effects of science and technology on the human life span and discovers that one day, death will no longer be the inevitable end of life.

Dr. Bova guides readers through worldwide research into the biochemical processes that causes aging and death, and shows what scientists are discovering about stopping, perhaps even reversing them. With crystal-clear prose, Dr. Bova explains how science could maintain the youth and vigor of a fifty-year-old indefinitely and the consequences for marriage and family ties. He also offers provocative thoughts on the tumultuous societal consequences of such biomedical breakthroughs, as greatly extended life spans and virtual immortality transform institutions like Medicare, Social Security, pension plans, life insurance, even the very foundations of work and retirement. Here is a compelling, startling, understandable, and vitally important study of humankind's greatest challenge -- and most tantalizing opportunity.The first immortals are already living among us. You might be one of them.

That arresting statement sounds as if it might come from a science fiction story. But it is astonishing, exciting fact-as explained by Dr. Ben Bova. In his distinguished career, Dr. Bova has predicted many scientific developments. Now he explores the future effects of science and technology on the human life span and discovers that one day, death will no longer be the inevitable end of life.

Dr. Bova guides readers through worldwide research into the biochemical processes that causes aging and death, and shows what scientists are discovering about stopping, perhaps even reversing them. With crystal-clear prose, Dr. Bova explains how science could maintain the youth and vigor of a fifty-year-old indefinitely and the consequences for marriage and family ties. He also offers provocative thoughts on the tumultuous societal consequences of such biomedical breakthroughs, as greatly extended life spans and virtual immortality transform institutions like Medicare, Social Security, pension plans, life insurance, even the very foundations of work and retirement. Here is a compelling, startling, understandable, and vitally important study of humankind's greatest challenge -- and most tantalizing opportunity.

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Amazon.com: Immortality:: How Science Is Extending Your ...

GKids Acquires Lupin the 3rd: The First, the Franchises First CG-Animated Caper – IndieWire

GKids has snatched up North American theatrical rights to Lupin the 3rd: The First, the latest anime feature in the popular gentleman thief franchise, written and directed by Takashi Yamazaki (Stand By Me Doraemon, Dragon Quest: Your Story). GKids will release The First (produced by TMS Entertainment and Marza Entertainment Planet) in 2020 for Oscar qualification in both Japanese and an all-new English language version.

Based on the legendary manga series, Lupin III, by the late Monkey Punch, The First marks the first CG-animated addition to the movie franchise. Arsne Lupin III is hired by young female archaeologist named Letizia to steal the infamous Bresson Diary (containing the secret to a powerful energy) from a dark cabal devoted to resurrecting the Third Reich in the 1960s. Through a series of adventures that includes trap-filled tombs, aerial escapades, and daring prison escapes with his trademark wit and visual finesse, Lupin III uncovers his familys literary origins.

Monkey Punchs Lupin III manga began in 1967 and has spawned a diverse range of movies, manga, TV, video games, a theme park ride, musicals, and, most significantly, Hayao Miyazakis feature debut at Studio Ghibli, The Castle of Cagliostro (1979), currently streaming on Netflix. The First follows the high-tech antics of Lupin the Third Part 5 (2018) and the erotic charms of Lupin the Third: The Woman Called Fujiko Mine (2012).

As someone who has been a fan of Lupin III since The Castle of Cagliostro, I was blown away by the quality of animation and storytelling in Lupin the 3rd: The First,' said GKids President David Jesteadt. Director Takashi Yamazaki has taken such incredible care and detail in creating Lupins first adventure in CG, and I am hopeful that audiences fall in love with the film as much as I have.

Lupin the 3rd: The First

GKids

This year GKids previously released Ride Your Wave (February 19), the anime romantic fantasy about the connection between music, the ocean, and immortality from Japanese director Masaaki Yuasa (The Night is Short, Walk on Girl).

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GKids Acquires Lupin the 3rd: The First, the Franchises First CG-Animated Caper - IndieWire

The Nike Adidas Puma Olympic Battle Will Have to Wait – Barron’s

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...And Puma takes the gold in a time of 9.81 seconds, ahead of Nike in a thrilling race here in Rio.

Billions of people around the world watched Usain Bolt sprint to victory in the Olympic 100 meter final in Brazil on Aug. 14, 2016. Bolt, wearing the iconic Puma-made Jamaican running gear, outpaced Nike-wearing American sprinter Justin Gatlin on his way to athletic immortality.

That same summer, 600 million people watched as Cristiano Ronaldos Nike boots helped Portugal win soccers European Championship, beating a French team lit up by Paul Pogba and his Adidas footwear in the final.

Both the Tokyo Olympics and Euro 2020 have been postponed until the summer of 2021, and sports major brands are set to miss out on millions this year. The Olympics Games have become a battleground for the industry decorated swimmer Michael Phelps, who was sponsored by Under Armour, caused a splash four years ago by wearing Nike on the podium.

Puma, Adidas and Nike have long battled to kit out the worlds best sporting stars and teams at major sporting events, offering bumper sponsorship deals.

Those deals come good at the sporting calendars global events, and they dont come bigger than the Olympic Games. But with global sport on hold, the impact may not be that bad for the sector.

Read: Olympics postponement will make just a dent in Japans GDP. It could have been worse if the games had gone ahead

Earlier this month, Adidas Chief Executive Kasper Rrsted said 2020 would be an exciting year for the company, and said the brand would take center stage at the two major sport events of the year the UEFA Euro 2020 and Tokyo Olympics. It has even provided the match balls for Euro 2020.

The German sportswear giant said the financial impact of the postponements would be between 50 million and 70 million, describing the impact as fairly limited. Bryan Garnier analysts agreed the impact would be limited. Showing its competitive edge, Adidas said that while it would miss out on brand exposure it was the same for all brands.

Puma hasnt publicly quantified the impact but Chief Executive Bjrn Gulden said the Olympics typically spikes interest in sports and drives sales.

Nike Chief Executive John Donahoe was relatively upbeat about the Olympics postponement and said it would not hinder the companys innovation pipeline or product launches.

While global sport has been put on hold, Nikes third-quarter results on Tuesday hinted that the demand for sportswear may hold firm, despite the deepening coronavirus crisis. Adidas and Puma have signaled a significant financial hit at the beginning of 2020, as stores across Asia have been closed, but Nikes performance provided some positivity.

Nikes sales in Greater China fell 4% in the quarter, ending Feb. 29, having been up by double digits in the first two months of the quarter. At the peak, 75% of Nike stores in China were closed in February but now 80% are open. Digital sales climbed 30% in the country in the quarter. RBC analyst Piral Dadhania said the results suggest that sporting goods has perhaps been less affected than other sectors from the Covid-19 shutdown, with consumers focusing on health and well-being while at home. Nike, Adidas and Puma stocks all soared on Wednesday.

Looking ahead. Europe and the U.S. will be tough for Nike, as well as Adidas and Puma, in the coming weeks but the signs of an Asian recovery, and increased interest in sportswear for those stuck at home, bodes well. Crucially, major sporting events have been delayed but not canceled sport will return, and when it does its absence will have made the heart grow fonder.

As Donahoe said on Tuesday: We look forward to when organized sport will be back and running and when they are, well be there.

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The Nike Adidas Puma Olympic Battle Will Have to Wait - Barron's

Boruto: 5 Reasons Orochimaru Is A Better Person Now (& 5 Reasons He’s Not) – Screen Rant

One of the best Naruto villains was always Orochimaru, the manipulative snake who was willing to do anything for his own power and immortality. Arguably, with the other world-eating, edgy bad guys in the show, he was very entertaining and compelling. Sure, he was selfish and violent, but he was very unique.

RELATED: 10 Parents In The Land Of Fire Better Than Naruto

Also, he's the only alive, non-redeemed one by Boruto, so that only makes him all the more interesting. Speaking of that, Orochimaru isn't exactly a good guy by the time Boruto and his own son are going to school. There are signs he has become less of a raging monster. But there are others that imply he has just as many secrets and bad intentions.

With all the absent-minded/actually absent parenting in Konoha (looking at you, Naruto and Sasuke), it's a surprise that Orochimaru is a fairly attentive parent. He and Mitsuki start off quite close, he makes decisions based on what's best for his son, and trains Mitsuki himself. Even though Konoha (rightfully) hates him, Orochimaru even went to Mitsuki's parent-teacher conferences.

Granted, some of the ninja parents set a pretty low bar for decent parenting. However, Orochimaru definitely does a lot better than people expect, especially considering his history. There's a reason that his son goes into school as one of the strongest, sure of themselves students there.

Orochimaru's experiments and obsessions with warping power and science caused a lot of heartbreak and bloodshed. His quest for power only hurt everyone around him and Konoha itself.

While Orochimaru isn't blowing up Konoha and slaying the Hokage anymore, he didn't stop his sketchy, somewhat unethical experiments. After all, his son isn't a naturally born human. Instead, he was a clone that Orochimaru grew in a vat. And more disturbing, if Mitsuki ever perishes or betrays him, he has more. Not exactly a model citizen now.

Other than letting Mitsuki enroll in Konoha's Ninja Academy, Orochimaru has actually left Konoha alone. Especially compared to all the chaos he used to cause during Naruto. He destroyed the village and hurt so many of its people in those days, and that's without mentioning corrupting Sasuke Uchiha and turning him into his own personal, mutated weapon.

In Boruto, Orochimaru is barely even seen anywhere near Konoha, only coming to the vilalge to support his child. Otherwise, he keeps to himself. Does that mean his intentions are good? Not really. But it does mean he's not the same active, constant threat to Konoha's very existence, which is a great improvement.

Even though Mitsuki and Orochimaru used to be very close to one another, the snake Sannin's secrets and lies slowly started to drive a wedge between them. While Mitsuki hasn't completely rejected his parent like Log did, he doesn't look at him the same and certainly doesn't trust him.

After all, it's quite a shock to learn how many other clones he has hidden, or the fact he lied about Mitsuki's older brother's existence. And that's without mentioning the questionable reasons Orochimaru has for making Mitsuki in the first place.

Back in Naruto, Orochimaru was infamous for taking heads and spilling buckets of blood. He ended the lives of so many honorable ninja, even sacrificing some of his own people for his purposes. Anywhere Orochimaru was, there was always a threat of violence. No one was safe in his presence, not even his dearest acolytes.

By Boruto, Orochimaru has mellowed a bit in his old age. While he still has some sketchy ploys and schemes going on, and even more ethically questionable experiments, he isn't cutting throats as casually as before. The violence in his life has definitely decreased. Fans have to admit that's an impressive change for the terrifying Sannin.

Despite his machinations getting less bloody, Orochimaru doesn't seem any less full of himself. He still sees his brilliance and power to be better than everyone else. No wonder, considering he derived all his children from re-sequences of his own DNA, nothing else mixed in. That guy has a serious superiority complex.

RELATED: Naruto: 5 Anime Heroes Orochimaru Could Outsmart (And 5 He Couldn't)

Some of his better improvements don't really effect this part of him. Like before, when he was a more frightening villain, he still sees everyone as a lesser being. He's the only person he respects. And while the Sannin gives his son slightly more respect, part of it is because he just sees Mitsuki as an extension of himself.

Considering Orochimaru used to collect zealous followers so he could bleed them dry whenever he wanted, the fact he's stopped doing that is a big improvement. Half his plans used to include chopping his goons in half to do something evil and manipulative. Making Hiruzen fight off against the first Hokage and his friend, the Second Hokage by sacrificing two followers? As well as face Orochimaru himself? Not exactly fair, especially when the Third Hokage was an elderly man.

Let's all be thankful he stopped using his subordinates as meat to be churned for his experiments or revenge plots. They all deserved better than that.

Even though Orochimaru has scaled back his operations and their actions, he hasn't stopped experimenting. He may not be attacking villages anymore, but he's still mixing ninja power with science to try to make himself a form of immortal. Living a very long time doesn't seem to satisfy him. He feels like his genius should be eternal.

RELATED:Naruto: 10 Crazy Hinata Fan Theories That Were Actually Confirmed

Maybe it'd be fine if his methods were ethical, but that hasn't changed (even if it involves less murder). After all, cloning is a pretty big gray area, especially if he's raising them to be possible vessels for him when his current body fails.

In the thick of Naruto, Orochimaru wasn't on the best terms with either powerful ninja. Naruto saw him as the evil Sannin that ended the life of his Hokage. Sasuke used him to get more power, but then rejected him when Orochimaru tried to make him a new vessel. They both were at severe odds with the snake Sannin. And that's the bare minimum, there was so much more he did to ruin both of their lives.

However, when Boruto comes around, Sasuke, Naruto, and Orochimaru are on much better terms. Not great ones; they don't exactly trust him. But once they know Mitsuki is his, they don't block the young teen from their school. Instead, they let him in as long as Orochimaru keeps himself in check.

The shadiest thing Orochimaru is still doing in Boruto is manipulating those closest to him, still proving he does not have the best intentions. Even if it includes less bloody sacrifices, his victims now are his own sons. Orochimaru runs a cloning system, trying to raise powerful ninja loyal to him. Also, they can serve as vessels if he needs them.

His full intentions with his sons don't seem fully clear, but they're not great. Considering one son turned from him, Log, and his younger son, Mitsuki, doesn't trust him, Orochimaru is no paragon of redemption. Who knows if he's one push away from becoming the biggest threat to Konoha all over again?

NEXT:Naruto: 10 Questions About Kakashi, Answered

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Stephanie Marceau is a writer, advocate, gamer, and classic novel enthusiast. She's an eclectic super fan, loving comic books, movies, TV, anime, and books. Though writing articles is her day-job, she moonlights writing books and fanfiction. Shes always looking for bold stories everywhere. Nick Carraways need not apply.

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Boruto: 5 Reasons Orochimaru Is A Better Person Now (& 5 Reasons He's Not) - Screen Rant

Quarantine fiction: The Rocky Road to Godot – The City Paper Bogot

A cod-Irish exercise in biopic lit-chat

By Jimmy Weiskopf

For Lemuel Buckett, the first stretch of the road, Foxrock being an exurb, was short and pebbly at worst (or muddy when wet). Not like his purblind later mentor, he had a quantity-surveyed tennis court in his back yard, excess to an Ascendant education and was a quality sportsman (indeed, the only to have won both the Nobble and World Croquet Cap).

A bright lad, withal, he was admitted to Trinity on merit, where his fluent tongues won him the premise of a lectureship, pending a post-grade in Paris. For the sailor whose road is the sea, the boat train was rocky, but what was that to the fervor of arts then there. It was heady stuff for a provincial and not least when he called on the great Joist, and appointed his amanuesis. Yet it conflicted him too to be close to the irresponsible, incomprehensible wordsmith he longed to become at a time when duty obliged him to scholarship and the maestro he looked up to looked down at his door-by-door Street Guide to Dublin cum page-turner. Nevertheless, a cocktail of envy, emulation and saudade was exactly what the future genius needed. But only after he won, then shed his donnish gown and after squandering years in learning/found the courage for years of wandering.

From seediest London, he roamed round the Continent. His mother and colleagues were appalled by this enmity to his promise. But wherever he went, he continued to scribble bricks, prudes and hindsights. Meanwhile, like a patient angler, Joist was slowly reeling him in, knowing he had to get Dante, Vico and Modernism in general out of his system before being blest by his Muse.

But not how agitating itd be for himself. His schizophrenic daughters infatuation with Buckett was less the problem than his own infatuation with his pre-posthumous wake, as though, sensing his approaching end, he had to write down and about everything that once was, now is and would forever be, full steam, to secure the immortality in any case he already enjoyed.

True, their friendship was more collegial now, but with one nearing the end and the other only on the second or third lap of his rocky road, it wasnt always congenial.

My ambition is circularity. Like the serpent which swallows its tail, the novel of the future, and if it has any is up to me, must include all of its life in itself or any others, life being indestructible and indivisible.

And to succeed at that, he, the prophet, dare not leave nothing out, nor exclude any language, however obscure, when it offered a bon mot.

Ah, clog it, you say. Make it as turgid as life in Eire.

No. Life leads to Liffey, which, as it merges into the World Ocean to return to the Hapenny Bridge, flows in a myriad of silken threads which gurgle in a celestial choir, just as my prose does, polluted by brewery effluents though it may be.

Cognizance forbids all pitter-Pater about aspiring to music! Aspiration to isnt accomplishment of. You cant have it both ways, cher matre. Its either blobs on a stave or keys on a typewriter.

Allow me to demonstrate

Remonstrate, I suspect, but proceed.

Joist took a deep breath and in that wavering tenor which impressed even the mighty John OSullivan when they performed at the same concert party, sang:

Ping-pong, theres the bell for Sexaloitez! And Concepta de Send-us-Pray! Pang!

Hearing non-sequitur on top of nonsense, Buckett was the appalled now, but as anyone who has listened to the recording of Joist reading the same passage will concede, the sheer musicality of it all first stuns, then unmans and finally plunges you into a supra-galactic delirium, as it did he.

Though bested, Buckett sensed he could outdo him but not knowing how as yet, snarled an ungrateful taint bad.

Responding, Joist pierced him with a stare that was nevertheless not stern. It was due to the magnification of the eye-orbs by the thick lenses of his prescription glasses.

Kindly, in fact, he remarked that Buckets real obstacle was loneliness. As mine was until that memorable sixteenth of June in the year of 1904 Gregorian, not Orthodox calendar.

Yass, Bloomsday .

Pardon? Twas Daedalus Day. It was he who conceived of, labored at, executed and starred in the movie. That Hebrew gentleman was only incidental.

The love of a good woman will unleash my art? You surprise me, monsieur. I never imagined that you, the heartless nail clipper of crude reality, believed in fairy tales.

Speaking of that, she who must be obeyed beckons, Buckett, moncher frre.

So long as Im your dogsbody, Buckett muttered to himself as he left. How he hated how God the Father reduced him to a Ghostly Son. He took his resentment for a long walk along the quais, brooding for and on blocks. The one lesson about his hed learnt on the road was that the blisters its rocks caused you were as unintelligible as the strophes of that panoptic cacophony, but where Joyce sought to instill his with meaningfulness, the meaning he, Buckett, aimed for would to lie elsewhere, an inkling thereof he already had, but how could you convey nothingness ex nihilo. Instead of possibly making music out of noise, make monotony melodic . . . perhaps?

To calm himself, he crossed a bridge to the little Island of Swans, where he often meditated on what he was writing. Standing at its arrow-shaped terminus, he watched how the waters which it had cloven upstream fused into one curling surge, but it didnt evoke any of Joists far-fetched metaphors. Instead, the broken prams, holed condoms and mutilated umbrellas which floated by stood for the immutability of garbage on its eternal return to our mean lives. Tape worm? Rewind?

So sunk in thought, he strode to the other bank, a rough district, where a fellow, half-opening his greasy trench-coast, flashed him some pornographic postcards Buckett was oblivious to and in the following instant, skewered but did not murder him, thanks to Joist, who, as if to rub in his dependence, paid for his bills at the best clinic in France.

At the trial, the assailant sheepishly confessed that thered been no motive. Some say it was his apology which led Buckett to drop the charges. But it was really the randomness of the stabbing along with his name, Prudent: it culminated the epiphany he was graced within the operating theater. When he came to in the recovery ward, it seemed like a delusion wrought by shock and anesthesia, until the angel of the visitation was embodied in a woman, only met once before, and the two instantly fell in love during her bedside call. Since box-office sales were plunging in the stage all the world is, he would mount a theater of the absurd and with her support, it eventually became a smash hit, worldwide.

Gloss: Samuel Beckett, son a surveyor raised in a suburb of Dublin. Only Nobel to have played first-class cricket. After a B.A. in modern languages, he taught English in Paris (1928-30), where he assisted James Joyce, who would pester any visitor from Dublin to jog his memory of the city and also enlisted Beckett to do research for Finnegans Wake. After two years as a lecturer in Trinity, he moved to London, where he published a short-story collection More Pricks than Kicks, a study of Proust, reviews and a book of poetry.

He returned to Paris in 1938. Walter Pater, Victorian critic: All art constantlyaspirestowards the condition ofmusic. The two great writers generally respected and admired each other, though I stick to the critic Harold Blooms theory of the anxiety of influence.

The breakthrough of Beckett actually began with his novel Murphy, 1938. The stabbing and encounter with his future wife are veridical, barring some poetic license.

For the recording of Joyce: https://youtu.be/M8kFqiv8Vww

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Quarantine fiction: The Rocky Road to Godot - The City Paper Bogot

Lent with Bossuet Meditations on the Gospel (1) – FSSPX.News

We need a great grace against such vivid terror as that of death. We do not feel it as long as we have health and hope, but when there is nothing left, either of health or of hope, the blow is terrible. The blow is weakened, however, if we firmly believe that Jesus conquered death.

He conquered death in a twelve-year-old girl who had just died and was still in her bed (Mk. 5:35-42), and also in a young man who was being buried (Lk. 7:12-15). Finally, He conquered it in the tomb and in the heart of putrefaction, in the person of Lazarus (Jn. 11:41-44). It remained for Him to prevent corruption.

Jesus had conquered death in persons who had died a natural death. He still had to conquer it when death would come through violence.

Those whom He had brought back to life remained mortal. It remained that with death, He might even conquer mortality. It was in His person that He would show so complete a victory. After He had been put to death, Jesus arose from the dead to die no more, without even having ever experienced corruption. As the Psalmist chanted: thou wilt not suffer thy Holy One to see corruption (Ps. 15:10; Acts 2:27).

This which was done by the Chief or Head will be accomplished in His members. Immortality is assured us in Jesus Christ by greater right than when it had first been given to us in Adam. Our first immortality was not to die; our last immortality will be to die no more.

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Lent with Bossuet Meditations on the Gospel (1) - FSSPX.News

How Altered Carbon, The Good Place, and Black Mirror explore eternal pleasure – Polygon

[Ed. note: This article contains major spoilers for The Good Place season 4, Altered Carbon season 1, and the Black Mirror episode San Junipero.]

Fiction is filled with depictions of hell. From Buffy the Vampire Slayer to Event Horizon, writers and directors have imagined the horrors of endless torture, and graphically demonstrated the way that experience could break victims body and mind.

Visions of heaven are far rarer. Thats understandable, since fiction is typically built on conflict, and theres a lot less of that in places traditionally defined by peace and goodness. The Buffy spinoff Angel and Amazon Prime Videos adaptation of Good Omens imagine heaven as boring compared to life on Earth, but other works take a much darker view of eternal bliss. The Matrix posited that human minds would reject any paradise that didnt have some form of suffering. And several recent TV shows have delved deeper into the idea, exploring the philosophical and cosmic ramifications of immortality, and how living forever would affect our sense of pleasure.

Pleasure in eternal life was one of the dominant themes of season 1 of Netflixs Altered Carbon, a cyberpunk show set in a future where the ultra-rich use a mix of cloning and alien technology to avoid death. The conceit is primarily used to explore the illusion of upward mobility, as power and wealth stay permanently consolidated in a few peoples hands, while everyone else is condemned to age and die as humanity always has. Yet the writers also posit that even having everything cant save people from their own natures.

After living for hundreds of years, the Meths (named for the long-lived biblical figure Methuselah) have become jaded with typical pleasures. As with Frank Cotton in Hellraiser, their boredom leads them to dark places. Season 1 depicts a party hosted by Laurens Bancroft, one of the oldest and most influential Meths. Its a display of decadence and cruelty, including guests eating a white tiger, and cheering as a married couple fights until one of their bodies is destroyed. During a party game where each guest shows off something unique they brought to the event, one attendee reveals that she put the mind of a death-row inmate in the body of her pet snake, just to see what would happen. She laughs as she explains it broke his mind.

The Meths push the boundaries of morality even further when it comes to finding sexual pleasure. Laurens daughter apparently gets a thrill from having sex in the body of one of her mothers clones. Miriam Bancroft offers a man shes trying to seduce the chance to have sex with several of her clones at once. Laurens himself enjoys sexual sadism, beating and sometimes killing prostitutes, then making it up to them by replacing their bodies with enhanced versions. Its another way the writers get across the shows main theme of the terrible power imbalances caused by wealth. The women consider this a fair transaction, even though being killed is deeply traumatic..

Psychologists have observed a phenomenon called the hedonic treadmill, where something new and exciting might make someone happier for a short period of time, but eventually, theyll revert back to their baseline. The Meths experience the same phenomenon, seeking more dramatic and illicit thrills as they age. Season 1s biggest twist reveals that a high-end brothel is giving the Meths a chance to permanently kill people, and that Laurens was drugged and persuaded to partake of this forbidden pleasure. Confronted by what hes done, he realizes hes lived too long, and that any future pleasure he would achieve would come at too high a cost for others. The only solution was to kill himself.

Altered Carbons writers posit that physical pleasure cant be reasonably sustained over eternity. But what if the pleasure response was removed from the body? Season 2 briefly reveals that some people have renounced physical form to upload their minds into a virtual paradise. This concept is only explored as a subplot of a single episode, so its unclear whether it really is a better solution within the shows world. But another show has explored the concept in more detail: Charlie Brookers Black Mirror, in the episode San Junipero.

In the episode, terminally ill, totally disabled, and physically dead people have uploaded their minds into a virtual realm. San Junipero is a party town where people can live in young, beautiful bodies, have casual sex, drink, dance, play games, and go to the beach. As the episodes ending song makes clear, its meant to be heaven created on Earth.

And yet, as is always the case in episodes of Black Mirror, the technology has darker aspects. Doctors ration how long living patients can spend in the simulation, saying they would go crazy if they spent too much time there. While Altered Carbon just gets into sadism, San Junipero explores the search for pleasure in sadomasochism through the Quagmire, a club that features bondage and people suffocating or assaulting each other.

The episode centers on two women, Yorkie and Kelly, who meet and fall in love in San Junipero and debate whether they should stay together there after they die. Neither believe in a real afterlife, but Yorkie thinks the simulations pleasures are real and worth enjoying. Kelly disagrees, and she has some evidence on her side. She points out that smoking there doesnt taste like anything, and people who have been in San Junipero for a particularly long time tend to pursue more extreme sensations. She tells Yorkie, You want to spend eternity somewhere nothing matters? You want to wind up like all those lost fucks at the Quagmire trying anything just to feel something? Go ahead.

One of the ways Yorkie persuades Kelly to change her mind is by pointing out that she can disconnect whenever she gets bored of their heavenly life together. That solution is also at the core of the representation of a functioning heaven in The Good Place. That show launched by focusing on Eleanor Shellstrop, a selfish woman who winds up in the titular heavenly realm by mistake, then tries to become a better person to avoid being kicked out. But by the end of season 1, viewers learn that she and the other main characters are actually in the Bad Place, being subjected to a new form of psychological torture.

The hedonic treadmill works both ways: people will also become miserable when something bad happens to them, but will eventually adapt to most downturns, and return to their previous state of happiness. The demons in The Good Place have an arsenal of bizarre and terrible tortures, like butthole-spiders and penis-flattening, but those tools have become less effective over time, leaving even the torturers feeling bored and unsatisfied with their jobs. In an inversion of the idea that heaven is dull compared to Earth, they decide that their methods cant compare to the hell that is other people, so they devise a way to let humans eternally torture each other.

Michael Schur gave his series a decidedly humanist and uplifting tone, so his characters actually wind up banding together and becoming better people. Eventually, they earn their spots in the actual Good Place, which turns out to have just as many problems at the Bad Place. After spending centuries or millennia being given everything they could want, the humans there have become pleasure zombies who have lost all the intelligence, curiosity, and desires they had in life. They barely react to the new arrivals. The architects of the Good Place try to fix things by offering up even more impossible pleasures, but their charges dont even know what to ask for.

Thats a more wholesome version of the problem depicted in Altered Carbon and San Junipero, and the solution also remains the same. The Good Place denizens are offered the chance to leave whenever theyre ready. They have eternity to enjoy time with their loved ones, learn new skills, or just read trashy novels. When all those joys lose their luster, they can simply move on to something else a peaceful state fundamentally detached from human consciousness. In the tear-jerking series finale, the shows main characters find all the pleasure they could want, and then seek the ultimate fulfillment by taking one last step into the unknown.

Theres a traditional Jewish folk tale about a king who asks for a ring that will make him happy when he is sad, and sad when he is happy. His trusted advisor realizes that no magic can accomplish this, but he solves the problem by bringing the king an ordinary ring inscribed with the message, This too shall pass. It is a reminder that all pain and pleasure is finite, as is human life itself. That truth can be comforting and terrifying, and its what makes imagining the possibility of eternity so appealing and challenging. The shows currently pondering immortal, eternal joys all conclude that the human mind cant really handle endless pain or endless pleasure, so we should just try to make the most of the time we actually have.

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How Altered Carbon, The Good Place, and Black Mirror explore eternal pleasure - Polygon

Thank You, Tom. – 98.5 The Sports Hub

GLENDALE, AZ - FEBRUARY 01: Tom Brady #12 of the New England Patriots shouts prior to playing in Super Bowl XLIX at University of Phoenix Stadium on February 1, 2015 in Glendale, Arizona. (Tom Pennington/Getty Images)

By Ty Anderson, 985TheSportsHub.com

To hell with the Indy and Denver Peyton Manning, the New York Yankees, and 3 p.m. Boston traffic jams. Time is and will always be our greatest enemy. In all walks of life. No matter the fight we put up (and well always fight like hell), time has a tendency to blur even our fondest memories, and theres almost nothing we can do about it. Little by little, the particulars and rich details of our memories fade, and before you know it, we can only recall what are essentially incomplete snapshots, but more importantly the emotional highs (or lows) of the moment we once promised ourselves to never forget.

This is all a much darker start than I imagined, I must admit, but it's also no wonder Tom Brady made it his personal mission to defeat such a foe.

And you can consider it a mission accomplished on the part of Brady. At least when it comes to his two-decade chapter in The Hub, as even with Tom Bradys 20-year run in town set to close by way of the 42-year-olds new, high-dollar and high-security deal with the Tampa Bay Buccaneers, well never, ever forget what we witnessed since he stepped in for Drew Bledsoe in 2001.

Trying to sum up Bradys Patriots career in one column is the work of the clinically insane. Its impossible, actually.I mean, how could anybody possibly do Brady justice? You can't, and I'm not going to try and tell you otherwise.Often in the media, were asked to pretend that we didnt grow up rooting for certain athletes and teams. But with Brady, that was legitimately impossible, and I dont think I ever cared who knew it. I remember the first time I covered a Patriots training camp, I texted the first person I hugged after Brady & Co. delivered a jumping-and-shocked 10-year-old me the first championship I had ever seen back in '02 and said, Currently six feet from Tom Brady. Crazy. He wasthatkind of figure.

For those of us that missed out on Bobby Orr and Larry Bird leading championship parades through Boston, Brady was our guy. Except he won more, did it longer, and wasnt forced out of games we scheduled our lives around due to career-shortening ailments. For those who got to experience those legends that came before, Brady helped build you one of the last bridges you needed to walk on the way to true sports heaven, and No. 12 was the living, breathing, and constant reinvention of what it meant to be a champion. Yes, he wasthatkind of figure.

Bradys iconic performances in nightmarish conditions actually had you wishing for a chilled or slippery commute to Gillette Stadium, especially in January. Brady made track 10 of The Black Album a must-have on every pump-up playlist. He even made having a butt-chin seem kinda cool (big-time thanks for that one, Tom).

Brady regularly made what seemed impossible feel automatic.

The No. 199 overall pick turned champion to three-time Super Bowl winner evolved from manager to superstar, broke offensive records, and was one helmet-catch away from what we thought back then was his final chance at securing legitimate football immortality. He then turned some lean title-less years in town into a second three-championship run, and that second wind featured more impossibilities-turned-automatics from a quarterback people repeatedly said (read as: truly wished and prayed) was a declining, noodle-armed has-been.

His fourth quarter against the Seahawks in Super Bowl XLIX might go down as his Mona Lisa; Down by 10 against a vaunted Seattle defense after three quarters, Brady went 13-for-15 for 124 yards and two scores in the final frame, including the go-ahead touchdown to Julian Edelman with just over two minutes remaining in the game on the way to another Super Bowl MVP.

Brady somehow upped his own legend status in his next Super Bowl (LI against the Falcons), when the Patriots found themselves down by 25 points in the third quarter, and with Brady playing a far-from-perfect game. Trying to erase a massive deficit, Brady spread the ball around and helped engineer five straight scoring drives -- he completed 26 of his 34 passes for 284 yards with two touchdowns (and a successful two-point conversion pass to Danny Amendola) over that five-drive run -- to push the Patriots to the greatest comeback in Super Bowl history.

History will leave us looking back on Super Bowl LIII as the disappointment of Bradys Super Bowl wins (our ability to think like this is why everybody hates us), but Bradys performance at the Arrowhead terror-turf in the AFC Championship Game on the way to that sixth championship should never be forgotten. The site of the true birth of the Bradys Done narrative back in 2014, Brady returned to K.C. and engineered another late-game performance for the highlight reel. With the Patriots chasing the game, Brady hooked up with Rob Gronkowski for 25 yards on a vintage Brady-to-Gronk dime with a minute left to set New England up for a go-ahead score from Rex Burkhead, and then converted three separate 3rd-and-10s in overtime to win.

Brady's game-winning overtime drive against the Chiefs felt like such a formality that the entire football world basically cried for the league to change the overtime rules (again) before the Patriots even scored the touchdown that turned the site of his obviously-premature football death into another postgame trophy presentation.

With the Patriots needing to do every single thing right just to give themselves a chance at victory, Brady was the only quarterback fit for the job. And he did it. Surgically. Again and again and again. At 25, 39, or at 41.It was just ridiculous.

Even in his final Super Bowl loss as a Patriot, Brady did everything he could to will New England to victory, throwing for a Super Bowl-record 505 yards. Things probably end differently for Brady and the Patriots on that night had the defense been able to... oh I dont know... stop Philadelphia from putting points on the board in eight of their 10 offensive drives.

You just felt that so long as the Patriots had Brady and Brady had the Patriots, the team always had a chance at the impossible. Arrogant? Only to outsiders, really, because to us it was the reality we attached ourselves to every Sunday. If there was ever such a thing as earned arrogance in football, it was certainly found at Patriot Place.

But these accomplishments and their impact extended outside of Foxborough.

With the Patriots being what they were (and being what they were for two straight decades), the Patriots' brothers in Boston sports felt an obvious and immense pressure to match Brady's accomplishments and forever-contender status. The Red Sox had their own drought to worry about (and eventually ended), but the Bruins and Celtics were undoubtedly mindful of the shadow Brady and the Patriots were casting over their since-redeveloped gray and warehouse-looking arena. They realized they were on their way to potentially permanent irrelevancy if they didn't try to win at the same pace as the fiercest winner we've ever seen. It was an obviously impossible task, but it came with its own rewards for each franchise, as the city piled up six non-Patriots championships (and appeared in nine championship-round games) during Brady's run in town.

Without Brady (the ultimate underdog himself) seizing his opportunity in 2001, our status as an underdog city likely isn't met with the scoff and eye-roll it rightfully gets in 2020. Without Brady, we may still cling to those Orr and Bird parades, and still look back on the Parcells Years as the true pinnacle of our football fandom. Without Brady, we're still hyperfocused on the could-have-beens of the modern-era championship losses and miscues that dramatically outweighed the victories.

While this line of work often deals in hyperbole, there's no denying that Brady helped change this city. Probably forever, too.

At least if you buy the famous quote that "a mindstretched by new experiences can never go back to its old dimensions." That seems especially true when talking about a sports-wild city's neverending lust for more. More rings. More titles. More glory. And though "the dream is dead" narratives are unavoidable following Brady's departure to Tampa Bay, that remains there.But the idea that it'll be found in the blink of an eye is as likely as a sixth-round draft pick coming in to replace the face of the franchise and winning the title in his first real ride as a full-time player.

So, thank you, Tom.

For showing everybody that it's not about status or privilege, but work ethic. For making us somehow love the idea of a snow-buried field. For constantly reminding us to truly appreciate the joy and opportunity that every second of sports can bring. And even for teaching us all the value of resistance bands, drinking a billion gallons of water, and stretching.

But most importantly, for delivering memories that'll never be forgotten thanks to details embroidered onto championship banners.

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Thank You, Tom. - 98.5 The Sports Hub

Star Wars: Knights of the Old Republic 2 – What Really Happened – Screen Rant

The Star Wars franchise, philosophically, isvery black-and-white. Literallyso: the titular 'wars' within the Star Wars movies be they between Empire or Rebellion, Republic or Secessionist are all proxies for the conflict between the Light and the Dark Sides of the Force, the goodJedi and evilSith who wield them. So what do you get when you ask a critically acclaimed video game scriptwriter with a lovefor existential philosophy to write a Star Wars story? You get Star Wars Knights of the Old Republic II: The Sith Lords, the premier releaseof Obsidian Entertainment, a Star Wars sagaof moralambiguity and philosophical musings that was nearly rendered unplayableby a veryshort development cycle.

When Black Isle Studios, the publisher of classic RPGs likeBaldur's Gate and Planescape Torment, went under, some of theirdesigners Feargus Urquhart, Darren Monahan, and Chris Avellone, among others went on to form their own studio, Obsidian Entertainment. In time, Obsidian Entertainment would achieve its own measure of acclaim withspin-off titles like Fallout: New Vegas and original franchises such asPillars of Eternity and the Outer Worlds. At the start, however,Obsidian Entertainment was a small team of designers and writers with a dauntingtask:making a sequel toStar Wars: Knights of the Old Republic, thehit RPGdeveloped by BioWare and released by LucasArts in 2003.

Related: Knights of the Old Republic Movie & TV Show Reportedly Happening

Chris Avellone, the lead writer and designer for what would become Star Wars Knights of the Old Republic II: The Sith Lords, had already left his mark on the gaming industry with Planescape: Torment, an isometric RPGthat broke new ground in the field of video game storytelling with a narrative that contemplated the nature of belief, pain, and immortality through a namelessprotagonist that was immortal both in gameplay and narrative. Forthe first title of Obsidian Entertainment, Chris Avellone stroveto homage the Star Wars franchise while deconstructing it at the same time examining thewar between Light and Dark, Jedi and Sith,seekingto uncover the sinisterimplications of such an eternal struggle.

The customizable protagonist of Star Wars Knights of the Old Republic II: The Sith Lords is a figure haunted by their past, as so many of her traveling companions are. Banished from the Jedi for their war crimes, pursued by Sith Lords with disturbing supernatural powers, this Exile must reunite the fractured Jedi Order and relearn the ways of the Force...but their brown-robed mentor, the mysterious, acerbic Kreia, hasher own secretagenda and goals that may well threaten the existence of the Jedi, the Sith and the Force itself.

The plot of KOTOR II, like many Chris Avellone-written games, is less intent on making a fixed moral statement thanmaking playersthink about their choices, their beliefs, the way they view the world. The character of Kreia, jaded and burned from her brushwith bothsides of the Force, is used by Avellone tostir questions in the minds of players:are the ways of the Jedi sustainable, ifthe strain of living bytheirCodedrives so many of their members to the Dark Side? Does the existence of the Force, a power that obeys and influences its wielders, really make the galaxy a better place? Can moral-choice systemsseen in video games like the first Knights of the Old Republic capture the complexities of real-life morality?

The resulting moral grayness and introspection made KOTOR II's storyunique, unlike any other Star Wars work that had existed up to that point.The conditions were ripe for KOTOR IIto be a masterpiece that would put Obsidian Entertainment on the map...and it was, despite the glaring plot-holes and technical issues the game suffered during its December 2004 release.

Related:Star Wars: Knights of the Old Republic Movie & TV Show Reportedly Happening

KOTOR II's issues, in the main, stemmed from Obsidian Entertainmentgetting only 14 months to make their premier title,a production schedule that would have been tight and stressful for an experienced, well-established game developer. As a fledgling studio, Obsidian wound up biting off more than they could chew: despite extensive assistance from programmers and developers at LucasArts, they were forced to axe multiple portions of their game incomplete levels were replaced with cut-scenes, bugs were left unpatched, older graphics werenot updated, and key scenes of dialogue and plot were left out, making the game's climax messyand unclear. Critics and fans alike wound up viewingKOTOR II with ruefulrespect: admiration for what this Star Wars game tried to do and wistfulness for what it could have been.

Fortunately (only fitting for a Star Wars game) a New Hope arose. Rebel Modders, striking from their hidden bases on the internet, came together to form the Sith Lords Restoration Project, a quest to restorethe missing chunks of KOTOR IIand make it a more complete game. This rag-tag rebel modding team had a secret weapon; much of the missing content was still present within the code of the game unimplemented levels, enemies, cutscenes and lines of dialogue that could be restored with right work. The resulting mod,The Sith Lords Restored Content Mod,is nowseen as an indispensable part of the KOTOR II experience.

Star Wars Knights of the Old Republic II, for all its technical flaws, has cast a shadow on the Star Warsfranchise ever since, the themes it explored inspiring large chunks of Bioware's Star Wars: The Old Republic MMO and paving the way for other writersto create their own subversive takes on the Star Wars franchise.Chris Avellone, his colleagues at Obsidian, and the dedicated Rebel Modders showed fans thatthey could question the black-and-white morality of Star Wars while still enjoying the thrilling spectacle of this galaxy far, far away...

Next: What Project Luminous Could Learn From Star Wars: Knights of the Old Republic

Source:Den Of Geek

Colin Trevorrow's Star Wars 9 Was Full Of Shocking Story Choices

Chicago-based Writer, Author and freelance translator. Looking to prep his readers for the next renaissance of apocalypse, whichever comes first.Write and publishes web fiction under the pseudonym Aldo Salt on Inkshares.com

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Star Wars: Knights of the Old Republic 2 - What Really Happened - Screen Rant

Exclusive: Vin Diesel explains why he wanted to play Bloodshot – digitalspy.com

Vin Diesel is swapping Fast & Furious car stunts for superhero thrills in his new movie Bloodshot, and he's now revealed what attracted him to the role.

In a new featurette that looks at the origins of Bloodshot, Diesel explains that he was "drawn to the idea of playing a character that had superhero-like powers who uncovers that his mind is manipulated".

He stars as marine Ray Garrison who is reborn by a team of scientists with nanotechnology after he is killed in action.

With nanotechnology in his veins, Garrison becomes stronger than ever and gains the ability to heal instantly, transforming him into the superhero Bloodshot. But he's unaware that he isn't in control of his own body or his mind.

Garrison doesn't know what's real and what's not, but he's on a mission to find out and seek revenge.

As co-creator Bob Layton explains, the character is "kind of like Frankenstein as James Bond", with Kevin VanHook adding: "The idea was they were experimenting ultimately to try to create immortality."

Bloodshot also stars Baby Driver and Hobbs & Shaw star Eiza Gonzlez and she's promised a superhero movie like no other.

"It's completely different to anything I've done before. It's badass," she enthused. "Enjoy your traditional superheroes because when Bloodshot comes out, it's gonna be a whole new game."

Columbia PicturesSony Pictures

Last year, Diesel said that Garrison is "one of the most complex characters I have been fortunate enough to play": "Ray Garrison is a central character in the Valiant Comic Universe... Hope to make you proud."

Bloodshot also stars Outlander's Sam Heughan, Guy Pearce, Toby Kebbell, Lamorne Morris and Talulah Riley.

Bloodshot will be released in UK cinemas on March 11 and US cinemas on March 13.

Digital Spy now has a newsletter sign up to get it sent straight to your inbox.

Want up-to-the-minute entertainment news and features? Just hit 'Like' on our Digital Spy Facebook page and 'Follow' on our @digitalspy Instagram and Twitter accounts.

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Exclusive: Vin Diesel explains why he wanted to play Bloodshot - digitalspy.com

Will the National Baseball Hall of Fame welcome Omar Vizquel in 2021? (Poll) – cleveland.com

CLEVELAND, Ohio Omar Vizquel took a big step toward baseball immortality Tuesday when the results of voting for the National Baseball Hall of Fame were revealed for the class of 2020.

Derek Jeter and Larry Walker were the only two players selected by the Baseball Writers Association of America for this years class, but Vizquels vote total jumped nearly 10% over last years results. He was named on 52.6% of the 397 ballots cast after receiving 42.8% in 2019.

Vizquel totaled 37.0% of the vote in his first year of eligibility in 2018.

Several prominent national baseball writers went public with their support of Vizquels Hall of Fame credentials just prior to Tuesdays announcement, including Jayson Stark, who was selected to the Hall himself in 2019 as the J.G. Taylor Spink Award winner. Ken Rosenthal and Bob Nightengale also revealed ballots in favor of Vizquel.

Players must be named on 75% of ballots to gain entry to the Hall of Fame. If Vizquel continues to trend upward in the next few years, it might not be long before he joins Indians teammate Jim Thome in Cooperstown.

But predicting when Vizquel could get in is tricky. Voters are notoriously fickle and the ballot changes from year to year with high-profile players becoming newly-eligible and others reaching the end of their eligibility and therefore garnering a closer look. Vizquels total could plateau or regress next year when Mark Buehrle, Torii Hunter and Barry Zito compete for votes, among others.

So, when will the Hall call for Omar? Will it be next year? Some point before his eligibility runs out? Or not at all? Take the poll below and defend your response in the comments.

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Will the National Baseball Hall of Fame welcome Omar Vizquel in 2021? (Poll) - cleveland.com

Remembering Rob Rensenbrink: the overlooked Dutch master who came within inches of immortality – These Football Times

Originally featured in the Netherlands magazine, if you like this youll love our work in print. Thick matte card, stunning photos, original art and the best writing around. Support our independent journalism.

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From the outside looking in, its a strange concept, but just how close the Netherlands came to winning the 1978 World Cup hasnt left too noticeable an imprint on the national psyche, or at least certainly not in the same way as the failure to prevail in 1974 has.

Rob Rensenbrink came to within the width of an Estadio Monumental goalpost from pure footballing immortality. An inch further to the right and the Oranje would have become the sixth different winner of the World Cup, rather than Argentina. Rensenbrink would have joined a special collection of players to have scored a World Cup-winning goal, and he would have finished the tournament as its leading scorer.

By the finest of margins, Rensenbrink was deflected away from immortality, as he instead arguably so drifted into a world of under-appreciation in his home nation. Apart from in the Low Countries of Belgium and the Netherlands, and among football hipsters the world over, Rensenbrink is widely forgotten.

He is a peculiarity. Strikingly gifted with skill to burn, he was blessed with a wonderful left foot and bewitching close-control which saw him drift past defenders as if they werent there, an ability that sprang from a dribbling style which gave him the rare propensity to be able to take a ball right into the face of opposing defenders before changing direction at the last second. Unpredictable, dangerous and, at his peak, impossible to play against, he should be far from forgotten.

Born in Oostzaan, almost nine miles to the north of Amsterdam, Rensenbrink slipped through the prolific Ajax net, instead finding his way into football with city rivals DWS. Essentially on an amateur footing despite gracing the top flight, and enjoying occasional forays into the Inter-Cities Fairs Cup, DWS were never likely to contain Rensenbrinks talents for a prolonged period.

In the summer of 1969, at the age of 22, a year after making his international debut, it was the ideal time for Rensenbrink to move on from DWS. The inexorable rise of Ajax had gained pace, having just contested their first European Cup final, while their bitter rivals Feyenoord, who had won the Eredivisie title, were just a year away from going one better in the 1970 final against Celtic.

Read | Willy Dullens: the Dutch talent many thought couldve been better than Cruyff

While Ajax had been interested observers in Rensenbrinks development at DWS, they were a club blessed with an abundance of left-sided attacking options. Favouring a position on the left-hand side of the forward line, yet equally adept as an out-and-out left winger, Rensenbrink was under no illusions that Ajax had the continually blossoming Johan Cruyff and the legendary Piet Keizer in the two positions he could occupy.

Feyenoord also monitored his progression and there were tentative inquiries. As reigning champions, however, they elected to rest on their laurels to an extent. The brilliant but slowly ageing Coen Moulijn, a player who drew comparisons to Stanley Matthews, was deputised at times by the wonderful Wim van Hanegem. Again, Rensenbrink would have had his work cut out to displace some formidable figures from the Feyenoord line-up. Yet, in retrospect, Rensenbrink would have been the perfect long-term successor to Moulijn.

In the summer of 1969, an entirely different path was taken by Rensenbrink and he would never again kick a ball in competitive anger within club football in his homeland.

Frans de Munck, a former international goalkeeper for the Netherlands, had been appointed as the new coach of Club Brugge that summer, and spotting an opportunity to step in where both Ajax and Feyenoord wouldnt, he swooped for the services of Rensenbrink.

At the Stade Albert-Dyserynck, Rensenbrink took the change of environment in his skilful stride. The Brugge that Rensenbrink joined was essentially sitting upon the eve of greatness. Their solitary league title had been won almost half a century earlier, but from the mid-1960s they had risen to become an increasing thorn in the sides of both Anderlecht and Standard Lige.

Scoring goals on a regular basis during his debut season in Belgium, Rensenbrinks new club finished runners-up to Standard in the league and swept to domestic cup glory. A near miss on the title followed in 1970/71, combining with a run to the quarter-finals of the Cup Winners Cup.

The summer of 1971 proved pivotal for Rensenbrink. Board member Constant Vanden Stock departed the club, only to resurface at Anderlecht. Utilising their friendship, Vanden Stock coaxed Rensenbrink to Brussels, from where he would go head to head with his former club for most of the domestic honours on offer throughout the remainder of the decade, as Standard fell away.

Read | Johnny Rep: the natural Total Footballer who weaved his way into legend

Brought in by Georg Keler the man who had given Rensenbrink his international debut as part of a number of sweeping changes at the club, Anderlecht narrowly edged out Brugge in a tense battle for the title, and defeated Standard in the cup final to clinch the domestic double.Alongside his compatriot Jan Mulder and the Anderlecht legend Paul Van Himst, it was the added attacking potency this triumvirate provided to the team that enabled Rensenbrink to help break the hearts of all those involved with his former club, as his new employers took the title on goal difference.

It was a dream start to life with his new club. However, the following season proved a more difficult one, as Mulder jumped at the opportunity of a summer move to Ajax, while Van Himst struggled for form. It meant that Anderlecht relied on Rensenbrinks talents far more than they had during the previous campaign. This was offset by the gradual emergence of another precocious talent in the shape of Franois Van der Elst.

An inconsistent start to the defence of their title and an early exit from the European Cup meant that Keler departed the club before the year was out. Brugge swept to the title, and while collective form was hard to attain for Anderlecht, Rensenbrink was still scaling individual heights. Despite their problems in the league, the cup was retained as once again Standard were beaten in the final.

Out of sight and out of mind, Rensenbrink was on the outside looking in when it came to the national team, despite his fine performances for Anderlecht. He hadnt represented the Netherlands since departing DWS. In his absence, and despite the elevated club performances in European competition of both Ajax and Feyenoord, the Netherlands had failed to qualify for the latter stages of Euro 72.

Rensenbrink continued to apply himself to the Anderlecht cause. Under his new coach, Urbain Braems, playing alongside the prolific Hungarian striker Attila Ladinszky, and with the added support of the increasingly effective Van der Elst and the slowly ageing yet ever-dangerous Van Himst, Anderlecht reclaimed the title.

It was during the 1973/74 title-winning campaign that Rensenbrink made his return to the national side, initially recalled by Frantiek Fadrhonc, the man who led the Netherlands to World Cup qualification, before being replaced for the finals by Rinus Michels.

Read | Johan Neeskens: more than just the other Johan

Rensenbrink was viewed as the inside man, given that they were sharing a group with Belgium. When the two nations met in November 1973 in the decisive game at the Olympic Stadium in Amsterdam, the Netherlands knew a draw would be enough for them to reach the finals in West Germany. Intriguingly, Rensenbrink was up against four of his Anderlecht teammates on a dramatic night when a combination of fine goalkeeping and profligacy in the penalty area kept the Belgian goal-line unbreached.

Controversy and drama abounded when, in the last-minute, Rensenbrinks Anderlecht teammate, Jan Verheyen, stroked home what appeared to be a perfectly good winning goal. As the Netherlands defence stepped forward while defending a free-kick, Verheyen had been gifted the freedom of the penalty area. Played onside by at least three defenders, his legitimate goal was erroneously disallowed. By the finest of margins, the Total Football of 1974 might never have been given the opportunity to bloom.

In West Germany, Rensenbrink, for so long on the periphery of the national side, now took on a vital role. Michels opted to start him in all but one game, fielding him ahead of Piet Keizer. Rensenbrink, not involved in the Ajax-Feyenoord-PSV power struggle, was blessed with a remit of freedom that not everyone within the squad could match.

Some fine support performances, inclusive of a vital goal against East Germany during the second-round group stage, helped edge Michels and Cruyff towards the World Cup final. When Rensenbrink was on the receiving end of some painful challenges during the de facto semi-final against Brazil, a game marked by the breathtaking football ofOranje, and the brutality of Brazils approach, he was forced to hobble away from Dortmund with huge doubts over his fitness for the final.

Despite passing a fitness test on the morning of the final, in the heat of battle within the Olympiastadion in Munich, Rensenbrink was noticeably off the pace. Had the Netherlands not yielded the early lead they took, then maybe he would have been given further time in the second half. Trailing 2-1, however, Michels could afford no passengers and Rensenbrink was replaced by Ren van de Kerkhof. Had he been fully fit, it might have made the difference between success and failure.

Rensenbrinks importance to the national team intensified over the next few years, helping them to the finals of Euro 76, where they were denied the opportunity to face West Germany in a rematch of the World Cup final by the eventual champions Czechoslovakia.

Read | When Ajax didnt want Johan Cruyff he left for Feyenoord and won the double

By the time Johan Cruyff walked away from the international game in the autumn of 1977, Rensenbrink had inherited the role of chief creator in the side that Ernst Happel took to Argentina. Happel, coach at Feyenoord when they passed up the chance of signing Rensenbrink, deployed him on the left of a three-man forward line, in a loose adaptation of the formation his Feyenoord had won the European Cup with.

With Johnny Rep at the tip, Van de Kerkhof on the right, Rensenbrink to the left, and backed up in midfield by Johan Neeskens and Rensenbrinks Anderlecht teammate Arie Haan, they were a side which lacked the conductor supreme in Cruyff, but instead produced a more balanced and direct variant of play that still embraced sublime vision and skill.

During the span of time between the World Cups of 1974 and 78, Rensenbrink had cultivated a love affair with the Cup Winners Cup at Anderlecht. Molenbeeks shock title win of 1974/75 was followed by a hat-trick of successes for Brugge. While Anderlecht conspired against themselves domestically, in Europe they excelled. The club reached the Cup Winners Cup final in three successive seasons, defeating West Ham in 1976, losing to Hamburg in 1977 and dismantling Austria Vienna a year later. It was during this period that Rensenbrink attracted unfair criticism, that he would raise his game for the big occasions but become unreliable against the lesser teams.

Despite the title eluding them, Rensenbrink, alongside Haan and Van der Elst, made Anderlecht one of the most dangerous and feared sides in Europe. He scored twice in both the 1976 and 1978 finals, performances which enhanced his reputation and in turn raised expectancy levels.

In Argentina, he was in imperious form. A hat-trick against Iran was followed by further goals against Scotland and Austria. Combined with the drive and explosive finishing of Rep and Haan, the Netherlands rolled to the final.Rensenbrink came to within the width of the goalpost at El Monumental from pure footballing immortality.

At the age of 31, it proved to be a watermark moment. Within a year he had played his last game for the Netherlands, while his Anderlecht career ended in 1980 with what was essentially a trailing off, ending his playing days with short spells in the NASL and in France with Toulouse.

Rensenbrink, a man who never went into coaching, remains locked within that vivid moment when he hit the post with only seconds to go in the 1978 World Cup final. He remains a man under-appreciated by many in his homeland, and one often forgotten by football generally. Regardless of that, he will always be a man who hypnotically owned the ball, one who so very nearly inherited the world.

By Steven Scragg @Scraggy_74

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Remembering Rob Rensenbrink: the overlooked Dutch master who came within inches of immortality - These Football Times

Artificial Intelligence Hype and Reality – EnterpriseTalk

Like any other exciting new technology, Artificial Intelligence has its fair share of hype, and in many cases, this rubs professionals and industry experts the wrong way. The recently concluded CES also showcased this- both hype and the real thing. Many industry experts have expressed their irritation on this- fabricated and over the blown display of AI abilities. They feel this discredits the society that is gullible to such hyped displays.

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While there is always a fair mix of legitimate and well, suspicious claims for the magic of AI and what it can do, there are always some irritants that claim much more than they deliver. In many cases, the products and tools are larger than life, or even completely unbelievable. CES, by all accounts, displayed very fake AI, artificial humans as assistants and robots that were very much removed from reality.

This was not only about products but also tools like the AI Photo Animator, which came across as a slow, controlled giant animator, in a world of very fast pocket-sized smart animation tools that the millennials use per minute! One wonders, how that is an impressive application of AI!

In fact, there were some extremely cutting edge, high tech applications of AI, which were impressive enough to offset the ones that were not.

The question here, however, is not about the abilities of AI that were displayed. It is about the trust that humanity can or should build with AI. The robots that were displayed at CES were not about the capabilities of robotics, but the moot question was, with so many fakes, can we trust the real? An AI-based robot doing human tasks efficiently is still a bit of an anomaly, and there is a long way to go for the unidentifiable humanoids that popular culture displays. Robots still look like robots and move like machines, apparently, humanity has not reached the level of perfection yet.

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But the thought-provoking thing is, are we going to be enamored by the hyped awe of what AI can do, or look more into the can dos and the cannot-dos of the display of AI apps. To date, largely the only industry that has actually used AI and robotics in perfect applications in the automotive industry. That seems to be the only vertical where AI has added huge value. But even there, experts observed that the supposedly autonomous vehicle was not completely driven by AI, but a large fraction of the controls were controlled and monitored by a human driver! This would apply to all industries, across all enterprise.

Clearly, a system of hyped abilities and enamored audiences completely sold out to the idea of a much superior AI may not be practical as of now. We need to be very clear that while AI will certainly come to mean many more things in the coming years, for now, it is largely about a healthy mix of machine and human. And till it proves its ability to run our lives smoothly, its better it stays hybrid- for the safety of everyone involved! What we need is less hype and more of the real thing! While the verdict is still out on whether companies should bandy about the term AI for their product releases, it is certainly important that the claims of immortality be taken with a pinch of salt!

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Artificial Intelligence Hype and Reality - EnterpriseTalk

Who Was the Most Streamed Artist on Spotify in 2019? – TooFab

The year 2019 had its ups and downs: TikTok went viral worldwide, Miley and Liam broke up, Meghan and Harry welcomed baby Archie. But nothing captures the zeitgeist of 2019 quite like what we listened to across the world.

In case you haven't heard, music streaming service Spotify does annual roundups of the most-streamed artists, songs and albums of the year, plus personalized roundups showing who you've been loving in 2019.

But Spotify's also lumped in a bonus this time around. This year's roundup happens to be on the eve of the roaring twenties, which means that you also get to see who's topped the Spotify charts for this decade.

Spotify has over 248 million active users monthly across 79 countries according to its investor relations website, making this a pretty good picture of what the world listens to. Here's what Spotify's data shows:

Post Malone, a man of Beerbongs, Bentleys and now, Spotify immortality, tops this list for the first time. This comes just 12 weeks after the release of his third album, "Hollywood's Bleeding". Honorable mentions go to breakout star Billie Eilish and Ariana Grande, who came second and third respectively after the success of their albums "WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?" and "thank u, next."

Let's all think about the fact that Billie Eilish is 17 years old and has two Grammy nominations and a RIAA-certified 2x Platinum album to her name. To add to her list of accolades, "WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?" also took the title for the top-streamed album of 2019.

Congratulations to Shawn Mendes and Camila Cabello for taking over the radio (and our hearts) with their steamy collaboration "Seorita." The song has over one billion (yes, with a b) streams on Spotify, meaning that literally one-seventh of the world has listened to it.

Billie Eilish and Post Malone take second and third spots with "bad guy" and Swae Lee collab "Sunflower" respectively.

Lil Nas X, Lizzo and Lunay share this award this year for storming the scenes with their work on "Old Town Road," "Juice" and "pico" respectively.

The genre for the year was comedy, and the three most-streamed podcasts were "The Joe Budden Podcast with Rory & Mal," "My Favorite Murder with Karen Kilgariff and Georgia Hardstark," and "Gemischtes Hack."

We apologize in advance for getting these songs stuck in your head all over again.

Open up your Spotify app, hit the home button, and it should be at the top of your screen! If you're on your computer, go to this link to find your personalized Spotify Wrapped list when you hit the "2019 Wrapped" image.

View Photo Gallery Getty All the Can't Miss Moments from the 2019 American Music Awards

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Who Was the Most Streamed Artist on Spotify in 2019? - TooFab

Beanpole: Russias Oscar-Bidding Psychodrama Pushed Its First-Time Actresses to the Brink – IndieWire

28-year-oldKantemir Balagovs second film Beanpole has sickness in its marrow.Russias shortlisted entry for the 2019 Best International Feature Film Academy Award centers on a sometimes-toxic symbiosis shared by two women in post-WWII Leningrad, damaged by their experiences on the battle lines and eking out what remains of an existence working in a veterans hospital a rust-colored hovel in the ruins of the city.

This slow-motion twist of the gut features impressive first-time performances from two actors Balagov plucked from obscurity in a country-wide casting call. Viktoria Miroshnichenko plays the long-limbed, ghostlike, sickly Iya, aka Beanpole, whos rattled by a PTSD condition that causes sudden spells of shortness of breath. Vasilisa Perelygina plays Masha, prone to her own flights of mania, and the two women are locked in a folie a deux that careens from tenderness to freaky, vampiric obsession.

In taking a look at the breakdown of womens bodies and minds amid the passage of war, Balagov told IndieWire that Beanpole is about what happens to women when they went to war and were surrounded by death and return to a peaceful life, and how they manage that, how they struggle. Its about a biological shift in their body, and a psychological shift in the mindset.

Casting director Vladimir Golov, with whom Balagov collaborated on his 2017 debut Closeness, set out on a talent search across Eastern Europe to find the two leads. Director Balagov conjured their eerie chemistry by jamming them together as roommates in close quarters during the four-month production.

We moved them to St. Petersburg, and they lived in the same apartment, to make them feel close to each other, Balagov said. If for some reason, they would start to annoy each other, it would be an additional cherry on top for their relationship on set They were afraid because its their first film, and they were afraid that they werent able to manage, and this is a major source of bad vibes.

Beanpole

Kino Lorber

Beanpole has a tactile immediacy that feels almost invasive. Its uncomfortable to watch, and thats exactly the point. Balagov, with his cinematographer Kseniya Sereda, holds his camera close to the actors faces. You can feel their every breath and swallow and gasp.

I want the audience to feel close to the characters, and thats why I like to hear the characters swallow, how they make sounds from their bodies, because these kind of sounds give a perception of you being right in front of them. As for Beanpoles PTSD, which finds her gasping for breath at critical moments throughout the film, Balagov said, I want you to feel that shes trying to start from scratch. Like vinyl. Someone recently told me, Shes like a bird. These sounds reminded them of bird sounds. Its like she messes up, and has to restart.

Though the film is set in a very realistic version of 1945 Leningrad one steeped in rust and green, suggesting a spiritual rot infecting the city itself no Communist symbols are seen in the production design, a conscious choice on Balagovs part. I wanted the story to feel timeless, because cinema for me is a tool of immortality, and [someone like Joseph Stalin] doesnt deserve this immortality.

Currently playing the Palm Springs International Film Festival, Beanpole opens January 29 in New York, and February 14 in Los Angeles.

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Beanpole: Russias Oscar-Bidding Psychodrama Pushed Its First-Time Actresses to the Brink - IndieWire

‘Doctor Sleep’ tries, but ultimately fails to live up to its unforgettable source material – Bangor Daily News

Doctor Sleep, the latest cinematic adaptation of a Stephen King novel to hit the big screen, has everything going for it to be a really good movie. Excellent actors, such as Ewan McGregor and Rebecca Ferguson. Artful, restrained cinematography. Thrilling source material.

Unfortunately, Doctor Sleep a sequel to The Shining, both on the page and on screen just cant live up to either Kings novel or to the iconic 1980 Stanley Kubrick film that came before it. Its not a bad movie. Its just not a good movie. Its an OK movie.

The plot revolves around a grownup Dan Torrance (McGregor), the child protagonist of The Shining. A recovering alcoholic, he has run away from his childhood trauma and now lives in rural New Hampshire, where he uses his psychic powers (his shine) to help hospice patients pass away comfortably. Hes living relatively peacefully until he encounters Abra Stone, a teenager who has the same sort of psychic powers that he does except even more powerful.

Abra, it turns out, is being chased by a dangerous cult called the True Knot, who search out people with those psychic powers, torture them and then literally feed off their power before killing them. This gives the cult members immortality, essentially, as well as some other limited powers of their own.

The True Knot is led by Rose the Hat, played with malevolent relish by Rebecca Ferguson. Ferguson is by far the best part of Doctor Sleep her villain is sexy, sensual and decidedly evil, and its a delight to hate her as she does her wicked deeds.

McGregor plays Dan Torrance in a fairly subdued way which may make sense, given the amount of trauma the character has undergone in his life, but makes him far less interesting than Rose, or than his teenage companion Abra, played by the young actor Kyliegh Curran, who imbues her with youthful energy.

As with so many Hollywood movies these days, Doctor Sleep is simply too long, clocking in at more than two and a half hours that tend to drag, in between flashes of excitement. In that way, it might have been better served as a limited TV series, rather than a feature film.

It also is haunted by a very real ghost: the ghost of Kubricks The Shining, a truly iconic piece of filmmaking that, all perfectly reasonable criticisms of Kubricks work aside, it is near-impossible for director Mike Flanagan to live up to. Flanagan is clearly a skilled filmmaker, but trying to follow something like The Shining is really a thankless job.

It is reminiscent of another recent movie that suffered from the weight of an unforgettable original film: Blade Runner 2049, a film that, try as it might, was just never going to be as good as the original Blade Runner. Despite having all the cinematic pieces in place acting, art direction, script, source material it just leaves you wanting to watch the first one instead.

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'Doctor Sleep' tries, but ultimately fails to live up to its unforgettable source material - Bangor Daily News

Meet F*ck Fifty, a MN-made face oil brought to you by two business- and beauty-savvy friends – City Pages

Now that F*ck Fifty serum is out in the world, City Pages chatted with the two about how they met, why they decided to venture into the skincare world, and how many formulas it took until they landed on their final product.

City Pages: The serum isnt just for people 50 and up, right? What skin types is it best for?

Susan Griak: The serum is for every age, race, gender, and skin type.... We want people to feel liberated by who they are, and not constantly feel like they have to change something about themselves in order to look the part. Why cant a 20-year-old have gray hair? Why cant a 50-year-old wear a tube top? I mean, really, wear what you want, be what you want, just so long as you take care of yourself and feel great.

CP: You two are friends. How did you meet?

Griak: I was walking [my youngest child] around Lake of the Isles with my dog and heard a loud, Hey, lady with a baby! You have a baby, I have a baby! You have a doodle, I have a doodle! Lets be friends! And so our friendship began.

CP: How did the idea for F*ck Fifty come about?

Griak: Zelda is always brewing up something, whether its a delicious and healthy meal or a magical mixture for your body. She started giving friends face oil, and when she was interested in coming up with branding, she sent me a text late one night. Literally the first thing that popped into my head was fuck fifty, even though I worried it was maybe a little polarizing. It turns out lots of people loved it.

CP: How did you start formulating?

Curti: I was determined to research and make my own skin- and body-care product. I wanted the ingredients to come from nature. I also wanted to know what the beauties of all time used on their skin, so I researched Cleopatra, geishas, the Princess of Nerola, Italywhere the neroli scent we use in our serum is from.

CP: How many tries did it take until you got it right?

Griak: We tested the product on ourselves first, then on our spousesI think my husband uses it more than I doand then friends. No animals. How many tries? Too many to count. Way more than 50.

CP: Tell us about the blend you created for the Glow Infusion serum. How did you land on those ingredients?

Curti: As a former English teacher, I couldnt help thinking of the line from Shakespeares Macbeth Double, double toil and trouble. Fire burn, and cauldron bubbleas we were brewing this infusion. We added some of the most powerful skin-enhancing plants into our cauldron: Reishi mushroom, for example, which is called the mushroom of immortality.

CP: Will you branch out into other products?

Curti: We are already concocting a couple of super great body products with the top CBD manufacturer in Colorado, because we just love the effects of it on the muscles and joints. At the end of the day we just want you to use our products and look in the mirror and say, Fuck aging. I feel and look great!

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Meet F*ck Fifty, a MN-made face oil brought to you by two business- and beauty-savvy friends - City Pages

The Flash Season 6 Review: 6 Ups & 1 Down From ‘The Last Temptation Of Barry Allen, Pt. 2’ – WhatCulture

Contains spoilers from The Flash Season 6, Episode 8.

Barry Allen may have spent this season of The Flash convincing everyone around him that he was processing the news of his imminent death well and that we should all be focused on helping his Team Flash friends and colleagues come to terms with it instead, but it appears that this isn't all that true after all.

Yes, last week's installment, 'The Last Temptation of Barry Allen, Pt. 1', delved deep into the Scarlet Speedster's psyche - a result of him becoming infected with Bloodwork's disease - and highlighted just how desperate he is to live. And while nobody could surely blame him for feeling that way, this desperation led him down a surprisingly dark path.

But that was only the beginning for what we're now calling Dark Flash because this week's offering, the predictably titled 'The Last Temptation of Barry Allen, Pt. 2', highlighted the impact of Barry's moment of weakness and how, in spite of his newfound immortality, he has somewhat died inside. The urgency of his rampage made for a thrilling edge-of-seat adventure that successfully managed to set the stage for Crisis On Infinite Earths.

First, the negative...

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The Flash Season 6 Review: 6 Ups & 1 Down From 'The Last Temptation Of Barry Allen, Pt. 2' - WhatCulture