Bee Gees – Immortality (Live in Las Vegas, 1997 – One Night Only)

Join Bee Gees on Facebook http://facebook.com/beegees & Twitter http://twitter.com/beegeesofficialFrom the album & film 'BEE GEES - ONE NIGHT ONLY'

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Manx Productions Inc. 1997 Barry Gibb, The Estate of Robin Gibb and The Estate of Maurice Gibb, under exclusive license to Warner Strategic Marketing Inc., a Warner Music Group Company

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Bee Gees - Immortality (Live in Las Vegas, 1997 - One Night Only)

Cline Dion – Immortality (Video) ft. Bee Gees

Celine Dion - Immortality (Official Video)Listen on Spotify: http://smarturl.it/Celine_Spotify_EN Listen on Apple Music: http://smarturl.it/Celine_AM_EN Amazon: http://smarturl.it/Celine_Amazon_EN Listen on Deezer: http://smarturl.it/Celine_DeezerListen on YouTube Music: http://smarturl.it/Celine_YTM

Facebook: https://www.facebook.com/celinedionTwitter: https://twitter.com/celinedion Instagram: https://www.instagram.com/celinedion

Lyrics:

So this is who I amAnd this is all I knowAnd I must choose to liveFor all that I can giveThe spark that makes the power growAnd I will stand for my dream if I canSymbol of my faith in who I amBut you are my onlyAnd I must follow on the road that lies aheadAnd I won't let my heart control my headBut you are my only

We don't say goodbyeWe don't say goodbyeAnd I know what I've got to beImmortalityI make my journey through eternityI keep the memory of you and me inside

Fulfill your destinyIs there within' the childMy storm will never endMy fate is on the windThe king of heartsThe joker's wild

We don't say goodbyeWe don't say goodbyeI'll make them all remember me'Cause I have found a dream that must come trueEvery ounce of me must see it throughBut you are my onlyI'm sorry I don't have a role for love to playHand over my heart I'll find my wayI will make them give to meImmortality, oh, babyThere is a vision and a fire in meI keep the memory of you and me inside

We don't say goodbyeWe don't say goodbyeWith all my love for youAnd what else we may doWe don't say goodbye

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Cline Dion - Immortality (Video) ft. Bee Gees

Liberty shackled and the future blighted: RIP Europe, 312 2020. We had a good run – The Conservative Woman

THE same people who tell us that we cannot under any circumstances torture a terrorist to save the lives of 1,000 people, perhaps 10,000 innocent people, as torture fundamentally compromises our democratic values, are the same people who tell us we should shutthe entire country downover the coronavirus. So far, it has killed 56 people in the UK.

On Monday, the Prime Minister, perhaps having little choice given the pressure put on him by the hysterical media class, decided that yes, we will crash the entire British economy and restrict the liberty of freeborn citizens because of the coronavirus.

No doubt the schools will be closed, suspending the education of an entire generation of children.

There will be bailouts of industry after industry, the cost of which will be borne by that same next generation whose education we will destroy. It is not their fault the open border lunatics wouldnt hear of closing the border in January. Yet, as usual, they will pay the price.

This time last year, anyone who said we should restrict the freedom of movement on non-citizens over Britainsexternal borderswere painted as a bunch of fascists. Today, the British public have their free movement restricted to the greatest place on Earth their local pub.

If you want to know what a Godless, meek and weak society looks like, mark 2020 in your calendar. It was the year we knew Europe was done for. Country after country is put in lockdown, police arrest citizens who go to the shops, all because the big bad germs are coming to get them.

But people will die, I hear you shout. We all die. We are not entitled to immortality. Ill take my chances, as Id rather die as a freeborn citizen doing the things that freeborn citizens do, than cower like a dog in a kennel because the Government has ordered me to do so. I wont do it.

As France goes into lockdown, theyve stopped rebuilding Notre Dame the magnificent cathedral that went up in flames last year. Its a sign, I tell you, like the flames itself, its a sign. That cathedral was built by people of faith in the medieval times, times when a mouth ulcer could take you out. Today, they down tools over the flu.

It is coming up to 80 years since the Blitz and I keep hearing the Blitz spirit is coming back. Is this really what the British public did in 1940 squabble over toilet paper and stop going to the pub, when actual bombs were falling on their actual heads?

Is this what British manhood did say yes, Mr Prime Minister, whatever you say Mr Prime Minister, Ill hide in my bedroom for 14 days because I have a cough? Or did they get on the boats and bring those soldiers back from Dunkirk?

And they got on more boats a few years later and landed on the beaches in Normandy to be shot to pieces by German machine guns. What would that generation say now if they saw this healthy adults locked in their houses on governmental say-so? Its astonishing.

I dont think Im wrong on this. I do think this is a hysterical over-reaction to save the face of a socialised health system and bloated, decadent European continent that has been blowing the cash on IVF for the over-50s, sex-change operations and millions of abortions for decades. Today, the reckoning came. We knew it would come and now we have been found out.

So we scramble around to find cash for ventilators while we lock law-abiding citizens in their houses. Dont bother telling me we live in a liberal democracy any more, when people will willingly sacrifice their liberty off the backs of a whipped-up media class and Government scrambling to limit the damage, long after the best times for key decisions have been made.

RIP Europe, 312 2020.We had a good run.

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Liberty shackled and the future blighted: RIP Europe, 312 2020. We had a good run - The Conservative Woman

TV tonight: #MeToo in the music industry – The Guardian

On the Record 9pm, Sky Documentaries

This documentary on the allegations of sexual harassment against the music executive Russell Simmons has had a rocky path to the screen since Oprah Winfrey dropped her support for the film in January, meaning it lost its Apple distribution deal. Yet the forceful testimony from A&R exec Drew Dixon on Simmonss alleged harassment while she was working for the pioneering hip-hop label Def Jam in the 90s makes for convincing viewing, adding to the chorus of #MeToo movement voices coming from the music industry. Ammar Kalia

To help tennis fans cope with withdrawal during what would have been peak Wimbledon, Sue Barker presents this in-depth tribute to the wiry super-Scots career, from his early successes to that rollercoaster summer of 2012. Concludes tomorrow on BBC One at 2.05pm. Graeme Virtue

Airing on the most aptly named of channels, a TV premiere for this doc about how the Fab Four changed pop music, and the planet. With the help of archive footage and interviews, we see how the band transformed areas as disparate as pacifism and fashion. Hannah J Davies

Decent dramatic reconstructions and high-end academic talking heads power this three-part bio, which starts by outlining the series of bloody fiascos that defined George Washingtons early military career before a stroke of luck and his own talent for spin set him on course for immortality. Jack Seale

New York in the 1980s is displayed in all its hedonistic and grimy glory in this new doc exploring the life and work of the artist Keith Haring. Featuring some of his final interviews before his untimely death in 1990, the film charts his instrumental role in placing street art in to the confines of the gallery. AK

A schadenfreude-fuelled look at the tabloid disasters that have followed the former royal couple Sarah Ferguson and Prince Andrew. From early rumours of extramarital affairs to Fergies undercover stings and Andrews catastrophic defence of Jeffrey Epstein. AK

Magic Magic, 1.25am, Film4

After their peyote-fuelled Crystal Fairy & the Magical Cactus, director Sebastin Silva and Michael Cera reunite for this creepy tale of mental breakdown. Cera plays Brink, one of a bunch of travellers at a holiday cabin in Chile who make life miserable for fragile outsider Alicia (Juno Temple). Paul Howlett

Premier League Football: Leicester City v Crystal Palace, 2.30pm, Sky Sports Main Event/Pick. Free-to-air clash.

Premier League Football: Wolverhampton Wanderers v Arsenal, 5.15pm, Sky Sports Main Event. Live from Molineux.

Premier League Football: Chelsea v Watford, 7.45pm, Sky Sports Main Event. Stamford Bridge head-to-head.

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TV tonight: #MeToo in the music industry - The Guardian

View: The sacred balance of power – Economic Times

By Devdutt Pattanaik Across religious scriptures, we come across the concept of balance of power in the unlikeliest of spaces. We hear of charismatic kings who control people (at least warriors) that enable them to wrestle power and make themselves overlords of a kingdom. But how does one maintain balance with these kings? How do you prevent them from becoming dictators?

The balancing force always came through spiritual authorities. It was the job of a prophet or a priest, who had direct access to God. The conversation between the spiritual and the temporal has been the basis of balance of power. This must be kept in mind especially now, when we see the legislative power of the country dominated by a single political party. And simultaneously the balance of power that was supposed to be maintained by the judiciary and by the media is crumbling and a single force is becoming authoritative, making it dangerous. Lets see how a similar situation is explained in the Puranas.

In the Bhagavata Purana, there is the story of king Vena who plunders the earth causing great distress to the earth goddess. So, the rishis come together and, using a magical formula, transform blades of grass into missiles to kill him. This is clearly a story of an assassination. We are told that the body of the king is then churned by the rishis. The negative element is sent to the forest where it can live on as awild animal or as a wild person. The positive element of civilization is churned into a new king called Prithu.

Prithu then is given a bow of kingship: an indicator of balance, by the gods themselves. Thus, the rishis intervene in the misbehaviour of the kings.

The relationship of raja or Vedic king and rishi or Vedic sage is a recurring theme in mythology. In the Rig Veda, kings like Divodasa and Sudas rely on sages and their chanting to bring divine power into their lives. A king did not believe his power came from himself but that it came through the gods. We find Vishwamitra, Vashishtha talking constantly to kings like Dasharatha. In the Mahabharata, rishis like Sanat Sujata go to Dhritarashtra to stop the war; they are unfortunately unsuccessful. Such engagements maintained a balance of power. It restrained kings from crossing the line.

We find the same idea in the Bible. In the Bible, the prophets were connected with God and spoke to man. Through the prophets, kings were advised how to function. The prophets propped up kings, prophets pulled them down. King Saul is made king by Samuel, but when he disobeys the word of God, he is rejected and replaced by David. David falls in love with another mans wife called Bathsheba. Then another prophet Nathan calls him out for his misdemeanour. David was punished for adultery and not allowed to build the temple of God, which he so aspired to do. Instead his son Solomon built the temple.

The same idea is found in the Islamic world. In India, when the Delhi Sultanate came into being, the Delhi Sultans often sought the help of Sufi saints for power. For example, when the Mongols besieged Multan, the local Sufi Sheikh, Bakhtiar, gave an arrow to the ruler Kubacha with instructions to let it loose into the darkness against the army of unbelievers. In the morning, the Mongols were defeated. Thus, the kings success was seen as coming from spiritual guidance.

This idea, in its earliest form, is seen in the Zoroastrian tradition where the king is related to the divine realm through the tree of immortality. In early days, the king and priest were one and the same, but the separation came about to ensure balance of power.

Nowadays, politicians are often connected with gurus, but here the guru functions as the vote bank, providing a vast source of power to the king. He is not functioning as the balance of power calling truth to power. He is instead subservient to the king. There is a pretence of a relationship between the spiritual and the temporal. Just as secular institutions failed at maintaining balance of power, so have these self-proclaimed spiritual institutions.

Devdutt Pattanaik is author of Business Sutra.

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View: The sacred balance of power - Economic Times

This photographer holds the secret to eternal youth – i-D

Whether its simply a preoccupation for celebrity gossip mags, or something more idyllic derived from fiction, the notion of eternal youth is open to interpretation. Defined as the concept of human physical immortality free of ageing, it is, ultimately, a common theme within current popular culture. For 17-year-old Dan Hall, the expression was a neat summary with which to label his ongoing photo series; a collection of images informed concurrently by the spirit of youth and the perspective of our grandparents.

Picking up a camera at a young age -- my father enjoyed taking photographs and has several cameras, so I learnt the basics from him and eventually got into it myself, he says -- Dans early interest has remained ever since, resulting this weekend in his debut solo exhibition at Notting Hills JM Gallery.

Characterised by a curiosity for the different expressions, characters and identities of his subjects, Eternal Youth captures couples embracing, friends playing, and flashes of Dan looking in the mirror. Here, ahead of the show's opening, the young photographer shares his thoughts on intimacy, rejecting digital, and why hes using the exhibition to help Young Minds and Age UK.

How do you define eternal youth?It suggests that, whatever age a person is, they always have a sense of youthfulness. The young want to be old and the old want to be young. Even though the people in the series are at opposite ends of adulthood, they all share youthful spirits.

Intimacy is a key theme in the photos, yet difficult to manufacture or feign. How did you create that ease between you and your subjects? The people that I photographed are close to me, so it allowed me to delve deeper into their vulnerability and how their character is portrayed or concealed through the image.

Youve mentioned previously the contrasts and similarities between young and old. Can you elaborate?Both groups are at the opposite ends of adulthood: young people are about to experience everything for the first time whereas older people are doing things for the last time. I discovered, after having conversations with both groups, that they share similar feelings of loneliness but have differing attitudes to beauty. The younger group are more self-critical whereas the elderly tend to accept the ageing process and wish they had appreciated their youthfulness more.

The images are all shot on an analogue camera. As someone whos grown up in a predominantly digital age, why do you think so many young photographers today are drawn to film?For me, the more tactile experience of shooting film took me away from digital. I can slow down and focus more on the composition of an image, connect with the subject more fully. The outcome isnt instantaneous and each frame counts.

Do you have a favourite image from the series?My favourite is 'Grandmas Hands', because it shows the evidence of a long and varied life -- the lines and details in her delicate hands show her age and theres beauty in that.

What can you tell me about the book?It contains an extended selection of images from the series, with additional text written anonymously by people, describing their experiences of being young or old. Its an accompaniment, and I think the text adds another layer and hopefully more depth to the photographs.

Profits from the book and any print sales you make are going to Young Minds and Age UK. Whats your relationship to those particular charities?I chose these two charities because they support mental health in the young and elderly, which reflects the people photographed. Amongst young people nowadays there is a lot of discussion surrounding mental health, whereas older generations are often forgotten about -- they grew up [in a time] when mental health wasnt talked about so openly. These charities can help both groups of people get the right support they need, so theres a nice link between the subjects and charities.

'Eternal Youth' by Dan Hall runs Friday 6 Sunday 8 March 2020 at JM Gallery, 230 Portobello Road, London W11 1LJ.

Credits

Photography Dan Hall

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This photographer holds the secret to eternal youth - i-D

The Psychology of Immortality: Is It Desirable to Live Forever? – Merion West

What are the psychological consequences of living forever? The Italian writer Cesare Pavese helps us to understand how immortality would impact the human psyche.

Immortality is defined as a, state of unending existence. From a biological point of view, it means living forever without encountering death. Although some simple organisms are considered to be potentially immortaland, a few species of fungi and some plant species can live for thousands of yearshumans live on average no longer than 72.6 years, globally.

Nevertheless, for a human being, is it really desirable to live forever?

In a hypothetical scenario in which humans became biologically immortal, they would have to cope psychologically with their eternal condition.With a few examples taken from Greek mythology and subsequently revisited by the Italian writer and poet Cesare Pavese, we might dissect the impact of immortality on the state of the human psyche.

Patroclus, or the Boy

As narrated in Homers Iliad, Patroclus was an Achaean hero and a close friend to Achilles, who took part in the Trojan war. Given that Achilles refused to participate in the battle, Patroclus took command of the Myrmidon army in his place, wearing Achilles armor. However, Patroclus was killed by Hector, prince of the Trojans. This event persuaded Achilles to return to battle, changing the fate of Troy.

In his Dialogues with Leuc, Cesare Pavese imagines the last conversation between Achilles and Patroclus. In this context, Achilles pronounces a specific formula, which describes Patroclus way of approaching life. This formula is as follows: You are really like the boy who drinks, Patroclus.

In Paveses dialoguewhile Achilles is presented as a fragile, exhausted hero who incessantly dwells on the inevitable approach of his deathPatroclus does not seem to experience the same; he is focused on the present.

Achilles is the archetype of the mortal. As he ages, he experiences more and more the progression of time, ultimately becoming ensnared in a psychological dimension where most of his mental space is occupied by the nostalgia of the idealized old days. As the moment of his death approaches, he realizes that he has little time left to plan and design a future that may never materialize. Under these conditions, Achilles has no way to psychologically experience his present. Although pushed to its extreme, this is the situation weas mortal human beingshappen to face every day.

Patroclus is different. It seems as though he never grew up. Here is how Achilles, in Paveses imagined dialogue, describes the psyche of a young man: A boy can kill himself, but he doesnt know what death is. Also: A boys like an immortal, he looks and laughs. He doesnt know what things cost. He doesnt know the sweat and the bitterness. His fighting is a game. He throws himself down on the ground and plays dead, then he laughs and goes on with the game.

A boybut especially an infantcompletely adheres to his present experience. If we look an infant in the eyes, we see a glance that is totally lost in what it sees, as if blindly recording the surrounding reality. Given that the infants mental space is totally committed to each moment, he is not dragged into the rhetoric of the pastand cannot plan a future. The infant does not perceive aging, and the infant does not perceive the progression of time because his psyche is just present moments. In this sense, a child lives as if he were immortal. Given that he does not sense the approach of death, he also cannot die in the human sense. He can only biologically perish.

This psychological condition ultimately explains the evident paradox of the aforementioned expression, the boy who drinks. Given that Patroclus cannot expect himself to die, he dedicates his entire mental space to life. He, therefore, gets drunk with lifebecause he is perpetually in full contact with every experience he lives. In Paveses re-interpretation of Patroclus destiny, this is the reason why the Achaean hero wore Achilles armor fearlessly and lost his life on the battlefield.

An immortal does not value his biological existence. He has no sense of self-preservation, instead consistently putting his life at risk without ever realizing it. The Greek Gods, who used to play with the lives of mortals and correspondingly believed that life was a game, did not grasp the difference between existence and annihilation.

Calypso, or the Horizon

As narrated in Homers Odyssey, the nymph Calypso imprisoned the Achaean hero Ulysses for seven years on her island Ogygia, where she attempted to make him her eternal partner, offering Ulysses immortality.

In his Dialogues with Leuc, Pavese imagines a conversation between Calypso and Ulysses, in which the nymph describes her conception of immortality: Lets say that Im immortal. But if you dont renounce your memories and your dreams, if you dont put your longing aside and accept the horizon, youll never escape that fate you know so well.

Calypsos philosophy is, to accept the horizon. She lives on an island. Every day she wakes upand, sitting in front of the oceanshe looks at the point where the sky touches the waves. What is the new that she could possibly find in the horizon? Nothing. Every day everything appears untouched, as it was the day before.

Given her immortal essence, Calypso eventually ends up exhausting all possible experiences that a mortal might ever dream of encountering. In this context, every new experience is a mere revival of something already experienced. She can only have dead, unoriginal experiences that do not enrich her relationship with reality. She lives a present that is the eternal reappearance of the known. Thus, her life loses any meaning.

What do we learn from Patroclus and Calypso?

The main issue with immortality is the absence of a psychological perception of the passage of time. Both Patroclus and Calypso are imprisoned inside an eternal present, which renders the former reckless and the latter melancholic. While Patroclus represents the highest form of impulsivity, which does not leave room for reflection and critical thinking, Calypso represents the highest form of renunciation, which leaves no room for exploration and novelty. In both cases, the psychological dimensions of past and future are absent, and both characters cannot make a project of their lives.

The conclusion is that Patroclus and Calypso, though in many ways opposites, are in a constant, inevitable psychological contact with reality. This conditionclogging their entire mental volumedoes not allow them to fruitfully live.The reason why gods envy humans is because humans clearly see their being mortals, the thinning of their future. And only when they see where they end can they value their existence.

Simone Redaelli is a molecular biologist working on his PhD at the University of Ulm in Germany. He is Vice-Director at Culturico, where his writings cover literature, sociology, philosophy, and science.

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The Psychology of Immortality: Is It Desirable to Live Forever? - Merion West

Syracuse basketball has clinched immortality for the 2nd straight season – Inside the Loud House

Syracuse basketball is currently in the midst of its worst six year run ever under head coach Jim Boeheim.

If the Orange miss the NCAA Tournament this season (as theyre currently projected), this will be the first time this team has missed March Madness three times in a six year span ever under Boeheims reign.

Despite that fun fact, the Orange faithful have continued to make the loud house college basketballs best home court advantage.

Per Mike Waters of Syracuse.com, Syracuse hoops has clinched its second straight attendance title.

The Orange still have one more home game coming up on the last day of February vs North Carolina this Saturday. But this past weekend vs Georgia Tech, Syracuse had a crowd of nearly 27,000 which bumped SUs average attendance up to 21,256.

The next closest team is Kentucky who is currently batting second in the country in 2019-20. This season, through 16 regular season contests, have drawn an average of 20,114 fans per game.

While they still have two more home games on the docket vs Auburn and vs Tennessee respectively and both are expected to be near sell-outs, it still doesnt matter.

Rupp Arena, the home of the Kentucky Wildcats, has a full capacity of 20,545 which means its literally impossible with the games remaining for them to leap frog Syracuse.

This is the first time the Orange have won back-to-back attendance titles since the 2014-2015 seasons. Since the Carrier Dome opened in 1980, Syracuse has won the attendance crown 16 times including this season.

With Syracuse likely to miss the NCAA Tournament, outside of a crazy run in the ACC Tournament, this means this team is likely destined for the NIT. For those wondering, the loud house will not be available for the NIT due to construction. It is yet to be determined where Syracuse would host NIT games if they were invited in lieu of the dome.

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Syracuse basketball has clinched immortality for the 2nd straight season - Inside the Loud House

Some Doctor Who fans guessed The Timeless Childrens big regeneration twist weeks ago – RadioTimes

Doctor Who series 12 finale The Timeless Children included all sorts of shocking revelations about Jodie Whittakers time-travelling hero the Doctor, most notably that she was the true source of the body-changing regeneration ability that was a foundation of Time Lord Society.

As it turned out the Doctor wasnt from Gallifrey after all, Time Lord history was rewritten and shed once been a mysterious being from another dimension nicknamed The Timeless Child, before her memories were removed and her life began anew after years of unknown adventures.

Really, there were so many surprise changes, youd think nobody could have seen it coming but some people actually did.

Look back through Twitter over the course of series 10 and you can see that quite a few fans predicted at least parts of the finales story, even if they didnt quite put the pieces together.

Many fans had made the connection between the Timeless name and the Time Lords system of regeneration (as did RadioTimes.com, to be fair), but some went even more into specifics, almost entirely matching the revelations of the series 12 finale.

In just this small collection of tweets, quite a few fans were kicking around the Timeless Child = regeneration idea, and while not everything is nailed on Jo Martins Ruth Doctor is apparently a few bodies down the line from the original Timeless Child its a testament to Who fans ingenuity that they managed to spot the connection.

Still, perhaps we shouldnt be too surprised. Theres so much chat about Doctor Who online thatsome theories were bound to come true, and its no shade on the production team that some people managed to figure it out. After all, all the speculation and theorising is part of the fun!

And given just many many hundreds of thousands of tweets have been sent out into the ether about the current series of Doctor Who, its still a tiny proportion of people who have only partially predicted bits of the Doctors true history. How many other fan theory tweets are there that get it completely wrong?

As much as we wrote a piece suggesting how regeneration could be rewritten in the Timeless Child storyline, we also published a feature pondering whether the current series would resolve the series 6B mystery and place Jo Martin in between the Second and Third Doctors. If were all being honest with ourselves, we have to own our pie-in-the-sky, incorrect theories as much as the ones we got right.

Though with that said, the guy who predicted the Morbius Doctors canonisation in early January genius.

Were beginning to suspect a few of you have time machines of your own or at least an uncle at the BBC.

Doctor Who returns to BBC One for a festive episode in late 2020/early 2021

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Some Doctor Who fans guessed The Timeless Childrens big regeneration twist weeks ago - RadioTimes

Review: ‘The Man In The Red Coat,’ By Julian Barnes – NPR

Want a great antidote to distress over current events? Julian Barnes found it in his immersive plunge into the incredible flowering of sexual and artistic expression in Belle Epoque France, and into one man's mostly admirable life in particular. His 24th book (and eighth volume of nonfiction) The Man in the Red Coat, is a wonderful demonstration of the sort of free-range intellectual curiosity Barnes feels has been stymied by the xenophobia and national chauvinism behind Brexit.

In part a biography of Samuel Jean Pozzi, a celebrated French gynecologist and Don Juan who is the red-robed subject of John Singer Sargent's sumptuous full-length portrait, "Dr. Pozzi at Home," Barnes' book expands into an erudite, entertaining, and beautifully illustrated disquisition on the period between 1870 and 1914, which actually bears some interesting parallels with our own times.

The son of two French language teachers and a longtime Francophile who sealed his literary stature with his third novel, Flaubert's Parrot (1984), Barnes is in his element writing about Dr. Pozzi's dazzling circle of contemporaries, which included Guy de Maupassant, Colette, Stphane Mallarm, Joris-Karl Huysmans, and Marcel Proust. Sarah Bernhardt was a patient and lover, who called him "Dr. Dieu." Close medical colleagues included Proust's father and brother. Most of these notables made it onto collectible photographic cards that were included with Flix Potin chocolate bars between 1898 and 1922, rather like baseball trading cards, and are reproduced throughout Red Coat.

The book begins with what at first seems to be the start of a joke: Three Frenchmen a prince, a count, and a celebrity gynecologist head to London in 1885 for some "intellectual and decorative shopping." But this is no joke. They're all aesthetes, and they've crossed the Channel to bask in Handel at the Crystal Palace and stock up on Liberty curtain fabric. They come bearing an introductory letter from Sargent to Henry James.

With the doctor, Barnes has found an unusual, largely forgotten hero. Pozzi, Barnes writes, was a pathbreaking surgeon, the person to call to extract a bullet or suture intestinal lesions after a duel (an all-too-common occurrence at the time, and, Barnes notes, cheaper than today's libel suits) or to remove a massive ovarian cyst, as he did from Bernhardt. In his seminal textbook, Treatise of Gynaecology, Pozzi established guidelines for gynecological exams with the patient's comfort in mind. He also saved countless lives by introducing British surgeon Joseph Lister's antiseptic methods to colleagues who didn't see the need to wash their hands before operating.

But Dr. Pozzi wasn't all work and no play, as Barnes makes clear. Rational, energetic, and personable, he was also an unhappily married Lothario who seduced many of his female patients, earning him the sobriquet Dr. Love ("L'Amour mdicin"). In one of many delicious tidbits, Barnes reports that the Princess of Monaco dubbed Pozzi "disgustingly handsome." Barnes doesn't shy from discussing the doctor's sexual transgressions including a decades-long affair with a married Austrian Jew or his daughter's distress over her strained relationship with her father, which she wrote about in her intimate and often histrionic diaries, from which Barnes quotes at length. But he cautions that it is inappropriate to judge Pozzi by today's standards.

The two aristocratic chums who accompanied Pozzi on that cultural jaunt to London are less admirable but no less interesting. Prince Edmond de Polignac was one of many Belle Epoque gold diggers who married American heiresses to refill their financial coffers. He was also a closeted gay man whose "aristocratic horse trade" with sewing heiress Winnaretta Singer, a lesbian 31 years his junior, turned out to be a win-win (or Winn-Winn) situation she got a title, he got funding for his lavish lifestyle, and they got along.

Barnes flits through the sexual gossip, petulant duels, violent outbursts, medical advances, anti-English jibes, and lurid excesses of the Belle Epoque, seasoning it all with wry interjections on art and literature.

The flamboyant Count Robert de Montesquiou personified dandyism. A mediocre poet and avid collector of curiosities, he found a measure of immortality in other artists' work including James Whistler, Giovanni Boldini, and Proust. He was also the model for the central character in Huysmans' dark, fantastical "bible of French Decadence,"Against Nature (A Rebours) (1884).

Like his meditations on death and grieving, Nothing to Be Frightened Of (2008) and Levels of Life (2013), there's both an elegance and informality to Red Coat rather like Pozzi's dashing dressing gown in Sargent's famous portrait. But this is a more cheerful book which, although deeply researched, announces itself as a freewheeling study by eschewing the usual trappings of scholarship, including bibliography, footnotes, and even chapters.

Barnes flits through the sexual gossip, petulant duels, violent outbursts, medical advances, anti-English jibes, and lurid excesses of the Belle Epoque, seasoning it all with wry interjections on art and literature. He reminds us that "there are more uncertainties in nonfiction than in fiction" and so much we cannot know. He declares memorably, "Biography is a collection of holes tied together with string, and nowhere more so than with the sexual and amatory life."

Among the unanswerable questions Red Coat raises: "Do gynecologists make better lovers?" (Barnes admits this sounds like a bumper sticker.) Was Sarah Bernhardt, purportedly a nymphomaniac, anorgasmic? What actually happened to cause the chill between Pozzi and his wife? He writes, "All of these matters could, of course, be solved in a novel."

Barnes also considers Pozzi's violent end from a novelist's point of view:

A Don Juan shot dead by a man who blamed him for not curing his impotence. What sort of morality tale is that? In fiction, it would seem cutely snug. Nonfiction is where we allow things to happen because they did which are glib and implausible and moralistic.

Nothing glib about this delightful, consummately open-minded book.

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Review: 'The Man In The Red Coat,' By Julian Barnes - NPR

Snow White On Opening Day: 10 Things You Didnt Know The Disney Classics Premiere – Screen Rant

In the early 1930s, Walt Disney brought his team of artists, animators, and storytellers into the Disney soundstage, sat them all down, and elated to them the story of a beautiful princess, an evil queen, and a magic mirror. This wasn't just a pitch for their next project, but a full-length film that would change the world.

RELATED:10 Best Non-Franchise Animated Movies, According To Rotten Tomatoes

In 1937 Walt Disney Pictures released their first full-length animated feature,Snow White and the Seven Dwarfs.What transpired that day was nothing short of a sensation that shot the Disney name into immortality. But why was it such a success? Have a look at our list and find out why.

Nowadays, a fully animated feature is as commonplace as can be. There are dozens of Animated movies released every year and nobody bats an eye. In 1937, however, that was an entirely different story. Cartoons were seen as cheap novelties geared toward younger audiences, no one would ever want to sit through an hour and a half of animation would they?

It was called "Disney's Folly" and the masses expected it to be dead on arrival. Critics panned it before it even hit a movie screen. No one expected a fully-animated film to even exist, let alone people pay to see it. Some even called over-exposure to animation a health risk. But those same critics soon ate their words at the film's debut.

The most recent animated feature from Walt Disney Pictures,Frozen II,had a budget of around 150 million dollars. That's a lot of cabbage nowadays, but in the 1930s, a film with a 1.5 million dollar budget blew people's minds. Pair that with the fact that the film in question was entirely animated, the concept was entirely unheard of.

RELATED:Disney: The 10 Best 40s Movies (According To IMDb)

Walt Disney took the biggest financial gamble that any studio had ever imagined.Snow White'sbudget went from around a couple hundred-thousand to well over a million dollars before the film cells were even developed. Was the film really worth its hefty sum? Audiences everywhere soon found out.

To say thatSnow White and the Seven Dwarfswas a triumph would be the understatement of the decade. Audiences everywhere were positively floored by how fantastic the animated feature was. Disney's Folly was soon regarded as Disney's hit. Unsurprisingly, it soon became one of the most talked-about films of the decade.

The film was literally an overnight sensation when it premiered in December of 1937. Audiences everywhere were enraptured, enchanted, and amazed at what an animated film could be like. What began in the Carthay Circle Theatre that night was the spark that spread like wildfire, takingSnow Whitewith it.

The night the film premiered, dozens upon dozens of moviegoers showed up for the big event. Celebrities, press, and popular personas were all in attendance for the debut of Walt Disney's million-dollar feature. The lights went down, the film played and ended, the lights came up, and the audience went wild.

RELATED:The 10 Best Animated Movies Of All Time (According To Rotten Tomatoes)

People laughed, people cried, people applauded and cheered. The film was a resounding and unexpected success, and much to everyone's surprise, the emotional audience gave the film a standing ovation. Word of the film's quality soon spread across the country andSnow Whitebegan playing in theatres all over.

Snow White and the Seven Dwarfswas such a hit with audiences everywhere that it required multiple rereleases to satisfy the public's desire for Disney's enchanting film. Even in countries outside the US were wanting a piece of the magic. The popularity was so high for this movie, that it had to be seen over and over again.

Remember, kids, this was before the invention of home video, so if you missed a flick in the theatres, you missed it. Multiple releases for a movie were unheard of in the 1930s, but Disney made it happen. If this wasn't a sign of how well the film did, let's go to the numbers and find out.

It cost over 1.5 million dollars to bring to big screens across the country, but it soon made more than that back in a near-instant. The film was so successful that it soon became one of the highest-grossing films of the decade. On the original release, the film made around 418 million at the box office, which was an impressive success.

RELATED:10 Classic Disney Movies Whose Original Stories End In Tragedy (& What Happened)

Adjusted for inflation, the film made $2,116,034, 366 worldwide, making it one of the top ten highest-grossing motion pictures of all time, standing along with such giants asGone With the WindandThe Ten Commandments.

Walt put a lot of blood, sweat, and tears into creating his fantastic first full-length motion picture, but what did he do with his millions and millions of box office dollars? Simple, he used it not only for future animated films such asPinocchioandFantasiabut used it as the seed that would grow into Walt Disney Pictures as we know it today.

Not only that, but the success ofSnow White and the Seven Dwarfswould tremendously help bring about the birth of Disneyland in 1957. Walt Disney always said that "it all started with a mouse" but you can't deny that a certain princess helped line his pockets as well.

Walt Disney quite literally risked everything he had on the success ofSnow White and the Seven Dwarfs.Despite the warnings from staff, criticisms from the press, and even concern from his own wife and brother, he went ahead and followed through on his plan to bring this film to life, even going as far as mortgaging his house to finance it.

RELATED:10 Best Animated Films To Be Snubbed At The Oscars

If the film had not been the overnight success that it was, there would be no Walt Disney Pictures, no Disney Parks, and no other animated motion pictures period. There's no getting around it. Looks like Walt's "if you can dream it" attitude paid off after all.

Not only was the film a financial success, but it was the first animated feature to be nominated for an Academy Award. It was even discussed receiving a Best Picture nomination alongsideGone With the Wind.However, due to some critical debate, the Academy ultimately ruled that animated films should not have to compete with live-action performances.

That being said, the Academy presented Walt Disney with a special achievement award recognizable to all those who know their Disney history. It was an award presented in honor of the contribution to filmmaking that an animated feature would inspire, featuring one large statue followed by seven miniature ones.

It should come as no surprise that to this very day,Snow White and the Seven Dwarfsremains one of the most treasured animated films of all time. It jumpstarted the legacy of Walt Disney Pictures and changed the world of film as we know it by introducing the once ludicrous concept of full-length animated features.

This film is still talked about, still watched, streamed, and occasionally re-released on video. It's even featured on the National Film Registry. Though the medium of animation has come a long way since Walt's day, the legacy ofSnow Whitewill always be the film that started it all.

NEXT:Disneys First 10 Animated Movies, Ranked (According To IMDb)

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Snow White On Opening Day: 10 Things You Didnt Know The Disney Classics Premiere - Screen Rant

The Decline and Fall of William Barr | by Kent Harrington – Project Syndicate

There can no longer be any hope that US Attorney General William Barr will approach his job as the country's top law-enforcement official, rather than as US President Donald Trump's personal defense lawyer. Barr has now made clear that he will do whatever it takes to legitimize Trump's hare-brained "deep state" theory.

ATLANTA US law-enforcement officials are no strangers to politically motivated investigations. From Attorney General A. Mitchell Palmers infamous Red Raids in 1919-20 to FBI Director J. Edgar Hoovers pursuit of the Berrigan brothers and other nonviolent activists in the 1960s, political prosecutions are as American as apple pie.

The Department of Justice under President Donald Trump appears to be continuing the tradition. No one is surprised that Trump himself is deploying every Orwellian device at his disposal to thwart the current impeachment inquiry in the House of Representatives. But it has been tragic to witness Attorney General William Barr following suit by launching investigations into career national-security officials just for doing their jobs.

Owing to his paranoid obsession with a mythical deep state, Trump has long singled out FBI agents and CIA officers in his public attacks. It is these professionals, after all, who uncovered Russias operation to assist his presidential campaign in 2016, as outlined in the Mueller Report. But now, Barr, too, has decided to advance the deep state fiction on Trumps behalf. Demonstrating an unprecedented level of involvement by an attorney general, Barr has traveled to both Rome and London, reportedly to question Italian and British officials in person about the origins of the Russia investigation.

Barrs actions raise the question whether he is acting as the nations top law-enforcement official, or as Trumps own defense lawyer. In a phone call with Australian Prime Minister Scott Morrison, Trump asked the Australians to assist Barr in his efforts. The blatant political message is impossible to miss. Existing treaties establish clear procedures for law-enforcement cooperation and intelligence sharing (through far more secure and discreet channels). If a US attorney general or US prosecutor needs an allys assistance in the course of a legitimate investigation, they can simply ask for it themselves.

Moreover, it is no secret that Barr is trying to legitimize Trumps deep state fantasy. He has said as much himself. Last May, he described the FBIs counterintelligence investigation into Russian election interference as spying on the Trump campaign. When asked about his Trump-like choice of words, Barr resorted to conspiracy theory, suggesting that a Praetorian Guard within the US intelligence community may have had designs to influence US elections. Their threat to the republic, he said, was as great as Russian cyberattacks.

Barr is currently reviewing a Justice Department Inspector General (IG) report on whether the FBI misled the Foreign Intelligence Surveillance Court in order to target Trumps 2016 campaign. And the probe into the Russia investigation, now formally in the hands of John Durham, the US Attorney for the District of Connecticut, has apparently become a formal criminal inquiry.

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Durhams investigation will all but certainly have a chilling effect on the US intelligence and law-enforcement communities. Already, Department of Justice investigators have reportedly sought to question CIA analysts about their work uncovering Russian interference on Trumps behalf in 2016, even though both the Mueller Report and the intelligence communitys 17 agencies have unanimously confirmed that finding. Needless to say, having criminal prosecutors second-guess intelligence analysts judgment is not a very good way to encourage independent fact-finding, including into Russias ongoing efforts to interfere in US elections. For Trump, who still denies Russias interference in 2016 and derides the intelligence communitys work, perhaps that is precisely the point.

National-security professionals should be particularly on guard for whatever is coming next. The office of the Justice Department Inspector General initially refused to accept written comments about its conclusions from those being questioned about the Russia probe, even though that is the standard procedure for ensuring that statements are accurate and thorough. Following public criticism, it has since said that it will accept written feedback. Reversal or not, the effort to prohibit comments in writing obviously raises concerns that the final report will attempt to politicize the underlying facts.

Worse, Barr is planning to release the report in coordination with Trumps allies in Congress, where Republicans are eager for ammunition to deflect attention from the impeachment proceedings. It is worth remembering that in March, just before the release of the full Mueller Report, Barr issued a four-page summary of that 450-page document that was widely criticized as misleading, including by Mueller himself. After consulting with Barr, Senator Lindsey Graham of South Carolina, a vocal Trump sycophant, has suggested that the IGs report will include stunning revelations of abuses of a system that has gone off the rails.

In his warning about an American Praetorian Guard, Barr condemned those who identify the national interest with their own political preferences and feel that anyone who has a different opinion, you know, is somehow an enemy of the state. Following Trumps example, his language was clearly an attack on the senior officials who oversaw the counterintelligence investigation into Russias election interference: former FBI Director James Comey, former CIA Director John Brennan, and former Director of National Intelligence James Clapper.

Time will tell whether Barrs investigation of the investigators turns up anything of substance. His portentous hints of a deep-state conspiracy have left Trump stalwarts giddily awaiting the release of the IG report. In any event, congressional Republicans have now taken to maligning the career military officers and diplomats who have come before them in the impeachment hearings. At this point, they arent likely to change their tune. The question is whether Barr will change his.

Last May, Jan Crawford of CBS asked Barr if he worried that his service to Trump might damage his reputation. Everyone dies, he said. I dont believe in the Homeric idea that immortality comes by having odes sung about you over the centuries. Perhaps that response is the best one can hope to hear from an attorney general who is comfortable peddling conspiracy theories to justify otherwise dubious investigations that please his boss.

As for how Barr may be viewed in the fullness of time, there are historical parallels. The Soviet prosecutor Andrei Vyshinsky played a prominent role in the Nuremberg trials, held high academic posts, and became one of his countrys top diplomats. But before that, he was the chief prosecutor in Stalins murderous show trials. Today, that is the only thing for which he is remembered.

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The Decline and Fall of William Barr | by Kent Harrington - Project Syndicate

The Waiting Game: As Saturday Drags On, So Does Hall of Fame Anticipation for Tony Boselli and Jaguars – Sports Illustrated

Tick tock.

The hands of watches and clocks throughout the football world will be moving at a plodding pace as dozens of players, their families, the football organizations they belong to, and their thousands and thousands of fans wait to hear the news on the Pro Football Hall of Fame.

The inductees, which will include five modern-era players, will be announced during NFL Honors, a two-hour award special which will air Saturday at 8 p.m. But it will be earlier in the day as representatives hope their pleads for candidates fall upon responsive ears as cases for the players will be made to the 48-member Pro Football Hall of Fame Selection Committee.

Tick tock.

This leaves an agonizing wait for the countless number of people who hang onto every second of the Hall of Fame process each year. Whether it is a veteran player who has been shut out of Canton for too long who are broken down by the wait and the yearly disappointment, or a fan of a small market team hoping one of their favorites will finally earn football immortality, time will be moving at a snail's pace for all involved.

For the fourth consecutive year, former Jacksonville Jaguars left tackle Tony Boselli will be one of the numerous players staring at the clock and hoping for a knock at his door. And for the fourth consecutive year, Jaguars fans throughout the world are going to hold out hope that Boselli's career finally gets recognized at the highest level.

Tick tock.

Boselli's case for the Hall of Fame is obvious, just as it has been every other year he has been a finalist. Boselli was the Jags first-ever draft selection in the 1995 NFL Draft and played with the team until 2001, five times. He was a first-team All-Pro three times (1997-99) and was named to the Pro Football Hall of Fame second-team All-1990s Team. There has been little debate about the quality of his career, but the lack of longevity in his career has been what has kept him out of Canton thus far.

The shoulder injuries that derailed Boselli's career are the only thing that has stood between him and the hall. Or at least the only thing voters, the ones really keeping Boselli out, have clung onto.

Tick tock.

Because of the shortness of Boselli's otherwise exceptional career, Boselli and the entire Jaguars organization will have to watch the clocks with patient eyes throughout the entire day. While Boselli earning a gold jacket would no doubt be a special moment for the legendary lineman, giving him gratification for the years he has had to fight to earn his place in Canton, it would be even more special to the Jaguars as a franchise. And this is what makes Saturday's wait so excruciating for so many.

Boselli being accepted into Canton would mean the Jaguars themselves would be accepted. He'd be the first Jaguar ever elected to the Hall of Fame and would serve as a symbol of the impact the Jaguars have made on the league since their first season in 1995. It would scream "we belong" in a collective voice so loudly that even the most steadfast of naysayers wouldn't be able to disagree. It would mean the Jaguars are in NFL lore forever, and even beyond that.

Tick tock.

It isn't necessarily fair to Boselli or the Jaguars that the wait has already been this long, but the longest wait will be in the hours leading up to tonight's announcement. The waiting game is a strange one, after all. We have known for months that Boselli was a finalist, but it was only recently that time began to slow down for even analysis and reporters.

This pales in comparison to how monotonous time is moving for Boselli and the Jaguars organization, but it is all the same waiting game that engulfs players, teams, and fans every year. But sooner than later it will be over and we will know if Boselli is a legitimate Hall of Famer. Boselli will get either the best news of his post-playing career or yet another sentence of dissapointment.

But until then, the clocks will be taking their sweet time. After all, it is what they do.

Tick tock.

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The Waiting Game: As Saturday Drags On, So Does Hall of Fame Anticipation for Tony Boselli and Jaguars - Sports Illustrated

Marlon Brando: 10 Famous Actors Who Were Inspired By His Work – Screen Rant

Marlon Brando has been a true icon in Hollywood. Starting his career with the Elia Kazan magnum opuses A Streetcar Named Desire and On The Waterfront (for which he won his first Academy Award), he went on to appear in many iconic roles in the future. He was reputed for his dramatic monologues and the display of one of the earliest forms of method acting. Later, as his hair started turning grey and age began to take its toll, Brando still made the most memorable film comeback portraying Don Vito Corleone in The Godfather, a role which assured him immortality as an artist.

RELATED: 10 Weird Things Cut From The Godfather Movies (That Were In The Books)

Naturally, Brando has been a major influence on many other actors. Here, we count down a few such actors who were inspired by his work.

Reputed as one of the greatest method actors himself, Nicholson has portrayed a wide variety of multi-layered characters conveying moods from charismatic (One Flew Over The Cuckoo's Nest) to depressed (About Schmidt) to paranoid (The Shining). Nicholson has penned articles and given interviews in praise of the veteran actor, citing how stunned he felt on seeing Brando's acting in On The Waterfront as a child. The two even shared screen space in a Western called The Missouri Breaks.

RELATED: 10 Actors Inspired By Jack Nicholson

As he explained in his own words, 'as an artist, I equate Brando with Picasso. Ive seen Picassos early drawings and so forth in the museums in Barcelona. I always thought if you took the first thing Picasso ever drew and continued to show everything he did until the day he died, you would see that some people are incapable of not being brilliant. When people are that way, its very hard for them to gauge their own position. I think Marlon knew he was the greatest.'

Back in his day, James Caan had a good-enough acting stint with roles in various 70s and 80s films, but he became a household name with Misery and The Godfather. In the latter, he plays Sonny Corleone, the hot-tempered son of Brando's mild-spoken mafioso.

"People always ask me who was the most influential guy to us young guys back then. Anyone who doesn't tell you Brando was the man, they're lying. He influenced more young actors of my generation than any actor." He says, explaining the influence Brando has had on young actors.

Sheen collaborated with Brando in Francis Ford Coppola's Vietnam war epic Apocalypse Now. He has been vocal on Brando's influence and being his lifelong admirer, but he has also appreciated how Brando has used his influence to take stands on issues of social relevance.

"For most of his adult life, he was an outspoken advocate for social justice often risking his career publicly supporting Martin Luther King Jr. and the civil rights movement, as well as Native American rights and universal human rights. In fact, he inspired my own activism and made me proud to be an actor." Such was his boldness that, when he won the Oscar for Best Actor for The Godfather, he never accepted the award. Instead, he had sent a Native American rights leader and actress to urge the Academy and the industry to improve the representation of Native Americans and other minorities in cinema.

Johnny Depp once did a film back in the 90s called Don Juan DeMarco, a light-hearted dramedy that Depp agreed on only when Brando joined the cast. Depp is known for his immense versatility, changing the guise, accent, and physical characteristics of each character of his. But, with his recent filmography, this ability of his has been seen as overkill by critics and audiences.

RELATED: Johnny Depp's Weirdest Characters, Ranked

The one thing aside from acting which Depp learned from his friend and mentor Marlon Brando was to follow your own spirit as an artist rather than just sticking to everyone else's expectations. "What is really satisfying is, like Marlon, getting to that place where he just doesn't give a f***." This carefree mantra from Marlon Brando has helped Depp feel more liberated.

The late Paul Newman was the quintessential American hero in his prime, playing cowboys, soldiers, hustlers, and even Doc Hudson in his last film Cars. A celebrated figure, Newman has been often heard talking about his influence from Brando, who was once the "coolest dude" thanks to roles like The Wild One.

For Brando's ease of playing troubled characters in such an effortless manner, Newman has expressed jealousy too. "I'm angry at Marlon because he does everything so easily. I have to break my ass to do what he can do with his eyes closed."

Coming back to The Godfather universe, Al Pacino played Brando's son and eventual successor in the trilogy. Along with this character of Michael Corleone, Pacino has established himself as one of the greatest artists of the gangster genre, as well as winning acclaim for other gritty characters. Pacino did have a scuffle with the Oscars when he got nominated for Best Supporting Actor for The Godfather (while he had more screentime than Marlon Brando, who was nominated for and eventually won Best Actor), his respect for the veteran actor has never wavered.

Pacino wasn't inspired by Brando's style initially but he has admitted that he "will be imitating him" till the day he dies. For Pacino, he wasn't an actor but a phenomenon.

Often being called as one of the sexiest men alive by tabloids, Ryan Gosling has had some acting chops too showing that he's much more than a pretty boy. His filmography is selective, but he ensures that all his projects are trailblazers, from Drive to Blade Runner 2049. This is similar to Brando's choice of roles in his career (except the 1970s when he had consequent flops) as he has been selective even for his smaller roles, like Apocalypse Now or Superman.

Talking on Brando's influence, Gosling says that even current generations can be inspired by his dedication to getting in the skin of his characters, rather than just acting. "You can't help but be affected by him," he said. "I think all of us are".

"Hes the kind of person, personality-wise, whos least suited to being venerated by others. And it must be so frustrating for him because it walls you off from just the pure experience of people and things. Hed love to sit in a caf and watch people walk by on the street. That's how Brando's The Score co-star Edward Norton felt about his personality type. Norton himself is known to engage in intense method acting for roles like that of a neo-Nazi skinhead in American History X.

Norton believes that actors should learn humility and dedication to the art from Marlon Brando, the other advantages/disadvantages of stardom would come gradually.

The two-time Oscar winner and star of films like Mystic River and Milk recalled that Brando was no less of a god even when he wasn't doing much acting. He attended a few sessions in an acting workshop he held which was also attended by Michael Jackson and Oprah Winfrey.

The workshop, very much like Brando himself, was masterful yet enigmatic. There were times when Brando would want all the actors to go nude or give them acting advice while being dressed in drag. Penn has praised him for his genuineness; the star was definitely loathsome for the cast and crew in his projects, but he has his own unconventional ways to function as an actor.

Character actor Robert Duvall has shared quite amusing behind-the-scenes moments with the great Don Corleone, playing the gangster's lawyer and aide Tom Hagen. Brando was notorious for not learning his lines and reading them from cue cards instead. Sometimes, Duvall literally had Brando's dialogues stuck on his shirt so that the Don could read and get in character.

Duvall considers Brando a good mentor for himself and his generation of actors. In press interviews, he has revealed his sadness towards Brando's health concerns and troubled family life later. He had heard that Brando asked his children not to pick up acting and felt sad that a legend like him said that acting is a "fine profession."

NEXT: 10 Movies To Watch If You Liked The Godfather

NextGame Of Thrones: 10 Tyrion Lannister Memes That Will Have You Cry-Laughing

'Hello, my name is Shaurya. Would you like some pop culture?'Based in Delhi, India, Shaurya Thapa is into freelance journalism, hip-hop, and engaging in critical analyses over films and TV of varied genres.

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Marlon Brando: 10 Famous Actors Who Were Inspired By His Work - Screen Rant

What We Learned in N.F.L. Week 8 – The New York Times

It was a week of confirming things we mostly knew. The San Francisco 49ers and the New England Patriots dominated the competition and stayed undefeated and the red-hot New Orleans Saints, as expected, got even better with the return of quarterback Drew Brees. Week 8 also saw Adam Vinatieri rise to the occasion and Eddy Pineiro fail to do the same.

Heres what we learned:

Tevin Coleman made an excellent decision in free agency. A 26-year-old running back, Coleman was an unstoppable force in San Franciscos 51-13 win over Carolina, piling up 118 yards from scrimmage and scoring four touchdowns. He anchored the offense while San Franciscos defense embarrassed the Panthers, helping the 49ers prove they could beat a good team after weeks of beating up mostly on the N.F.L.s also-rans. San Francisco is 7-0, while Colemans former team, the Atlanta Falcons, lost at home to Seattle, dropping to 1-7. The Falcons Super Bowl appearance three seasons ago seems like ancient history.

The Patriots defense can win a game in a span of three plays. Leading 3-0 in the first quarter, New Englands Donta Hightower returned a Nick Chubb fumble 26 yards for a touchdown. On Clevelands next offensive play, Chubb lost a fumble yet again. After the Browns defense forced a punt, Baker Mayfield threw an interception on first down, setting the Patriots up for an easy touchdown. The three consecutive turnovers helped lead to a 17-0 deficit in the first quarter of a 27-13 game. First- and second-year starting quarterbacks dropped to 1-38 in regular season games in Foxborough since 2001.

Sundays Top Performers

Fans of defense may have been averting their eyes, but a matchup between the Detroit Lions and the Giants provided two of the five best quarterback performances of the week, with Stafford hanging on to win what ended up being a close game against the rookie Daniel Jones.

David Montgomery finally had the breakout game people had been expecting, Nick Chubb got over his early fumbles to have a strong game against New England and Christian McCaffrey complemented his rushing performance with another 38 yards as a receiver. But none of them could match Colemans four-touchdown day (three rushing, one receiving).

If the idea of the N.F.L.s London Games is to get people in Europe excited about American football, a double-reverse flea flicker that results in a 65-yard touchdown pass to Cooper Kupp seems like it could do the trick. That was just one of many outstanding plays from Kupp, with Jared Goff joking after the game about how they thought about trying to get the young receiver to 300 yards.

*Except when it takes more.

Texans 27, Raiders 24 That was a lot closer of a game than Houston would have preferred, but provided Deshaun Watsons eye doesnt result in him missing time, the Texans should be able to withstand the loss of J.J. Watt.

49ers 51, Panthers 13 Coming into this week, San Francisco had only beaten one team with a winning record and even in that game they made a 3-2 team fall to 3-3. A blowout win against a team that was previously 4-2 and on a four-game winning streak, should quiet any remaining doubters.

Patriots 27, Browns 13 After Clevelands surge of three turnovers in a span of three plays helped lead to a 17-0 deficit, all but assuring the Browns fate, Baker Mayfield, Nick Chubb and the rest of the Cleveland offense outscored the Patriots by 13-10.

Packers 31, Chiefs 24 A wildly entertaining game in which Aaron Rodgers and Green Bay just barely held off Matt Moore and Kansas City was a letdown after last weeks blowout, but it made for an exciting Sunday night.

Saints 31, Cardinals 9 Teddy Bridgewater isnt the only capable backup in New Orleans: Latavius Murray filled in for the injured Alvin Kamara and the veteran runner had 157 yards from scrimmage and two touchdowns.

Chargers 17, Bears 16 Coach Matt Nagy wanted it made clear that he did not regret letting time run ahead of Eddy Pineiros failed game-winning field goal try, rather than going for a touchdown. Zero thought of throwing the football, zero thought of running the football, Nagy said. You understand me? Thats exactly what it was. Its as simple as that.

Rams 24, Bengals 10 Los Angeles has a two-game winning streak no need to pay attention to who they beat, move along and they can thank Cooper Kupp, who had a career day with 220 receiving yards.

Eagles 31, Bills 13 Either Philadelphia is way better than anyone realized or Buffalo is nowhere near as good as it seemed during its 5-1 start.

Titans 27, Buccaneers 23 Ryan Tannehill was fantastic yet again and Tennessee won its second straight game with quite a bit of help from Jameis Winston, who threw two interceptions and lost two fumbles.

Jaguars 29, Jets 15 Sam Darnold has thrown seven interceptions over his last two games.

Seahawks 27, Falcons 20 Matt Schaub passed for 460 yards in place of the injured Matt Ryan but Atlanta was down 24-0 at halftime and only closed the gap because Seattle took the second half off.

Lions 31, Giants 26 It was a fourth consecutive loss for Daniel Jones, but it was hard to pin this one on the Giants rookie quarterback who threw for 322 yards and four touchdowns.

Colts 15, Broncos 13 Adam Vinatieris huge day for Indianapolis was partially enabled by Denvers anemic offense. Joe Flacco showed his frustration with the Broncos conservative approach afterward. I just look at it like were now a 2-6 football team and were like afraid to go for it in a two-minute drill, you know? he said during his postgame news conference. Who cares if you give the ball back with a minute 40 seconds left? Theyve obviously got the field goal any way.

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What We Learned in N.F.L. Week 8 - The New York Times

Epitaphs have the uncanny ability of bringing fiction close to fact – Telegraph India

Thats all folks (Wikipedia)

Bugs Bunny got me thinking about mortality. At the end of each episode, while munching on a piece of juicy carrot, the adorable Bugs would say, Thats all folks. These words can there be a more poker-faced admission about the finiteness of life? I learnt later, are etched on the tombstone of Mel Blanc, the man who gave Bugs his inimitable voice.

But it wasnt Bugs Bunny alone who was on my mind early in November on the occasion of National Write Your Own Epitaph Day. I sat thinking of Ebenezer Scrooge as well. In an epiphanic moment in A Christmas Carol, Charles Dickens made Scrooge catch a glimpse of his own gravestone. Scrooge, terrified at the prospect of his annihilation and anonymity, promptly turns over a new leaf.

Interestingly, epitaphs have the uncanny ability of bringing fiction close to fact. For in real life too, writers have been tied to the tombstone, in a manner of speaking, on account of their desire for immortality.

Some of them Ben Jonson is one example made it a point to let the world know even from across the Styx that there was no other like them. Fittingly, the words emblazoned on Jonsons tomb read, O Rare Ben Jonson.

W.B. Yeats, presumably, would have none of Jonsons immodesty. The poet requested the Horseman to cast a cold eye on both life and death and then pass by. Was Yeats referring to the futility of the all-too-human craving for permanence?

Death and its prospect of erasure have proved to be irresistible for some others. Martin Luther King Jr. rejoiced at the prospect of tasting the freedom brought by death. Why else would his tombstone exclaim Free at last? The epitaph of Oscar Wilde, who had endured both infamy and fame, is suggestive of the playwrights recognition of his own alienation. Mourners, it says movingly, are outcast men and that the outcast always mourn. Come to think of it, both King and Wilde, two men separated by time and settings, may have been hinting at suffering a life of prejudice even in death.

Meanwhile, Keats remained lyrical in both death and life. Few other headstones can claim the haunting beauty of this inscription: Here lies One Whose Name was writ in Water.

I realized on Write Your Own Epitaph Day that morbid souls searching for a bit of inspiration are, mercifully, spoilt for choice when it comes to choosing the words that would adorn their own tombstones.

Given my own aversion to, not obscurity but, untidiness my beloved condition is called Ataxophobia I decided to go with Dorothy Parker, who, it is believed, chose this concise but profound message.

Excuse my dust.

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Epitaphs have the uncanny ability of bringing fiction close to fact - Telegraph India

Immortality | Superman Wiki | FANDOM powered by Wikia

Immortality is the ability to live forever without fear of aging or dying. Characters who possess this ability usually don't develop it fully until adulthood, as many of them maintain adult physiques, and appear to be between the ages of 25-35. Generally, immortal characters do not require sustenance such as food or drink. Some don't even require extended periods of rest, and are almost always active. Although a character may be immortal, this does not mean that they cannot die. It only means that they will never expire due to natural causes. While some characters such as Gods and Cosmic Beings are true immortals (meaning that they will never die), others are restricted by various limitations or require alternate methods to maintain their immortality. Vandal Savage for example, is one of the oldest living beings on the planet Earth. However, to maintain his immortality, he must harvest compatible organs from his own descendents, or else he risks complete biological shutdown. Another example is the character of Ra's al Ghul. Ra's maintains his current age and vitality so long as he can immerse himself in the mystical fluids found in a Lazarus Pit. It has been shown that Ra's will continue to exist well into the 31st century.

Gods and other cosmic entities find their immortality tied to humanity or some other abstract construct. So long as one of these qualifiers continues to exist in the cosmos, the being in question will continue to live. For example, Dream of the Endless is effectively immortal so long as there is at least one living being in the universe capable of dreaming.

Many Godlike beings from various Earth-based pantheons are immortal so long as humanity continues to value and/or believe in them. This particular limitation appears to vary from pantheon to pantheon and is not necessarily a staple for all Gods. For instance, in the Kid Eternity ongoing comic book series, the Gods of Olympus awakened after centuries of slumber, because humanity began to believe in them once again. These Gods should be distinguished from the more commonly seen Greek deities from the Wonder Woman mythos, whose lives appear to continue in perpetuity regardless of external circumstances. The Gods of Apokolips and New Genesis are also true immortals, however, they can still be killed, although the means by which to do so usually requires an extreme effort.

Some characters achieve immortality through mystical means. Circe and Mordru for example, while not Godlike beings, are powerful sorcerers who have used their abilities to extend their natural lifespan. The Amazons of Themyscira are immortal so long as they remain on native soil. Once they leave Themyscira, they will begin to age as a normal human and will eventually die of natural causes. Upon returning to Themyscira however, their immortality is immediately restored.

The Guardians of the Universe are immortals. They seem to reach a certain age and then cease physically aging entirely, though as they were once an entire species, they are capable of being killed, though with their immense powers of Willpower, it is difficult to do so. Their race has existed since just after the beginning of the Universe.

There are strong indicators that Superman may also be immortal. Theoretically, so long as he has access to a constant source of yellow solar radiation, he will not age or die. In the continuity of the Smallville television series, it has been established that Clark Kent may live (seemingly) forever.

Immortality should not be confused with Resurrection, which represents a character's ability to return from the dead. While such characters are effectively immortal, they can usually be killed through conventional means.

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Immortality | Superman Wiki | FANDOM powered by Wikia

Enos 1 – The Church of Jesus Christ of Latter-day Saints

Enos prays mightily and gains a remission of his sinsThe voice of the Lord comes into his mind, promising salvation for the Lamanites in a future dayThe Nephites sought to reclaim the LamanitesEnos rejoices in his Redeemer. About 420B.C.

1 Behold, it came to pass that I, , knowing my father that was a just manfor he me in his language, and also in the and admonition of the Lordand blessed be the name of my God for it

2 And I will tell you of the which I had before God, before I received a of my sins.

3 Behold, I went to hunt beasts in the forests; and the words which I had often heard my father speak concerning eternal life, and the of the saints, deep into my heart.

4 And my soul ; and I down before my Maker, and I unto him in mighty and supplication for mine own soul; and all the day long did I cry unto him; yea, and when the night came I did still raise my voice high that it reached the heavens.

5 And there came a unto me, saying: Enos, thy sins are thee, and thou shalt be blessed.

6 And I, Enos, knew that God not lie; wherefore, my guilt was swept away.

7 And I said: Lord, how is it done?

8 And he said unto me: of thy in Christ, whom thou hast never before heard nor seen. And many years pass away before he shall manifest himself in the flesh; wherefore, go to, thy faith hath made thee .

9 Now, it came to pass that when I had heard these words I began to feel a for the of my brethren, the Nephites; wherefore, I did my whole soul unto God for them.

10 And while I was thus struggling in the spirit, behold, the voice of the Lord came into my again, saying: I will visit thy brethren according to their diligence in keeping my commandments. I have unto them this land, and it is a holy land; and I it not save it be for the cause of iniquity; wherefore, I will visit thy brethren according as I have said; and their will I bring down with sorrow upon their own heads.

11 And after I, Enos, had heard these words, my began to be in the Lord; and I unto him with many long for my brethren, the Lamanites.

12 And it came to pass that after I had and labored with all diligence, the Lord said unto me: I will grant unto thee according to thy , because of thy faith.

13 And now behold, this was the desire which I desired of himthat if it should so be, that my people, the Nephites, should fall into transgression, and by any means be , and the Lamanites should not be , that the Lord God would a record of my people, the Nephites; even if it so be by the power of his holy arm, that it might be at some future day unto the Lamanites, that, perhaps, they might be unto salvation

14 For at the present our strugglings were in restoring them to the true faith. And they swore in their wrath that, if it were possible, they would our records and us, and also all the traditions of our fathers.

15 Wherefore, I knowing that the Lord God was able to our records, I cried unto him continually, for he had said unto me: Whatsoever thing ye shall ask in faith, believing that ye shall receive in the name of Christ, ye shall receive it.

16 And I had faith, and I did cry unto God that he would the ; and he covenanted with me that he would forth unto the Lamanites in his own due time.

17 And I, Enos, it would be according to the covenant which he had made; wherefore my soul did rest.

18 And the Lord said unto me: Thy fathers have also required of me this thing; and it shall be done unto them according to their faith; for their faith was like unto thine.

19 And now it came to pass that I, Enos, went about among the people of Nephi, prophesying of things to come, and testifying of the things which I had heard and seen.

20 And I bear record that the people of Nephi did seek diligently to the Lamanites unto the true faith in God. But our were vain; their was fixed, and they were led by their evil nature that they became wild, and ferocious, and a people, full of and ; feeding upon beasts of prey; dwelling in , and wandering about in the wilderness with a short skin girdle about their loins and their heads shaven; and their skill was in the , and in the cimeter, and the ax. And many of them did eat nothing save it was raw meat; and they were continually seeking to destroy us.

21 And it came to pass that the people of Nephi did till the land, and all manner of grain, and of fruit, and of herds, and flocks of all manner of cattle of every kind, and goats, and wild goats, and also many horses.

22 And there were exceedingly many among us. And the people were a people, hard to understand.

23 And there was nothing save it was exceeding , and prophesying of wars, and contentions, and destructions, and continually them of death, and the duration of eternity, and the judgments and the power of God, and all these thingsstirring them up to keep them in the fear of the Lord. I say there was nothing short of these things, and exceedingly great plainness of speech, would keep them from going down speedily to destruction. And after this manner do I write concerning them.

24 And I saw between the Nephites and Lamanites in the course of my days.

25 And it came to pass that I began to be old, and an hundred and seventy and nine years had passed away from the time that our father Lehi Jerusalem.

26 And I saw that I soon go down to my grave, having been wrought upon by the power of God that I must preach and prophesy unto this people, and declare the word according to the truth which is in Christ. And I have declared it in all my days, and have rejoiced in it above that of the world.

27 And I soon go to the place of my , which is with my Redeemer; for I know that in him I shall . And I rejoice in the day when my shall put on , and shall stand before him; then shall I see his face with pleasure, and he will say unto me: Come unto me, ye blessed, there is a place prepared for you in the of my Father. Amen.

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Enos 1 - The Church of Jesus Christ of Latter-day Saints

Perfection Pending – Russell M. Nelson

If I were to ask which of the Lords commandments is most difficult to keep, many of us might cite Matt. 5:48: Be ye therefore perfect, even as your Father which is in heaven is perfect.1

Keeping this commandment can be a concern because each of us is far from perfect, both spiritually and temporally. Reminders come repeatedly. We may lock keys inside the car, or even forget where the car is parked. And not infrequently we walk intently from one part of the house to another, only to forget the reason for the errand.

When comparing ones personal performance with the supreme standard of the Lords expectation, the reality of imperfection can at times be depressing. My heart goes out to conscientious Saints who, because of their shortcomings, allow feelings of depression to rob them of happiness in life.

We all need to remember: men are that they might have joynot guilt trips!2 We also need to remember that the Lord gives no commandments that are impossible to obey. But sometimes we fail to comprehend them fully.

Our understanding of perfection might be aided if we classify it into two categories. The first could pertain uniquely to this lifemortal perfection. The second category could pertain uniquely to the next lifeimmortal or eternal perfection.

In this life, certain actions can be perfected. A baseball pitcher can throw a no-hit, no-run ball game. A surgeon can perform an operation without an error. A musician can render a selection without a mistake. One can likewise achieve perfection in being punctual, paying tithing, keeping the Word of Wisdom, and so on. The enormous effort required to attain such self-mastery is rewarded with a deep sense of satisfaction. More importantly, spiritual attainments in mortality accompany us into eternity.3

James gave a practical standard by which mortal perfection could be measured. He said, If any man offend not in word, the same is a perfect man.4

Scriptures have described Noah, Seth, and Job as perfect men.5 No doubt the same term might apply to a large number of faithful disciples in various dispensations. Alma said that there were many, exceedingly great many,6 who were pure before the Lord.

This does not mean that these people never made mistakes or never had need of correction. The process of perfection includes challenges to overcome and steps to repentance that may be very painful.7 There is a proper place for chastisement in the molding of character, for we know that whom the Lord loveth he chasteneth.8

Mortal perfection can be achieved as we try to perform every duty, keep every law, and strive to be as perfect in our sphere as our Heavenly Father is in his. If we do the best we can, the Lord will bless us according to our deeds and the desires of our hearts.9

But Jesus asked for more than mortal perfection. The moment he uttered the words even as your Father which is in heaven is perfect, he raised our sights beyond the bounds of mortality. Our Heavenly Father has eternal perfection. This very fact merits a much broader perspective.

Recently I studied the English and Greek editions of the New Testament, concentrating on each use of the term perfect and its derivatives. Studying both languages together provided some interesting insights, since Greek was the original language of the New Testament.

In Matt. 5:48, the term perfect was translated from the Greek teleios, which means complete. Teleios is an adjective derived from the noun telos, which means end.10 The infinitive form of the verb is teleiono, which means to reach a distant end, to be fully developed, to consummate, or to finish.11 Please note that the word does not imply freedom from error; it implies achieving a distant objective. In fact, when writers of the Greek New Testament wished to describe perfection of behaviorprecision or excellence of human effortthey did not employ a form of teleios; instead, they chose different words.12

Teleios is not a total stranger to us. From it comes the prefix tele- that we use every day. Telephone literally means distant talk. Television means to see distantly. Telephoto means distant light, and so on.

With that background in mind, let us consider another highly significant statement made by the Lord. Just prior to his crucifixion, he said that on the third day I shall be perfected.13 Think of that! The sinless, errorless Lordalready perfect by our mortal standardsproclaimed his own state of perfection yet to be in the future.14 His eternal perfection would follow his resurrection and receipt of all power in heaven and in earth.15

The perfection that the Savior envisions for us is much more than errorless performance. It is the eternal expectation as expressed by the Lord in his great intercessory prayer to his Fatherthat we might be made perfect and be able to dwell with them in the eternities ahead.16

The Lords entire work and glory pertains to the immortality and eternal life of each human being.17 He came into the world to do the will of his Father, who sent him.18 His sacred responsibility was foreseen before the creation19 and was foretold by all his holy prophets since the world began.20

The atonement of Christ fulfilled the long-awaited purpose for which he had come to the earth. His concluding words upon Calvarys cross referred to the culmination of his assignmentto atone for all humankind. Then he said, It is finished.21 Not surprisingly, the Greek word from which finished was derived is teleios.

That Jesus attained eternal perfection following his resurrection is confirmed in the Book of Mormon. It records the visit of the resurrected Lord to the people of ancient America. There he repeated the important injunction previously cited but with one very significant addition. He said, I would that ye should be perfect even as I, or your Father who is in heaven is perfect.22 This time he listed himself along with his Father as a perfected personage. Previously he had not.23

Resurrection is requisite for eternal perfection. Thanks to the atonement of Jesus Christ, our bodies, corruptible in mortality, will become incorruptible. Our physical frames, now subject to disease, death, and decay, will acquire immortal glory.24 Presently sustained by the blood of life25 and ever aging, our bodies will be sustained by spirit and become changeless and beyond the bounds of death.26

Eternal perfection is reserved for those who overcome all things and inherit the fulness of the Father in his heavenly mansions. Perfection consists in gaining eternal lifethe kind of life that God lives.27

Scriptures identify other important prerequisites to eternal perfection. They relate to the ordinances and covenants of the temple.28 No accountable individual can receive exaltation in the celestial kingdom without the ordinances of the temple. Endowments and sealings are for our personal perfection and are secured through our faithfulness.29

This requirement also pertains to our ancestors. Paul taught that they without us should not be made perfect.30 Again, in that verse, the Greek term from which perfect was translated was a form of teleios.31

In latter-day revelation, the Lord was even more explicit. His prophet wrote: My dearly beloved brethren and sisters, let me assure you that these are principles in relation to the dead and the living that cannot be lightly passed over, as pertaining to our salvation. For their salvation is necessary and essential to our salvation. They without us cannot be made perfectneither can we without our dead be made perfect.32

Our climb up the path to perfection is aided by encouragement from the scriptures. They hold the promise that we shall, if faithful in all things, become like Deity. John the beloved Apostle wrote:

We should be called the sons [and daughters] of God.

When he shall appear, we shall be like him; for we shall see him as he is.

And every man that hath this hope in him purifieth himself, even as he is pure.33

Continuing encouragement comes as we follow the example of Jesus, who taught, Be ye holy; for I am holy.34 His hope for us is crystal clear! He declared: What manner of men ought ye to be? Verily I say unto you, even as I am.35 Thus, our adoration of Jesus is best expressed by our emulation of Jesus.36

People have never failed to follow Jesus because his standards were imprecise or insufficiently high. Quite to the contrary. Some have disregarded his teachings because they were viewed as being too precise or impractically high! Yet such lofty standards, when earnestly pursued, produce great inner peace and incomparable joy.

There is no other individual to compare with Jesus Christ, nor is there any other exhortation equal to his sublime expression of hope: I would that ye should be perfect even as I, or your Father who is in heaven is perfect.37

This divine entreaty is consistent with the fact that, as begotten children of heavenly parents, we are endowed with the potential to become like them, just as mortal children may become like their mortal parents.

The Lord restored his church to help us prepare for perfection. Paul said that the Savior placed in the Church Apostles, prophets, and teachers, for the perfecting of the saints, for the edifying of the body of Christ:

Till we all come in the unity of the faith, and of the knowledge of the Son of God, unto a perfect man, unto the measure of the stature of the fulness of Christ.38

The perfect man described in Pauls quotation is the completed personteleiosthe glorified soul!

Moroni taught how to gain this glorious objective. His instruction stands in any age as an antidote for depression and a prescription for joy. I echo his plea: Come unto Christ, and be perfected in him, and deny yourselves of all ungodliness; love God with all your might, mind and strength [Then] ye may be perfect in Christ, holy, [and] without spot.39

Meanwhile, brothers and sisters, let us do the best we can and try to improve each day. When our imperfections appear, we can keep trying to correct them. We can be more forgiving of flaws in ourselves and among those we love. We can be comforted and forbearing. The Lord taught, Ye are not able to abide the presence of God now ; wherefore, continue in patience until ye are perfected.40

We need not be dismayed if our earnest efforts toward perfection now seem so arduous and endless. Perfection is pending. It can come in full only after the Resurrection and only through the Lord. It awaits all who love him and keep his commandments. It includes thrones, kingdoms, principalities, powers, and dominions.41 It is the end for which we are to endure.42 It is the eternal perfection that God has in store for each of us. I so testify in the name of Jesus Christ, amen.

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Perfection Pending - Russell M. Nelson

Incarnations of Immortality – Wikipedia

Incarnations of Immortality is the name of an eight-book fantasy series by Piers Anthony. The first seven books each focus on one of seven supernatural "offices" (Death, Time, Fate, War, Nature, Evil, and Good) in a fictional reality and history parallel to ours, with the exception that society has advanced both magic and modern technology. The series covers the adventures and struggles of a group of humans called "Incarnations", who hold these supernatural positions for a certain time.

The title alludes to William Wordsworth's 1804 poem Ode: Intimations of Immortality.[1]

Incarnations uses its premise to ponder questions regarding the nature of life. As each character goes from a mortal life to the "office" of an Incarnation, they are forced to contemplate their actions on a daily basis. Each Incarnation may use their office, within limits, as they see fit. This system humanizes what would otherwise be impersonal forces, leading to both extensive considerations of the effects of the incarnation's work and the impact it has on not only humanity but also the other offices of immortality as well.

Another humorous side of Incarnations is the portrayed magic/technology duality. Most series emphasize one or the other means of understanding and manipulating the world, but in Incarnations, each method is equal in usefulness and respect. This leads to a number of amusing parallels, such as competition between automobile and magic-carpet manufacturers. By the future time period of Norton, magic is referred to as the Fifth Fundamental Force, with its own primary particle, the Magicon (similar to a graviton). A few other series have used the technology/magic combined motif, notably Apprentice Adept, another series by Piers Anthony, and Four Lords of the Diamond by Jack Chalker, although that book had an actual technological basis for the explanation of its magic, in contrast to Piers Anthony's work.

Anthony uses the number five extensively. The five Incarnations are associated with the five elements (Death with Earth, Fate with Water, War with Fire, Nature with Air, and Time with Void), and often other items with fives (the previously mentioned Book of Five Rings). There are five fundamental interactions, magic being the fifth. The Llano consists of five songs. In On a Pale Horse, Gaea teaches Zane five patterns of thought, each represented by diagrams of five short lines.

A fourth theme of Incarnations is the multigenerational human story between the Incarnations. Previous characters repeatedly appear in later novels, and by the final novel, every major character is related by blood, marriage, or affair. See the family tree below.

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Incarnations of Immortality - Wikipedia