‘Grey’s Anatomy’: What Happened to Jackson’s Daughter? – Showbiz Cheat Sheet

Jackson Avery may not be one of the original characters on Greys Anatomy, but over the past 10 years, the character has garnered a loyal following. Through his years as a flirtatious resident to his tenure as one of the most respected plastic surgeons in the country, Jackson has become every bit Greys as any other character on the show.

While every storyline featuring the former Mercy West doc always has fans tuning in, it was the heart-wrenching story between Jackson and fellow doctor, April Kepner that won fans over. Throughout their story, the couple lost a child and had another, but since Aprils departure two years ago, their daughter has mysteriously disappeared. So, just what did happen to Jacksons daughter?

April Kepner and Jackson Avery joined Greys Anatomy in season six when Seattle Grace and Mercy West merged to form Seattle Grace Mercy West. Jackson was an arrogant young surgeon, and unbeknownst to the other doctors, the son of Harper Avery. April was a fresh-faced, kind-hearted doctor, who was known more for her religious and moral values than her surgical skills.

The two doctors started as best friends, with April actually walking down the aisle with a different man. But in the end, April left her groom at the altar and ran off with the handsome Dr. Avery.

Eventually, April became pregnant. The couple was overjoyed to become parents Sadly, their child died shortly after birth, crippling April and eventually destroying the couples marriage.

It was when the couple was on the brink of divorce that April found out she was pregnant again. April gave birth to Harriet Kepner-Avery the day Owen and Amelia were scheduled to be married.

While Jackson and April tried to give their family another go, April ultimately married Matthew, the man she had left at the altar in the first place.

After Harriet was born, the little girl made multiple appearances on the show. According to Greys Anatomy Fandom, Harriet appeared in 19 episodes of Greys. But when April left the show at the end of season 14, it appears Harriet went with her. Harriet has made scattered appearances since.

Fans have questioned Harriets disappearance on Reddit, noting that her sudden absence makes Jackson look like a neglectful father. This storyline certainly wouldnt fall in line with Jacksons values and character. But is all really as it appears?

Fans of Greys Anatomy know that the children of the main characters often come and go. Several regulars have children, with Meredith Grey herself being the mother to three. But if youre a casual viewer of the show, youd hardly know any of the doctors have children.

Occasionally an episode will show one of the doctors dropping off their child at the daycare or show them at home. But this seasons focus on Meredith and how she used her daughters medical insurance was probably the most we have seen or heard of the Shepherd children in many years.

So where are all the children? Realistically, theyre probably all at school or hanging out at the hospital daycare together.

Fans may complain that the kids dont get enough screen time, and admittedly, they probably dont. But the stories between the doctors are what keeps the show going and if more time was devoted to their home lives, fans would probably be wondering why other characters are getting less time.

As much as fans would love more Greys, theres only so much you can fit into one hour.

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'Grey's Anatomy': What Happened to Jackson's Daughter? - Showbiz Cheat Sheet

Free whitepaper: Anatomy of work: a look at how employees really spend their time at work – The Drum

As organizations rely more and more heavily on collaborative tools and software platforms (IDC predicts that the market for collaborative applications will increase to $26.6BN by 2030), it has become harder to track what kind of work employees are actually getting up to.

A new Anatomy of Work Index whitepaper from Asana is all about learning how marketers actually spend their days in the office, and analyzing their overall rate of productivity. It uses this data, which has been drawn from a pool of 10,000 knowledge workers globally and includes workers in roles such as chief marketing officer, head of brand and senior marketing manager, to see where agencies and brands can improve in order to start becoming more effective in the 2020's.

Some of the key learnings include the fact that the majority of global employees (60%) spend most of their time on work about work, which could be emailing someone about plans or doing practical, non-creative tasks such as micro-managing others. In comparison, just 40% spend time on skilled work like executing a campaign, and this highlights the fact that most workers are losing the battle when it comes to finding time to embrace more thoughtful, deeper work tasks.

Even more worrying is the fact that polled employees are only spending 27% of their time at work on skills based work; the craft they were actually trained and hired to carry out. Therefore it is high time we found a solution, and this whitepaper will help to provide practical advice on how you can create a more inspired team thats set up to execute their roles much more effectively.

Asanas Anatomy of Work index also explores how unbalanced workloads are crippling employees and negatively impacting their productivity. The index has found 26% of employees have too much work to do, which subsequently drives stress and feelings of being unsettled. Its goal is to inspire you to find ways to ensure workers are doing their 9-to-5 more effectively, and not wasting their time on things that create unhappiness in the workplace.

Another fascinating insight the index provides is around how many hours a day workers find themselves distracted, and youll be able to compare how UK workers compare to the US, Germany, Australia, and even Japan. The fact, on average, 1 hour and 4 minutes is wasted daily by knowledge workers globally due to distractions or procrastination shows how much room there is for improvement.

The Anatomy of Work examines how to break down those barriers that stop workers from being productive and showing how technology, such as Asanas own work management tool, can help create a system that benefits everybody when applied correctly and not just at a whim.

The most forward-thinking organisations in the world know how to leverage time-saving work management software to reimagine their workplace, and this forward-thinking piece of research will show why taking control of workloads and collaborating more thoughtfully is a must if your workers are to reach the next level.

To access the full report for free, click this link or fill in the form below.

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Free whitepaper: Anatomy of work: a look at how employees really spend their time at work - The Drum

‘Grey’s Anatomy’ Actress Jaicy Elliot Teases ‘Double the Drama’ for ‘Station 19’ Crossover in Winter Premiere (Exclusive) – PopCulture.com

Grey's Anatomy ended its 2019 run with a major cliffhanger leaving the lives of many fan-favorite characters in danger. The January winter premiere will address the tragic accident at Joe's Bar in a two-hour crossover that includes the Season 3 premiere of Station 19, and Grey's actress Jaicy Elliot says the episodes are not to be missed.

The actress behind surgical resident Taryn Helm told PopCulture.com the winter premiere will mark a new era for the medical drama, as showrunner Krista Vernoff unites the ABC medical drama with its firefighter-focused spinoff series more than ever before.

"I think from now on you're definitely going to want to watch both shows if you want to keep following what's going on," Elliot told PopCulture.com in a phone interview Tuesday, Dec. 10. "With Krista Vernoff now showrunning both shows, we're all subcategories of this world, this ABC-Seattle version of reality.

"We're all now working together and it's very exciting," she continued. "We love the cast at Station 19. I'm very close with a few of them. This season it's basically just double the stories and double the drama and the love and all of that. And I think that's really exciting."

Grey's Anatomy set the stage for an action-packed crossover event in January when the fall finale ended with a car crashing into the iconic Joe's Bar, with Helm, Ben Warren (Jason George), Pruitt (Miguel Sandoval), Levi (Jake Borelli) and other Grey's and Station 19 characters left in danger.

A preview for the upcoming two-hour premiere event shows the race to rescue the people trapped in the bar, with the possibility the whole building might collapse before getting the beloved characters to safety.

While Elliot stayed mum on specifics for the upcoming episodes, she revealed the cliffhanger ending was just as shocking for the cast.

"In a joking way, we know on Grey's that your time can be limited because that's kind of the MO at Grey's," Elliot said. "[However] as good as it is to be on the show, to die on the show is also iconic. So we're placing bets and we're kind of all joking about it. I think we were excited to find out and we're all pretty pleased with the results.

"I think as a fan, I can never get too much information. And I think this second part of the season is going to be very exciting for everyone," she added.

Tragedy struck the ABC medical drama once again on the heels of Helm and the other residents having a big fight with Levi Schmitt, following the reveal he was involved in Meredith's (Ellen Pompeo) firing from the hospital at the end of Season 15. Though Meredith is back at the hospital, the friendships have not yet healed.

Elliot said that it might take some time before the doctors mend fences, but the events of the crossover event will have a big impact.

"I know that for Taryn it's going to be a new beginning," Elliot teased of Helm's journey in the second half of Season 16. "She's going to go through a lot and I think she ... A lot happens to Taryn and I'm hoping that she finds a little love for herself in the process."

The Grey's Anatomy/Station 19 crossover event airs Thursday January 23 at 8 p.m. ET on ABC. The following week Station 19 will take over the 8 p.m. ET timeslot, with Grey's moving to Thursdays at 9 p.m. ET.

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'Grey's Anatomy' Actress Jaicy Elliot Teases 'Double the Drama' for 'Station 19' Crossover in Winter Premiere (Exclusive) - PopCulture.com

Greys Anatomy Will Return to Its Sexier Roots in New Time Slot – Sunriseread

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Lets speak about all of the intercourse Grays Anatomy will probably be having when it strikes out of TVs household hour come January!

In an interview with our sister web site Deadline,showrunner Krista Vernoff says she intends to ramp up the presents grownup content material starting Jan. 23 when Grays returns to its outdated Thursday-at-9 pm time slot (after spending 5 seasons at eight pm).

There are completely different guidelines for a 9 pm present than there are for an eight pm present, and we hope to reap the benefits of these guidelines, Vernoff shared. Grays was undoubtedly allowed to be a sexier present when it was on at 9 [pm]. So were excited by the change again to our [previous Thursday] time slot.

As we reported, Grays is shifting again to 9 pm to make method for the return of spinoff sequence Station 19, which is able to now lead off Thursday. As a part of ABCs midseason makeover,A Million Little Issueswill shift from 9 pm to 10 pm, the place it would stay till it finishes out its second season in late March. How to Get Away With Homicide, in the meantime, will heat the bench till April 2, when it returns with the primary of its six ultimate episodes ever.

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Greys Anatomy Will Return to Its Sexier Roots in New Time Slot - Sunriseread

Anatomy of teaching Spanish teacher wows Twitterati – The Weekend Leader

Anatomy of teaching: Spanish teacher wows Twitterati

27-Dec-2019 Madrid

Posted 24 Dec 2019

A creative method used by a teacher in Spain to make her students understand human anatomy has won her admiration from Twitter users.

Veronica Duque's husband posted on his Twitter handle on December 16 pictures of her in a body suit showing a human's internal organs and muscles. He wrote: "Very proud of this volcano of ideas that I am lucky to have as a woman. Today, she explained the human body to her students in a very original way. And the kids freaked out. Great Veronica!!!"

The post got 13.2K retweets and 66.1K likes.

One amused user posted: "You can buy, of course. My wife found it on AliExpress. East Veronica is only with internal organs and muscles. But there are all kinds ... with bones, arteries, lymphatic system ... of all kinds! So ... cheer up."

One post read: "Great. Spectacular. Sparkly. Intelligent. Didactic. Masterly. Surely students will not forget it in their life."

"And I can't put the video with the children's reactions. Wonderful," remarked another.

One user recalled Veronica was his teacher. "She was my tutor in primary school. I remember her with great affection and love. Of the best teachers I've had... I remember some of their classes better than most of the university."

One user praised her: "Excellent example of innovation and creativity... that's what it takes in the world of education to open a student's mind and interest him in the learning universe."

"I was surfing the Internet when an ad of a swimsuit popped up," Veronica, 43, told Bored Panda.

"Knowing how hard it is for kids this young to visualise the disposition of internal organs, I thought it was worth giving it a try," she was quoted by the media report.IANS

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Anatomy of teaching Spanish teacher wows Twitterati - The Weekend Leader

Anatomy of a winning streak: Interesting facts about UMS-Wrights 30-game run – AL.com

Even longtime UMS-Wright coach Terry Curtis looks back in pride with what his team has accomplished over the course of the last two years.

The Class 4A No. 1 Bulldogs (11-0) take the states longest win streak into Fridays quarterfinal matchup with Montgomery-Catholic (12-0) at Ervin S. Cooper Stadium in Mobile.

UMS has won 30 straight games dating back to 2017.

It has really been amazing, Curtis said on this weeks Prep Spotlight on WNSP-FM 105.5. Its unbelievable to watch these guys even when we are not playing our best football - - find a way to win. You look at 30, and you say, Good grief.

It is a lot of games in a row, especially when you know that after a while you are getting everyones best shot from the best teams to the worst teams every week. To keep it going like that is hard to do. Kudos to our kids. Our coaches have great plans every week. Its been fun being a long for the ride.

If the streak reaches 33 games in a few weeks, the Bulldogs would have a third straight Class 4A state trophy to bring home.

Here are some facts about UMS-Wrights 30-game win streak:

Last loss: 9-0 against St. Pauls on Nov. 3, 2017.

Win No. 1: UMS-Wright 42, Leeds 7 on Nov. 10, 2017.

Win No. 30: UMS-Wright 31, Talladega 6 on Nov. 15, 2019.

Most lopsided victory: 65-0 at Monroe County on Oct. 12, 2018.

Closest win: 21-19 over American Christian in the Class 4A quarterfinals on Nov. 23, 2018. American Christian kicker Brooks Cormiers 43-yard field goal attempt was just wide right with 19 seconds left in the game.

Most frequent opponent: Andalusia (4 times).

UMS shutouts: 10.

Games when UMS scored 40 or more points: 8.

Home record: 15-0.

Road record: 13-0.

Neutral site record: 2-0 (Tuscaloosa and Auburn).

Total points: 945 points, an average of 31.5 points a game.

Total points allowed: 196, an average of 6.5 points allowed per game.

Terry Curtis record prior to the win streak: 207-49 at UMS, 284-85 overall.

Longest previous UMS win streak under Curtis: 23 games (2002-2003).

Starting quarterbacks: Will Chapman (2017), Skipper Snypes (2018), Trey Singleton (2019).

Dennis Victory

UMS-Wright's Symon Smith tries to get past Fayette County's TreDarion Walker during the AHSAA Super 7 Class 4A championship at Bryant-Denny Stadium in Tuscaloosa, Ala., Friday, Dec. 8, 2017. (Dennis Victory/preps@al.com) Dennis Victory

Most memorable game: Its up for debate, but certainly the 21-7 victory over Fayette County in the Class 4A championship game in the snow at Bryant-Denny Stadium has to be right up there.

Average margin of victory: 25 points.

The Big 3: Senior leaders Will Breland, Symon Smith and Keyshawn Woodyard have been around for all 30 wins and have been proficient throughout. Breland, the reigning Class 4A Lineman of the Year, has 460 total tackles, including 32 for a loss, from 2017 until now. Smith has rushed for 4,718 yards and 46 TDs on 802 carries. Woodyard has caught 129 passes for 1,761 yards and 28 TDs.

Top recruits faced along the way: Daniel Foster-Allen (St. Pauls), Cam Riley (Hillcrest-Evergreen), Roger McCreary (Williamson), Robert Woodyard (Williamson), Reggie Bracy (St. Pauls), Brady Ward (St. Pauls), Deontae Lawson (Mobile Christian).

Other current win streaks of note: Fyffe (27), Mars Hill (22).

22

UMS Wright vs. Dale County

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Anatomy of a protest – The Shillong Times

Along with the rest of the country Meghalaya too protested the passage of the Citizenship Amendment Bill in the Rajya Sabha last week. In a democracy, to protest is a fundamental right; to be violent and commit arson are not. A protest may be organised by one or two groups and people who feel strongly about the issue under protest like to affiliate themselves with that group even if they are not members. However, every protest also has its share of agent provocateurs. These might enter a protest rally after carefully studying the behaviour of the group thats calling the protest. They are part of the protest just to incite violence so that the cause of the protestors is defeated. On Thursday after the Meghalaya Assembly had passed a resolution to invoke the Inner Line Permit (ILP) in Meghalaya as a deterrent to the CAA, hundreds of people on two wheelers rode past Police Bazar, vandalizing shops, beating unsuspecting passers-by and generally creating fear psychosis in the city. In fact, in the week-long protests, vandals were seen targeting certain localities and trying to set ablaze vehicles or breaking their windows. This senseless violence has been part of the culture of protest in Shillong. Hence the Government law and order machinery cannot claim to have been caught unawares.

This unprovoked violence has very pernicious effects on young people from Meghalaya, studying and working outside the state. Video clips of the violence in Police Bazar on Thursday have gone viral. These would have reached people across the country by now. They create anger and resentment against all tribal people of Meghalaya living outside. This cycle of violence will take long to break. So far no earnest efforts have been made to resolve the conflicts and heal the emotional fractures. Those in their twenties and thirties today would not be able to relate to the events of 1979 when a cycle of violence shattered the harmony between the tribals and non-tribals. The disruption in social harmony is difficult to repair. It will take an evolved kind of social engineering to repair the faultlines that are, unfortunately, not given enough time to mend. Every time there is social unrest over small or big issues the non-tribals residing here, including those whose ancestors have come here over a century ago, become soft targets. They are alienated and treated like interlopers who have no right to their living space. So much so they dont feel that sense of belongingness and stake-holdership for this city. Its time for the elders from all communities to come together and build bridges of peace and understanding.

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Anatomy of a protest - The Shillong Times

‘Musical’ Anatomy Professor At University Of Malta Has Been Making First Years Sing For Years – Lovin Malta

A former university graduate has shed some light on why Maltese students were singing a Michael Jackson song before dissecting a body at the University of Malta.

He would often do weird things, even when there were no dissections. Hes said he wanted to form a band and to make songs and teach anatomy through music. Hes known to put students on the spot and even embarrass them its just the way he teaches.

The professor is known to make his students sing with dead bodies in the room, with the singing picking up as the holiday seasons approach.

The University of Malta, as well as the medical students association, have condemned students for posting the unusual musical video onto social media, but few have questioned why the students were singing in the first place.

While it had been reported that it was to calm students nerves before dissection, a former student who has experienced the singing himself said it was just part of the eccentric teachers style.

I dont think its the worst thing in the world, but in retrospect, he should have been way smarter about it, the graduate said.

He also stated that while he could not make out the professors face in the video, he is confident it is the same lecturer unless theres someone else leading a choir in the anatomy department.

Hes also the only lecturer to get ovations after every lecture he gave, partly because he expected it, and partly because students loved him for being in your face, he said.

He would never let anyone film when the body was exposed, and he seemed to be very respectful of the bodies during the dissections, he said.However, in my opinion, it is strange that he makes everyone sing, and it just doesnt look good on video.

Lovin Malta has reached out to the lecturer for a comment but has yet to receive a response.

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'Musical' Anatomy Professor At University Of Malta Has Been Making First Years Sing For Years - Lovin Malta

Greys Anatomy Fans Are Convinced the Writers Troll Reddit for Plot Ideas – Cosmopolitan

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When youre a writer in the middle the sixteenth season of a very successful TV show like Greys Anatomy, it seems like a totally reasonable thing to forget a few plot lines here and there. Like, its been more than a decade since this thing started! But Greys fans are now convinced the writers are looking at their Subreddit for inspiration and reminders.

Heres the deal: After last weeks episode, where Zola had to go in for emergency surgery to repair the shunt in her brain, fans got what they had been posting about for a long time.

The writers DID remember that Zola had spina bifida! one Reddit user wrote on the episode discussion post after the fact.

Another chimed in, saying, Maybe they search this Subreddit for ideas, which sounds crazy, right? But then another person brought up a few other times Redditors have supposedly predicted plots or voiced a desire for certain storylines that eventually did make their way into the series.

Thats exactly what Im saying! After this episode, Im 100% convinced Krista [Vernoff, the Greys showrunner] comes here for new plot ideas! First, she broke up Jaggie [Jackson and Maggie]. Second, I feel like we have gotten more Cristina references in the past five episodes than in the past five seasons. Then finally, she remembered about Zolas spina bifida. A little late, but I guess better late than never?

I mean, theres no way the writers actually do this. Theyre paid professionals whose entire job is to come up with ideas for the show. And they plan this stuff way in advance, so Im sure that by the time it shows up on a Reddit thread, its already written and its purely a coincidence. But... it is kinda funny to imagine it happening.

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Greys Anatomy Fans Are Convinced the Writers Troll Reddit for Plot Ideas - Cosmopolitan

Anatomy of a Play: The Raiders simulated pressure package – Silver And Black Pride

Raiders defensive coordinator Paul Guenther was hyped up for his blitz packages coming into the Raiders last season. Unfortunately, the NFL caught up the double A-gap blitz scheme and it took Guenther some time to adjust. He may have just hit his stride, however. In recent weeks, the Raiders defense has put more consistent pressure on opposing QBs, racking up 12 sacks in three games, including consecutive five-sack performances against the Chargers and Bengals.

Last week, rookie DE Maxx Crosby had a well documented four sack performance. He deserves credit for an incredible individual effort, but lets take a look at the entire defense and see how an individual pass rush doesnt happen in a vacuum.

At his core, Guenther is a conservative play caller. He rarely sends five or six men on a blitz and very often, his pressure calls involve a creeper or mug blitzer. Many of Guenthers blitzes are really just four man pressures with either a DE is dropping into coverage to replace a LB, or that LB is feigning a blitz path but really has a coverage responsibility.

Maxx Crosbys first sack of the 4th quarter came during one of these simulated pressure looks. The Raiders come out in dime personnel (six defensive backs) with the five defenders who arent DBs lining up on the line of scrimmage. This look tells the QB a blitz is coming and forces the protection to adjust.

But its not a blitz, its your standard four man rush on 3rd down. LB Tahir Whitehead gives a stutter and head fake to create the illusion of a blitz, but hes really in man coverage on the RB and ready to cut off a potential scramble from a QB under duress.

Perhaps because the illusion of a blitz was created, watch how the left tackle momentarily doubles newly acquired Dion Jordan, lining up as the interior pass rusher. This is a fatal miscalculation for the blocker, who cant get his feet set by the time he engages Crosby and gets bull-rushed into the QB.

Blitz coverage in the NFL doesnt follow your standard rules and can be malleable and prone to changing from week-to-week to take advantage of a tendency or to protect against a particularly dangerous threat. The standard difference between blitz coverage and traditional coverage, however, is that defenders expect the ball to come out quick and will be more aggressive than normal.

The vast majority of Guenthers blitz coverages throughout the first half of the season came from a single-high Cover 1 shell. The underneath defenders were responsible for jumping the hot routes inside. Guenther has changed this recently, opting to blitz under 2-high safety coverage. This simulated pressure came with dime personnel, allowing for man coverage to be played across the board.

At the top of the screen, notice both Daryl Worley and Isaiah Johnson allow the WR to essentially run past them. They are both playing trail technique, which is a standard man coverage technique in a 2-Man coverage. Safety Curtis Riley is playing the deep half, which lets the defenders play the quick game and not worry about the deeper routes as much.

This coverage is why in the first clip you see Ryan Finley pat the ball and wait for his receiver to uncover. The pass rush, the blitz look, and the coverage allowed for the result of this play to be a sack. Crosby will get the credit, but from the play call to the men in coverage, this was a positive for the entire defense.

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Anatomy of a Play: The Raiders simulated pressure package - Silver And Black Pride

Hoof Anatomy A Beginners Guide The Equine Podiatry …

The horses hoof is a miracle of engineering. It contains a whole host of structures which, when healthy, operate in equilibrium with each other to form a hoof capsule which is able to withstand huge forces, utilising energy to assist with forward movement while providing protection to the sensitive structures beneath.

This is not a definitive guide, but it will allow the horse owner to understand more about this incredible structure.

This newly trimmed section of hoof gives you a good idea of what the different structures of the hoof wall and sole look like. On a white foot, the differences are much less easy to spot.

Sole

The sole is the area inside the white line, but not including the bars and frog. Its primary function is to protect the sensitive structures beneath the sole. However, the outer perimeter of sole around the toe also provides support, sharing some of the weight of the horse with the hoof wall.

White Line

Commonly referred to as the white line, although this is very misleading, not only because it is actually yellowish but also because it is next to the white inner wall of the hoof. This often causes people to misinterpret the white line as inner wall, so it is sometimes called the Golden Line more accurate description that was commonly used in the 1800s. The purpose of the Golden Line is to join the sole to the inner wall of the hoof and to seal off the border of the pedal bone to protect it from bacterial infiltration. It creates a shallow crease at the bottom of the hoof which fills with dirt, aiding with traction.

Inner Wall

The inner hoof wall is usually white (unlike the outer wall, it does not contain pigment). It is more pliable than the outer wall due to it having a higher moisture content which enables the inner wall to stretch more as the outer wall moves, ensuring the inner workings of the hoof are protected from too much shock as well as allowing the pedal bone and the outer wall to move in different ways without losing strength of attachment.

Outer Wall

The outer hoof wall is pigmented and is much stronger than the inner wall. Its purpose is to bear the weight of the horse, protect the internal structures from harm and to act like a spring, storing and releasing energy during the different phases of the stride to help propel the horse along. A healthy outer wall will be slightly thicker at the toe and have no growth rings or cracks. It will be almost impermeable, meaning water or any other things which come in contact with it will not be able to penetrate the wall. If, however, an outer wall is damaged either through injury or nutritional imbalance, substances which come into contact with it will seep through.

Bar

The bar is an extension of the hoof wall which runs along the side of the frog, terminating approximately half way along the frog. Its primary purpose is to control the movement of the back of the hoof, adding strength to the heel area and protecting it from excess distortion. It should have a high ratio of pliable inner wall to ensure it can move correctly as the heel moves. More recent research has found that the bar also produces some of the material that makes up the sole.

Angle of the Bar

Commonly known as the heel, although this description can be misleading. This area is designed to receive the initial impact of the horses stride and a healthy angle of the bar comprises mainly of pliable inner wall, enabling it to dissipate excess shock with ease. This area plays a major role in supporting the weight of the horse and it is important that it remains correctly balanced.

Collateral Groove

This is the groove that runs along either side of the frog. The outer wall of the groove is made up of the wall of the bar and sole and the wall on the other side comprises the wall of the frog.

Frog

One of the most important, but often neglected structures of the horses hoof. It should be wide and substantial and made up of thick, leathery material. An unhealthy frog is vulnerable to infection which, if left untreated, can lead to significant loss of structure in the back of the hoof causing severe lameness.

The frog works in concert with the coronet band, the bars and the sole to provide resistance to distortion of the hoof capsule during the stride. Pressure placed upon the frog directly influences the health of the digital cushion above it. The frog stay (triangular piece cut out of the sole that the frog sits in) allows independent movement at the heels as the horse lands on uneven ground. The frog also plays a part in protecting the sensitive structures beneath, providing traction, assisting circulation and absorbing shock. It also contains many nerves which enable the horse to feel what it is standing on and be aware of where its feet are in relation to the rest of its body (proprioception).

In the centre of the frog, towards the back of the foot is the central sulcus. A healthy sulcus is wide and shallow, but if the frog is weak and narrow it can become a deep crease which is a haven for bacteria and fungus.

Coronet Band

In the UK the coronet band is thought to be so called because coronet means crown. In other parts of the world the phrase Coronary band is often used coronary meaning pertaining to the heart. This is a very tough, vascular structure which sits at the top of the hoof wall. It has two very important functions. Firstly it produces the tubules of the outer hoof wall. Secondly, it is incredibly strong and acts as a band of support to add strength to the internal structures as the hoof distorts during the stride.

Periople

This is a protective covering for the area of newly formed hoof wall just below the coronet band. In the early stages, this horn material is quite soft deliberately so because it helps to prevent the coronet band becoming bruised as shock is transferred upwards through the hoof wall during the weight bearing phase of the stride. The periople covers this horn to provide protection.

There are two and a bit bones inside the hoof. The Pedal bone, the Navicular bone and the bottom part of the Short Pastern bone.

Pedal Bone

The large bone inside the hoof capsule is known as the Pedal bone or Coffin bone. Its shape provides a framework for the shape of the hoof capsule itself.

The Pedal bone provides strength and stability to the hoof and acts as a framework to hold other structures in place. It does not have a medulla (bone marrow) and has an unusually high density of tiny blood vessels running through it. Surrounding the wall of the bone is the laminae which hold the wall to the bone and produce some of the intertubular horn of the hoof wall. Underneath, the bone is covered in solar corium which produces the sole. At the back, the bone attaches to cartilage which forms a large portion of the back of the hoof . Tendons and ligaments are attached to this bone and a dense network of blood vessels run around and through it.

Navicular Bone

Navicular bone

This is another bone which is hard to visualise when viewed in cross section. It is thought to have derived its name because it is shaped like a boat.It is also known as the Distal Sesamoid bone (distal meaning furthermost from the body, sesamoid meaning embedded within a tendon). The navicular bone is not actually embedded in a tendon, but it does sit just inside the back of the pedal bone and the deep digital flexor tendon passes over it. It prevents over-articulation of the joint of the pedal bone, maintains a constant angle of insertion of the Deep Flexor Tendon into the back of the Pedal bone and allows for additional tilt within the coffin joint when navigating uneven surfaces.

Short Pastern Bone

Also known as the Middle Phalanx, the short pastern bone sits on top of the articulating joint of the pedal bone and underneath the long pastern bone. Only the bottom portion of this bone ex
tends as far as the hoof capsule.

Digital Cushion

The digital cushion sits just behind the pedal bone and above the sensitive frog. It plays a vital role in the absorption of shock. In an improperly functioning foot, the digital cushion atrophies and becomes fatty as opposed to springy, cartilaginous material, inhibiting its ability to absorb shock. The shape and health of the digital cushion will influence the angle of the Pedal Bone. Flat footed horses (ie, those whose pedal bones lie flat instead of being tilted slightly on their nose) often have severely atrophied digital cushions.

Coriums

A corium is a vascular structure which manufactures hoof horn. For instance, the solar corium will produce the sole and the frog corium produces the frog. The coronet band contains a corium which produces the tubules and intertubular horn of the hoof wall, whereas more intertubular horn is manufactured in the corium surrounding the pedal bone (also known as the dermal layer or laminae). The perioplic corium sits under the coronet band and produces the periople.

Lateral/Ungual Cartilage

The lateral cartilages are located both above and below the coronet band, extending around the front, the sides and back of the hoof. Below the coronet band they extend out over the digital cushion and attach to the back of the pedal bone. The horn producing corium of the inner hoof wall attaches to the lateral cartilages at the back of the hoof where the pedal bone does not reach. These cartilages provide resistance as the pedal bone descends during weight bearing, regulating the amount of pressure applied to the coriums. They also help to suspend the pedal bone in the correct position as well as acting as a spring, storing and releasing energy during locomotion.

The hoof is heavily supplied with blood through the two arteries which run down the back of the leg and into the foot. The pedal bone itself has an unusually high density of blood vessels within it. The photograph shows the laminae which keep the hoof wall tightly bonded to the internal structures. The blood pumping around the foot has many vital uses. It supplies nutrients to allow growth of new horn tissue, assists with damping impact shock and helps to regulate hoof temperature.

This is just a taster of what an amazing and complex structure the equine hoof is. If you would like to learn more about the anatomy of the equine hoof, and the way it functions I suggest you read the following:

Practical Guide to Lameness in Horses, Ted S Stashak, ISBN 0-683-07985-9

The Equine Distal Limb, Jean-Marie Denoix, ISBN 978-1840760019

Equine Podiatry. Andrea E Floyd, Richard A Mannesmann, ISBN: 978-0-7216-0383-4

Anatomy of the Horse, Klaus-Dieter Budras, W.O. Sack, Sabine Rck, ISBN 978-3-89993-044-3

This article has been written and kindly donated by Jayne Hunt (www.healthyhooves.co.uk). Jayne is a professional Equine Podiatrist and trainer who specialises in Equine Anatomy and Physiology, which she teaches to students studying the two year Diploma in Equine Podiatry course with Equine Podiatry Training Ltd http://www.eptrain.co.uk.

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Hoof Anatomy A Beginners Guide The Equine Podiatry ...

‘Grey’s Anatomy’: Patrick Dempsey Wants You to Forget He Was Ever ‘Mcdreamy’ – Showbiz Cheat Sheet

Patrick Dempseys tragic death onGreys Anatomywas almost five years ago, but to fans, it seems like just yesterday. Everyone loved Dempseys character,Derek Shepherd, practically a little too much for Dempsey, who was ready to move on from playing, McDreamy after 11 long seasons.

Since wrapping filming on the Shepherd years of his life, Dempsey has been looking for more in-depth character development. Lets take a look at what roles he is playing now. They are both a far cry from his days as McDreamy.

Dempsey moved on from the American market and is now working on spreading his name across Europe, where he has a chance to start over. His new project is a ten-part English-language series based on an Italian novel. The book is loosely based on the financial crisis that consumed global markets in 2008.

The former Greys Anatomy star described the project toDeadline, Its an international story and has a different perspective on the financial world to the one that were used to, usually from the American perspective.

Dempsey also said, I love being in Europe, and you want to do something different, you want to challenge yourself. You go from the guy everybody loves to the guy youre not sure about.

It sounds like Dempsey is thrilled to move on to something more complicated than Derek Shepherd.

The Italian drama premiered at Mipcom earlier this month. Dempsey was in town to rep the project in which he plays Dominic Morgan, CEO of the London office of a large U.S. bank.

Dempsey stars alongside Alessandro Borghi, who plays Massimo Ruggero, Head of Trading. Ruggero ends up involved in an intercontinental financial war that is destroying Europe. The two characters have to decide whether to be allies or enemies.

Dempsey told Deadline, I like the fact that you dont know whether hes the good guy or a bad guy, you dont know which way hes coming from, and as it progresses, youre even less sure of what hes up to.

It sounds like a fascinating series with active character development. Dempsey has undoubtedly moved on to more extraordinary things than Greys Anatomy with his acting career.

The Truth About the Harry Quebert Affair was sold and distributed in International markets in 2018. The miniseries, starring Dempsey is now available on Prime Video in the U.S.

In it, Dempsey plays an esteemed American author who is the primary suspect in a murder investigation. The miniseries is also a short ten-episodes like Devils.

Dempsey may have gotten his wish to play the romantic love interest no longer, but to us, he will always be McDreamy.

See more here:
'Grey's Anatomy': Patrick Dempsey Wants You to Forget He Was Ever 'Mcdreamy' - Showbiz Cheat Sheet

What We Know About the Future of Grey’s Anatomy & Station 19 – E! NEWS

Don't expect Grey's Anatomy to come back for season 17 with the same four episodes that were planned before production shut down.

Showrunner Krista Vernoff, who also helms Station 19, has not yet met with the writers or made plans for season 17, whenever it happens, but she could tell us one thing: some things will have to change.

Part of the Grey's finale would have dealt with the bombing at Pac-North that we saw play out on Station 19's finale tonight, and we would have seen even more references to Grey's had things gone as planned.

"We had to go into some of the episodes of Station 19 and pull some scenes and some dialogue, but not too much," Vernoff says. "It's more going to affect Grey's in the fall, like we had built to a finale that we didn't get to shoot. We didn't get to shoot he last four episodes, so for sure what we were planning to do is changing, and we want to keep some of it and some of it's going to change. We're not going to do a bombing on Station 19's finale and then do it on Grey's [next season]."

Those four episodes will likely not see the light of day as written.

"No, we can't do that. We can't just pick up with the plan that we had for the finale as the premiere. I don't think that's gonna work," she says. "I think that we have some material in the can that we want to air in some way, and I think that we will take what was going to be episode 1622 and we will keep some of the storylines, but we have to find a way to turn it into a premiere, and premieres and finales are different from, you know, random episodes. So we've got our work cut out for us."

That's the truth in more ways than one.

First of all, no one knows yet when production will be able to begin again, and ABC hasn't even announced if Station 19 would return along with Grey's or at midseason again, which would affect the stories being told on both shows.

Second, Grey's and Station 19 are both shows following the types of professions that are currently essential and on the frontlines of the pandemic.

"Let me tell you, it was already a giant puzzle, and now it's just like...this is what I'm saying. My answer to every question is, I don't know," she says. "We're gonna figure it out. We're gonna fasten our seatbelts and eat our nutritious breakfast. Figure it out somehow. But it's not an easy starting point."

Vernoff warned us at the beginning of our chat that she would not have many answers for us, as she likes to spend her usual hiatus collapsed on her sofa.

"I shut [my brain] off between seasons. I binge watch TV, I read books, I do not think about the show, which is why I've just done an hour of interviews where my answer to almost every question is I don't know."

That means she also hasn't allowed herself to think about how the shows will handle the pandemic.

"I refuse to think about work when I'm not at work," she says. "I mean, yeah, have I had that conversation with my husband over breakfast like, wow, what are we gonna do? Yes, butbetween the two shows, I've got like 20 brilliant minds to put to this. I'm not going to torture myself by myself in my living room. I would rather play my guitar. So I really don't know."

May we all aspire to live like Krista Vernoff, and hope that production can safely resume sometime soon.

Grey's Anatomy and Station 19 air on ABC.

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What We Know About the Future of Grey's Anatomy & Station 19 - E! NEWS

"Fall" TV 2020: The Full Broadcast Schedule – Hollywood Reporter

There is no traditional fall schedule for the 2020-21 broadcast season.

The novel coronavirus pandemic has changed has turned the TV industry, like so many others, on its ear. Production on scripted and unscripted series was shut down in mid-March and a path back to work remains unclear as the guilds continue to hammer out new safety protocols that would allow cameras to roll again. Only it's unclear when that is.

With that in mind, the schedules at the five broadcast networks have been the most heavily affected. Dozens of scripted series, like Grey's Anatomy and Law & Order: SVU, were shut down before wrapping work on their 2019-20 seasons and a timeline for when they can safely return to work remains up in the air. Network executives have had to make new series pickups based almost exclusively on scripts as pilot season was effectively wiped out. Schedulers at ABC, CBS, NBC, Fox and The CW have spent the past three months having a series of anxiety attacks as they tried to plan for an uncertain future while having more questions than answers.

As a result, two different scheduling patterns have emerged for whatever becomes of the 2020-21 broadcast season.

Fox and The CW used what would have been their upfront day to release a "corona-proof" schedule that relies heavily on programming that was already completed including such "gently used" programming as Spectrum's L.A.'s Finest and foreign acquisition Devils, starring Patrick Dempsey. Both networks will, in success, aim to have scripted originals back on starting in January 2021 as they hope productions can get back to work and the fight against COVID-19 improves.

ABC, CBS and NBC, meanwhile, are focused on keeping business as usual and are essentially have crossed their fingers that production can resume sooner rather than later and fan favorites like mega-hit NCIS can be back on the schedule sometime in the fourth quarter of 2020.

Executives at all three networks are cautiously optimistic that their programming will all eventually form a coherent schedule. Yet brass at ABC, NBC and CBS all believe that nothing will be ready for Premiere Week, the late September week that has traditionally launched the fall season. Instead, the expectation is that some programs will be ready sooner than others and could return on a cascading basis with comedies, dramas and unscripted fare launching anytime between September and as late as December.

Of course, a potential "second wave" of the global pandemic could force production to shut down a second time despite current greenlights from local governments including L.A.

In terms of the actual schedules, ABC is betting that unscripted series will have an easier path back to work and has sacrificed hours of scripted comedies to make way for The Bachelorette, Supermarket Sweep and more. As for the few new series that have been picked up for next season, those are largely being held for midseason to allow time to actually film a pilot. (Additional series pickups are also expected to come, pending network needs and filming considerations.)

Below is the current best-case scenario schedule for each of the networks. Premiere dates, however, are anyone's guess. (The CW's listings first feature the fall lineup followed by 2021 plan.)

(Guide: New shows in all caps. Asterisks designate new time slots.)

MONDAY

8 p.m.L.A.s Finest(Fox)Whose Line Is It Anyway / All American (The CW)The Neighborhood (CBS)Dancing With the Stars (ABC)The Voice (NBC)

8:30 p.m.Bob Hearts Abishola (CBS)

9 p.m.NEXT (Fox)Penn & Teller: Fool Us / Black Lightning (The CW)All Rise (CBS)

10 p.m.Bull (CBS)The Good Doctor (ABC)Manifest (NBC)

TUESDAY

8 p.m.Cosmos: Possible Worlds (Fox)Swamp Thing / The Flash (The CW)NCIS (CBS)The Bachelorette (ABC)The Voice (NBC)

9 p.m.FILTHY RICH (Fox)Tell Me a Story/ SUPERMAN & LOIS (The CW)FBI (CBS)This Is Us (NBC)

10 p.m.FBI: Most Wanted (CBS)BIG SKY (ABC)New Amsterdam (NBC)

WEDNESDAY

8 p.m.The Masked Singer (Fox)Devils / Riverdale (The CW)Survivor (CBS)The Goldbergs (ABC)Chicago Med (NBC)

8:30 p.m.Devils / Riverdale (The CW)Black-ish* (ABC)

9 p.m.MasterChef Junior(Fox)Coroner / Nancy Drew (The CW)The Amazing Race (CBS)The Conners* (ABC)Chicago Fire (NBC)

9:30 p.m.American Housewife (ABC)

10 p.m.SEAL Team (CBS)Chicago P.D. (NBC)Stumptown (ABC)

THURSDAY

7:30-8 p.m.Fox NFL Thursday (Fox)

8 p.m.Thursday NightFootball (Fox)Supernatural / WALKER (The CW)Young Sheldon (CBS)Station 19 (ABC)Superstore (NBC)

8:30 p.m.B POSITIVE (CBS)Brooklyn Nine-Nine (NBC)

9 p.m.The Outpost / Legacies (The CW)Mom (CBS)Grey's Anatomy (ABC)Law & Order: SVU* (NBC)

9:30 p.m.The Unicorn (CBS)

10 p.m.Evil (CBS)A Million Little Things (ABC)LAW & ORDER: ORGANIZED CRIME (NBC)

FRIDAY

8 p.m.WWEs Friday Night SmackDown (Fox)World's Funniest Animals / Penn & Teller: Fool Us (The CW)MacGyver (CBS)Shark Tank* (ABC)The Blacklist (NBC)

9 p.m.Penn and Teller: Fool Us / Whose Line Is It Anyway? (The CW)Magnum PI (CBS)20/20 (ABC)Dateline (NBC)

10 p.m.Blue Bloods

SATURDAY

7 p.m.Fox Sports Saturday (Fox)

8 p.m.Crimetime Saturday (CBS)Saturday Night Football (ABC)Dateline (NBC)

9 p.m.Crimetime Saturday (CBS)

10 p.m.48 Hours (CBS)Saturday Night Live encores(NBC)

SUNDAY

7 p.m.NFL on Fox (Fox)60 Minutes (CBS)America's Funniest Home Videos (ABC)Football Night in America (NBC)

7:30 p.m.The OT/Fox Encores (Fox)

8 p.m.The Simpsons (Fox)Masters of Illusion / Batwoman (The CW)THE EQUALIZER(CBS)SUPERMARKET SWEEP (ABC)

8:20 p.m.Sunday Night Football (NBC)

8:30 p.m.Bless the Harts (Fox)

9 p.m.Bobs Burgers (Fox)Pandora / Charmed (The CW)NCIS: Los Angeles (CBS)Who Wants to be a Millionaire* (ABC)

9:30 p.m.Family Guy (Fox)

10 p.m.NCIS: New Orleans (CBS)The Rookie (ABC)

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"Fall" TV 2020: The Full Broadcast Schedule - Hollywood Reporter

Anatomy of a world championship: How ‘tiny’ Tom Walsh shot down the giants – Stuff.co.nz

MARC HINTON

Last updated05:00, August 13 2017

REUTERS

Tom Walsh wasn't the strongest in the world champs shot put field, but he did throw the furthest legally.

It was Jake the Muss in the iconic Kiwi movie Once Were Warriors who brutally encapsulated the delicate balance between "too much weights and not enough speed work". Tom Walsh may just have taken that theory to another level with his world championships shot put triumph in London.

Walsh tipped the shot put form book on its head when he knocked over the heavily favoured American duo of Ryan Crouser and Joe Kovacs to claim his first IAAF World Championships title, and continue his groundbreaking ways.

These are good times to be Tom Walsh, a part-time builder from Christchurch (by way of Timaru) who is laying some impressive foundations as an athlete. Last year he became the first Kiwi male to win a world indoors title; then followed that up by claiming New Zealand's first men's field event Olympic medal (a bronze) in Rio; and also becoming the first bloke from these parts to claim an overall Diamond league crown.

KAI PFAFFENBACH/REUTERS

Tom Walsh throws in the men's shot put final in London.

Now with his world championship triumph early Monday (NZT) at London's Olympic stadium, Walsh has struck a further blow for blokedom, becoming the first Kiwi male to make the podium at the global event. The US$60,000 (NZ$82,000) bonus he achieved for doing so was just a delicious icing on the cake.

READ MORE*Walsh fires up over protests*Groin tear won't hold Walsh back*Walsh banks $82,000bonus

It wasn't easy for Walsh in London as he had to suck up an agonising groin tear on the eve of the event and compete through gritted teeth, and then survive multiple protests from both Crouser and Kovacs in the aftermath that left the final outcome in doubt right up until just minutes before the medal ceremony the next evening.

But the protests were all eventually thrown out and Walsh was able to limp on to the podium to receive a richly deserved gold medal that was a blow not just for the underdog, with Crouser and Kovacs owning the year's 10 biggest throws between them, but also for the comparative "little guy".

Yes, Walsh, at 1.85 metres and around 124kg is pretty damn big to be anyone's idea of small. But these things are comparative.

Crouser, a giant of a man, stands 2.03m and tips the scales around 141kg. The more compact Kovacs is still a full 10kg heavier than Walsh. They are both power men. They muscle the shot put, rather than finesse it.

Brazilian monster Darlan Romani, who was fifth in Rio last year but failed to make the final in London, nudges the scales at 140kg and is reputed to be bench-pressing 300kg in his workouts.

"There are two major ways to throw," says Walsh. "You can be strong or you can be fast. I'm not overly strong and I'm not overly big either. I'm definitely the speed and rhythm kind of guy. Most of the guys are strength kind of guys get very strong in the gym and you'll throw far.

"Yes, I am stronger than probably 99 percent of Kiwis. But in terms of world shot put I'm not overly strong.

"Put it this way, if it was a strongman contest, I'd be way out the arse-end."

But it's not. The pre-throw whirly-gig routine in the circle is as important as the actual release of the 7.2kg silver sphere. And the 25-year-old Walsh is so very good at generating the low-to-the-ground speed that then transfers into power on the throw.

For a big man, he is remarkably light on his feet, and it's an attribute he has honed into a game-changing point of difference.

Not that Crouser, whose only quality throw in London was red-flagged (thus his protest, and then re-protest), can be surprised by what played out. Back in February, when he beat Walsh twice in meets in Christchurch and Auckland by throwing over 22 metres in both, he remarked about the difference in style.

"I'm bigger and stronger than I was last year, so I'm kind of muscling it out there," he said after throwing 22.15m to win the Auckland Track Challenge. "You see Tom is lot quicker and has a lot more finesse than I do, and he's definitely in cleaner form.

"He's an unbelievable competitor, and he's one of those guys you can have a big lead on and he can throw a monster when the pressure is on. You never really beat Tom till that last throw is done."

What Walsh has also become is the most consistent performer on the shot put scene. He had five of the top six throws in London with a series of remarkable quality: 21.38m, 21.64m, 21.75m, 21.70, 21.63m and, then, saving his best for last, 22.03m.

On a day when his rivals struggled to find their best stuff at least legally the smiling Kiwi was quite simply a man apart.

Walsh puts that down to his accent on technique, timing and speed, and a strong mindset that has been a big part of the work undertaken with coach Dale Stevenson and sports psychologist John Quinn.

"Mentally I was in a really good place. I knew exactly what I needed to do and I stuck with that. Dale and John and I always talk about sticking to what's been working in training, and what has been working in training is getting out and around at the back of the circle.

"That means flowing through the back of the circle in terms of acceleration, and then a strong left side. If I've got a strong left side, all my power goes into my left side and it pops up, and that keeps me in the circle."

Remember, the best throws of both Crouser and Kovacs in London (both would have won the gold medal if legal) were red-flagged. The sport is not just about chucking tin a long way. But doing it within the rules of the game.

Walsh does a lot of mental work now. It's something he's, well, got his head around.

"When you're young, you don't think it's important. You think physical attributes are important. I bombed out at the world juniors the year Jacko (Kiwi rival Jacko Gill) won. I went from throwing 20 metres in the warmup area to throwing 18 metres in the competition arena.

"I thought, 'well, what's the reason?'. From there, it's been a long and gradual process over the last seven years to get to where I am now. My routines are very structured and I know exactly what works for me."

The burly Kiwi is also a competitor. "It was great to come in when everyone was talking about those two (Crouser and Kovacs) and do the deed. No one was talking about me, and that was good. Kiwis compete well with a chip on their shoulder.

"It's a great feeling to know we've achieved what we set out to after Rio. We said we'll probably need to throw mid-22s to win in London. I got myself into that shape, but on the day no one managed to throw that far, and I took the cake."

Yes, the sweet taste of success went to not the biggest, meanest or strongest. But the man who figured out that if you don't get the balance between speed-work and weights, there is most definitely a price to pay.

-Sunday Star Times

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Anatomy of a world championship: How 'tiny' Tom Walsh shot down the giants - Stuff.co.nz

‘Grey’s Anatomy’: Will Jo Wilson Face Jail Time for Taking Home the Baby as a Safe Haven Volunteer? – Showbiz Cheat Sheet

WhenGreys Anatomy Season 16left off for the mid-season finale, viewers watchedJo Wilson(Camilla Luddington) take home a newborn baby.Greys Anatomyrecently posted a photo of the events on Instagram spurring discussion among fans about whether Jo will face jail time. Was it legal to take the baby home as a Safe Haven Volunteer? Lets take a look.

In themid-season finaleof Greys Anatomy Season 16, Jo Wilson volunteers for the Baby Safe Haven program. She is inspired to help babies who are abandoned at fire stations like she was as a newborn.

Jo receives her first call as a volunteer and heads to the Station 19 (the spin-off show) firehouse. She holds the three-day-old baby, and she cannot imagine how someone could abandon their baby like this. Ben (Jason George) talks her through it.

However, instead of taking the baby to the hospital to give to the social worker, we find out that Jo took the baby home.

It was, in fact, too much too soon, she tells long-time friend, Link (Chris Carmack) when he shows up at her apartment. Fans are left wondering if she is going to keep the baby and if what she did is legal.

After the events of the mid-season finale wrapped up, fans have so many questions. They want to know if Jo and Alex are going to adopt this baby. Some viewers believe Jo is in danger of going to jail for taking the baby home.

Technically, she is kidnapping the child from the custody of the state of Washington when she deliberately failed to turn him into the receiving authority, wroteone Instagram user. Shes going to be in big trouble if she doesnt hand him over immediately.

Several fans agree that she could face jail time. Then there are a few viewers who believe she is still just doing her job as a Safe Haven volunteer.

[Jo] didnt kidnap the baby, argued another fan. She spoke to Ben and the others at Station 19. They definitely knew. She was panicked because of the magnitude of what she took on, as in the job to care for a baby, and [Jo] didnt tell Karen about it before doing it, but she did nothing illegal.

In 1999, an overwhelming number of infant abandonments took place, according toBaby Safe Haven. Never before in a single year had so many mothers decided that they couldnt care for their childrenand then disposed of their newborn infants in an unsafe and tragic way.

In response, a group of dedicated people worked together to create a law that would guarantee no mother ever had to secretly dispose of her newborn infant, the website continues. This law would protect the mother and assure her that she would not be prosecuted for relinquishing her baby. So long as the baby was safe and given to a responsible adult at a designated location, the mother would be free to go anonymously.

There are laws in place to protect the mothers of the infants that leave their newborns at designated safe areas.

A hospital or fire station, its employees, volunteers, and medical staff are immune from any criminal or civil liability for accepting or receiving a newborn under this section, according to theWashington Safe Haven Law.

The laws in place to protect mothers also protect those volunteers, so we can conclude that Jo will not be facing any jail time or trouble with the authorities. We will find out when Greys Anatomy returns on Jan. 23, 2020, whether she plans to follow through on adopting the baby with Alex (Justin Chambers).

Link:
'Grey's Anatomy': Will Jo Wilson Face Jail Time for Taking Home the Baby as a Safe Haven Volunteer? - Showbiz Cheat Sheet

The Anatomy Chronicles: Art, science and the body – Etownian

Photo by: Maddie Kauffmann

Anatomy, many would argue, is one of the trickiest subjects to learn.

Its hard enough to understand the split-second processes that your body undertakes to keep you alive, and its even harder when you cant visualize any of the crucial organs that carry them out.

Its a challenge of which associate professor of biology Anya Goldina is well aware. In comes the project The Anatomy Chronicles.

Each year, students in Goldinas Biology 201 and 202 Anatomy and Physiology classes are offered the opportunity to earn extra credit by making a creative piece that explains or highlights a part of the body.

This years exhibit includes poems, childrens books and cartoons, among other creations.

So why look at anatomy through a creative lens rather than its typical science-oriented one?

According to the events description, its a critical oversight to not consider how the topic lends itself to artistic endeavors.

Human Anatomy and Physiology is part of our lives. It is what allows us to innovate, achieve incredible feats of athleticism and grace, climb mountains, dive oceans, fly into space and create the works shown in this exhibit, the description said.

Its a sentiment shared by Goldinas students.

Many people try to divide the sciences and the arts, which I think is a mistake, Sophomore Casey Nathan said of the exhibit. The integration of the two subjects helps us deepen our understanding of our own bodies while providing a creative outlet for the information learned in the class.

For Nathans own project, she made a drawing of the brain completely out of word art, curving and stretching the letters of each word to represent their meaning and how they contribute to the shape of the brain.

It helps me conceptualize what the different parts of the brain look like, and Im finding it helps me remember how it all fits together too, because I remember how I tried to make all of the words sit inside the shape of the brain. I went through like 10 pieces of paper, she laughed.

The value of The Anatomy Chronicles doesnt just include the ability to combine science and art.

The exhibit, and its construction, also help students understand the course material on a different level.

It becomes easier for us to understand, not just because of the time we put into researching and creating the projects, but we get to see the systems through the eyes of our peers who break it down into parts that are easier to understand, sophomore Michaela Teague said. It also allows us the opportunity for a grade boost in a way that everyone feels like theyve really earned, she continued.

Sophomore Katlyn Harper agreed.

The most important part of this exhibit has probably honestly been just seeing everyone elses projects and seeing all new insights because of the way they structured their stories or pictures, she said.

New insights seem to be the key, especially when dealing with concepts that can sometimes feel monotonous.

It really helps all of the concepts resonate in a way that feels new and fresh. As an Occupational Therapy major, I took classes in high school in preparation for my classes here at Etown. So when I got into Anatomy this year I kind of felt like a lot of the concepts were things I had already learned, Harper said. But this project allowed me to see a lot of things I thought I knew from a new perspective.

The project isnt just valuable to Anatomy students, however.

Nathan encourages everyone to come check out the exhibit.

You dont need to be a biology, or a chemistry, or an OT major to enjoy the exhibit. Everyone should want to know whats going on in their body. And its fun! It takes an abstract concept and makes it tangible. And isnt that what learnings all about? Nathan said.

The Anatomy Chronicles will be on display in the Winters Alcove of the High Library until the end of this month.

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The Anatomy Chronicles: Art, science and the body - Etownian

How Many ‘Grey’s Anatomy’ Babies Have Been Born Since the Show Premiered? – TVInsider

The Greys Anatomy cast and crew might be prepping another baby shower: Camilla Luddington, who plays Jo Karev, announced on March 9 that she and her husband are expecting their second child.

By now, the Greys team is well-versed in writing in or writing around the cast members pregnanciesand supporting the parents on set. This is the amazing thing about Shondaland,Caterina Scorsone told People in 2017. I have the little one in the trailer with me every day, so that I can feed her every couple of hours. I go back to the trailer, and shes there. She also praised the shows unprecedented environment for working parents.

By our count, the stars and alums of Greyshave welcomed 25 kids, shown in bold below, since the shows January 2005 debut. Scroll down to meet the little ones in the extended Greys family.

The Grey of Greys Anatomy became a mother in 2009 when she and her husband, record producer Chris Ivery, welcomed daughter Stella. In 2014, she had another daughter, Sienna, via a gestational surrogate. And in 2016, she added son Eli to the mix.

Heigl and her husband, singer Josh Kelley, adopted daughtersNaleigh in 2009 andAdelaide in 2012. And in 2016, the actress gave birth to the couples son, Joshua.

Wilson was the first Greys star to add a child after the show premiered. The actress, who was already the mother of daughters Sarina and Joylin, gave birth to son Michael in 2005.

The actor and wife Jillian Dempsey had already welcomed daughter Talula by the time Greys premiered, and they added twin sons Sullivan and Darby to the family in 2007.

Dane and his ex-wife, actress Rebecca Gayheart, brought daughters Billie and Georgia into the world in 2010 and 2011, respectively.

The actress already had two childrenson Noah and daughter Taelynwith her husband, Nathan West, by the time she started playing Lexie Grey. And in 2009, the couple welcomed daughter Anniston.

Smith and her husband, cinematographer Steve Lubensky, already had daughter Fanny by the time she joined the ABC medical drama. And in 2008, the couple adopted their daughter Lucy from Ethiopia.

McKidd joined Greys as a father of two: daughter Iona and son Joseph, his kids with ex-wife Jane Parker. He and his second wife, chef Arielle Goldrath, welcomed son Aiden in 2018 and daughter Nava the following year.

Capshaw and her husband, Christopher Gavigan, welcomed son Luke before her Greys tenure. But they added three daughters while she was a star on the show: Evein 2010, Poppy in 2012, andJosephine in 2016.

Both of Drews children were born during her time playing April Kepner. She and her husband, lecturer Peter Lanfer, brought son Micah and daughter Hannah into the world in 2012 and 2014, respectively.

Williams has two children with ex Aryn Drake-Lee: daughter Sadie, born in 2013, and son Maceo, born in 2015.

Luddington, currently pregnant, welcomed daughter Hayden in 2017 alongside her now-husband, actor Matthew Alan.

Scorsone, whos married to musician Rob Giles, gave birth to the couples first child, daughter Eliza, during her time on Greys spin-off Private Practice. After bringing Amelia Shepherd to the mothership show, the actress added two more daughters to the fam: Paloma in 2016 and Arwen in 2019.

Grey's Anatomy, Thursdays, 9/8c, ABC

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How Many 'Grey's Anatomy' Babies Have Been Born Since the Show Premiered? - TVInsider

Anatomy of a Sale: ‘DISRUPTORS’ w/Sara Nestor of Verve (Part 2) (Exclusive) – The Tracking Board

The Tracking Board, in partnership with The Script Lab, is excited to present a new episode of ANATOMY OF A SALE.

For the season finale of Anatomy of a Sale, Sara Nestor of Verve returns to showcase the electrically charged pitch sale DISRUPTORS from Susan Fowler & Allison Schroeder. The project is currently in development at Lionsgate with Good Universe and Burr! Productions producing. The pitch was based on Susans February 2017 article reflecting on the sexual harassment she faced while working at Uber, which led to the ousting of its CEO Travis Kalanick, set Silicon Valley ablaze, and helped set the stage for a revolution. Susan would go on to be one of the five women featured on the cover of TIME Magazines Person of the Year issue for 2017, representing The Silence Breakers.

Sara takes us through the release and discovery of the article in a pre-#MeToo world, what her place was as an agent in helping guide and protect Susan, the delicacy required to find the right fit for a project of this magnitude in both the film and book spaces, and how to deal with what was looming on the horizon the Harvey Weinstein scandal.

Sara Nestor is an Agent at Verve Talent and Literary Agency. She was home grown at Verve, starting in the mailroom and working her way up to the Agent ranks on Verves Motion Picture Literary team. In her tenure at Verve, Sara has had the great pleasure of working with such multitalented, influential creators as author / journalist / whistleblower / activist Susan Fowler; two time Oscar-Winning screenwriter and producer Brian Currie; NYTimes Bestselling author / screenwriter / director / journalist Nick Bilton (Vanity Fair); screenwriter / author / director / podcaster / icon John August; and the award-winning screenwriter and producer Meredith Stiehm.

Be sure to check out Saras previous Anatomy of a Sale by clicking here.

Anatomy of a Sale centers on the story behind the story, as in each episode well hear from the industrys top executives, representatives and writers chronicling their journey from the birth of a script to its eventual success. Youll learn about the struggles of taking a project to market, the painstaking hours that go into breaking the narrative, the ups and downs of industry reception, and much more. So sit back, relax, and study the inner-workings of the Anatomy of a Sale.

This episode is produced by Emily Dell and edited by Rob Schultz. For more video content, head over to TSL 360: The #1 Screenwriting Education Video Library. Be sure to stay up to date on Sara Nestor and all spec and sale related news by subscribing now.

Check Out More Episodes of Anatomy of a Sale by following the links below!

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Anatomy of a Sale: 'DISRUPTORS' w/Sara Nestor of Verve (Part 2) (Exclusive) - The Tracking Board

Anatomy of a Suicide: Stress and the Human Condition – James Moore

I remember saying to my therapist that I must be doing something wrong. Life felt so hard. Why was I struggling so much? I would have given anything to fit in with the favored crowd the commendable, worthwhile, socially entitled, who wear success like a loose garment, bedecked with grace and ease. Why couldnt I just follow my dreams and the latest instructions from Oprah, Dr. Phil or Martha Stewart Living and pull prosperity casually, effortlessly out of my trendy, warm, chunky, soft-stretch, cable-knit beanie? (Like they presumably did.)

Wasnt that the point of popular media, celebrity talk shows, and mainstream self-help?

For everyone in the know, this kind of flow is regarded as manifest destiny. For the rest of us, there are coping skills. Either way, respectable people do not lose their shit, not for a moment and certainly not for years or decades at a time.

A hard lesson for me to get in my suicidal journey was that my body was having none of this. I kept pointing to the beautiful tri-fold brochure that the culture said my life was supposed to look like. It was such a great message:

Bountiful living is free for the taking. Personalities, careers, and relationships can all look fabulous. All they need is a bit of shaping, conditioning, and polishing. My existence can be as readily manicured as cuticles and nails.

But my body kept pointing out my real experience. Incontrovertibly, the two didnt match.

I did everything I could to get myself on board. I tried drugs, self-talk, journaling, yoga, mindfulness, all kinds of therapy and a zillion self-help strategies. Try as I might, my body refused to cooperate. The more I tried to convince her what was good for us, the more she dug in her heels. I would use the most esteemed positive self-talk. She would fart, burp, and break out in impetigo.

So I tried to up my ante. I prodded her, cajoled, manipulated, offered or withheld praise and treats, resorted to shame, blame and outright cruelty. Nothing worked.

In fact, it backfired. At some point, my body just got too upset. She started doing her own thing, whenever, wherever and however she felt like. No matter that my career, housing or finances would be ruined. Some imperceptible line had been crossed, and she slipped out of my reach. On those rare occasions that I could get a rise out of her, she refused to focus or calm down. Try as I might, I couldnt bring her back.

That was my state three years ago, when I thought I would toss in the towel. It wasnt my first visit to this realm, but it was probably the scariest and darkest.

Weve come a long way since then, my body and me. Its taken considerable study, reflection, and experience to give my body some credit. I now believe my body was a lot wiser than I suspected. I wish I had listened and started taking what she was trying to tell me seriously a lot sooner. I might not have had to sink so deep or stoop so low in so many areas of my life if only I had.

My body doesnt speak English. She speaks feelings. When shes upset with me or my life, the language she speaks is stress.

1. Stress is a natural response to threat and overwhelm

The human body has a surprisingly similar set of responses to a broad array of stressors. (Sapolsky, 2004, p. 8.) The same basic templates appear to be hard-wired in all of us a sort of instinctive pre-programming for when life gets too threatening or overwhelming. Thus, when certain thresholds are reached, corresponding survival defenses (mediated by the stress response) predictably emerge.

2. The stress response tells me what I care about

Like most modern humans, its not just physical survival that Im concerned with. I want to survive socially, emotionally, and economically too (among other things). As a result, I dont just activate the stress response when Im being chased by a tiger. The range of concerns is much broader than that. According to Robert Sapolsky (2004), professor of biology and neurology at Stanford University and world-renowned stress researcher:

We activate the stress-response in anticipation of challenges, and typically those challenges are the purely psychological and social tumult that would make no sense to a zebra. (p. 9)

Stress is how my body tells me something matters. It may be tangible or intangible, physical or psychological, material or spiritual, cognitive or behavioral, personal or social, passive or active Any or all of this (and more) can activate the stress response and its corresponding mental and physical impacts. Again heres Sapolsky (2004) describing the stress response:

There is now an extraordinary amount of physiological, biochemical, and molecular information available as to how all sorts of intangibles in our lives can affect very real bodily events. These intangibles can include emotional turmoil, psychological characteristics, our position in society, and how our society treats people of that position. And they can influence medical issues such as whether cholesterol gums up our blood vessels or is safely cleared from the circulation, whether our fat cells stop listening to insulin and plunge us into diabetes, whether neurons in our brain will survive five minutes without oxygen during a cardiac arrest. (p. 5)

Thus, the stress response is every bit as complex and multi-dimensional as I am.

4. Stress is about protecting my future

Something does not have to be happening now to stress me out. As a survival strategy, the stress response is always trying to get a head start on trouble. Thus, my stress response thoughtfully alerts me whenever Im afraidsomethingcouldhappen:

[T]he stress-response can be mobilized not only in response to physical or psychological insults, but also in expectation of them. It is this generality of the stress-response that is the most surprisinga physiological system activated not only by all sorts of physical disasters but by just thinking about them as well. (p. 7)

In other words, I dont just stress about things that threaten my present survival. Continual uncertainty about future survival will do me in too.

Thats the normal human body.

Im not saying anything new or radical here. Im just stating the facts of life about the body I was born with. No chemical imbalance, pre-existing trauma, or genetic defects required. Just my human body, as engineered by evolution, operated according to the instructions encoded in normal human DNA.

In my own experience, wanting to die is a logical consequence of mounting physical and mental distress. The more overwhelmed I become, the less I am able to function and, as a result, the physical, emotional, and practical fallout progressively rises. Ultimately, this reaches intolerable, seemingly hopeless levels that lead me to want to end my life. Heres a diagram from the first piece in this series (The Sisyphus Cycle: How everyday stress leads to suicide), if you want a quick review:

Thats all good and well, but no sane person is going to give up something as precious as their life for something trivial. So obviously a stress model of suicide requires a lot of stress. Where does all that stress come from?

The question was particularly troubling for me, given that for most of my life Ive had it easy. My father was a pediatrician. My mother was a kindergarten teacher and stay-at-home mom. They both wanted kids and loved us dearly. They were hard-working, responsible, active in schools and community service. They attended all my athletic events, exposed me to culture, planned interesting and enriching family vacations. They paid for my college education and a significant chunk of graduate school. Time and again, they sacrificed their own needs to make sure my brother, sister and I had every advantage they could afford. In short, they were amazing role models as well as devoted, conscientious parents.

So why was I breaking down?

In my first couple decades of mental health treatment (late teens, twenties, early thirties), the providers I saw honed
in on my family of origin. We spent countless sessions examining every possible way they could have been insensitive, overly sensitive, under-protective, over-protective. Obviously something had to have gone wrong.

During that time, I did a lot of blaming and shaming of anyone who affected my path. In retrospect, it is painful to see how desperate I was to find some excuse for the mess I had become and was making of my life.

Finally, in my late thirties, I gave in and accepted the mental illness diagnosis. Over the next decade, there were various and sundry incarnations, twelve DSM labels in all, for which I tried over 20 different drugs and many flavors of therapy.

Sadly, but not uncommonly, my downward progression was continual. By my late forties, I was ready to give myself up for lost and accept my chronic fate. I left practice as a therapist and owned my status as a peer. My decline continued from there, quite possibly because I finally had permission to act as lousy as I felt.

Somewhere along the way, however, the nickel started to drop. Peer status allowed me to have a lot of honest conversations (with both myself and others) that frankly I never could have had as a therapist. As a practicing professional, there simply was too much at stake on both sides of the couch (mandatory reporting, keeping up appearances, boundaries).

In the peer community, however, I discovered two important things:

Since most of us were getting little relief from the mental health system, I started wondering what happened to bodies in chronic stress. This led me to study the stress response, where I started making connections. Eventually, with a bit of popular science reading on stress physiology and some rudimentary self-observation, I began to make sense of my own mind and body, and how I was responding in the modern world.

The long and the short of it is that I no longer see myself as mentally ill. I also no longer need to jump out of my skin from chronic discomfort, regret for my past and fear for my future. What I think Im up against is the human condition. The stress response is part of that. Like all things human, the stress response is mixed. In the right circumstances, it is a life-saving, life-enriching gift. In the wrong ones, it is a curse that can make my life a living hell.

My hope here is to shed light on how the latter happens and why, for me, it took a suicidal turn. In doing do, Ill focus on two purely human common denominators:

Ill explain how, for me, these two entirely normal factors can interact and feed on each other. Ill share how I believe this turned my essentially normal human body into an instrument of torture to the point where it seemed like ending my life was the only reasonable way out. No mental illness, extreme childhood trauma, bad chemistry or genes required. Just the garden variety human condition that all of us are up against every single day.

Before I go further here, however, I need to deal with a sensitive issue. In the process of writing this piece, I became acutely aware of an unpleasant social fact. In reality, all stress isnt equal. Moreover, some stressors arent normal. Painfully, there are social misuses and abuses of power that create life-threatening levels of trauma for far too many of us in the modern world. The next piece in this series will address these unnatural stressors. Discussed there will be the devastating kinds of social dynamics where someone puts their thumb on the scale in massively predatory ways. It is there, perhaps above all else, that absent active intervention by others of conscience, the rational instinct to suicide becomes abundantly, tragically clear.

But that is then, and this is now. So up next:

In my own experience, there is a lot going on, outside my control, that has to be reckoned with physically and mentally in this human endeavor of life on earth. Evolution itself tells me how precious, vulnerable, and precarious my existence on this planet actually is.

To be born in the first place, nature ordained a nine-month, specially-designed, comfort-padded, form-fitted, super-insulated, dynamically-adjusted, around-the-clock vigilantly-guarded period of incubation. Highly recommended, after leaving this refuge, are several more years of intensive care, nurturing, and schooling. Most commonly, this is offered by experienced intimates (called parents) who have already survived to maturity in my relevant environment.

In modern society, such mentoring is not only physical but also economic, emotional, intellectual, social, cultural, and spiritual. A logical implication of the need for such extensive care is that the human maturation process is complicated and labor-intensive for all concerned. A lot can and does go wrong.

But even if it all goes remarkably well, from the moment I am born there are a couple of grim realities:

This is the human condition.

Here is just a sampling of the kind of thing Im talking about:

In addition to the inherent conditions of existence, there is a boatload of expected stuff that no one else can do for me. Included in this are developmental mile markers, established for the culture I live in, as indicators of good and responsible living. Achieving these mile markers invariably requires some level of mastery on my part both internal and environmental.

No matter how much others want to help me, in the end, it is up to me. I have to figure out, on my own, how to get the mind and body I was born with to comport with some accepted variant of the cultural ideal. If I fall short, then I fail to meet the cultural standard for full membership and perhaps even for full humanity. Even if I can hide my shortcomings, that doesnt protect me from the pain. Everyone knows the standards, including me. I still know Im failing even if you dont.

On some level, Im aware that my most basic survival needs cant really be protected. Disaster happens, both environmentally and socially. Its the stuff that newspapers and bestsellers are full of. This awareness is hanging over me all the time. Even if I dont experience this kind of tragedy directly, social learning ensures that I register what happens to others when tragedy strikes them.

Im not saying everything is bad out there. But its clearly not all good either. Below are just a few examples of stuff thats on my radar. Some of it I live with daily, other things affect people I know and love. Still other things I watch from a comfortable distance grateful, for now, that it isnt happening to anyone I know

On top of all this, here comes the real kicker: No one actually has the answers.

Yeah, there are a lot of theories and philosophies. There is a lot of practical, social, and spiritual wisdom. Clearly, some approaches hold more promise than others. At the same time, on a concrete, measurable, scientific level, no one really knows. As a whole, for the human race, we still have more questions than answers about the stuff that really matters.

When I think about it, thats quite a list. And this is just the normal stress that everyone has to deal with. No childhood trauma, natural disasters, freak accidents, or untimely misfortunes.

The point is, theres a lot to figure out. I am born into a world with few if any certainties. There is a lot going on mentally, physically, socially, environmentally, existentially that I have to reckon with. There are a lot of ways to get lost or trip up.

As a result, the probability is high that at some point I am going to get stuck. Somehow, some way, I am going to meet my match in life. A particular challenge is going to lodge itself squarely into the heart of my vulnerability and stop me cold. I will fail to achieve something important to me, or I will lose something or someone I feel like I cant live without. The more I care, the more vulnerable I am. But, in the end, its more likely a matter of when, not if.

To appreciate what happens next, it helps a lot to understand the Defense Cascade. I wrote about this e
xtensively in a piece called Traumatic Immobility: Depression as a Stress Response. For the purposes of todays discussion, the essentials are this:

The Defense Cascade is a survival framework that evolutionary researchers are exploring as an explanation for extreme states that many people experience. It outlines the progression of defensive strategies that human beings in distress tend to draw on as levels of threat and overwhelm increase (Shauer & Elbert, 2010). Most people have heard about these defenses and think of them in terms of Fight/ Flight/Freeze. But trauma researchers are now developing a more sophisticated model, called the Defense Cascade (graphic below).

To explain how these above defenses map onto suicide, Im going to make my own chart:

There are three basic levels:

A simple way to understand how stress affects me is like a car. Like putting my foot on the Gas Pedal, stress triggers the sympathetic system (Action Central), which responds by rapidly delivering power to the movement centers of my body (muscles, arms, legs). This allows me to amp up quickly, cover a lot of territory, and exert control over my environment in ways that I think will serve my interests.

This is what happens in Level 1. Essentially, Im surprised, afraid, or excited, and the Gas turns on. After a brief pause to assess options (Attend/ Freeze), the active defenses (Fight/ Flight) kick into gear. At manageable levels of stress, the active defenses are largely adaptive. I notice an issue, examine my options, dodge what I can, face what I have to. Eventually, I escape or win.

HA!! Problem solved. Another notch in the belt.

But what if Im in over my head? Ive run my fastest, fought my hardest, but still cant escape. Im out of ideas, energy, and options. Nothing I know how to do is working. I have no idea how I got here and not a clue how to fix it.

If the active defenses fail me, I proceed to Level 2 (Fright). This is a transitional stage that can go either way.

In these desperate circumstances, my body resorts to a desperate ploy. It slams on the Brake while the Gas is still blaring. This drops my heart rate and blood pressure to the floor and freezes me in my tracks. This Fright response buys me time when Ive already played my best hand, and I dont know what to do next.

The cost to me mentally and physically, however, is enormous. Because Im scared, the Gas Pedal keeps revving my muscles full bore. But because of the Brake, I feel totally stuck. No matter how much I want to, I cant get myself going. Every little movement takes tremendous effort.

The effect is torturous. I literally want to jump out of my skin. But Im trapped in discomfort, fully aware, unable to movewith nothing to do but watch myself burn myself out working against myself.

However counter-productive this seems, it serves an important survival function. The Brake helps me stay put for safety purposes, even when Im raring to go. To pick up on my car analogy, the Brake is what keeps me from blowing through a stoplight that I urgently wish wasnt red.

If I were a rabbit in the wild, Fright might save my life. Its basically the play-dead response that convinces the fox to put me down and go get a drink of water before making a meal of me. The moment the fox is out of sight, the Brake lifts. I Gas it out of there full bore back to my hole.

If I live in a socially responsive, community-oriented world, Fright has major advantages too. Instead of running around wreaking havoc in a terrified, agitated state, Fright basically holds me harmless when Im out of my league. My people find me, notice something is wrong, go to get help. They care about me enough to listen to what is wrong. Its hard to communicate at first and comes out pretty jumbled. But they stay with me and eventually we make sense of the threat together. We all learn something as a community about scary stuff we could be up against. Then everyone puts their heads together. We have the best of our collective knowledge at our disposal. We all learn from this and from each other. This raises everyones understanding and awareness and helps me to find a way out too.

In the process, we all get the lovely hormonal benefits of the Tend and Befriend response. Dopamine boosts our motivation and sense of purpose as we work together toward a shared goal. Oxytocin builds our sense of connection and belonging. It strengthens the bonds between us as we walk each other to safety.

Sadly, these days, that is probably not what happens. More likely, I am siloed off to treatment, where I am given antidepressant drugs and a class on coping skillsand then sent back to fight the same old battle I was losing before.

If that happens, theres a good chance I get worse instead of better. That only stands to reason since my real problem (troubling real-life circumstances/ stress) is not being addressed. Plus, energy and resources are being siphoned off to deal with a new problem (mental illness) that I dont actually have.

This explains why for me, all too often, seeking mental health treatment is counterproductive. I come away with fewer resources, not more, to deal with the real-life issues that I went (or was sent) to get professional help with. Tragically, if Im already at Level 2 when this happens, I dont have any energy or resources to spare. The added weight of treatment pulls me under instead of pulling me out.

So I proceed to Level 3.

At Level 3 (Flag/Faint), its really clear Im going to lose. Im out of energy and options. Theres nothing left to do but give up. In Flag, Im still aware enough to make a conscious surrender. Its like sitting in my car with the engine running, waiting for the traffic cop to decide my fate. Faint is the literal loss of consciousness. Either I ran out of Gas or someone switched off the ignition.

The lesson from Flag and Faint is that the stress response is tremendously powerful. At extreme levels of stress, people can literally lose consciousness because their brains cant get enough energy to function.

Chronic stress adds insult to injury. The experience, for me, is like a giant sucking sound. It actually feels like my life energy is hemorrhaging as if theres a hole in my being that is being extracted by some nefarious cosmic force.

It took me a long time to realize how close to true this actually is. Stress puts me in a continual high idle and makes it hard to turn that off. From a survival standpoint, theres a good reason for this. If Im in the wild or at war with the Huns, I dont want to let down my guard until I know the danger has passed.

The problem with the Gas Pedal system, however, is that it is only optimal for life-and-death physical challenges that can be expected to be over in about 30 to 60 minutes. After that, my body starts to break down (Sapolsky, 2004, pp. 83-86). You can begin to imagine the toll this takes when a major life problem has no fast or clear resolution.

To really drive this point home, I need to paint the picture in full relief. My Gas Pedal system basically runs on borrowed energy. Like an evil banker, it withdraws massive amounts of energy from the shared pool that benefits my whole body and selectively diverts it to a privileged few. Effectively, it shuts down appetite and digestion, detoxification, immune functioning, and my basic capacity to rest, repair, and replenish myself. It revs up my muscles, putting them on continual hair-trigger alert, making me edgy, tense, and constitutionally incapable of feeling comfortable in my own skin. It rivets my attention on the stuff thats scaring me, rendering me unable to focus on anything else. It leaves the part of my brain (pre-frontal cortex) that is capable of rational, creative, collaborative thinking totally under-resourced. That puts me at the mercy of habitual patterns (like addiction) and impulsive reactions (like hiding, running, or fighting). The game it plays thanks to the effects of hormones like adrenalin is all about power and control. Zero-sum, all-none. Win
ners, losers. My neck or yours.

Its the perfect storm, really. With higher-order thinking almost totally offline, Im pushed relentlessly for resolution. Somewhere deep inside me, the message is unmistakably clear:

Something is urgently wrong. Someone or something is going to go down. Quite possibly it will be me. Go, go, go, go.

This raises a really important question. If digestion is off (among other things), how does the Gas Pedal system keep going for years on end? Where does the energy come from?

Basically, two places:

In other words, the Gas Pedal system is a cannibal. The reason I feel like Im being stalked and preyed upon is because I am.

The Gas Pedal system is sucking the life out of me in order to fuel itself.

It is literally eating me alive from the inside out.

As you might imagine, the physical, mental, and moral depletion that results from trying to operate this way long-term can make it all but impossible to function. I miss things, lose time, or sleep 18 hours at a stretch. I start to boil water, forget about it, come back to a pot in flames. It is nearly impossible to concentrate or track reality, so I basically give up trying. There are months on end of just sitting around, praying that God will fix or kill me.

If nothing changes, nothing changes. Absent active, effective intervention targeted to reversing stress, I tend to get stuck here. Under the influence of the Gas Pedal system, my physical and mental functioning progressively deteriorate. Bodily maintenance, repairs, and higher-order thinking stay mostly offline. As time goes on, mistakes are made, opportunities are missed, and resources diminish accordingly.

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Anatomy of a Suicide: Stress and the Human Condition - James Moore