Arizona Returned to ‘Grey’s Anatomy,’ But Did She Mention Callie? – Henry Herald

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Arizona Returned to 'Grey's Anatomy,' But Did She Mention Callie? - Henry Herald

25 years and beyond, Arturia has something new to show tomorrow – Synth Anatomy

SYNTH ANATOMY uses affiliation & partner programs (big red buttons) to finance a part of the activity. If you use these, you support the website. Thanks!

25 years and beyond: Arturia invites you to a live stream tomorrow, where something new will be unveiled to celebrate its 25th birthday

All the best, Arturia. The French company from Grenoble is celebrating its 25th birthday this year. The foundation stone was laid in 1999. It started with VST plugins that emulate analog synths like the Mini V and Moog Modular. In 2007, they moved to hardware for the first time with the Analog Factory.

Two years later, they released their first synth, the Origin. Today, 15 years later, the former only software company has matured and is a company that creates best-seller hardware and software like the MicroFreak, MiniFreak, or the V Collection/FX Collection. The journey is far from over. It continues tomorrow.

Arturia invites you to a live stream/keynote tomorrow, where something new will be revealed. Well see what it is tomorrow. In the teaser, we see an astronaut floating.

In recent years, a lot of Arturia hardware as well as software has been released. The focus was on the integration of hardware with software. Especially, hybrid concepts like the MiniFreak, which is available as a hardware and software synth.

Well see tomorrow whether they continue on this or go entirely new paths.They write:

25 years, and beyond. A new era awaits, and youre invited to witness its dawn. Step into the future with #Arturia as we go beyond in this exclusive #livestream event.

The 25 years and beyond Arturia live stream will be tomorrow April 9, 2024 6PM CEST.

More information here: Arturia

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25 years and beyond, Arturia has something new to show tomorrow - Synth Anatomy

What to Expect When Arizona Robbins Returns to ‘Grey’s Anatomy’ – Gwinnettdailypost.com

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Country United States of America US Virgin Islands United States Minor Outlying Islands Canada Mexico, United Mexican States Bahamas, Commonwealth of the Cuba, Republic of Dominican Republic Haiti, Republic of Jamaica Afghanistan Albania, People's Socialist Republic of Algeria, People's Democratic Republic of American Samoa Andorra, Principality of Angola, Republic of Anguilla Antarctica (the territory South of 60 deg S) Antigua and Barbuda Argentina, Argentine Republic Armenia Aruba Australia, Commonwealth of Austria, Republic of Azerbaijan, Republic of Bahrain, Kingdom of Bangladesh, People's Republic of Barbados Belarus Belgium, Kingdom of Belize Benin, People's Republic of Bermuda Bhutan, Kingdom of Bolivia, Republic of Bosnia and Herzegovina Botswana, Republic of Bouvet Island (Bouvetoya) Brazil, Federative Republic of British Indian Ocean Territory (Chagos Archipelago) British Virgin Islands Brunei Darussalam Bulgaria, People's Republic of Burkina Faso Burundi, Republic of Cambodia, Kingdom of Cameroon, United Republic of Cape Verde, Republic of Cayman Islands Central African Republic Chad, Republic of Chile, Republic of China, People's Republic of Christmas Island Cocos (Keeling) Islands Colombia, Republic of Comoros, Union of the Congo, Democratic Republic of Congo, People's Republic of Cook Islands Costa Rica, Republic of Cote D'Ivoire, Ivory Coast, Republic of the Cyprus, Republic of Czech Republic Denmark, Kingdom of Djibouti, Republic of Dominica, Commonwealth of Ecuador, Republic of Egypt, Arab Republic of El Salvador, Republic of Equatorial Guinea, Republic of Eritrea Estonia Ethiopia Faeroe Islands Falkland Islands (Malvinas) Fiji, Republic of the Fiji Islands Finland, Republic of France, French Republic French Guiana French Polynesia French Southern Territories Gabon, Gabonese Republic Gambia, Republic of the Georgia Germany Ghana, Republic of Gibraltar Greece, Hellenic Republic Greenland Grenada Guadaloupe Guam Guatemala, Republic of Guinea, Revolutionary People's Rep'c of Guinea-Bissau, Republic of Guyana, Republic of Heard and McDonald Islands Holy See (Vatican City State) Honduras, Republic of Hong Kong, Special Administrative Region of China Hrvatska (Croatia) Hungary, Hungarian People's Republic Iceland, Republic of India, Republic of Indonesia, Republic of Iran, Islamic Republic of Iraq, Republic of Ireland Israel, State of Italy, Italian Republic Japan Jordan, Hashemite Kingdom of Kazakhstan, Republic of Kenya, Republic of Kiribati, Republic of Korea, Democratic People's Republic of Korea, Republic of Kuwait, State of Kyrgyz Republic Lao People's Democratic Republic Latvia Lebanon, Lebanese Republic Lesotho, Kingdom of Liberia, Republic of Libyan Arab Jamahiriya Liechtenstein, Principality of Lithuania Luxembourg, Grand Duchy of Macao, Special Administrative Region of China Macedonia, the former Yugoslav Republic of Madagascar, Republic of Malawi, Republic of Malaysia Maldives, Republic of Mali, Republic of Malta, Republic of Marshall Islands Martinique Mauritania, Islamic Republic of
Mauritius Mayotte Micronesia, Federated States of Moldova, Republic of Monaco, Principality of Mongolia, Mongolian People's Republic Montserrat Morocco, Kingdom of Mozambique, People's Republic of Myanmar Namibia Nauru, Republic of Nepal, Kingdom of Netherlands Antilles Netherlands, Kingdom of the New Caledonia New Zealand Nicaragua, Republic of Niger, Republic of the Nigeria, Federal Republic of Niue, Republic of Norfolk Island Northern Mariana Islands Norway, Kingdom of Oman, Sultanate of Pakistan, Islamic Republic of Palau Palestinian Territory, Occupied Panama, Republic of Papua New Guinea Paraguay, Republic of Peru, Republic of Philippines, Republic of the Pitcairn Island Poland, Polish People's Republic Portugal, Portuguese Republic Puerto Rico Qatar, State of Reunion Romania, Socialist Republic of Russian Federation Rwanda, Rwandese Republic Samoa, Independent State of San Marino, Republic of Sao Tome and Principe, Democratic Republic of Saudi Arabia, Kingdom of Senegal, Republic of Serbia and Montenegro Seychelles, Republic of Sierra Leone, Republic of Singapore, Republic of Slovakia (Slovak Republic) Slovenia Solomon Islands Somalia, Somali Republic South Africa, Republic of South Georgia and the South Sandwich Islands Spain, Spanish State Sri Lanka, Democratic Socialist Republic of St. Helena St. Kitts and Nevis St. Lucia St. Pierre and Miquelon St. Vincent and the Grenadines Sudan, Democratic Republic of the Suriname, Republic of Svalbard & Jan Mayen Islands Swaziland, Kingdom of Sweden, Kingdom of Switzerland, Swiss Confederation Syrian Arab Republic Taiwan, Province of China Tajikistan Tanzania, United Republic of Thailand, Kingdom of Timor-Leste, Democratic Republic of Togo, Togolese Republic Tokelau (Tokelau Islands) Tonga, Kingdom of Trinidad and Tobago, Republic of Tunisia, Republic of Turkey, Republic of Turkmenistan Turks and Caicos Islands Tuvalu Uganda, Republic of Ukraine United Arab Emirates United Kingdom of Great Britain & N. Ireland Uruguay, Eastern Republic of Uzbekistan Vanuatu Venezuela, Bolivarian Republic of Viet Nam, Socialist Republic of Wallis and Futuna Islands Western Sahara Yemen Zambia, Republic of Zimbabwe

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Why Anatomy Of A Fall Is Rated R – Screen Rant

Summary

This article contains discussion of suicide

As one of the breakout movies of 2023, Anatomy of a Fall has attracted popular international attention, yet its appeal is arguably limited by its R-rating. A legal thriller centered around the excavation of complex interpersonal relationships, most of the movie's action takes place in the typically reserved atmosphere of a courtroom. Nevertheless, throughout its 150-minute runtime, Anatomy of a Fall does more than enough to earn its R-rating a categorization that actually enhances rather than diminishes the onscreen drama.

Starring an Oscar-nominated Sandra Hller in the lead role, Anatomy of a Fall is ostensibly a murder mystery that is much more interested in the moral ambiguity around the justice system than in providing a concrete answer to the case. Hller plays Sandra Voyter, a writer whose world is turned upside down when her husband's body is found outside their isolated French cabin. Sandra soon faces an uphill struggle to prove her innocence both to the court and to her young son, Daniel. While it may have been possible to tell this story without an R-rating, Anatomy of a Fall is uncompromising in its portrayal of the action.

Anatomy of a Fall's official MPAA R-rating has been assigned for some language, sexual references, and violent images. While these warnings in isolation would be enough to warrant more restricted viewing, their application within the movie makes them even more "R-rated" than they would be in other contexts. For example, the movie shows Sebastian's body falling out of the window on several occasions, as well as its violent impact. There is also a scene where police attempt to reenact the fall with upsetting realism, further proving the film's unsuitability for younger viewers.

Beyond the violence, which also includes several bloody close-ups of Sebastian's body, Anatomy of a Fall also uses harsh language to indicate the stress felt by certain characters notably in the kitchen argument sequence. There's also the fact that the movie is deliberately adult in its intent. Despite starring 15-year-old Milo Machado-Graner as Daniel, Anatomy of a Fall revolves around weighty themes like loss, violence, and depression with the adult relationship between Sandra and Sebastian a primary concern. As such, the movie's R-rating is more than justified.

While an R-rating can sometimes limit a film's appeal, in Anatomy of a Fall's case, it is absolutely necessary for success. The key to the movie's power is the contrast between closeted, toxic resentment, built over years of complex adult relationships, and explosions of passionate violence. It's in the juxtaposition between genuinely upsetting scenes, such as Sebastian's death reenactment, and quieter moments of tension that the drama really comes to life.

If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost

Without an R-rating, Anatomy of a Fall's most important moments would lose their potency. If the film was limited in the language it could use or the violence it could portray, the ultimate message of the story would become lost marring what is one of the 2023's most provocative, complex, and affecting movies. It might put some viewers off, but Anatomy of a Fall's R-rating is essential.

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Why Anatomy Of A Fall Is Rated R - Screen Rant

This ‘Grey’s Anatomy’ Death Changed the Series Forever – Collider

The Big Picture

Its a beautiful day to save lives, being one of Grey's Anatomys most famous quotes is ironic considering just how often the show tends to kill off its characters. Its expected in a medical show for patients to sometimes meet a tragic end, especially with some of the absurd cases that come through the doors. But to kill off main characters? Thats a pretty risqu move. Yet Greys went there, and has continuously gone there throughout the series. Every fan has that one character death that affects them more than the others, but looking at the show from a non-biased standpoint, theres one death that truly changed the show and turned it upside down. And its probably not the one you think.

A drama centered on the personal and professional lives of five surgical interns and their supervisors.

It can be funny to joke about how Greys Anatomy has a penchant for killing off its characters, but when you really take a step back and look at the sheer volume of deaths that have come out of the show, its a little jarring. Even the ones who managed to escape Shonda Rhimes' pen of death suffered a major trauma at some point in time. The first major character we said goodbye to was Denny Duquette (Jeffrey Dean Morgan) back in Season 2. Denny was a heart patient who fell in love with Izzie (Katherine Heigl), and while his fate never seemed all that promising, fans (and Izzie) still rooted for him to make it out alive. It even seemed like he was going to do just that until his heart finally gave out on him once and for all. It was a majorly tragic moment, especially so early on in the show, but it didnt affect the show or the rest of the characters the way other deaths did.

When you think of the major Greys character deaths, the first to come to mind is likely Derek Shepherd (Patrick Dempsey). After all, hes McDreamy. How could the show possibly go on without him? Or maybe you think of Mark Sloan (Eric Dane) and his impeccable charm and character development. Both are solid choices. Heck, all the deaths in the show got me good. But theres one death that happened earlier that not only broke the hearts of fans everywhere but quite literally changed the trajectory of the show forever.

George OMalley (T.R. Knight) was without a doubt one of the most beloved characters on Greys Anatomy. Not only was he one of the O.G. interns, so he had that going for him. But he was also just a total sweetheart. He wore his heart on his sleeve, cared for his friends more than he did himself, and was always willing to help whoever he could. So killing him off was about the boldest move the show could have made, aside from killing Derek or Meredith (Ellen Pompeo). And the show didnt just kill him off, it gave him one of the most torturous deaths in the whole show. Hes brought to the hospital as a John Doe after being hit by a bus. A freaking bus! And since he was brought in as a John Doe, and cant speak to give his name, no one knows who he is, and therefore no one can call his family or friends to tell them whats happened.

The doctors scramble to save this mans life, all the while not knowing that hes one of their own. Until he writes 007 in Merediths palm, and then it suddenly clicks. Its Georges nickname. The patient on the table is George. Merediths cry is gut-wrenching when she realizes it, and everything seems to freeze when she announces it to her fellow doctors. Suddenly, its not just a patient theyre doing everything they can to save, its one of their own, and the stakes are so much higher.

Georges injuries prove to be too severe, and he passes away among his friends and colleagues. Its tragic and still gets the waterworks flowing all these years later. And yes, thats partly due to how beloved a character George is, but its also because you quickly begin to realize once hes gone just how much of an impact he had on everyone around him. He was Izzies best friend from day one. He and Callie (Sara Ramirez), despite being divorced from one another, were still close friends and had a lot of love for one another. He was one of the few men who hadnt let Meredith down. Lexie (Chyler Leigh) had a crush on him. And Miranda Bailey (Chandra Wilson) named her son after him for crying out loud. She even admitted that he was her favorite intern.

George touched everyones lives in some way, big or small. But more than that, his death was the turning point that told audiences no one in the show was safe anymore. No longer were the deaths confined to just patients or recurring guest stars. Anyone could be visited by the Grim Reaper of Grey's Anatomy, and there was no way of telling who would be next or when. And as devastating as it was, Greys Anatomy has always been superb at invoking emotion. Whether it be anger, grief, or sadness. Or, in this case, all three. George will forever be missed by fans, and the characters themselves, and though the show has clearly remained successful, its never quite been the same without him. George'sdeath remains a poignant piece of Greys Anatomy history, and always will. No matter how devastating it may be.

Grey's Anatomy is available to watch on Netflix in the U.S.

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This 'Grey's Anatomy' Death Changed the Series Forever - Collider

Grey’s Anatomy renewed for 21st season – RTE.ie

Long-running medical drama Grey's Anatomy has been renewed for a 21st season.

It was confirmed to US publication Variety that Disney-owned broadcast network ABC would continue making the show, after a strike affected its 20th season, with only ten episodes completed.

Speaking to Variety, Grey's Anatomy creator Shonda Rhimes said: "The loyalty and love of Grey's Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful."

The Bridgerton creator handed the showrunner reins to Meg Marinis at the end of season 19 and commended her storytelling ability, saying, "Meg Marinis' storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season."

The cast of Grey's Anatomy includes Ellen Pompeo, Chandra Wilson, James Pickens, Jr., Kevin McKidd, Caterina Scorsone and Camilla Luddington. Numerous past cast members have also appeared in guest roles in recent seasons.

Greys Anatomy is the longest-running medical drama in TV history after surpassing ER in 2019.

Season 20 of Grey's Anatomy kicks off tonight on RT2 and RT Player at 9.35pm.

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Grey's Anatomy renewed for 21st season - RTE.ie

10 Best Movies Like Anatomy Of A Fall – Screen Rant

Summary

Anatomy of a Fall is a unique blend of courtroom thriller and relationship drama, and there are plenty of great movies from these two genres that are worth checking out. The genius of Justine Triets direction of Anatomy of a Fall is that she avoided genre conventions at every turn. The mysterious death of Sandra Voyters husband sets up a procedural storyline, but rather than following the familiar beats of a procedural, Triet uses the legal proceedings as a springboard to examine the nuances of a complicated marriage.

There are no movies out there that are quite like Anatomy of a Fall. Thats a big reason why Triet and her writing partner (and life partner) Arthur Harari won the Academy Award for Best Original Screenplay; their script is fiercely original, building on recognizable genre tropes but taking the story off in its own direction. But there are other movies that combine a crime story with a love story, other movies that chronicle a captivating criminal trial, and other movies that take an in-depth look at the complexities of a marriage.

Adapted from Gillian Flynns bestselling novel of the same name (by Flynn herself), Gone Girl stars Ben Affleck as a clueless everyman who becomes public enemy number one when his wife, played by an Oscar-nominated Rosamund Pike, goes missing. Like Anatomy of a Fall, Gone Girl explores the publics obsession with true-crime narratives and the medias need to prematurely vilify someone who could very well be innocent. Just like Triets movie, Finchers movie uses a mystery storyline as a jumping-off point to explore the fractures in an imperfect marriage.

Gone Girl, much like Anatomy of a Fall, is anchored by a captivating lead performance that earned a nod for Best Actress. The two sides of its story the mystery side and the romance side are woven together with razor-sharp editing. They both examine marital strife in the context of a nail-biting thriller.

Not only does Otto Premingers Anatomy of a Murder have a similar title to Anatomy of a Fall; it similarly revolves around the trial of a crime that is intrinsically tied to a marriage. An army officer has murdered an innkeeper, but only because the innkeeper had allegedly beaten and sexually assaulted his wife. A pure legal drama built entirely around the trial, Anatomy of a Murder follows a small-town barristers attempts to defend the army officer.

Anatomy of a Murder has the same jaw-dropping sense of realism as Anatomy of a Fall, partly because it was based on a real trial. The novel that the film was based on is credited to Robert Traver, but thats just the pen name of Michigan Supreme Court Justice John D. Voelker. Voelker wrote the book based on a real-life 1952 murder trial in which he was the defense attorney.

Above all, Anatomy of a Fall is a movie about a marriage falling apart. Noah Baumbach told a similar tale, minus the mysterious death, in his 2019 drama Marriage Story. Adam Driver and Scarlett Johansson both nominated for Oscars star as a married couple going through an ugly divorce. At first, they want to keep the proceedings amicable for the sake of their young son, but once they hire lawyers and get inside a courtroom, the claws come out.

The screaming matches between Marriage Storys Charlie and Nicole feel just as painfully authentic as the arguments between Anatomy of a Falls Sandra and Samuel. The bitterness gets so excruciating that its hard to imagine that they ever loved each other. But the genius of both movies is that the connection feels real and there are plenty of reminders of why they fell for each other in the first place.

The narrative of Akira Kurosawas High and Low doesnt have a lot in common with Anatomy of a Fall. Its about a wealthy Japanese businessman who has to choose between using his immense fortune to gain executive control of his company and giving the money to his employee to help him save his child from kidnappers. High and Low touches on different themes than Anatomy of a Fall its about the corrupting power of wealth but theyre both about the personal stakes of a legal battle.

Like Anatomy of a Fall, High and Low is a two-hander. Toshiro Mifune plays the wealthy businessman attempting a hostile takeover of his company and Tatsuya Nakadai plays the detective tasked with solving the kidnapping case. Kurosawa, much like Triet, lets his characters motivations drive the plot, not genre conventions.

Stylistically, Anatomy of a Fall owes a great debt to the long history of courtroom dramas. Billy Wilder helped to define the conventions of that genre with his darkly comedic Agatha Christie adaptationWitness for the Prosecution. Witness for the Prosecution revolves around a man who is accused of murdering a wealthy widow who had included him as the primary beneficiary in her will. The trial gets complicated when the mans own wife gives an unreliable testimony against him.

This blend of the politics of a courtroom with the politics of a marriage is very reminiscent of Anatomy of a Fall. Like Triets movie, its a character-focused legal thriller. Selected by the AFI as the sixth greatest courtroom drama ever filmed, Witness for the Prosecution is one of Wilders finest films (and thats saying a lot, because he made plenty of classics).

Like Anatomy of a Fall, Blue Valentine is a brutally frank and honest depiction of a dysfunctional marriage, and like Anatomy of a Fall, it takes place across two timelines. These dual timelines have nothing to do with a court case, but they serve the same dramatic purpose to highlight the downfall of this relationship. Blue Valentines timelines chart the happy, optimistic early days of the relationship and the bitter, mutually destructive final days of the relationship.

Director Derek Cianfrance has as much control over the nuances of his characters marriage in Blue Valentine as Triet does in Anatomy of a Fall. Ryan Gosling and Michelle Williams, both at the top of their game, bring Dean and Cindy and their relationship to life in heartbreaking fashion. Blue Valentine is a grueling watch, but much like Anatomy of a Fall, its emotionally gripping.

Alice Diops Saint Omer tells the startling tale of a pregnant novelist named Rama attending the trial of Laurence Coly, a woman accused of murdering her 15-month-old daughter by leaving her on a beach to be swept away by the tide. Rama hopes to use the details of the case as material for a retelling of Medea, and it initially seems like an open-and-shut case. But the shocking revelations in Colys testimony end up shaking Rama to her core and challenging her deepest beliefs.

This was Diops first narrative feature after working as a documentarian for nearly two decades. Diop is known for her blunt portrayal of contemporary French society. The social critique and intense realism of her documentaries transferred over to her first narrative feature, especially because the story is rooted in reality. Its based on the French court case of Fabienne Kabou, who was convicted of the same crime, whose trial was attended by Diop in 2016.

Sidney Lumets 12 Angry Men is arguably the definitive courtroom drama. Like Anatomy of a Fall, 12 Angry Men uses minimal locations to keep the audience focused on the characters and the criminal case theyre wrapped up in. Whereas Anatomy of a Fall confines its action to the courtroom and the scene of the crime, 12 Angry Men takes place entirely in one room as a group of jurors debate the facts of a high-profile case on the basis of reasonable doubt.

Like Anatomy of a Fall, the suc
cess of 12 Angry Men rests on the casts performances. 12 Angry Men has a star-studded ensemble including such A-listers as Henry Fonda and Lee J. Cobb. Fonda in particular echoes Sandra Hllers righteous ferocity from Anatomy of a Fall as he argues with his fellow jurors over whats right.

The beauty of Anatomy of a Fall is that it sets up a murder mystery plot, then uses that plot to dive into an emotionally engaging love story. Park Chan-wook pulled off the same trick with his 2022 neo-noir Decision to Leave. Park Hae-il stars as a married detective investigating the death of a man whose body was found at the bottom of a mountain he frequently climbed. The investigation brings him closer to the mans widow, played by Tang Wei, who he quickly falls for.

As with Anatomy of a Fall, Decision to Leave uses the external conflict of a murder investigation merely as a vehicle to introduce the characters and force them into situations they dont want to be in. Once thats all been set up, it focuses squarely on the romantic elements. Decision to Leave is a deeply affecting thriller.

Much like Anatomy of a Fall, Ingmar Bergmans Scenes from a Marriage explores the disintegration of a married couples relationship. Whereas Anatomy of a Fall jumps all over the timeline of the relationship as different incidents come up in the courtroom, Scenes from a Marriage charts the gradual collapse of Marianne and Johans marriage over the course of 10 years. Marianne is a divorce lawyer and Johan is a psychologist, so they have a deep understanding of their own problems (not that that makes them any easier to deal with).

The intense realism and naturalism of Bergmans movie has gone on to inspire such American filmmakers as Woody Allen and Richard Linklater. Scenes from a Marriage deftly blends the intellectual with the emotional. Its not a particularly easy watch the increasingly bitter arguments, like in Anatomy of a Fall, are deeply uncomfortable but its incredibly powerful.

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10 Best Movies Like Anatomy Of A Fall - Screen Rant

‘Grey’s Anatomy’ Gets Another Season | Next TV – Next TV

Greys Anatomy has been renewed for season 21 on ABC. It is the longest running scripted primetime show in ABC history. Shonda created the show, about a team of doctors at Grey Sloan Memorial in Seattle, dealing with life-or-death decisions, and leaning on one another for support.

Meg Marinis is the showrunner.

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful, said Rhimes. Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season.

Original star Ellen Pompeo has a recurring role as Meredith Grey, while Chandra Wilson, James Pickens Jr., Kevin McKidd, Camilla Luddington and Kim Raver are in the ensemble cast.

Greys Anatomy is produced by Shondaland and ABC Signature.

Rhimes executive produces with Betsy Beers, Mark Gordon, Krista Vernoff, Debbie Allen, Zoanne Clack and Meg Marinis.

Rhimes said on Instagram: Greys was something I made up 20-plus years ago, and I am so incredibly proud that its been picked up for its 21st season. This honestly could not be possible without you guys caring about the stories I tell, the talented cast, writers, and crew.

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'Grey's Anatomy' Gets Another Season | Next TV - Next TV

Grey’s Anatomy Season 21 Renewed To Extend Historic TV Record – Screen Rant

Summary

Hit ABC medical drama Grey's Anatomy has been renewed for season 21 by the network, continuing records in the process. The show, which stars Ellen Pompeo as Meredith Grey, alongside an ensemble cast, first premiered in 2005 and helped launch the careers of many stars, including Katherine Heigl and Sandra Oh. Pompeo departed as a series regular in season 19 but continues to appear in some episodes, including the currently airing Grey's Anatomy season 20.

Per Deadline,ABC has picked Grey's Anatomy up for season 21. The announcement continues Grey's Anatomy's status as the longest-running primetime medical drama and ABC's longest-running scripted show for primetime. Season 21 is expected to have 18 episodes. Creator Shonda Rhimes commented on the renewal and her faith in Meg Marinis, who became showrunner in season 20. Check out Rhimes' comments below:

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful. Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season.

Even after 20 seasons, Grey's Anatomy clearly still has a dedicated fanbase, and the renewal shows that ABC believes the show can continue to grow. In recent seasons, Grey's has taken on even more of an ensemble format than before, so there are plenty of cast members who could return for Grey's Anatomy season 21, despite the fact that most of the main cast's contracts are due to expire at the end of season 20. The following actors could return next season:

Actor

Character

Ellen Pompeo

Dr. Meredith Grey

Kevin McKidd

Dr. Owen Hunt

Chandra Wilson

Dr. Miranda Bailey

James Pickens Jr.

Dr. Richard Webber

Kim Raver

Dr. Teddy Altman

Camilla Luddington

Dr. Jo Wilson

Chris Carmack

Dr. Atticus Lincoln

Caterina Scorsone

Dr. Amelia Shepherd

Anthony Hill

Dr. Winston Ndugu

Alexis Floyd

Dr. Simone Griffith

Harry Shum Jr.

Dr. Benson Kwan

Adelaide Kane

Dr. Jules Millin

Midori Francis

Dr. Mika Yasuda

Niko Terho

Dr. Lucas Adams

Jake Borelli

Dr. Levi Schmitt

Showing no signs of slowing down, Grey's Anatomy has continued to endure in its genre, even though other medical dramas such as ER ran their course and came to an end. There is clearly a belief in the creativity and storytelling of the writing team, and that has propelled the series to success for such a long period. How long Grey's Anatomy can continue to run for is anyone's guess at this stage, but with Rhimes and Pompeo less involved now, the show could be heading toward a natural ending.

The move to renew so soon into season 20 is a positive thing for viewers, as it allows them to enjoy the current episodes without worrying they will be the end. While it seems unlikely Grey'sAnatomy will last many more seasons, the show's future will largely depend on viewership, creative approaches to storylines, and the commitment of the actors to make the best show they possibly can.

Grey's Anatomy airs Thursdays at 9 p.m. EST on ABC.

Source: Deadline

Grey's Anatomy is considered one of the great television shows of our time, winning several awards and four Emmys. The high-intensity medical drama follows Meredith Grey and the team of doctors at Grey Sloan Memorial, who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white.

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Grey's Anatomy Season 21 Renewed To Extend Historic TV Record - Screen Rant

21 best medical dramas and TV series like Grey’s Anatomy to watch – Prestige Online Malaysia

Blending humour, stirring storylines, and heart-wrenching dialogue, Shonda Rhimes Greys Anatomy has captivated viewers and fans since its first episode debuted in March 2005. The rise and popularity of the medical drama are evident in its longevity, with the recent premiere of its record-breaking 20th season proving to lovers and naysayers alike that it is here to stay. If youre a fan of Greys Anatomy, its ensemble cast of characters, and its riveting storylines, these are 21 of the best medical dramas and TV shows to add to your watchlist.

Greys Anatomy has held a special place in the hearts of viewers since its pilot episode first aired in 2005. Nineteen extraordinary years and 20 seasons in, the show remains firmly etched in viewers hearts and minds, forever imprinted as one of the best medical dramas and TV series to have ever graced our television screens. In spite of its many efficacious distinctions, Greys is far from the first medical drama to capture an audience, and it most certainly will not be the last.

Since the release of City Hospital in 1951, medical dramas have become a longstanding staple in the realm of tv series, best beloved amongst casual viewers and hardcore fans alike. Arresting narratives and compelling plotlines created the perfect maelstrom to stoke public interest, whetting viewers appetites for all matters pertaining to medicine. And thus began the golden age of medical dramas, which unfurled an endless procession of programmes.

From classic favourites like ER to laughter-inducing comedies like Scrubs, each fresh offering brought with it a host of lovable characters and enthralling diagnoses all of which viewers ate up with gusto. So prolific was the golden age of medical dramas that it birthed series and shows that continue to grace our screens decades after the airing of their inaugural episodes.

Contrary to its name, BBCs Casualty is the longest-lived and longest-running medical drama in the world, with a staggering 1,331 episodes spread out over 38 seasons. The show first premiered in 1986; today, an extraordinary 38 years later, it is still in production, and continues to be aired on BBC One. And while Casualtys longevity certainly points to a positive trend in viewership and ratings, its not the only show who can boast of a decades-long run.

When the very first episode of General Hospital debuted in 1963, no one could have anticipated the heights it would go on to scale. Sixty-one spectacular years and seasons later, it is the longest-running medical soap opera in the world, its iconic (and sometimes unbelievable) plotlines garnering the love of a cult following that has continued to support the show even today.

So, what makes medical dramas so very addictive, and why do we keep coming back for more?

While different audiences react and reflect differently upon their medical drama addictions, a good assumption is that said dramas provide a balm for lifes unfortunate afflictions. Like death and taxes, health (or the lack thereof) is certain to come for us all in due time. And in times of sickness, what could be more comforting than watching a hero emerge on-screen in the form of a conventionally attractive doctor? From medical personnel who will stop at no end to ensure their patients survival to the tenacity displayed by said patients, medical dramas are here to remind viewers that they, too, can overcome their miserable maladies.

Beyond the intangible fluff of hope, medical dramas also serve as ground zero for discourse on ethics and bedside manner discourse that medical students and policymakers will certainly find helpful in the course of their careers. By presenting dynamic scripts and scenarios, medical dramas provide diegetic value that encourage analysis and deliberations, allowing aspiring physicians to come up with best practices for treatment and patient care alike. This can also help to develop critical thinking and accelerate decision-making with ample research that extends beyond what is portrayed in the show, of course. And, in the case of younger viewers, exposure to physician life, even on screen, can inspire a future career in medicine.

If youre a fan of Greys Anatomy (and other medical dramas), heres a comprehensive list of the best medical dramas and TV series to add to your watchlist!

(Main and featured images: The Movie DB)

Frequently Asked Questions (FAQs)

What is the best medical TV drama?

Some of the highest-rated medical dramas and TV shows include Greys Anatomy, Bodies, Nip/Tuck, New Amsterdam, Code Black, Transplant, House, ER, The Resident, and The Good Doctor.

What is the most realistic medical drama?

Despite being a comedy, Scrubs has been rated by medical professionals as having one of the most accurate portrayals of medical personnel in training.

What is the most watched doctor show?

According to IMDb rankings, Greys Anatomy is the top-watched TV show in its list of medical dramas. It is followed by House and The Resident.

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21 best medical dramas and TV series like Grey's Anatomy to watch - Prestige Online Malaysia

Grey’s Anatomy Season 20 Just Proved Maggie & Winston Won’t Be Endgame – imdb

Warning! Spoilers about Greys Anatomy season 20, episode 3 ahead.

Winston's behavior in Grey's Anatomy season 20, episode 3 shows he has reached the point of no return in his marriage with Maggie. Winston finally puts himself first by removing his wedding band, signaling the end of his unsuccessful marriage. The ending of Grey's Anatomy season 20, episode 3 closes the shared chapter between Maggie and Winston, giving them a chance to be happy by themselves instead of unhappy together.

Winston and Maggies relationship seemed doomed before the Greys Anatomy season 19 finale gave some hope about it surviving, but season 20, episode 3 showed the true damage it secretly sustained. Maggie and Winstons relationship differed from Maggies previous ones, possibly even lasting the longest because Winston brought out Maggies most easygoing side, countering her tendency to plan meticulously and act most reasonably with his spontaneity. Winstons move to Seattle in Greys Anatomy season 17 was proof of that,...

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Grey's Anatomy Season 20 Just Proved Maggie & Winston Won't Be Endgame - imdb

As Long as You Both Shall Live | Merve Emre – The New York Review of Books

Unlike her contemporaries, Justine Triet, the Academy Award and Palme dOrwinning writer and director of Anatomy of a Fall (2023), is not interested in the jeune fille. The women at the center of her first three feature films are unmarried mothers just shy of middle age, brisk, pragmatic, professionally self-assured, and sexually magnetic. Each is orbited by a cast of mostly inept, self-absorbed men who clamor for help and approval, and who provoke in her conflicted feelings of exasperation and tenderness. They are, however, handy babysitters. Casually, she asks or expects them to hang around her dirty, cluttered apartment and look after her daughters, whom she lovesabout this, there can be no doubtbut with an air of constant preoccupation. Much of her attention is absorbed by her work, as a journalist, a lawyer, or a psychoanalyst and novelist. More than a wife or mother, she identifies as a person who manipulates the conditions of reality with her words.

In the stressful docu-comedy Age of Panic (2013), the woman is Laetitia, played by Laetitia Dosch. She is a Parisian television journalist who must cover the 2012 national elections on the same day that her estranged ex-husband insists on seeing their daughters. Laetitia bustles from task to task with an abstracted, almost dazed sense of efficiencytrying on clothes, giving instructions to the bewildered babysitter, smiling for the camerawhile her ex heaves and shouts and stalks her around the city. In the romantic comedy In Bed with Victoria (2016), the woman is Victoria, played by Virginie Efira. A brashly sexy lawyer, Victoria is often filmed from above as she sprints from one scene and one man to another: to court, where she defends her ex-boyfriend against the charge that he assaulted his girlfriend at a wedding; to a community center, where her ex-husband performs a dramatic reading of his autofictional blog about her to a room full of eager men; to her apartment, where a former client, a puppyish drug dealer, sleeps on her couch in exchange for babysitting her daughters.

In the psychological thriller Sibyl (2019), the woman is SibylEfira againa novelist and psychoanalyst. She becomes obsessed with a patient, a young, pregnant actress who must decide whether to have an abortion, a decision that recalls Sibyls own choice nearly a decade earlier to have the child of the man who abandoned her. Leaving her daughters in the care of her boyfriend, Sibyl accompanies the actress to a film set and gets caught up in the triangle formed by the actress, the actor who impregnated her, and his wife, the films director. The surreal encounterwe never quite know who is acting, who is not, or what the difference might beserves as the source material for the novel that Sibyl will write.

For Laetitia, Victoria, and Sibyl, life is a perilous high-wire act, with work serving as the pivot point, the anchor for their sense of self and reality. When their work starts to wobble, they do, too. Laetitia, drained by her day of reporting, turns violent with her ex, then hysterically horny with her lover. Victoria, whose license is suspended for unethical practices, reads the collected works of Nietzsche and overdoses on pills. Sibyl, who transgresses every boundary between an analyst and her client, drinks compulsively. Their men, never reliable to begin with, disappear. The children turn weepy, petulant, and sullen, or, worse, they remain entirely indifferent to their mothers struggles. As the womans world goes to pieces, a void opens beneath her feet, a blank where meaning and identity had been etched in the always artificial and unforgiving language of professional competence.

What does she see when she looks down? Her downfall, her shame, yesbut also her chance at freedom. When ones past suddenly feels so distant, so foreign, so violently estranged from ones present, it is possibleindeed, it may be necessaryto imagine oneself anew. And so Triets women start to play make-believe: to act; to perceive themselves, in essence, as fictional characters, and to perceive others as characters, too, who might be corralled into a grand literary act of self-reconstruction. I see very clearly now, Sibyl thinks in the films final voiceover. My life is a fiction. I can rewrite it however I want. I can do anything, change anything, create anything. She starts to write in the French tradition of autofiction, while Victoria sues her ex-husband for the autofiction he has written about her. But what kind of fictions are their lives? And how will their power to do anything, change anything, create anything infringe on others?

Anatomy of a Fall, Triets fourth feature, combines all the familiar motifs of her earlier ones but without the comedy or the sex. In their place we have a marriage between the novelist Sandra Voyter (Sandra Hller) and Samuel Maleski (Samuel Theis), a teacher who aspires to write a novel. Sandra is not only aware of the freedom that Laetitia, Sibyl, and Veronica discovered; she has exercised it to tremendous success. Her critically acclaimed autofictional novels narrate her fathers death, her mothers illness, and the accident that caused her eleven-year-old son, Daniel (Milo Machado-Graner), to lose almost all of his vision. Her novel describes the accident in such detail, like in a documentary, observes Zo, the graduate student who interviews Sandra at her house in the cold, glittering, desolate French Alps. In the scripted version of this scene, though not in the final film, Zo, fascinated and irritated by Sandras relationship to the real, interrogates her reliance on life. Your stories never come purely from your imagination, Zo accuses her, to which Sandra replies, blithely, As soon as I start writing I destroy what I know.

Anatomy of a Fall deals with the consequences of making a name by destroying what one knows. Among these consequences are the rage and disappointment of Samuel, which have curdled into a resentment so acute that it is unspeakable, uncontainable. It is atmospheric. We do not see Samuel, but we hear his hammering over the song that he plays upstairs on loop, presumably to disrupt the womens conversationan instrumental cover of 50 Cents P.I.M.P., a song that is at once embarrassing in its datedness and more than a little pathetic, especially if one imagines Samuel trying to identify with its refrain: Im a motherfuckin P.I.M.P. P.I.M.P. starts and stops, starts and stops, grows louder, until Sandra and Zo cut the interview short. Zo leaves, as does Daniel, who goes for a walk with his seeing-eye dog, Snoop, trudging far enough for the music to fade and to be replaced by the sound of their feet in the snow and Daniels gentle commands. They stumble back to the house, back to the deafening noise. There, by the side of the shed, they discover Samuels body.

The discovery and examination of the body is the only time that the film shows Samuel in its present. The autopsy turns him into a series of photographs, of bruised and fractured body parts; the investigation into his death resurrects him through videos and recordingsas a mere reproduction of a human being, a man turned into moving images and distant sounds. His speech and his actions are recreated by lawyers who rehearse the events that led to his fall. They film a polyurethane mannequin, Samuels double, falling from the window. They restage what Sandra tells them was her last conversation with Samuel: two investigators read the couples lines flatly, and a wobbling handheld camera records their performance as the harsh white sunlight pours in from the window, washing out their features.

The investigation, which attempts to understand, throug
h visual and aural technologies, the truth of what happened to Samuel, permits Triet to indulge her obsession with cinemas mixed mediums. Across all her films, her characters film, tape, and photograph, revisiting images or recordings of themselves to grasp the truth of who they were in the past and who they are now. Like Sibyl (or like Franois Truffauts Day for Night, to which Sibyl pays homage), Anatomy relishes its metacinematic twists. The film populates its world with professional actors who play at being amateurs, who act well by acting badlyas prosecutors, as lawyers, as witnessesfor the cameras within the camera.

Daniel, who must prove to the investigators that he heard his parents speaking peaceably, not fighting, when he left the house, is filmed confessing that he made a mistake about where he was when he heard them. Sandra, awkward and hesitant, practices her testimony in front of her lawyers, Vincent and Noor; they film her as she insists that she will protect Samuels image, not build a case for her innocence. You need to start seeing yourself the way others are going to perceive you, Vincent tells hera line rich in irony given that she has made a career doing just that, but with the plausible deniability that writing affords the novelist. The technologies of cinema seem to offer no such cover.

Or do they? When the story shifts from the investigation to the courtroom, almost every scene, every testimony is keyed to a video or audio recording made in its first half. The film starts to loop back on itself; like P.I.M.P., it seems to be stuck on repeat. With each repetition, its earlier scenes accrue new meaningsmeanings that the prosecutor, the defense, and Sandra argue over, in French and English. Now the audio of Zos interview with Sandra, when played for all to hear, makes Sandras voice sound hollow, exaggerated, flirtatious, and desperate. Now the video of Daniel, expressing his confusion about where he was when he heard his parents speaking, looks like the video of a guilty child trying to squirm his way out of an unpracticed lie. Now the film of the falling mannequin, played in slow-motion, appears comic in its crudity. Yet whether the original or its repetition, these are all simulacra; the truth of what happened to Samuel does not exist here. Far from establishing the definitive story, the films self-cannibalizing structure forces its mediums and its multiple languages into the same instability as the autofiction that Sandra writes.

The closest a recording comes to persuading us that we can know the truth is the recording that Samuel secretly made of the fight he and Sandra had the day before his death. They fight in the kitchen, where he has prepared a meal that she eats greedily. Ostensibly material for his novel, the audio casts them in rigid and unforgiving yet recognizable roles: the conquering woman, the thwarted man. She is a shameless careerist, a cheat, a bad mother. He is pathetic and self-victimizing, a man with big ideas and no follow-through who has blamed himself on a loop, Sandra claims, for Daniels accident. His guilt and his martyrdom to his son are choices, she insists, inoculating him from taking real artistic risks. The fight seems like the sum total of every fight they have ever hadthe sum total of all the fights, in all the marriages, in all the worldwith every accusation, every counteraccusation compressed into ten minutes. It is a stroke of genius and an act of sadism to make the dialogue as precise and loud as P.I.M.P.; to let us hear every bite and every chew, every pour of wine, every breath, hiss, and slap. Watching two people fight is as excruciatingly intimate as watching them have sex, and much more interesting.

But what does it prove? A day in the life of a marriage cannot be substituted for the day before or the day after it. People do not live on a loop, and even if they rehearse their arguments, even if they tell the same stories again and again, their performances almost always deviate from the script. That recording is not reality. If you have an extreme moment in life, an emotional peak, and focus on it, of course, it crushes everything, Sandra insists. Its our voices, but its not who we are. Yet in a courtroom, under the eyes of the law, with its faith in evidence, this is exactly what marriage becomes. Marriage is a song stuck on repeat; an endless dress rehearsal in which one plays the most abject and cruel version of oneself; a trap that one falls intobangover and over again; an infinite simulacrum of a real and fulfilling life.

It is less pessimistic, although not optimistic, to observe that all marriages settle into their patterns. Looking back, as Anatomy of a Fall forces us to do, one wonders how these patterns become well-worn grooves; when, exactly, they began to wear ones patience thin or simply shred it to bits. One also knows that the pattern does not tell the whole story. Sometimes a couple is a kind of chaos, Sandra insists. The truth lives within this chaos on the other side of what can be made visible and audible, of what can be proved beyond the shadow of a doubt.

What kind of fiction is her life? One startling answer to that question is that Sandra is a supporting actress in someone elses fictionher sons. The children in Triets previous films are too young to be much more than comic accessories; they cry, scream, play, and mimic what the adults around them say or do. To rewatch Anatomy of a Fall is to attend to the child; to what Daniel can or cannot see; to how his lack of vision stimulates his imagination. Incapable of seeing the evidence that the lawyers and investigators have generated of his fathers fall, he possesses the unique freedom to choose what to believe and what type of story to tell about his familya choice that eluded his parents, who were trapped in the same loop till death did them part. This is the obvious yet shocking revelation that anchors the film: every parents marriage plot is her childs Bildung.

If Daniel is placed front and center, a different story begins to unfoldone in which justice is not a parade of simulacra but, quite literally, blind. The film begins not with the interview but with an all-encompassing darkness. We hear before we are permitted to see, and what we hear, then see, is Snoop panting, fetching a ball to give to Daniel, who prepares his bath, while Sandra and Zo speak to each other. The two scenes, with Daniel upstairs in his private dark and his mother downstairs in her Alpine light are equally important, if entirely disconnected from each other. Day for Night, indeed.

How much can Daniel see? Or how, exactly, do he and Snoop see together? We do not have a clear sense of his point of view until the trial begins, one year after his fathers death, when he has had time to grow up, to rehearse what happened on that day in his mind. As he listens to the experts testify, the camera cuts first to his face, up close, and then shows us a flash of a scene that no one could have witnessedhis mother striking his father, his father alone, falling to his death. Where do these scenes exist?

Triets camera work suggests they exist deep in the childs mind, which is as dazzlingly and finely illuminated as the snow in the sunlight. When his mother testifies, the camera occasionally sits near Daniels shoulder, and although he cannot see her on the stand, what she discloses sharpens his point of viewof his mother, of his father, and of the crimes committed within their marriage. Listening to the recording of their fight, the exaggerated soundtrack, we suspect, is how Daniel hears it. The films visualization of it does not represent how it really played out, but how h
e imagines it.

A startling amount of Anatomy of a Fall seems to take place in Daniels consciousness, which is shaped by his active and intelligent imagination. It revolves around a single question: Is his father a suicide or his mother a murderer? When we lack the ability to judge something, and this lack is unbearable, the only thing we can do is decide, Marge, Daniels court-appointed guardian, instructs him, a little too bluntly. The narrative that Daniel reaches for to decide between these options is seeded early on, when Sandra steps outside to take a phone call, and, believing that Daniel is absorbed with practicing the piano, tells Vincent that one morning a few months earlier she found Samuel passed out in his own vomit and suspected that he had tried to overdose on aspirin. If they indict you, its probably our best defense, Vincent tells Sandra, although he does little to prove Samuels suicide.

It is Daniel who uses Snoop to see the truth. We expect the dogs vision and the boys imagination to converge; Triets close-ups of the dogs face draw attention to his eyes, pale blue and amazingly vigilant. But we do not expect Daniels willingness to put Snoop at risk. He tests the scenario his mother narrated, giving the dog aspirin, then telling the court that Snoops strange behavior tracks with his strange behavior on the day after that alleged suicide attempt, when Snoop might have eaten his fathers vomited aspirin.

The testimony that Daniel gives in court, after the recording of his parents fight, is proof of his decision to believe his mother. Daniel tells a story about taking Snoop to the vet with his father. As he begins to speak, the camera cuts to the image of Samuel in the car with Daniel in the passengers seat. The scene, which is shot partially from the back seat, cannot represent the childs visual memory; only Snoop is back there. We see Samuels mouth move, but we do not hear his voice, only Daniels narration of the story that his father allegedly told him in the car. The story is about Snoop, an outstanding dog, whose existence, Samuel explains to his son, is defined by the submission of his vision to someone elses demands. He spends his life imagining your needs, thinking about what you cant see, Daniels Samuel says. It can only end in exhaustion: Prepare yourself. Itll be hard. But it wont be the end of your life. We do not need Daniel to tell us that his father is not really speaking about Snoop, who yields his vision to Daniel with generosity, without pity or regret. We know Samuel is speaking about himself from the look of resigned, gentle bitterness on his facethe last time we see it, but through his sons imagination.

The story is, quite obviously, fictional, but by no means untrue. What Daniel narrates springs from a hard kernel of truth, a decision about who his father was, even if he cannot know what his father did. The story also seems rehearsed, with the same impassive determination with which we see Daniel playing the piano throughout the film, working the same tricky phrase until he gets it right. The clear, unfussy style of Daniels narration; the subtle and unsentimental allegory he offers his listeners; the family car as the setting for this moving exchange between father and sonthis is the realist story as courtroom testimony, an utterly flawless performance of showing, not telling (or of telling, not showing, on cinemas terms). It has to be. Daniel knows that he has no evidence. He is the only witness without a corroborating mediumno photograph, no video, no recording, no simulation, no notes. Yet Daniels story will be accepted as true by all who hear it. We know this from the slump of the prosecutors shoulders and his flat, unsneering observation that the boys testimony in no way qualifies as proof. The claim the story makes on its audience is not evidentiary; it is moral. To deny a grieving child his choiceto believe in his mothers innocence, to reunite with herwould be an act of unbearable cruelty. We know what the verdict will be. We do not need to hear it announced.

What kind of fiction is her life? The mother is a writer of autofiction. Her son is a visionary of realism. Autofiction needs realism to save it from destroying what it knows; from solipsism and self-indulgence; from destroying other peoples lives in the pursuit of self-creation. Realism needs autofiction to liberate it from the imagination; to charge its claims to reality with truth, even if they are not, strictly speaking, real. Anatomy of a Fall is not truly a story about marriage, good, bad, whatever. It is a story about how cinema can reconcile these estranged genres of prose. More prosaically, it is about how a mother needs her son, and how a son needs his mother, evenor especiallywhen their visions of life diverge. Together, they can do anything, change anything, create anything. For some, this may be an ennobling prospect. For othersa husband and father, perhapsit may be a terrifying one.

But lets spare a sympathetic thought for husbands at the end. There is, of course, a more literal answer to the question What kind of fiction is her life? Sandras life is a fiction written by Justine Triet and her partner, Arthur Harari, winners of the 2023 Academy Award for Best Original Screenplay. Harari, who also cowrote the screenplay for Sibyl, has appeared in all of Triets films, in increasingly diminished roles. In Age of Panic, he is Arthur, the calm, competent, handsome, and charming law student who helps Laetitias ex see his daughters. In In Bed with Victoria, he is Le dresseur de chimpanz, the handler of the chimpanzee that performs at the wedding where Victorias ex-boyfriend is accused of assault, and that serves as a witness at his trial. In Sibyl, he is Dr. Katz, Sibyls analyst, who speaks torrentially, maniacally, in the films opening, but soon fades from the story.

In Anatomy of a Fall, Harari is La critique littraire, a literary critic. We glimpse him only once, on the television program that Daniel and Sandra watch, simultaneously but separately, as they wait for the verdict. He explains to the audience that people are excited by the trial because it inverts the expected order of things; suddenly life is vulnerable to fiction instead of the other way around. In this state of vulnerability, the truth of what happened to Samuel does not matter. What matters is which version of the story people find more persuasive, more intriguing. The story of a writer who murdered her husband is a lot more interesting than a teacher who committed suicide, he concludes, before echoing Sandras words to Zo at the films beginning: Fiction can destroy reality.

Triets casting of Harari as a lawyer, a handler, an analyst, and a critic points us to a way out of the films obsessive loops and toward a more optimistic vision of marriage. Marriage is a contract, one that secures every persons right and responsibility to care for the family they have created. Marriage is an entertaining social performance, in which one escorts a mostly well-trained primate from one party to another, encouraging him or her to perform tricks. Marriage is a conversation, during which one person talks incessantly, then shuts up and listens. Marriage is like a nightly television program; you tune into it for brief, illuminating stretches of time before it fades into the background of daily life. Marriage is an inside joke between cowriters, a director and her criticthe trick is to find new ways to deliver the punch line. Marriage is a way of recruiting a thwarted man for your creative project rather than, say, murdering him.

Which marriage you are in depends on which story you want to believe. And that depe
nds on which story you find more interesting.

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As Long as You Both Shall Live | Merve Emre - The New York Review of Books

‘Grey’s Anatomy’ Fans Get a Big Update About the Future of the Show – Gwinnettdailypost.com

Grey's Anatomy is only a few episodes into its landmark 20th season, but already the show, which is the longest-running medical drama on primetime TV (no big deal), has been renewed for Season 21.

The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful, creator Shonda Rhimes said. The TV mogul also gave a shoutout to new showrunner Meg Marinis, who's worked on Grey's in some capacity since Season 3 but only just replacedKrista Vernoff as series boss this year.Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season," Rhimes said.

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'Grey's Anatomy' Fans Get a Big Update About the Future of the Show - Gwinnettdailypost.com

Grey’s Anatomy Season 20, Episode 3 Recap: 8 Biggest Story Reveals – Screen Rant

Warning! This article contains SPOILERS for Grey's Anatomy season 20, episode 3.

Grey's Anatomy season 20, episode 3 introduced a new character to Grey Sloan Memorial Hospital while bringing an old one back. The episode also continued a trend from the Greys Anatomy season 20 premiere by featuring Meredith, despite her having left Seattle for Boston in the season 19 mid-season finale. It has been revealed that Ellen Pompeo will appear for at least four episodes of Greys Anatomy season 20, meaning viewers have more Meredith to look forward to in the upcoming episodes as well, especially with the reveals from episode 3 that set up her working in Seattle more.

The latest Greys Anatomy episode followed its classic formula of focusing on one big case and patient along with some of the other doctors in the hospital and their storylines. With over 420 episodes, the medical drama still manages to find ways to make their stories fresh with exciting new cases, some of which in Greys Anatomy are based on real-life cases. Still, as interesting as the cases get, the high point of every episode is the drama with the doctors behind the scenes, and Greys Anatomy season 20, episode 3 delivered plenty of it.

At the end of Greys Anatomy season 19, Meredith proposed a new approach to Alzheimers research that would mean decades of work was wrong. If Meredith is right, shed be hitting a major medical breakthrough, but if shes wrong, she could be hurting the reputation of those who came before her and the field of medical research. Due to this, Catherine, whom Meredith is currently working for in Boston, told her to just stick to the research she was hired for. Unable to let it go, Meredith and Amelia started working together behind Catherines back.

Greys Anatomy season 20, episode 3 opened with Meredith and Amelia presenting their research to an excited board of investors. Unfortunately, the board assumed that Catherine was onboard as well, which was a condition of their funding. Rather than try and get her on board, Meredith spent most of Greys Anatomy season 20, episode 3 hiding from Catherine, as she knew her boss would never approve. Without funding, her and Amelias research cant go anywhere, so support is vital.

The Greys Anatomy season 20 trailer featured interactions between Amelia and Grey Sloan Memorial Hospitals newest doctor, Monica Beltran, that got viewers excited about what was to come. It wasnt until Greys Anatomy season 20, episode 3 that Monica made her first appearance, but her scenes with Amelia made it worth the wait. The duo got off on the wrong foot, with Amelia stealing a spot Monica was waiting for in the parking lot, only for them to have to work with each other on a case throughout the episode.

Monica is a new pediatric attending surgeon, making her the first peds surgeon to join the Greys Anatomy main cast since Cormac Hayes. Together, Monica and Amelia, with Blues assistance, worked on an 8-year-old girl named Milan with congenital hydrocephalus. From the start, Monica rubbed Amelia the wrong way. Amelia saw her as rude and dismissive, with the new surgeon blunt and unafraid of constructive criticism.

While Amelia was initially offended by Monica telling her to think of another treatment for Milan, it ended up being good advice. Despite the tension between them, they wound up working well together, as noted by Milans mom. When Amelia complained about Webber to Monica, he said that he hired Monica because she reminded him of the neurosurgeon. Amelia has always butted heads with people similar to her, as shown through her relationship with Derek. With Amelia seeing Monica in a different light by the end of Greys Anatomy season 20, episode 3, a new romance could be brewing.

Greys Anatomy season 19 was hard on Winston and Maggies relationship, as she ultimately made the decision to move to Chicago without him and repeatedly put her career above their marriage. Fortunately, Winston and Maggie seemed to get a happy ending in Greys Anatomy season 19, with them agreeing to try to make their relationship work long distance. In Greys Anatomy season 20, episode 3, Winston was finally going to visit Maggie in Chicago, but an important case got in the way of his trip.

A massive watercraft arrived in the parking lot at Grey Sloan Memorial Hospital with its pilot, Nate, who had been trying to paddle from Seattle to Hong Kong, stuck inside. The bars were keeping him from potentially bleeding out, making it tricky for Winston and the team of doctors to figure out how to free him and get him into the operating room. Nate explained that he built the watercraft to prove himself to his wife, who chose him over her billionaire ex-boyfriend.

Eventually, they were able to free Nate, but he sadly didnt make it off the table. His wife initially blamed herself, but Simone shared Nates last message with her, letting her know just how much he loved her. Winston watched the scene in Greys Anatomy season 20, episode 3 with Maggie and his failed visit on his mind.

From Greys Anatomy seasons 15 to 18, Levi, better known as Schmitt, was in a relationship with Nico Kim, an orthopedic attending surgeon. Their relationship was a rocky one, full of ups and downs, with it finally ending after Schmitt tragically lost a patient. Following their breakup, Levi left Grey Sloan Memorial Hospital in Greys Anatomy season 19 to work for the Seattle Mariners and hadnt returned until the most recent episode.

In Greys Anatomy season 20, episode 3, Nico appeared at the hospital, but not as a doctor. He and his partner, Jason, and their surrogate were working with Jo, as they were expecting their first child. This threw Schmitt off, as he didnt know that Nico even wanted children. Nico confessed that hed only been with Jason for 9 months, and though he hadnt always wanted children, he knew he wanted to be with Jason, even if it meant becoming a dad.

Though it seemed as though Schmitt might have wanted Nico back, a conversation with Jo revealed his true feelings. Jo pointed out that Schmitt simply felt behind, as he wasnt seeing anyone and all his friends were in committed romantic relationships. In the previous Greys Anatomy episode, Schmitt hit it off with a patient, so he might not be single for much longer.

After the stunts they pulled in the Greys Anatomy season 19 finale, the interns were put on probation. In Greys Anatomy season 20, episode 2, Bailey gave them a list of procedures they needed to complete if they wanted to return to the operating room. Unfortunately for the interns, it wasnt an easy list to complete, and they relied on good assignments to get them done. When Yasuda and Adams were assigned to watch the gunshot wound patient from last episode, Dorian, who was still unconscious, they knew they probably wouldnt be checking anything off their list.

While Yasuda accepted the assignment in stride, not wanting to get into any more trouble with Bailey, Adams didnt have the same reaction. He left Yasuda alone with the patient in search of some more hands-on work, determined to get into the OR before Kwan, whom he saw as his biggest competition. As roommates, Yasuda was trying to form a tentative friendship with Adams, whom she still blamed for getting them banned from the OR. Thus, she reluctantly agreed to cover for him with Bailey.

When Dorian started coding, Yasuda was alone with him. Adams returned just when Yasuda made the diagnosis of abdominal compartment syndrome, and she went to get the proper materials to treat him. Unfortunately, Bailey arrived a
t just the wrong moment for Adams to claim he made the diagnosis and for her to scold Yasuda for being absent. Later, in the locker room, Yasuda confronted Adams, telling him their truce was off.

To hide from Catherine, who was also visiting Grey Sloan Memorial Hospital, Meredith decided to spend the day with Teddy, who was doing physical therapy. It was nice to see the pair interact, as despite knowing each other for years, there arent many one-on-one scenes between them. Throughout Greys Anatomy season 20, episode 3, Teddy tried to get Meredith to talk about herself, her work in Boston, and why she was in Seattle in particular.

When Teddy fell off the treadmill during her physical therapy session, Meredith finally told Teddy the truth about her and Amelias research. Rather than reacting like Catherine had, Teddy was supportive and told Meredith that she wanted to fund her research through the Grey Sloan Memorial Hospital discretionary fund. This would allow Meredith to not just continue her research, but to hide it from Catherine as well. It was the perfect solution to Amelia and Merediths problem in Greys Anatomy season 20.

Even though Winston missed his flight due to the unexpected case, it didnt matter, as Maggie had canceled on him, and not for the first time. Apparently, Winston had been trying to see Maggie in Chicago for weeks, but she always had a last-minute excuse about why she couldnt meet with him. It appeared as though Winston was the only one willing to put in the time to make their relationship work, with Maggie once again putting work first. In a conversation with Owen, Winston confessed he didnt know if his marriage was still worth fighting for.

Teddys relationship with Owen in Greys Anatomy went through similar struggles as Maggie and Winstons in season 19, with Teddy becoming Chief of Surgery and Owen working to get off surgical probation. Owen advised Winston to think about why he was fighting in the first place and left the head of cardiothoracic surgery to himself. Winston then took off his wedding ring, suggesting that he might be done fighting. With Maggie supposed to make an appearance in Greys Anatomy season 20, it will be interesting to see if their relationship can be saved.

At the end of Greys Anatomy season 20, episode 3, Simone returned home to find Adams missing. Not only was he gone, but so were all of his things. Without a word to anyone, Adams had moved out of the intern house. His roommates were Yasuda and Simone, both of whom he had a rocky relationship with, so it wasnt exactly a surprising move for him in Greys Anatomy. Adams and Simone had just ended their relationship and Yasuda made it clear they werent friends, which would have made it hard for him to live with them.

The Greys Anatomy season 20, episode 4 promotional video also showed scenes of the interns getting questioned about what happened with Sam in the season 19 finale. One scene suggested that they threw Adams under the bus, which could compromise his place in the Grey Sloan Memorial Hospital residency program. Hopefully, Adams will figure out his place in Greys Anatomy season 20, even if it's not in the intern house anymore.

Episode #

Title

Release Date

1

We've Only Just Begun

March 14, 2024

2

Keep The Family Close

March 21, 2024

3

Walk on the Ocean

March 28, 2024

4

Baby Can I Hold You

April 4, 2024

5

Never Felt So Alone

April 11, 2024

6

TBA

April 18, 2024

7

TBA

May 2, 2024

8

TBA

May 9, 2024

9

TBA

May 16, 2024

10

TBA

May 23, 2024

Where To Watch Grey's Anatomy

Grey's Anatomy is considered one of the great television shows of our time, winning several awards and four Emmys. The high-intensity medical drama follows Meredith Grey and the team of doctors at Grey Sloan Memorial, who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white.

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Grey's Anatomy Season 20, Episode 3 Recap: 8 Biggest Story Reveals - Screen Rant

New UN report outlines the ‘Anatomy of a Genocide’ in Gaza – Mondoweiss

Last week, the UN Special Rapporteur on Occupied Palestinian Territories Francesca Albanese issued a report titled Anatomy of a Genocide, concluding that there are reasonable grounds to believe that the threshold indicating the commission of the crime of genocide has been met.

Such reports are not usually titled, but the title itself depicts the nature of what Albanese describes in her immaculate 25-page report. It not only outlines a textbook case of genocide, with clearly and widely expressed intent by leaders backed up by clear genocidal actions it also describes how Israel has used the language and principles of International Humanitarian Law (IHL, the laws governing warfare) to conceal the act.

Albanese begins with the historical context of the genocide, even rooted in Israeli pre-state colonialist intents, and then charts out how Israel has committed three central facets under the crime of genocide the killing of members of a particular group of people, causing bodily or mental harm, and creating destructive conditions of life. There is also a section concerning intent that chronicles some of the countless, unambiguous, genocidal expressions of Israeli leaders.

Then, midway into the report, and constituting almost half of it (points 55-92, out of 97 points), is a section dedicated to the idea of Humanitarian camouflage: distorting the laws of war to conceal genocidal intent.

This section is subdivided into five central themes:

Albanese demonstrates how the three central principles of IHL distinction, proportionality, and precaution have been subverted by Israel in an attempt to obfuscate its genocidal acts and to provide a legal veil for illegal, indiscriminate acts.

This has obscured one cardinal tenet of IHL, Albanese writes. Indiscriminate attacks, which do not distinguish military targets from protected persons and objects, cannot be proportionate and are always unlawful.

Palestinians have become decivilianized in this way:

A core feature of Israels conduct since 7 October has been the intensification of its de-civilianization of Palestinians, a protected group under the [Genocide] Convention. Israel has used IHL terminology to justify its systematic use of lethal violence against Palestinian civilians as a group and the extensive destruction of life-sustaining infrastructures. Israel has done this by deploying IHL concepts such as human shields, collateral damage, safe zones, evacuations and medical protection in such a permissive manner so as to gut these concepts of their normative content, subverting their protective purpose and ultimately eroding the distinction between civilians and combatants in Israeli actions in Gaza.

It is chilling to think that Israels Defense Ministers claim that we are dealing with human animals and we will act accordingly (October 9), has translated into reality in such a way that humans are reduced to conceptual rubble dehumanized and decivilainized.

The analysis continues to outline Israels subversion of IHL norms, including concepts like human shields, military objectives, and collateral damage.

The history of the general usage of this term as a pretext for indiscriminate attacks is mentioned, particularly in the 2008-2022 aggressions. But on October 7 this rose to a new level:

After 7 October, this macro-characterization of Gazas civilians as a population of human shields has reached unprecedented levels, with Israels top-ranking political and military leaders consistently framing civilians as either Hamas operatives, accomplices, or human shields among whom Hamas is embedded International law does not permit the blanket claim that an opposing force is using the entire population as human shields en bloc The accusation of using human shields has thus become a pretext, justifying the killing of civilians under a cloak of purported legality, whose all-enveloping pervasiveness admits only of genocidal intent.

International law stipulates that attacks must be strictly limited to objects that must offer a definite military advantage. But, Albanese notes, Israel has misused this rule to militarize civilian objects and whatever surrounds them, justifying their indiscriminate destruction. Thus, Gazas civilian population and infrastructure are presented as obstructions positioned amongst, in front of and above targets Israel has characterized the whole territory as a military objective Israel considers any object that has allegedly been or might be used militarily as a legitimate target, so that entire neighbourhoods can be razed or demolished under fictions of legality.

Israel seeks to conceal the widescale targeting of civilians as collateral damage. Invoking the concept of proportionate collateral damage to knowingly shell large numbers of members of the protected group, Israel asserts that when attacks result in more collateral damage than expected, this does not necessarily indicate a violation, since compliance is conduct-oriented, not result-oriented.In other words, Israel says that it doesnt mean to kill many civilians it just occurs despite precautions. However, Albanese writes,

in all attacks launched against residential towers without warnings, extensive civilian harm has been anticipated as the main outcome. The Al-Taj building was full of families at the time of the 31 October strike, which must have been anticipated as certainly killing or injuring all the civilians living there. The fact that so many people were killed was entirely predictable hence at least indirectly intended as is evident from the images that the Israeli military itself published. The attack on the Jabalia refugee camp on 25 October killed at least 126 civilians, including 69 children, and injured a further 280. Israeli military personnel affirmed that the target was one Hamas commander in an underground base.

Israel seems to assess proportionality not only as a question of military advantage but as a question of destroying Hamas politically:

Israels proportionality assessments have flouted legal requirements by defining military advantage, in each attack, in relation to the destruction of the whole Hamas organization both politically and militarily. It is manifestly illegal to declare as a war aim the destruction of the other sides political capacity (particularly in the context of a 56-year military occupation which deprives the occupied population of its right to self-determination) In other words, Israel appears to represent itself as conducting a proportionate genocide.

Albanese writes:

The mass evacuation order of 13 October when 1.1 million Palestinians were ordered to evacuate northern Gaza in 24 hours to Israeli-designated safe zones in the south Instead of increasing safety for civilians, the sheer scale of evacuations amidst an intense bombing campaign, and the haphazardly communicated safe zones system, along with extended communications blackouts, increased levels of panic, forced displacement and mass killing.

When the northern residents were evacuated to the south, Israel illegally categorized the inhabitants of northern Gaza who had remained (including the sick and wounded) as human shields and accomplices of terrorism, thereby turning hundreds of thousands of civilians into legitimate military targets or collateral casualties through impossible-to-follow evacuation orders.

And the safe zones werent safe either:

The erasure of civilian protections in the evacuated
area was combined with indiscriminate targeting of evacuees and inhabitants of the areas designated as safe zones Of the roughly 500 2,000-pound bombs dropped by Israel in the first six weeks of hostilities, 42 percent were deployed in the designated safe zones in southern areas.

Simply put, Albanese summarizes, safe areas were deliberately turned into areas of mass killing.

This has been a tool of ethnic cleansing:

The pattern of killings of civilians who evacuated to the south, in combination with statements of some senior Israelis declaring an intent to forcibly displace Palestinians outside Gaza and replace them with Israeli settlers, lead to reasonably infer that evacuation orders and safe zones have been used as genocidal tools to achieve ethnic cleansing.

This point sends a chill down the spine, as Gazas largest hospital, al-Shifa has now been reduced to burned rubble, with bodies strewn across the area, following Israels recent two-week-long siege.

A final layer of Israels humanitarian camouflage concerns its efforts to provide legal cover for systematic attacks against medical facilities and personnel, causing the progressive collapse of Gazas healthcare sector, writes Albanese.

This is not the first time Israel accused Hamas of using hospitals as Hamas headquarters, but in the current assault, Israel has invoked this legal strategy to justify genocide through the complete destruction of life-sustaining infrastructure.

Israel was widely challenged on its former assault on the al-Shifa hospital in November.

Media reports challenged Israels allegations that Hamas were using hospitals as shields, asserting that there was no evidence to suggest that the rooms connected to the hospital had been used by Hamas; the hospital buildings (contrary to Israeli military 3D images) were found not to be connected to the tunnel network; and there was no evidence that the tunnels were accessible from the hospital wards. In addition, the Israeli army reportedly rearranged weaponry at al-Shifa before news crews visits, raising further suspicions of fabrication after the Israeli army had claimed that a list of terrorists it had found in another Gaza hospitalthe Al Rantisiturned out to be a calendar of the days of the week in Arabic.

The level of the Israeli propaganda would be something to laugh about (and was widely mocked) if it werent so deadly serious. Even if one were to take these repeated allegations at face value, Israel behaved illegally:

Whether or not Israels accusations of hospital shielding at al-Shifa were true but still remain to be proven , the civilians in the hospitals should have been protected and not subjected to siege and military attack.

This lack of protection for civilians was itself genocidal:

That the intent behind Israels humanitarian camouflage in this instance can only be characterized as genocidal is clear for two reasons. First, Israel was aware of the large-scale destruction of the healthcare system since the World Health Organization had reported in mid-November that a public health catastrophe was developing in Gaza, with 26 of 35 hospitals no longer operational due to Israels bombing and siege. Second, Israel knew that its military operation was resulting in a significant number of wounded. Physical trauma constitutes the most predominant cause of excess mortality in Gaza. It was predictable that forcibly suspending services at the largest hospital in Gaza would seriously harm the prospects for survival of the injured, the chronically ill and newborn babies in incubators. Therefore, by targeting al-Shifa Hospital, Israel knowingly condemned thousands of sick and displaced people to preventable suffering and death.

The overwhelming nature and scale of Israels assault on Gaza and the destructive conditions of life it has inflicted reveal an intent to physically destroy Palestinians as a group, Albanese concludes.

Israel has sought to conceal its eliminationist conduct of hostilities sanctioning the commission of international crimes as IHL-abiding. Distorting IHL customary rules, including distinction, proportionality and precautions, Israel has de facto treated an entire protected group and its life-sustaining infrastructure as terrorist or terrorist-supporting, thus transforming everything and everyone into either a target or collateral damage, hence killable or destroyable.

This goes back to the first Nakba of 1948:

Israels genocide on the Palestinians in Gaza is an escalatory stage of a long-standing settler colonial process of erasure. For over seven decades this process has suffocated the Palestinian people as a group demographically, culturally, economically and politically , seeking to displace it and expropriate and control its land and resources. The ongoing Nakba must be stopped and remedied once and for all. This is an imperative owed to the victims of this highly preventable tragedy, and to future generations in that land.

The last two points (96-97) of the report are about what we the international community can, and indeed must do, to avert this genocide.

The Special Rapporteur urges member states to enforce the prohibition of genocide in accordance with their non-derogable obligations. Israel and those states that have been complicit in what can be reasonably concluded to constitute genocide must be held accountable and deliver reparations commensurate with the destruction, death and harm inflicted on the Palestinian people.

The means at our disposal:

Finally, Albanese calls on the Office of the High Commissioner for Human Rights to enhance its efforts to end the current atrocities in Gaza, including by promoting and accurately applying International Law, notably the Genocide Convention, in the context of the oPt as a whole. That is, to see the genocide of Gaza not merely as a local matter, but as a genocidal assault on all Palestinians, also beyond Gazas geographical confines.

Israels initial, knee-jerk response was to describe the report as an obscene inversion of reality. The problem is, that Albanese has used about half of her meticulous report to document how it is precisely Israel that is inverting reality through the mentioned twisting of IHL terms to justify and continue its genocide.

The U.S., for its part, chose to avoid the subject by shooting the messenger hiding behind regurgitated, false allegations of Albanese as an antisemite as State Department Spokesperson Matthew Miller did in response to a question on the matter:

We have for a longstanding period of time opposed the mandate of this Special Rapporteur, which we believe is not productive. And when it comes to the individual that holds that position, I cant help but note a history of antisemitic comments that she has made, that were reported.

But many other countries, particularly Arab ones as well as other global south countries, rallied behind Albanese and affirmed the seriousness of her report. At the UN presentation of the report last week, Israel and the U.S. boycotted the event. The EU, for its part, called for proper and independent investigations on all allegations, alas recognizing Israels right to self-defense.

Self-defense, it bears mention, is no excuse for genocide, and the reason why one purportedly goes to war has no bearing on how one conducts it. So the EU is avoiding the issue, in a perhaps less
visible manner than Israel and the U.S.

Israel has destroyed Gaza, said the Special Rapporteur. Its not incidental, its not a natural disaster its genocide. Now its only down to those who accept this awful truth and those who hide from it.

See original here:
New UN report outlines the 'Anatomy of a Genocide' in Gaza - Mondoweiss

Grey’s Anatomy and 9-1-1 renewed by ABC – Roster Con

Grey Sloan Memorial Hospital will remain on ABC for at least another year. The network announced that Greys Anatomy has been renewed for a 21st season, continuing to make history on American television.

In a press release, series creator Shonda Rhimes thanked Greys Anatomy fans for their loyalty and love, which has allowed the show to reach this historic number of seasons. She added: Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season.

According to Deadline, Greys Anatomy Season 21 could have 18 episodes. The cast of the new season is not yet known, as many of their contracts expire in the coming months, according to the American media outlet.

Cancelled by FOX at the end of its sixth season, 9-1-1 was quickly picked up by ABC, which saw it as an excellent addition to its existing lineup. The U.S. network doesnt seem to regret its decision, as it has just made it official that the series will return for a Season 8 in 2024-2025.

This announcement comes just a few weeks after the launch of Season 7 on ABC. The arrival of 9-1-1 on the American network has been noticed as it has improved its average audience compared to the previous season (5.29 million vs. 4.7 million). In addition, the first episode of season 7 attracted 11.76 million viewers on ABC and the Groups various platforms.

9-1-1 will pass a symbolic milestone in its seventh season, currently airing, when the series reaches 100 episodes.

View post:
Grey's Anatomy and 9-1-1 renewed by ABC - Roster Con

Grey’s Anatomy Was Renewed For Season 21, And The Responses On Social Are Wild – CinemaBlend

Well, its official, Greys Anatomy is getting a 21st season. The show about the surgeons of Grey-Sloan Memorial has been gracing our screens for two decades, and now theyll officially be returning to the 2024 TV schedule with another season, extending its run as the longest-running primetime medical drama. Now, considering this series has been on for so long that its of legal drinking age, fans are having a ball on the internet reacting to the news, and their responses are truly wild.

The wild fan reactions about Greys Anatomy getting a 21st season really run the gamut. From happy to angry, folks are feeling all kinds of ways, however, a common denominator among many of these reactions is chaos. For example, @jay_kt2s feelings about the news are hilariously dramatic as they posted:

I am calling on President Biden to bring this show to an end. It is a national security imperative.

This viewer, @adrewscomet, had similar feelings as they posted:

someone sell that hospital

Well, I hate to break it to this person, but this hospital has faced this issue before, and they came out on top. So, I dont think thats going to happen. Also, while Station 19 was canceled, and some were worried Greys would end too, this news confirms that Grey Sloan Memorial isnt going anywhere anytime soon.

Other fans had some great jokes about the renewal and the idea of Greys Anatomy going on forever. Take @jomaticaaas reaction for example:

they must be holograms because how are any of those characters still alive

Thinking along the same lines, @GreysAnatomyHD decided to put their Photoshop skills to work to imagine what Meredith Grey would look like come Season 50:

It currently takes a lot of work to catch up to Greys Anatomy, just imagine trying to get up to date during Season 50. Thatd be wild, and it would take forever.

Your Daily Blend of Entertainment News

Along the same lines, one popular sentiment revolved around the fact that Greys Anatomy might live longer than all of us. @DannyWxo put it best as they posted:

Greys Anatomy is going to outlive us all.

It truly will, and you know who else will also outlive and outwork us all? Richard Webber. Some fans of the show are getting a kick out of the fact that he said he was going to retire in the early seasons of Greys Anatomy. Considering he was thinking about that 20 years ago, that makes this reaction from @buggirl29 even funnier:

Personally, Im thrilled that Richard Webber, Miranda Bailey and co. will get to keep working. While the cast of Greys Anatomy is consistently cycling in and out, the series has become a constant in many peoples livesheck its been on for the majority of mine (I was 6 years old when Season 1 premiered), so its hard to imagine television without it.

From seeing more relationships flourish, like Lucas and Ameilia and Link and Jo, to following the new interns as they grow into residents and possible attendings, Greys Anatomy has a lot of stories left to tell. So, I for one, am stoked that Season 21 is coming.

If you are feeling up to the challenge, you can stream the first 20 Seasons of Greys with a Hulu subscription, and you can catch new episodes on ABC every Thursday at 9 p.m. ET, that way youll be ready to rock when Season 21 premieres next fall.

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Grey's Anatomy Was Renewed For Season 21, And The Responses On Social Are Wild - CinemaBlend

Grey’s Anatomy: Season 20, Episode 3, "Walk on the Ocean," Recap & Spoilers – CBR – Comic Book Resources

The following contains spoilers from Grey's Anatomy, Season 20, Episode 3, "Walk on the Ocean," which aired Thursday, March 28 on ABC.

Amelia Shepherd and Meredith Grey are working hard to get funding for their Alzheimer's research when "Walk on the Ocean" begins. In a conference room in Seattle, Amelia is presenting new research that suggests that Alzheimer's, like Parkinson's, may be connected to changes in the gut's microbiome. The group seemed interested and even wanted to make sure they met Meredith before suggesting supporting the research to their board, but things fell apart as soon as they asked if they should set a meeting with Dr. Catherine Fox to discuss the next steps. Catherine can't know Meredith is doing this research, or she'll lose her job with the Fox Foundation.

At Grey-Sloan Memorial, Mika Yasuda comes barreling into the parking lot in her van, and Lucas Adams comes running up behind her, complaining that she'd nearly hit him on her way in. Their banter is cut off when Simone Griffith comes around the side of the van -- she and Adams are still in an awkward place after she tried to break up with him, and he accused her of being selfish at the end of Season 20, Episode 2, "Keep the Family Close." After Griffith heads inside, Yasuda calls a momentary truce. She's still mad at Adams for the interns being banned from the OR, but she knows he just got dumped and wants to know if he's okay. Adams tells her that he didn't get dumped and heads into the hospital as Yasuda yells, "You're making it very hard to be Team Skywalker!"

Meredith and Amelia are also pulling into the parking lot, and Meredith says she's going to wait in the car during future funding meetings. "Everyone knows my affiliation with Catherine and somebody will talk," she says, before telling Amelia she'll be making more calls from the lab before her flight leaves. Amelia sees a parking spot and pulls around a car with its turn single on and into the spot. Meredith thinks that the person in the car is waiting, but Amelia sees her on the phone. Seconds later, the woman driving the car honks at Amelia and tells her she has been waiting for the spot. "You were on your phone," Amelia says, not at all sorry.

Inside, Richard Webber, Winston Ndugu, and Miranda Bailey are updating the surgical board. Bailey gives Ndugu the opportunity to say whatever he wants about the way she's handling the interns. "Maybe get all that negativity out now instead of sprinkling it throughout my day like you've been doing," she says. Ndugu promises her there is no negativity today as he is headed to Chicago for a vacation with Maggie Pierce, his wife, who no longer lives in Seattle. He does have an idea about the interns he'll discuss with her when he gets back, though.

Levi Schmitt, the co-Chief Resident, is sending the interns off to their assignments for the day. Jules Millin and Griffith head down to the pit while Benson Kwan is with Monica Beltran, the new Peds attending. Yasuda gives Kwan a hard time about "babysitting," but Kwan doesn't care. Beltran was on the team that pioneered single port surgery, so he's excited. Yasuda and Adams are headed to the ICU together. Yasuda offers to trade Millin so that each of them can potentially get the procedures done, but they still need to fill out their procedure logs, but Schmitt stops them. "No trading, negotiating, or complaining," Schmitt says. "Unless one of you picked up a vanilla latte on the way?" Sorry, Schmitt, they did not.

As the interns head to their respective departments, Schmitt spots a ghost from the past. Nico Kim, Schmitt's ex, who used to be an orthopedic surgeon at Grey-Sloan and took a job as the team doctor for the Seattle Mariners, is being greeted by Jo Wilson. Schmitt is shocked to see him.

Up in Peds, Kwan is with a young girl and her mother when Shepherd walks in, followed immediately by Beltran -- who happens to be the woman Shepherd stole a parking spot from. The tension is there immediately, though they do their best to hide it from the patient and her mother. Malan, eight years old, has congenital hydrocephalus and has had multiple shunts in her brain to control the build-up of fluid. Her mother, Maria-Flor, brought her in because "Malan's not acting like herself." Kwan clearly doesn't take the mother's concern very seriously, and Beltran assumes that Shepherd won't either, immediately cutting her off when she says she doesn't see anything wrong with Malan. "But that doesn't mean anything," Beltran says, and Shepherd shakes her head. "Well, it means I wasn't finished with my sentence. Maria-Flor, I'd like to take her for some scans." Maria-Flor is worried because the four previous shunts malfunctioned, and she doesn't want Malan to have another surgery. Shepherd assures her that they're going to take it one step at a time and asks Kwan to get Malan set up in radiology.

Down in the pit, a big trauma is arriving. Owen Hunt says that he needs everyone, including Ndugu, even if he can only stay for a couple of hours. The trauma arriving is serious, but it's also physically big. Nate Ardilla, 34, is pinned inside his watercraft, which was hit by a container ship. The jaws of life are on their way to get Nate out of the "self-propelled floating bubble," which he made himself, but Hunt and Ndugu have to keep him stable until then.

In the ICU, Yasuda and Adams are being given their assignment from Bailey. She wants them to spend the day monitoring Dorian Cardenas, the gunshot victim from "Keep the Family Close," as she'll be spending the day in the OR. She tells them what to watch for and to only page her if certain things are happening. Adams seems annoyed that they'll be spending the day monitoring one guy and pushes back, reminding her that they're also supposed to be doing procedures for their procedure log. Yasuda, who always seems to be one step ahead of the other interns, cuts him off and tells Bailey they are good, hitting Adams in the upper arm as Bailey leaves. "Don't be a smartass to the person who holds all the cards!" she says.

Back outside, Nate tells everyone that he had hoped to make it this time, as it was his fourth try. Ndugu asks if he was trying to get to Bainbridge Island, but no, he was headed for Hong Kong. He's trying to outdo a man named Rich Doyle, the tech billionaire who set a solo record rowing from San Francisco to Hawai'i -- and is also the ex-boyfriend of Nate's wife. He tells the doctors that his wife would say it's a non-issue, but he knows she thinks about Rich. As Atticus "Link" Lincoln, Hunt, and Ndugu share thoughts about what he might have injured and what will need to happen first, Nate starts to panic and tries to get out. Hunt is able to keep him from moving, but he's still scared. He asks if someone can call his wife.

On the other side of the hospital, Wilson is walking through the ambulance bay when Schmitt comes up behind her, asking if she hates him. She wonders why he would ask and he says that she should alert him when certain people are coming in to the hospital. She thinks he's upset because he hasn't gotten to see the guy in his watercraft, but then realizes he might not be and asks him what he's talking about. "Nico," he says, to which she replies, "Who?" He tells her again, though she was likely trying to get out of answering. She says she can't tell him, and he asks if it's about him, but she can't tell him anything because of HIPAA. That's when Schmitt realizes that Wilson is wearing black scrubs. "Why does Nico need an OB-GYN, Jo?!" Wilson tells him goodbye and walks onto the elevator. Schmitt is panicking.

Just beyond the coffee cart outside, Meredith runs into Teddy as they're both walking into the hospital. Teddy is there for physical therapy after her heart surgery and is frustrated that no one will tell her anything while she's recovering. Ndugu has locked her out of her charts, Hunt is keeping things about their kids from her, and Webber won't let her do any admin. She invites Meredith to come to physical therapy with her so that they can catch up, and Meredith isn't going to go until she sees Catherine Fox standing on the stairs. Not wanting to run into her boss, Meredith joins Teddy on the elevator.

While Malan is being scanned, Kwan is asking Beltran and Shepherd about where they were before Grey Sloan and shares some of his own educational background, which he doesn't get a great response to. Then Malan's scans are back, and Shepherd says they'll have to replace the shunt. Beltran reminds her that it's not working because Malan is an active kid who is still growing, but Shepherd says it's the standard of care and that they'll just have to talk to the mom about Malan's physical activity. Beltran suggests an endoscopic ventriculostomy, which Shepherd also turns down for being near impossible in Malan's brain. Beltran tells her to take a minute to think about it, and when Shepherd counters with the list of things on her plate, Beltran throws back her own list, which is all on kids. Beltran is sure Shepherd can look into another option, and she'll pass that information on to Malan's mom. Shepherd is annoyed, but she'll do it. She's not going to leave the kid hanging.

In the ER, Millin and Griffith are gathering supplies to take outside while Griffith is calling Nate's wife and leaving her a message. While they collect things, Millin tries to strike up a conversation with Griffith about Adams, and Griffith counters by asking about Kwan, so they both stop asking questions. And up in the ICU, Yasuda and Adams are sitting with Dorian. Yasuda asks Adams about his family, and he tells her they don't have to talk. She pushes a little more, and Adams stands up to leave. Yasuda reminds him about the explicit instructions Bailey gave them, and he says that they're also supposed to be doing "about a zillion procedures if we ever want to set foot in the OR again," so he's going to go do that. Yasuda tells him that she's not leaving Dorian. "Well, I'm not letting Kwan get back in the OR before I do," Adams says, opening the door to Dorian's room. "So, uh, page me if he codes."

Outside, Hunt asks Ndugu if he needs to head to the airport, but after looking at his phone, Ndugu would rather just get the guy out. Hunt gets ready to move the bar off of Nate, who stops them and asks them to explain what will happen. Hunt tells him he's not totally sure but that their whole team is there to help. Then he asks, "What if I die?" He begins another question, "What if I die without ever getting...," but Ndugu cuts him off. "You're never getting to Hong Kong in a bubble," Ndugu snaps. "All you succeeded in doing is taking away resources from the Coast Guard when they rescued you. Not to mention the paramedics. Not everyone gets to go where they want to go." Something is clearly up with Ndugu, who looks only slightly apologetic when Nate tells him that he was going to say "without ever getting to see my wife again." She's not there, but Hunt says they can wait a few minutes and tells Griffith to try her again.

Kwan is at a computer, working on a chart, when Maria-Flor comes out of Malan's room to ask for headphones because the hospital noises bother Malan. She says that the radiology department sometimes has the ones that block out the noise, but Kwan quickly dismisses her and tells her that they don't loan them out. Beltran is behind him and jumps in immediately, assuring Maria-Flor that they can find them. When Maria-Flor goes back into Malan's room, Kwan tries to reiterate that Radiology doesn't loan them out, and when Beltran tells him to ask nicely, he tells her that won't help. "That woman's daughter is going through something terrifying. If she thinks headphones will help, then get her headphones," Beltran says before asking him to get an update from Shepherd.

Shepherd hasn't yet figured out what they're going to do when she is found by Webber, who asks what is bothering her. Shepherd begins talking about Beltran, and Webber pushes back. "Are you irritated with the suggestion or with the suggester?" he asks, noting that Beltran is known for being a boundary pusherkind of like Shepherd herself.

In the hospital waiting area, Schmitt is stopped by Nico, who wants to talk to him. They are interrupted by Jason, Nico's partner, who has brought back snacks from the vending machine. The snacks aren't for Nico, though; they're for their surrogate, who is giving them a son. Schmitt introduces himself, expecting some kind of recognition to cross Jason's face, but there is none. Nico obviously hasn't talked about him. To make matters worse, as they head back to their surrogate, Jason calls him Levon.

Teddy and Meredith are in the physical therapy room, and Teddy is telling Meredith about how things are going at home. Hunt's mother is helpful, sort of, but not in the way Teddy would like. Meredith reminds her about what Teddy said to Meredith during COVID, that she should get some rest and ask for help when she needs it. Teddy asks about Boston, but before Meredith can answer, something happens to Teddy's foot, and she falls, first onto the treadmill and then the floor.

Everyone outside is getting ready to transport Nate. They likely won't have much time to get him to the OR, so Link and some other members of the team are already scrubbing in. Nate's wife still hasn't arrived, but they need to take care of him, so Griffith offers to be the keeper of whatever he wants to say to his wife. "I love her. That's all that matters," Nate says. "I love her so much. Everything I do is for her. All of this was for her. I know she married me and not Rich, but I want her to be proud of me. Tell her that I know she has doubts, and I don't want her to spend another second of her life questioning her choosing me. Tell her that I'll never give up trying to do right by her."

The moment the metal is pulled away from Nate, he begins bleeding out. Hunt says they'll need to intubate, and they'll need a clear path to the OR, but Ndugu is sure he won't make it to the OR. He wants to slow the bleeding first, buying them time to transport him. Hunt begins to intubate as Ndugu gets gloved up and begins working on the wound.

Up in the NICU, Schmitt is sharing his frustration that Jason didn't know him with Wilson. She asks him if he wants to get back together with Nico, and Schmitt tells her that he isn't sure he knows Nico anymore because he had never talked about kids when they were together, and now he's having a baby with this guy. Schmitt tells Wilson that he doesn't want to get back together, and she says that he's just upset because Nico's life has moved further along than his. Schmitt pushes back, but Wilson reminds him that he has talked about dating and talked about applying to Peds but has not actually done either of those things. Wilson tells him that if he wants to win, he has to get in the game.

Shepherd has figured out what to do for Malan, and is glad when Beltran and Kwan finally join her to talk about it, even though they were waiting on her. Beltran asks Kwan a question about why part of Malan's brain is a problem for the procedure they want to do, and when he starts talking about it like a doctor, she makes him start over and answer like he's talking to a parent. Shepherd tells th
em that she hasn't found an alternative route, but she thinks they can combine the computer system they're looking at with "the intraoperative imaging technology that we use for mapping brain tumors" for ultra precision in the OR. She herself can't build the technology, but Grey-Sloan's tech team already has it working and Shepherd is willing to try if the Mom is okay with it. Shepherd asks Beltran what she's thinking, and Beltran says, "I'm thinking you're much more effective when you take your time."

On the OR floor, Millin is clearing the hallways as Hunt, Ndugu, and Griffith rush Nate to the OR. Hunt sends Griffith to find Nate's wife. There's no time for Ndugu to scrub, so he tells one of the nurses to gown and glove him so they can begin surgery. As Millin and Griffith are shut out of the OR, Griffith tries calling his wife again.

In the ICU, Yasuda is reading out loud to Dorian when the machines start beeping. At first, it's just one, so she thinks it's just a twisted chord, but then more of them start, so she calls for help.

Meredith is helping Teddy to a patient room because she sprained her ankle on the treadmill, and, much to Meredith's dismay, Catherine Fox pops into the room. When she asks if Meredith is there for a consult, Meredith chokes and Teddy steps in, saying that she asked Meredith for a second opinion on a patient and then asks Meredith about the "thing with the house." Meredith says something about insurance issues, and Catherine buys it, telling Meredith that it's nice to have her there and that she can't wait for the update on Meredith's research in the next month. Meredith tells Teddy that her ankle needs to be X-rayed and Teddy tells her that she wants to hear why Meredith is actually in Seattle.

While Griffith and Millin are watching Ndugu and Hunt perform surgery on Nate, Adams walks in. The tension is thick, right up until Adams gets a page. Millin tells Griffith, who told her that she and Adams were "just roommates," that she doesn't have that much tension with her roommate, to which Griffith responds, "Your roommate is a hundred."

Nico finds Schmitt, and they talk about Nico's surrogate. Schmitt asks if they've picked a name, and Nico jokes that it's "Levon" before apologizing for Jason calling Schmitt "Levon." They talk about how Nico and Jason met, and Nico reveals that Jason was already interviewing surrogates when they started dating. He tells Schmitt that he freaked out at first but eventually realized that it was scarier to consider life without Jason than life with a kid, and Schmitt tells him that he's happy for him.

While Meredith wraps Teddy's ankle, she and Teddy talk about Meredith's secret research with Amelia. Meredith reveals that it's hard to do secret research because, as soon as research gets funded, people want to talk about it, and she can't. Teddy tells her that it's bold and exciting and that she wouldn't talk about it -- and then offers her money from Grey-Sloan's discretionary fund to help them get started. Meredith asks about Catherine since Grey-Sloan is a Fox Foundation hospital, and Teddy tells her that she and Amelia just have to get far enough that Catherine can't deny the value of the research and that she's willing to take the risk on them.

Shepherd and Beltran get ready to start surgery, and when Kwan asks to observe, Beltran tells him that he needs to sit with Malan's mother. Shepherd says that it's a rare surgery, so maybe they should let him watch, but Beltran doesn't want him to, and he's on her service.

In Dorian's room, Yasuda is trying to figure out what is wrong when Adams races in. Yasuda begins talking through it with him and pretty quickly determines that it's Abdominal Compartment Syndrome and races to get a cut-down tray. Shortly after she leaves, Bailey shows up. Adams repeats what Yasuda said to him, and Bailey says they need to open him up right there instead of getting an OR. Yasuda returns with the cut-down tray and tries to explain where she was, but Bailey doesn't let her and gives Adams the opportunity to gown and glove. He looks like he's unsure about what to do for a moment, but he takes the gown and gloves anyway, and Yasuda is devastated.

While Bailey and Adams are working on Dorian, Nate starts to bleed out in the OR, and Shepherd and Beltran begin their procedure. Kwan is in the chapel with Malan's mother, who is praying for her daughter.

Ndugu, Hunt, and Link are unable to save Nate. Shepherd and Beltran go to the chapel to tell Malan's mother that the procedure went well. Kwan escorts her to Malan, but not before she tells Shepherd and Beltran that they make a great team. After the mother leaves, Shepherd says, "That was pretty great," and turns to talk to Beltran, only to find that she has already left the chapel.

Nate's wife has arrived in the waiting room, and Hunt, Ndugu, and Griffith have to tell her that Nate didn't make it out of surgery. She tells them they must be wrong because "he always comes home." She believes that it's her fault because she didn't convince him that all that mattered was them, that Rich Doyle didn't matter. Griffith kneels down next to her. "He knew," Griffith says. "He knew that you loved him. He told me. He said the floating to Hong Kong and the bubble -- none of that was about you. He wanted to prove to himself he could do it. And he told me, if he didn't make it, to tell you that he loved you so much. It's no one's fault. He loved you. You loved him. That's what matters." Ndugu looks on as Griffith speaks to the wife, his eyes beginning to tear up.

In Peds, Kwan brings progress notes back to Beltran, who tells him that she needs another post-op check on a specific patient. He says okay, and then he tells her that he went to Yale for almost a full year before his mom got sick. He moved home to take care of her and then ended up at different schools. He knows he doesn't have a fancy pedigree, but he's a quick study and capable of more than hand-holding a patient's mom. Beltran tells him that being assigned to sit with Malan's mother wasn't punitive because of where he was educated but because of how he interacted with Malan's mother throughout the day. In Peds, patients and their families matter.

Outside the hospital, as the city hauls Nate's watercraft away, Hunt stops to talk to Ndugu. Ndugu finally admits that Maggie canceled on him for Chicago, and he took it out on a patient. It isn't the first time she has canceled on him recently, and he's unsure when to stop trying. Hunt asks him to think about why he's trying, which might tell him what he needs to know. Before the end of the episode, Ndugu takes off his ring.

In the intern locker room, Yasuda finally yells at Adams for taking the ex-lap. It was her diagnosis. Adams asks if there is a rule that the person who finds the diagnosis does the procedure, and Kwan tells him no, but Yasuda tells him to shut up. She reminds him that she was trying to be a good friend to him, and he lied to Bailey, to which he replies that he didn't say anything. She tells him that was the point. He could have told Bailey where she was or that she had stayed with Dorian all day while he had been looking for procedures. Griffith comes to his defense and tells Yasuda to give him a chance to explain, but Yasuda isn't having it. She's done. It's his fault they can't be in the OR, and Yasuda is shocked Griffith is defending him.

"Stop. Just stop," Griffith says, standing up. "I'm tired of the blame and the finger pointing. It is all our faults. I was there, too. So were you. Kwan didn't do us any favors. We all screwed up. There's nothing we can do except put i
t behind us and move on. We are all trying. Why can't you?" Griffith leaves, and Yasuda tells Adams that she doesn't want to be his friend anymore and that he can find another way home. Adams storms out of the locker room, and Kwan, Millin, and Yasuda agree to go for a drink.

Elsewhere, Schmitt stops Beltran to introduce himself and talk to her about Peds. Yasuda is at the bar, and Millin finds herself watching Kwan flirt with another woman. Meredith finds Amelia in the lab, and Amelia wants to keep going on research. Meredith tells her about the money from Teddy.

At the intern house, Griffith tries to talk to Adams. When she knocks on his door, there is no response, even though the light is on, so she opens the door. The room has been cleared out. Adams is gone.

Grey's Anatomy airs Thursdays at 9/8c on ABC.

A drama centered on the personal and professional lives of five surgical interns and their supervisors.

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Grey's Anatomy: Season 20, Episode 3, "Walk on the Ocean," Recap & Spoilers - CBR - Comic Book Resources

Grey’s Anatomy renewed for season 21 – PopBuzz

3 April 2024, 10:53

Meredith says goodbye in Greys Anatomys season 19 episode 7 trailer

Season 21 will coincide with Grey's Anatomy's 20th anniversary.

It's official Grey's Anatomy has been renewed for season 21 (!), lengthening its lead as the longest running US medical drama, and the longest running primetime series in ABC history.

The renewal now means that season 21 will be airing when the show's 20th anniversary comes around in March 2025. There's been no details shared just yet about what the writers are planning for that landmark anniversary but fans will no doubt be treated to some pretty iconic surprises.

According to Deadline, season 21 will consist of 18 episodes. The strike-impacted season 20 will end with 10 episodes, making it the shortest season since the show began in 2005. (Season 1 consists of 9 episodes.)

READ MORE: Here's how Meredith Grey leaves Grey's Anatomy in Ellen Pompeo's last episode

Responding to the news of the early renewal, creator and executive producer Shonda Rhimes wrote in a post: "Greys was something I made up 20+ years ago, and I am so incredibly proud that its been picked up for its 21st season. This honestly could not be possible without you guys..caring about the stories I tell, the talented cast, writers, and crew. Wow."

In another statement, issued to The Hollywood Reporter, Shonda added: "The loyalty and love of Greys Anatomy fans has propelled us into a historic 21st season, and I could not be more grateful. [Showrunner] Meg Marinis storytelling is a gift that continues to keep the show vibrant, compelling and alive, and I cant wait to see what she has in store for next season."

In early 2023, Ellen Pompeo officially ended her status as a series regular and the show's lead, and Meredith moved away from Seattle to Boston with her children. (She still pops up every now and then, provides the iconic voiceovers that open and close the episodes, and still serves as an executive producer.)

The early renewal is a clear testament to the show's staying power and popularity, even without Meredith and Ellen at the helm. Twenty years on, Grey's still attracts thousands and thousands of new viewers thanks to streaming and viral clips on TikTok.

According to various reports, the contracts for almost all of the show's leads are up for renegotiation at the end of season 20, so it's unclear who will return for season 21 just yet.

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Grey's Anatomy renewed for season 21 - PopBuzz

‘Grey’s Anatomy’ Fans Get a Big Update About the Future of the Show – MDJOnline.com

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'Grey's Anatomy' Fans Get a Big Update About the Future of the Show - MDJOnline.com