While the most exciting pop culture news of Thursday was a trailer for a movie where Bob Odenkirk gets the John Wick treatment, Disney also had its 2020 Investor Day, which some people care about. OK, a lot of people. The nearly four-hour presentation featured such an overwhelming deluge of announcements that sifting through the entirety of its ramifications would be too much to fit into one blog or podcast without turning into some weird Mickey Mouse manifesto. (This is where Im contractually obligated to tell you to keep an eye out for more Disney Investor Dayrelated content in the coming days at The Ringer dot com!) In the meantime, lets take stock of some of the companys biggest announcements with some Disney Investor Day winners and losers.

Disney made it clear earlier this year that its biggest priority as a company going forward would be its streaming empire, and the early returns have been promising. As announced during the Investor Day presentation, Disney+ is already up to 86 million subscribers. For a streaming service thats been active for just over a year, thats an incredible achievementespecially when you factor in that its slate of buzzy original programming basically begins and ends with The Mandalorian.

But Baby Yodasorry, Groguis finally getting some backup. Disney+ is going to be home to, per the companys own announcement, roughly 10 Marvel series and 10 Star Wars shows, to go along with more new content from National Geographic, Pixar, and Disney Animation. (To say nothing of more new programming coming to Hulu and ESPN+.) All told, most of the newly announced projects from Investor Daywith the exception of 2021 blockbusters like Black Widow and Jungle Cruise, which Disney confirmed will have theatrical releasesare going straight to streaming. If there were still any doubts that Disney+ would stake its claim as one of the biggest competitors to Netflixs streaming dominance, Investor Day was one hell of a mic (Thors hammer?) drop.

For the exhausting number of projects that Disney flexed, looking for something with an original conceit was like finding a needle in a haystack. Take the Star Wars news: There will be not one but two Mandalorian spinoffs; an already-announced prequel show about Rogue Ones Cassian Andor; a stand-alone Lando Calrissian series; the return of Hayden Christensen in the Obi-Wan miniseries (OK, thats lit); and something called A Droid Story, which will feature C-3PO and R2-D2. The only project that sounds remotely original is The Acolyte, a mystery-thriller set in the High Republic era from Russian Doll creator Leslye Headland. (The next Star Wars movie, Rogue Squadron, is also in safe hands with Patty Jenkins.)

All told, Disney seems reticent to expand its idea of Star Wars beyond the characters and ideas that George Lucas already builteven a breath of fresh air like The Mandalorian is being stripped for parts for spinoff material. (And to be fair, the two main characters on that show were already inspired by Yoda and Boba Fettnot exactly original stuff.) Its not just Star Wars: Disneys lack of original ideas spreads across the whole company. Even Pixar, long admired as a beacon of creative (and tear-jerking) ingenuity, is making a Buzz Lightyear movie with Chris Evans and spinoff shows featuring characters from Up and Cars. If Disney put even the slightest bit of effort into exploring new ideas instead of milking nostalgia dry, maybe it wouldnt feel so much like the Galactic Empire.

This is Buzz Aldrin erasure.

This is where the fun begins.

It hasnt been a great couple of years for Noah Hawley. The latest seasons of Legion and Fargo werent up to the showrunners usual high standards; his first feature film, Lucy in the Sky, was panned by critics and completely bombed at the box office. Naturally, then, the only thing to do with a guy whos strung together a years-long series of duds is hand him the reins of the Alien franchise?!

Yes, Hawley will be helming the first ever Alien TV series for FXand while my love of the franchise is such that I will always go to bat for Alien 3 and Alien: Resurrection (theyre good!), I have my doubts that this will be a fruitful pairing between creator and material. The sparse details of the project arent off to a great start, either: For some reason, the universe-spanning series will be taking place on [Checks notes.] Earth?! Thankfully, Ridley Scott is in talks to be involved as an executive producerfingers crossed he directs some episodes?so hopefully the granddaddy of the franchise will be able to curb some of Hawleys worst impulses. If not, well, at least we still have Raised by Wolves.

Lost amid all the Disney-related announcements were substantive updates about the film studio formerly known as Fox Searchlight (now Searchlight Pictures). All that the Investor Day could offer was a single tweet confirming that many films from Searchlightas well as 20th Century Studios, or what was once 20th Century Foxwill be making their way onto Hulu.

Searchlight is basically the Lets get some Oscars! arm of Fox, responsible for distributing recent Best Picture winners like 12 Years a Slave, Birdman, and The Shape of Waterto say nothing of buzzy nominees like The Favourite, Black Swan, and The Tree of Life. Searchlight is, in other words, one of the few areas of the Disney empire that is still committed to making nonfranchise films. (In a nonpandemic timeline, the studio would have already brought us Wes Andersons star-studded latest, The French Dispatch.) The lack of Searchlight-related updates isnt necessarily a death knellDisney knows that its investors are there to learn more about Marvel and Star Wars, not less-bankable-but-mostly-better moviesbut on the heels of Warner Bros. announcing that theyre dumping their entire 2021 movie slate onto HBO Max, the studio becoming a feeder system for Hulu isnt exactly a reassuring alternative for champions of the theatrical experience and nonfranchise cinema.

Not only does Disney+ have a subscriber base that dwarfs that of HBO Max, but the Mouse House is also sticking with theatrical runs for 2021 releases like Black Widow and Jungle Cruiseand will almost assuredly do the same with future movies from the Marvel Cinematic Universe and a fifth (and supposedly final) Indiana Jones entry from James Mangold.

A week after Warner Bros. put the future of the theatrical experience on blast, some huge-ass blockbusters being confirmed to make it to theaters counts as a bit of good news. (Hopefully movie theaters will be able to accommodate more than just $200 milliondollar blockbusters so that all other films arent dumped onto streaming services in our uncertain future, but thats a worry for another day.) Meanwhile, in the middle of Disneys showboating presentation, Dune director Denis Villeneuve published an op-ed in Variety slamming the Warner Bros. deal. This is fine.

In the event that I ever become a famous actor, Id like to follow Will Smiths and Chris Hemsworths lead. Both A-listers will be leading their own shows on National Geographic: In Welcome to Earth, Smith will take viewers on an awe-inspiring journey to unlock the secrets of this planets most extraordinary, unexplained phenomena that is, for some reason, executive produced by Darren Aronofsky; in Limitless, Hemsworth travels the world on Disneys dime to explore the limits of the human body. (No relation to the brain-enhancing pills from the Bradley Cooper movieas far as we know.)

The way I see it, Will Smith is getting paid to travel the globe and maybe take off-screen hallucinogens with the guy who made Mother!, and Hemsworth, who already looks like a Norse god, is trying to find the secret to immortality. We will all be watching with envy.

See the article here:
The Winners and Losers of Disneys Investor Day - The Ringer